Get Your Premium Membership

Best Famous Try On Poems

Here is a collection of the all-time best famous Try On poems. This is a select list of the best famous Try On poetry. Reading, writing, and enjoying famous Try On poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of try on poems.

Search and read the best famous Try On poems, articles about Try On poems, poetry blogs, or anything else Try On poem related using the PoetrySoup search engine at the top of the page.

See Also:
Written by Spike Milligan | Create an image from this poem

The Lion

 If you're attacked by a Lion
Find fresh underpants to try on
Lay on the ground quite still
Pretend you are very ill
Keep like that day after day
Perhaps the lion will go away


Written by Anne Sexton | Create an image from this poem

Again and Again and Again

 You said the anger would come back 
just as the love did.
I have a black look I do not like.
It is a mask I try on.
I migrate toward it and its frog sits on my lips and defecates.
It is old.
It is also a pauper.
I have tried to keep it on a diet.
I give it no unction.
There is a good look that I wear like a blood clot.
I have sewn it over my left breast.
I have made a vocation of it.
Lust has taken plant in it and I have placed you and your child at its milk tip.
Oh the blackness is murderous and the milk tip is brimming and each machine is working and I will kiss you when I cut up one dozen new men and you will die somewhat, again and again.
Written by Denise Duhamel | Create an image from this poem

Kinky

 They decide to exchange heads.
Barbie squeezes the small opening under her chin over Ken's bulging neck socket.
His wide jaw line jostles atop his girlfriend's body, loosely, like one of those novelty dogs destined to gaze from the back windows of cars.
The two dolls chase each other around the orange Country Camper unsure what they'll do when they're within touching distance.
Ken wants to feel Barbie's toes between his lips, take off one of her legs and force his whole arm inside her.
With only the vaguest suggestion of genitals, all the alluring qualities they possess as fashion dolls, up until now, have done neither of them much good.
But suddenly Barbie is excited looking at her own body under the weight of Ken's face.
He is part circus freak, part thwarted hermaphrodite.
And she is imagining she is somebody else-- maybe somebody middle class and ordinary, maybe another teenage model being caught in a scandal.
The night had begun with Barbie getting angry at finding Ken's blow up doll, folded and stuffed under the couch.
He was defensive and ashamed, especially about not having the breath to inflate her.
But after a round of pretend-tears, Barbie and Ken vowed to try to make their relationship work.
With their good memories as sustaining as good food, they listened to late-night radio talk shows, one featuring Doctor Ruth.
When all else fails, just hold each other, the small sex therapist crooned.
Barbie and Ken, on cue, groped in the dark, their interchangeable skin glowing, the color of Band-Aids.
Then, they let themselves go-- Soon Barbie was begging Ken to try on her spandex miniskirt.
She showed him how to pivot as though he was on a runway.
Ken begged to tie Barbie onto his yellow surfboard and spin her on the kitcen table until she grew dizzy.
Anything, anything, they both said to the other's requests, their mirrored desires bubbling from the most unlikely places.
Written by Henry Lawson | Create an image from this poem

