Written by
Aleister Crowley |
[Dedicated to General J.C.F. Fuller]
Velvet soft the night-star glowed
Over the untrodden road,
Through the giant glades of yew
Where its ray fell light as dew
Lighting up the shimmering veil
Maiden pure and aery frail
That the spiders wove to hide
Blushes of the sylvan bride
Earth, that trembled with delight
At the male caress of Night.
Velvet soft the wizard trod
To the Sabbath of his God.
With his naked feet he made
Starry blossoms in the glade,
Softly, softly, as he went
To the sombre sacrament,
Stealthy stepping to the tryst
In his gown of amethyst.
Earlier yet his soul had come
To the Hill of Martyrdom,
Where the charred and crooked stake
Like a black envenomed snake
By the hangman's hands is thrust
Through the wet and writhing dust,
Never black and never dried
Heart's blood of a suicide.
He had plucked the hazel rod
From the rude and goatish god,
Even as the curved moon's waning ray
Stolen from the King of Day.
He had learnt the elvish sign;
Given the Token of the Nine:
Once to rave, and once to revel,
Once to bow before the devil,
Once to swing the thurible,
Once to kiss the goat of hell,
Once to dance the aspen spring,
Once to croak, and once to sing,
Once to oil the savoury thighs
Of the witch with sea-green eyes
With the unguents magical.
Oh the honey and the gall
Of that black enchanter's lips
As he croons to the eclipse
Mingling that most puissant spell
Of the giant gods of hell
With the four ingredients
Of the evil elements;
Ambergris from golden spar,
Musk of ox from Mongol jar,
Civet from a box of jade,
Mixed with fat of many a maid
Slain by the inchauntments cold
Of the witches wild and old.
He had crucified a toad
In the basilisk abode,
Muttering the Runes averse
Mad with many a mocking curse.
He had traced the serpent sigil
In his ghastly virgin vigil.
Sursum cor! the elfin hill,
Where the wind blows deadly chill
From the world that wails beneath
Death's black throat and lipless teeth.
There he had stood - his bosom bare -
Tracing Life upon the Air
With the crook and with the flail
Lashing forward on the gale,
Till its blade that wavereth
Like the flickering of Death
Sank before his subtle fence
To the starless sea of sense.
Now at last the man is come
Haply to his halidom.
Surely as he waves his rod
In a circle on the sod
Springs the emerald chaste and clean
From the duller paler green.
Surely in the circle millions
Of immaculate pavilions
Flash upon the trembling turf
Like the sea-stars in the surf -
Millions of bejewelled tents
For the warrior sacraments.
Vaster, vaster, vaster, vaster,
Grows the stature of the master;
All the ringed encampment vies
With the infinite galaxies.
In the midst a cubic stone
With the Devil set thereon;
Hath a lamb's virginal throat;
Hath the body of a stoat;
Hath the buttocks of a goat;
Hath the sanguine face and rod
Of a goddess and a god!
Spell by spell and pace by pace!
Mystic flashes swing and trace
Velvet soft the sigils stepped
By the silver-starred adept.
Back and front, and to and fro,
Soul and body sway and flow
In vertiginous caresses
To imponderable recesses,
Till at last the spell is woven,
And the faery veil is cloven
That was Sequence, Space, and Stress
Of the soul-sick consciousness.
"Give thy body to the beasts!
Give thy spirit to the priests!
Break in twain the hazel rod
On the virgin lips of God!
Tear the Rosy Cross asunder!
Shatter the black bolt of thunder!
Suck the swart ensanguine kiss
Of the resolute abyss!"
Wonder-weft the wizard heard
This intolerable word.
Smote the blasting hazel rod
On the scarlet lips of God;
Trampled Cross and rosy core;
Brake the thunder-tool of Thor;
Meek and holy acolyte
Of the priestly hells of spite,
Sleek and shameless catamite
Of the beasts that prowl the night!
Like a star that streams from heaven
Through the virgin airs light-riven,
From the lift there shot and fell
An admirable miracle.
Carved minute and clean, a key
Of purest lapis-lazuli
More blue than the blind sky that aches
(Wreathed with the stars, her torturing snakes),
For the dead god's kiss that never wakes;
Shot with golden specks of fire
Like a virgin with desire.
Look, the levers! fern-frail fronds
Of fantastic diamonds,
Glimmering with ethereal azure
In each exquisite embrasure.