Peter Anderson And Co

 He had offices in Sydney, not so many years ago, 
And his shingle bore the legend `Peter Anderson and Co.
', But his real name was Careless, as the fellows understood -- And his relatives decided that he wasn't any good.
'Twas their gentle tongues that blasted any `character' he had -- He was fond of beer and leisure -- and the Co.
was just as bad.
It was limited in number to a unit, was the Co.
-- 'Twas a bosom chum of Peter and his Christian name was Joe.
'Tis a class of men belonging to these soul-forsaken years: Third-rate canvassers, collectors, journalists and auctioneers.
They are never very shabby, they are never very spruce -- Going cheerfully and carelessly and smoothly to the deuce.
Some are wanderers by profession, `turning up' and gone as soon, Travelling second-class, or steerage (when it's cheap they go saloon); Free from `ists' and `isms', troubled little by belief or doubt -- Lazy, purposeless, and useless -- knocking round and hanging out.
They will take what they can get, and they will give what they can give, God alone knows how they manage -- God alone knows how they live! They are nearly always hard-up, but are cheerful all the while -- Men whose energy and trousers wear out sooner than their smile! They, no doubt, like us, are haunted by the boresome `if' or `might', But their ghosts are ghosts of daylight -- they are men who live at night! Peter met you with the comic smile of one who knows you well, And is mighty glad to see you, and has got a joke to tell; He could laugh when all was gloomy, he could grin when all was blue, Sing a comic song and act it, and appreciate it, too.
Only cynical in cases where his own self was the jest, And the humour of his good yarns made atonement for the rest.
Seldom serious -- doing business just as 'twere a friendly game -- Cards or billiards -- nothing graver.
And the Co.
was much the same.
They tried everything and nothing 'twixt the shovel and the press, And were more or less successful in their ventures -- mostly less.
Once they ran a country paper till the plant was seized for debt, And the local sinners chuckle over dingy copies yet.
They'd been through it all and knew it in the land of Bills and Jims -- Using Peter's own expression, they had been in `various swims'.
Now and then they'd take an office, as they called it, -- make a dash Into business life as `agents' -- something not requiring cash.
(You can always furnish cheaply, when your cash or credit fails, With a packing-case, a hammer, and a pound of two-inch nails -- And, maybe, a drop of varnish and sienna, too, for tints, And a scrap or two of oilcloth, and a yard or two of chintz).
They would pull themselves together, pay a week's rent in advance, But it never lasted longer than a month by any chance.
The office was their haven, for they lived there when hard-up -- A `daily' for a table cloth -- a jam tin for a cup; And if the landlord's bailiff happened round in times like these And seized the office-fittings -- well, there wasn't much to seize -- They would leave him in possession.
But at other times they shot The moon, and took an office where the landlord knew them not.
And when morning brought the bailiff there'd be nothing to be seen Save a piece of bevelled cedar where the tenant's plate had been; There would be no sign of Peter -- there would be no sign of Joe Till another portal boasted `Peter Anderson and Co.
' And when times were locomotive, billiard-rooms and private bars -- Spicy parties at the cafe -- long cab-drives beneath the stars; Private picnics down the Harbour -- shady campings-out, you know -- No one would have dreamed 'twas Peter -- no one would have thought 'twas Joe! Free-and-easies in their `diggings', when the funds began to fail, Bosom chums, cigars, tobacco, and a case of English ale -- Gloriously drunk and happy, till they heard the roosters crow -- And the landlady and neighbours made complaints about the Co.
But that life! it might be likened to a reckless drinking-song, For it can't go on for ever, and it never lasted long.
.
.
.
.
.
Debt-collecting ruined Peter -- people talked him round too oft, For his heart was soft as butter (and the Co.
's was just as soft); He would cheer the haggard missus, and he'd tell her not to fret, And he'd ask the worried debtor round with him to have a wet; He would ask him round the corner, and it seemed to him and her, After each of Peter's visits, things were brighter than they were.
But, of course, it wasn't business -- only Peter's careless way; And perhaps it pays in heaven, but on earth it doesn't pay.
They got harder up than ever, and, to make it worse, the Co.
Went more often round the corner than was good for him to go.
`I might live,' he said to Peter, `but I haven't got the nerve -- I am going, Peter, going -- going, going -- no reserve.
Eat and drink and love they tell us, for to-morrow we may die, Buy experience -- and we bought it -- we're experienced, you and I.
' Then, with a weary movement of his hand across his brow: `The death of such philosophy's the death I'm dying now.
Pull yourself together, Peter; 'tis the dying wish of Joe That the business world shall honour Peter Anderson and Co.
`When you feel your life is sinking in a dull and useless course, And begin to find in drinking keener pleasure and remorse -- When you feel the love of leisure on your careless heart take holt, Break away from friends and pleasure, though it give your heart a jolt.
Shun the poison breath of cities -- billiard-rooms and private bars, Go where you can breathe God's air and see the grandeur of the stars! Find again and follow up the old ambitions that you had -- See if you can raise a drink, old man, I'm feelin' mighty bad -- Hot and sweetened, nip o' butter -- squeeze o' lemon, Pete,' he sighed.
And, while Peter went to fetch it, Joseph went to sleep -- and died With a smile -- anticipation, maybe, of the peace to come, Or a joke to try on Peter -- or, perhaps, it was the rum.
.
.
.
.
.
Peter staggered, gripped the table, swerved as some old drunkard swerves -- At a gulp he drank the toddy, just to brace his shattered nerves.
It was awful, if you like.
But then he hadn't time to think -- All is nothing! Nothing matters! Fill your glasses -- dead man's drink.
.
.
.
.
.
Yet, to show his heart was not of human decency bereft, Peter paid the undertaker.
He got drunk on what was left; Then he shed some tears, half-maudlin, on the grave where lay the Co.
, And he drifted to a township where the city failures go.
Where, though haunted by the man he was, the wreck he yet might be, Or the man he might have been, or by each spectre of the three, And the dying words of Joseph, ringing through his own despair, Peter `pulled himself together' and he started business there.
But his life was very lonely, and his heart was very sad, And no help to reformation was the company he had -- Men who might have been, who had been, but who were not in the swim -- 'Twas a town of wrecks and failures -- they appreciated him.
They would ask him who the Co.
was -- that ***** company he kept -- And he'd always answer vaguely -- he would say his partner slept; That he had a `sleeping partner' -- jesting while his spirit broke -- And they grinned above their glasses, for they took it as a joke.
He would shout while he had money, he would joke while he had breath -- No one seemed to care or notice how he drank himself to death; Till at last there came a morning when his smile was seen no more -- He was gone from out the office, and his shingle from the door, And a boundary-rider jogging out across the neighb'ring run Was attracted by a something that was blazing in the sun; And he found that it was Peter, lying peacefully at rest, With a bottle close beside him and the shingle on his breast.
Well, they analysed the liquor, and it would appear that he Qualified his drink with something good for setting spirits free.
Though 'twas plainly self-destruction -- `'twas his own affair,' they said; And the jury viewed him sadly, and they found -- that he was dead.
Written by Robert Pinsky | Create an image from this poem