On the shaft the letters laced,
As if dryads lunar-chaste
With the satyrs were embraced,
Spelled the secret of the key:
Sic pervenias. And he
Went his wizard way, inweaving
Dreams of things beyond believing.
When he will, the weary world
Of the senses closely curled
Like a serpent round his heart
Shakes herself and stands apart.
So the heart's blood flames, expanding,
Strenuous, urgent, and commanding;
And the key unlocks the door
Where his love lives evermore.
She is of the faery blood;
All smaragdine flows its flood.
Glowing in the amber sky
To ensorcelled porphyry
She hath eyes of glittering flake
Like a cold grey water-snake.
She hath naked breasts of amber
Jetting wine in her bed-chamber,
Whereof whoso stoops and drinks
Rees the riddle of the Sphinx.
She hath naked limbs of amber
Whereupon her children clamber.
She hath five navels rosy-red
From the five wounds of God that bled;
Each wound that mothered her still bleeding,
And on that blood her babes are feeding.
Oh! like a rose-winged pelican
She hath bred blessed babes to Pan!
Oh! like a lion-hued nightingale
She hath torn her breast on thorns to avail
The barren rose-tree to renew
Her life with that disastrous dew,
Building the rose o' the world alight
With music out of the pale moonlight!
O She is like the river of blood
That broke from the lips of the bastard god,
When he saw the sacred mother smile
On the ibis that flew up the foam of Nile
Bearing the limbs unblessed, unborn,
That the lurking beast of Nile had torn!
So (for the world is weary) I
These dreadful souls of sense lay by.
I sacrifice these impure shoon
To the cold ray of the waning moon.
I take the forked hazel staff,
And the rose of no terrene graff,
And the lamp of no olive oil
With heart's blood that alone may boil.
With naked breast and feet unshod
I follow the wizard way to God.
Wherever he leads my foot shall follow;
Over the height, into the hollow,
Up to the caves of pure cold breath,
Down to the deeps of foul hot death,
Across the seas, through the fires,
Past the palace of desires;
Where he will, whether he will or no,
If I go, I care not whither I go.
For in me is the taint of the faery blood.
Fast, fast its emerald flood
Leaps within me, violent rude
Like a bestial faun's beatitude.
In me the faery blood runs hard:
My sires were a druid, a devil, a bard,
A beast, a wizard, a snake and a satyr;
For - as my mother said - what does it matter?
She was a fay, pure of the faery;
Queen Morgan's daughter by an aery
Demon that came to Orkney once
To pay the Beetle his orisons.
So, it is I that writhe with the twitch
Of the faery blood, and the wizard itch
To attain a matter one may not utter
Rather than sink in the greasy splutter
Of Britons munching their bread and butter;
Ailing boys and coarse-grained girls
Grown to sloppy women and brutal churls.
So, I am off with staff in hand
To the endless light of the nameless land.
Darkness spreads its sombre streams,
Blotting out the elfin dreams.
I might haply be afraid,
Were it not the Feather-maid
Leads me softly by the hand,
Whispers me to understand.
Now (when through the world of weeping
Light at last starrily creeping
Steals upon my babe-new sight,
Light - O light that is not light!)
On my mouth the lips of her
Like a stone on my sepulchre
Seal my speech with ecstasy,
Till a babe is born of me
That is silent more than I;
For its inarticulate cry
Hushes as its mouth is pressed
To the pearl, her honey breast;
While its breath divinely ripples
The rose-petals of her nipples,
And the jetted milk he laps
From the soft delicious paps,
Sweeter than the bee-sweet showers
In the chalice of the flowers,
More intoxicating than
All the purple grapes of Pan.
Ah! my proper lips are stilled.
Only, all the world is filled
With the Echo, that drips over
Like the honey from the clover.
Passion, penitence, and pain
Seek their mother's womb again,
And are born the triple treasure,
Peace and purity and pleasure.
- Hush, my child, and come aloft
Where the stars are velvet soft!
|
Written by
Andre Breton |
(Translated from the French by Edouard Rodti)
My wife with the hair of a wood fire
With the thoughts of heat lightning
With the waist of an hourglass
With the waist of an otter in the teeth of a tiger
My wife with the lips of a cockade and of a bunch of stars of the last magnitude
With the teeth of tracks of white mice on the white earth
With the tongue of rubbed amber and glass
My wife with the tongue of a stabbed host
With the tongue of a doll that opens and closes its eyes
With the tongue of an unbelievable stone
My wife with the eyelashes of strokes of a child's writing
With brows of the edge of a swallow's nest
My wife with the brow of slates of a hothouse roof
And of steam on the panes
My wife with shoulders of champagne
And of a fountain with dolphin-heads beneath the ice
My wife with wrists of matches
My wife with fingers of luck and ace of hearts
With fingers of mown hay
My wife with armpits of marten and of beechnut
And of Midsummer Night
Of privet and of an angelfish nest
With arms of seafoam and of riverlocks
And of a mingling of the wheat and the mill
My wife with legs of flares
With the movements of clockwork and despair
My wife with calves of eldertree pith
My wife with feet of initials
With feet of rings of keys and Java sparrows drinking
My wife with a neck of unpearled barley
My wife with a throat of the valley of gold
Of a tryst in the very bed of the torrent
With breasts of night
My wife with breasts of a marine molehill
My wife with breasts of the ruby's crucible
With breasts of the rose's spectre beneath the dew
My wife with the belly of an unfolding of the fan of days
With the belly of a gigantic claw
My wife with the back of a bird fleeing vertically
With a back of quicksilver
With a back of light
With a nape of rolled stone and wet chalk
And of the drop of a glass where one has just been drinking
My wife with hips of a skiff
With hips of a chandelier and of arrow-feathers
And of shafts of white peacock plumes
Of an insensible pendulum
My wife with buttocks of sandstone and asbestos
My wife with buttocks of swans' backs
My wife with buttocks of spring
With the sex of an iris
My wife with the sex of a mining-placer and of a platypus
My wife with a sex of seaweed and ancient sweetmeat
My wife with a sex of mirror
My wife with eyes full of tears
With eyes of purple panoply and of a magnetic needle
My wife with savanna eyes
My wife with eyes of water to he drunk in prison
My wife with eyes of wood always under the axe
My wife with eyes of water-level of level of air earth and fire
|
Written by
Sir Walter Scott |
To the Lords of Convention ’twas Claver’se who spoke.
‘Ere the King’s crown shall fall there are crowns to be broke;
So let each Cavalier who loves honour and me,
Come follow the bonnet of Bonny Dundee.
Come fill up my cup, come fill up my can,
Come saddle your horses, and call up your men;
Come open the West Port and let me gang free,
And it’s room for the bonnets of Bonny Dundee!’
Dundee he is mounted, he rides up the street,
The bells are rung backward, the drums they are beat;
But the Provost, douce man, said, ‘Just e’en let him be,
The Gude Town is weel quit of that Deil of Dundee.’
Come fill up my cup, etc.
As he rode down the sanctified bends of the Bow,
Ilk carline was flyting and shaking her pow;
But the young plants of grace they looked couthie and slee,
Thinking luck to thy bonnet, thou Bonny Dundee!
Come fill up my cup, etc.
With sour-featured Whigs the Grass-market was crammed,
As if half the West had set tryst to be hanged;
There was spite in each look, there was fear in each e’e,
As they watched for the bonnets of Bonny Dundee.
Come fill up my cup, etc.
These cowls of Kilmarnock had spits and had spears,
And lang-hafted gullies to kill cavaliers;
But they shrunk to close-heads and the causeway was free,
At the toss of the bonnet of Bonny Dundee.
Come fill up my cup, etc.
He spurred to the foot of the proud Castle rock,
And with the gay Gordon he gallantly spoke;
‘Let Mons Meg and her marrows speak twa words or three,
For the love of the bonnet of Bonny Dundee.’
Come fill up my cup, etc.
The Gordon demands of him which way he goes—
‘Where’er shall direct me the shade of Montrose!
Your Grace in short space shall hear tidings of me,
Or that low lies the bonnet of Bonny Dundee.
Come fill up my cup, etc.
‘There are hills beyond Pentland and lands beyond Forth,
If there’s lords in the Lowlands, there’s chiefs in the North;
There are wild Duniewassals three thousand times three,
Will cry hoigh! for the bonnet of Bonny Dundee.
Come fill up my cup, etc.
‘There’s brass on the target of barkened bull-hide;
There’s steel in the scabbard that dangles beside;
The brass shall be burnished, the steel shall flash free,
At the toss of the bonnet of Bonny Dundee.
Come fill up my cup, etc.
‘Away to the hills, to the caves, to the rocks—
Ere I own an usurper, I’ll couch with the fox;
And tremble, false Whigs, in the midst of your glee,
You have not seen the last of my bonnet and me!’