Poem With Refrains

 The opening scene.
The yellow, coal-fed fog Uncurling over the tainted city river, A young girl rowing and her anxious father Scavenging for corpses.
Funeral meats.
The clever Abandoned orphan.
The great athletic killer Sulking in his tent.
As though all stories began With someone dying.
When her mother died, My mother refused to attend the funeral-- In fact, she sulked in her tent all through the year Of the old lady's dying.
I don't know why: She said, because she loved her mother so much She couldn't bear to see the way the doctors, Or her father, or--someone--was letting her mother die.
"Follow your saint, follow with accents sweet; Haste you, sad notes, fall at her flying feet.
" She fogs things up, she scavenges the taint.
Possibly that's the reason I write these poems.
But they did speak: on the phone.
Wept and argued, So fiercely one or the other often cut off A sentence by hanging up in rage--like lovers, But all that year she never saw her face.
They lived on the same block, four doors apart.
"Absence my presence is; strangeness my grace; With them that walk against me is my sun.
" "Synagogue" is a word I never heard, We called it shul, the Yiddish word for school.
Elms, terra-cotta, the ocean a few blocks east.
"Lay institution": she taught me we didn't think God lived in it.
The rabbi is just a teacher.
But what about the hereditary priests, Descendants of the Cohanes of the Temple, Like Walter Holtz--I called him Uncle Walter, When I was small.
A big man with a face Just like a boxer dog or a cartoon sergeant.
She told me whenever he helped a pretty woman Try on a shoe in his store, he'd touch her calf And ask her, "How does that feel?" I was too little To get the point but pretended to understand.
"Desire, be steady; hope is your delight, An orb wherein no creature can ever be sorry.
" She didn't go to my bar mitzvah, either.
I can't say why: she was there, and then she wasn't.
I looked around before I mounted the steps To chant that babble and the speech the rabbi wrote And there she wasn't, and there was Uncle Walter The Cohane frowning with his doggy face: "She's missing her own son's musaf.
" Maybe she just Doesn't like rituals.
Afterwards, she had a reason I don't remember.
I wasn't upset: the truth Is, I had decided to be the clever orphan Some time before.
By now, it's all a myth.
What is a myth but something that seems to happen Always for the first time over and over again? And ten years later, she missed my brother's, too.
I'm sorry: I think it was something about a hat.
"Hot sun, cool fire, tempered with sweet air, Black shade, fair nurse, shadow my white hair; Shine, sun; burn, fire; breathe, air, and ease me.
" She sees the minister of the Nation of Islam On television, though she's half-blind in one eye.
His bow tie is lime, his jacket crocodile green.
Vigorously he denounces the Jews who traded in slaves, The Jews who run the newspapers and the banks.
"I see what this guy is mad about now," she says, "It must have been some Jew that sold him the suit.
" "And the same wind sang and the same wave whitened, And or ever the garden's last petals were shed, In the lips that had whispered, the eyes that had lightened.
" But when they unveiled her mother's memorial stone, Gathered at the graveside one year after the death, According to custom, while we were standing around About to begin the prayers, her car appeared.
It was a black car; the ground was deep in snow.
My mother got out and walked toward us, across The field of gravestones capped with snow, her coat Black as the car, and they waited to start the prayers Until she arrived.
I think she enjoyed the drama.
I can't remember if she prayed or not, But that may be the way I'll remember her best: Dark figure, awaited, attended, aware, apart.
"The present time upon time passëd striketh; With Phoebus's wandering course the earth is graced.
The air still moves, and by its moving, cleareth; The fire up ascends, and planets feedeth; The water passeth on, and all lets weareth; The earth stands still, yet change of changes breedeth.
"


Written by Robert William Service | Create an image from this poem

My Brothers

 While I make rhymes my brother John
Makes shiny shoes which dames try on,
And finding to their fit and stance
They buy and wear with elegance;
But mine is quite another tale,--
 For song there is no sale.
My brother Tom a tailor shop Is owner of, and ladies stop To try the models he has planned, And richly pay, I understand: Yet not even a dingy dime Can I make with my rhyme.
My brother Jim sells stuff to eat Like trotters, tripe and sausage meat.
I dare not by his window stop, Lest he should offer me a chop; For though a starving bard I be, To hell, say I, with charity! My brothers all are proud of purse, But though my poverty I curse, I would not for a diadem Exchange my lowly lot with them: A garret and a crust for me, And reams and dreams of Poetry.

Book: Shattered Sighs