Come fill up my cup, etc.
He waved his proud hand, the trumpets were blown,
The kettle-drums clashed and the horsemen rode on,
Till on Ravelston’s cliffs and on Clermiston’s lee
Died away the wild war-notes of Bonny Dundee.
Come fill up my cup, come fill up my can,
Come saddle the horses, and call up the men,
Come open your gates, and let me gae free,
For it’s up with the bonnets of Bonny Dundee!
|
Written by
David Lehman |
The woman said yes she would go to Australia with him
Unless he heard wrong and she said Argentina
Where they could learn the tango and pursue the widows
Of Nazi war criminals unrepentant to the end.
But no, she said Australia. She'd been born in New Zealand.
The difference between the two places was the difference
Between a hamburger and a chocolate malted, she said.
In the candy store across from the elementary school,
They planned their tryst. She said Australia, which meant
She was willing to go to bed with him, and this
Was before her husband's coronary
At a time when a woman didn't take off her underpants
If she didn't like you. She said Australia,
And he saw last summer's seashell collection
In a plastic bag on a shelf in the mud room
With last summer's sand. The cycle of sexual captivity
Beginning in romance and ending in adultery
Was now in the late middle phases, the way America
Had gone from barbarism to amnesia without
A period of high decadence, which meant something,
But what? A raft on the rapids? The violinist
At the gate? Oh, absolute is the law of biology.
For the *********** seminar, what should she wear?
|
Written by
Hart Crane |
My hands have not touched pleasure since your hands, --
No, -- nor my lips freed laughter since 'farewell',
And with the day, distance again expands
Voiceless between us, as an uncoiled shell.
Yet, love endures, though starving and alone.
A dove's wings clung about my heart each night
With surging gentleness, and the blue stone
Set in the tryst-ring has but worn more bright.
|
Written by
Vachel Lindsay |
I
I hate this yoke; for the world's sake here put it on:
Knowing 'twill weigh as much on you till life is gone.
Knowing you love your freedom dear, as I love mine—
Knowing that love unchained has been our life's great wine:
Our one great wine (yet spent too soon, and serving none;
Of the two cups free love at last the deadly one).
II
We grant our meetings will be tame, not honey-sweet
No longer turning to the tryst with flying feet.
We know the toil that now must come will spoil the bloom
And tenderness of passion's touch, and in its room
Will come tame habit, deadly calm, sorrow and gloom.
Oh, how the battle sears the best who enter life!
Each soidier comes out blind or lame from the black strife.
Mad or diseased or damned of soul the best may come—
It matters not how merrily now rolls the drum,
The fife shrills high, the horn sings loud, till no steps lag—
And all adore that silken flame, Desire's great flag.
III
We will build strong our tiny fort, strong as we can—
Holding one inner room beyond the sword of man.
Love is too wide, it seems to-day, to hide it there.
It seems to flood the fields of corn, and gild the air—
It seems to breathe from every brook, from flowers to sigh—
It seems a cataract poured down from the great sky;
It seems a tenderness so vast no bush but shows
Its haunting and transfiguring light where wonder glows.
It wraps us in a silken snare by shadowy streams,
And wildering sweet and stung with joy your white soul seems
A flame, a flame, conquering day, conquering night,
Brought from our God, a holy thing, a mad delight.
But love, when all things beat it down, leaves the wide air,
The heavens are gray, and men turn wolves, lean with despair.
Ah, when we need love most, and weep, when all is dark,
Love is a pinch of ashes gray, with one live spark—
Yet on the hope to keep alive that treasure strange
Hangs all earth's struggle, strife and scorn, and desperate change.
IV
Love? . . . we will scarcely love our babes full many a time—
Knowing their souls and ours too well, and all our grime—
And there beside our holy hearth we'll hide our eyes—
Lest we should flash what seems disdain without disguise.
Yet there shall be no wavering there in that deep trial—
And no false fire or stranger hand or traitor vile—
We'll fight the gloom and fight the world with strong sword-play,
Entrenched within our block-house small, ever at bay—
As fellow-warriors, underpaid, wounded and wild,
True to their battered flag, their faith still undefiled!
|
Written by
Conrad Aiken |
I.
Moonlight silvers the tops of trees,
Moonlight whitens the lilac shadowed wall
And through the evening fall,
Clearly, as if through enchanted seas,
Footsteps passing, an infinite distance away,
In another world and another day.
Moonlight turns the purple lilacs blue,
Moonlight leaves the fountain hoar and old,
And the boughs of elms grow green and cold,
Our footsteps echo on gleaming stones,
The leaves are stirred to a jargon of muted tones.
This is the night we have kept, you say:
This is the moonlit night that will never die.
Through the grey streets our memories retain
Let us go back again.
II.
Mist goes up from the river to dim the stars,
The river is black and cold; so let us dance
To flare of horns, and clang of cymbals and drums;
And strew the glimmering floor with roses,
And remember, while the rich music yawns and closes,
With a luxury of pain, how silence comes.
Yes, we loved each other, long ago;
We moved like wind to a music's ebb and flow.
At a phrase from violins you closed your eyes,
And smiled, and let me lead you how young we were!
Your hair, upon that music, seemed to stir.
Let us return there, let us return, you and I;
Through changeless streets our memories retain
Let us go back again.
III.
Mist goes up from the rain steeped earth, and clings
Ghostly with lamplight among drenched maple trees.
We walk in silence and see how the lamplight flings
Fans of shadow upon it the music's mournful pleas
Die out behind us, the door is closed at last,
A net of silver silence is softly cast
Over our thought slowly we walk,
Quietly with delicious pause, we talk,
Of foolish trivial things; of life and death,
Time, and forgetfulness, and dust and truth;
Lilacs and youth.
You laugh, I hear the after taken breath,
You darken your eyes and turn away your head
At something I have said
Some intuition that flew too deep,
And struck a plageant chord.
Tonight, tonight you will remember it as you fall asleep,
Your dream will suddenly blossom with sharp delight,
Goodnight! You say.
The leaves of the lilac dip and sway;
The purple spikes of bloom
Nod their sweetness upon us, lift again,
Your white face turns, I am cought with pain
And silence descends, and dripping of dew from eaves,
And jeweled points of leaves.
IV.
I walk in a pleasure of sorrow along the street
And try to remember you; slow drops patter;
Water upon the lilacs has made them sweet;
I brush them with my sleeve, the cool drops scatter;
And suddenly I laugh and stand and listen
As if another had laughed a gust
Rustles the leaves, the wet spikes glisten;
And it seems as though it were you who had shaken the bough,
And spilled the fragrance I pursue your face again,
It grows more vague and lovely, it eludes me now.
I remember that you are gone, and drown in pain.
Something there was I said to you I recall,
Something just as the music seemed to fall
That made you laugh, and burns me still with pleasure.
What were those words the words like dripping fire?
I remember them now, and in sweet leisure
Rehearse the scene, more exquisite than before,
And you more beautiful, and I more wise.
Lilacs and spring, and night, and your clear eyes,
And you, in white, by the darkness of a door:
These things, like voices weaving to richest music,
Flow and fall in the cool night of my mind,
I pursue your ghost among green leaves that are ghostly,
I pursue you, but cannot find.
And suddenly, with a pang that is sweetest of all,
I become aware that I cannot remember you;
The ghost I knew
Has silently plunged in shadows, shadows that stream and fall.
V.
Let us go in and dance once more
On the dream's glimmering floor,
Beneath the balcony festooned with roses.
Let us go in and dance once more.
The door behind us closes
Against an evening purple with stars and mist.
Let us go in and keep our tryst
With music and white roses, and spin around
In swirls of sound.
Do you forsee me, married and grown old?
And you, who smile about you at this room,
Is it foretold
That you must step from tumult into gloom,
Forget me, love another?
No, you are Cleopatra, fiercely young,
Laughing upon the topmost stair of night;
Roses upon the desert must be flung;
Above us, light by light,
Weaves the delirious darkness, petal fall,
And music breaks in waves on the pillared wall;
And you are Cleopatra, and do not care.
And so, in memory, you will always be
Young and foolish, a thing of dream and mist;
And so, perhaps when all is disillusioned,
And eternal spring returns once more,
Bringing a ghost of lovelier springs remembered,
You will remember me.
VI.
Yet when we meet we seem in silence to say,
Pretending serene forgetfulness of our youth,
"Do you remember but then why should you remember!
Do you remember a certain day,
Or evening rather, spring evening long ago,
We talked of death, and love, and time, and truth,
And said such wise things, things that amused us so
How foolish we were, who thought ourselves so wise!"
And then we laugh, with shadows in our eyes.
|
Written by
Oscar Wilde |
Against these turbid turquoise skies
The light and luminous balloons
Dip and drift like satin moons
Drift like silken butterflies;
Reel with every windy gust,
Rise and reel like dancing girls,
Float like strange transparent pearls,
Fall and float like silver dust.
Now to the low leaves they cling,
Each with coy fantastic pose,
Each a petal of a rose
Straining at a gossamer string.
Then to the tall trees they climb,
Like thin globes of amethyst,
Wandering opals keeping tryst
With the rubies of the lime.
|
Written by
Thomas Hardy |
A forward rush by the lamp in the gloom,
And we clasped, and almost kissed;
But she was not the woman whom
I had promised to meet in the thawing brume
On that harbour-bridge; nor was I he of her tryst.
So loosening from me swift she said:
"O why, why feign to be
The one I had meant - to whom I have sped
To fly with, being so sorrily wed,"
'Twas thus and thus that she upbraided me.
My assignation had struck upon
Some others' like it, I found.
And her lover rose on the night anon;
And then her husband entered on
The lamplit, snowflaked, sloppiness around.
"Take her and welcome, man!" he cried:
"I wash my hands of her.
I'll find me twice as good a bride!"
- All this to me, whom he had eyed,
Plainly, as his wife's planned deliverer.
And next the lover: "Little I knew,
Madam, you had a third!
Kissing here in my very view!"
- Husband and lover then withdrew.
I let them; and I told them not they erred.
Why not? Well, there faced she and I -
Two strangers who'd kissed, or near,
Chancewise. To see stand weeping by
A woman once embraced, will try
The tension of a man the most austere.
So it began; and I was young,
She pretty, by the lamp,
As flakes came waltzing down among
The waves of her clinging hair, that hung
Heavily on her temples, dark and damp.
And there alone still stood we two;
She once cast off for me,
Or so it seemed: while night ondrew,
Forcing a parley what should do
We twain hearts caught in one catastrophe.
In stranded souls a common strait
Wakes latencies unknown,
Whose impulse may precipitate
A life-long leap. The hour was late,
And there was the Jersey boat with its funnel agroan.
"Is wary walking worth much pother?"
It grunted, as still it stayed.
"One pairing is as good as another
Where is all venture! Take each other,
And scrap the oaths that you have aforetime made."
- Of the four involved there walks but one
On earth at this late day.
And what of the chapter so begun?
In that odd complex what was done?
Well; happiness comes in full to none:
Let peace lie on lulled lips: I will not say.
|
Written by
Robert William Service |
I
The Moon is like a ping-pong ball;
I lean against the orchard wall,
And see it soar into the void,
A silky sphere of celluloid.
Then fairy fire enkindles it,
Like gossamer by taper lit,
Until it glows above the trees
As mellow as a Cheddar cheese.
And up and up I watch it press
Into appalling loneliness;
Like realms of ice without a stain,
A corpse Moon come to life again.
Ruthless it drowns a sturdy star
That seeks its regal way to bar;
Seeming with conscious power to grow,
And sweeter, purer, gladder glow.
Dreaming serenely up the sky
Until exultantly on high,
It shimmers with superb delight,
The silver navel of the night.
II
I have a compact to commune
A monthly midnight with the Moon;
Into its face I stare and stare,
And find sweet understanding there.
As quiet as a toad I sit
And tell my tale of days to it;
The tessellated yarn I've spun
In thirty spells of star and sun.
And the Moon listens pensively,
As placid as a lamb to me;
Until I think there's just us two
In silver world of mist and dew.
In all of spangled space, but I
To stare moon-struck into the sky;
Of billion beings I alone
To praise the Moon as still as stone.
And seal a bond between us two,
Closer than mortal ever knew;
For as mute masses I intone
The Moon is mine and mine alone.
III
To know the Moon as few men may,
One must be just a little fey;
And for our friendship's sake I'm glad
That I am just a trifle mad.
And one with all the wild, wise things,
The furtive folk of fur and wings,
That hold the Moon within their eyes,
And make it nightly sacrifice.
O I will watch the maiden Moon
Dance on the sea with silver shoon;
But with the Queen Moon I will keep
My tryst when all the world's asleep.
As I have kept by land and sea
That tryst for half a century;
Entranced in sibylline suspense
Beyond a world of common-sense.
Until one night the Moon alone
Will look upon a graven stone. . . .
I wonder will it miss me then,
Its lover more than other men?
Or will my wistful ghost be there,
Down ages dim to stare and stare,
On silver nights without a stir--
The Moon's Eternal Worshipper?
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