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Best Famous Trumpets Poems

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Written by Allen Ginsberg | Create an image from this poem

Plutonian Ode

 I

What new element before us unborn in nature? Is there
 a new thing under the Sun?
At last inquisitive Whitman a modern epic, detonative,
 Scientific theme
First penned unmindful by Doctor Seaborg with poison-
 ous hand, named for Death's planet through the 
 sea beyond Uranus
whose chthonic ore fathers this magma-teared Lord of 
 Hades, Sire of avenging Furies, billionaire Hell-
 King worshipped once
with black sheep throats cut, priests's face averted from
 underground mysteries in single temple at Eleusis,
Spring-green Persephone nuptialed to his inevitable
 Shade, Demeter mother of asphodel weeping dew,
her daughter stored in salty caverns under white snow, 
 black hail, grey winter rain or Polar ice, immemor-
 able seasons before
Fish flew in Heaven, before a Ram died by the starry
 bush, before the Bull stamped sky and earth
or Twins inscribed their memories in clay or Crab'd
 flood
washed memory from the skull, or Lion sniffed the
 lilac breeze in Eden--
Before the Great Year began turning its twelve signs,
 ere constellations wheeled for twenty-four thousand
 sunny years
slowly round their axis in Sagittarius, one hundred 
 sixty-seven thousand times returning to this night

Radioactive Nemesis were you there at the beginning 
 black dumb tongueless unsmelling blast of Disil-
 lusion?
I manifest your Baptismal Word after four billion years
I guess your birthday in Earthling Night, I salute your
 dreadful presence last majestic as the Gods,
Sabaot, Jehova, Astapheus, Adonaeus, Elohim, Iao, 
 Ialdabaoth, Aeon from Aeon born ignorant in an
 Abyss of Light,
Sophia's reflections glittering thoughtful galaxies, whirl-
 pools of starspume silver-thin as hairs of Einstein!
Father Whitman I celebrate a matter that renders Self
 oblivion!
Grand Subject that annihilates inky hands & pages'
 prayers, old orators' inspired Immortalities,
I begin your chant, openmouthed exhaling into spacious
 sky over silent mills at Hanford, Savannah River,
 Rocky Flats, Pantex, Burlington, Albuquerque
I yell thru Washington, South Carolina, Colorado, 
 Texas, Iowa, New Mexico,
Where nuclear reactors creat a new Thing under the 
 Sun, where Rockwell war-plants fabricate this death
 stuff trigger in nitrogen baths,
Hanger-Silas Mason assembles the terrified weapon
 secret by ten thousands, & where Manzano Moun-
 tain boasts to store
its dreadful decay through two hundred forty millenia
 while our Galaxy spirals around its nebulous core.
I enter your secret places with my mind, I speak with your presence, I roar your Lion Roar with mortal mouth.
One microgram inspired to one lung, ten pounds of heavy metal dust adrift slow motion over grey Alps the breadth of the planet, how long before your radiance speeds blight and death to sentient beings? Enter my body or not I carol my spirit inside you, Unnaproachable Weight, O heavy heavy Element awakened I vocalize your con- sciousness to six worlds I chant your absolute Vanity.
Yeah monster of Anger birthed in fear O most Ignorant matter ever created unnatural to Earth! Delusion of metal empires! Destroyer of lying Scientists! Devourer of covetous Generals, Incinerator of Armies & Melter of Wars! Judgement of judgements, Divine Wind over vengeful nations, Molester of Presidents, Death-Scandal of Capital politics! Ah civilizations stupidly indus- trious! Canker-Hex on multitudes learned or illiterate! Manu- factured Spectre of human reason! O solidified imago of practicioner in Black Arts I dare your reality, I challenge your very being! I publish your cause and effect! I turn the wheel of Mind on your three hundred tons! Your name enters mankind's ear! I embody your ultimate powers! My oratory advances on your vaunted Mystery! This breath dispels your braggart fears! I sing your form at last behind your concrete & iron walls inside your fortress of rubber & translucent silicon shields in filtered cabinets and baths of lathe oil, My voice resounds through robot glove boxes & ignot cans and echoes in electric vaults inert of atmo- sphere, I enter with spirit out loud into your fuel rod drums underground on soundless thrones and beds of lead O density! This weightless anthem trumpets transcendent through hidden chambers and breaks through iron doors into the Infernal Room! Over your dreadful vibration this measured harmony floats audible, these jubilant tones are honey and milk and wine-sweet water Poured on the stone black floor, these syllables are barley groats I scatter on the Reactor's core, I call your name with hollow vowels, I psalm your Fate close by, my breath near deathless ever at your side to Spell your destiny, I set this verse prophetic on your mausoleum walls to seal you up Eternally with Diamond Truth! O doomed Plutonium.
II The Bar surveys Plutonian history from midnight lit with Mercury Vapor streetlamps till in dawn's early light he contemplates a tranquil politic spaced out between Nations' thought-forms proliferating bureaucratic & horrific arm'd, Satanic industries projected sudden with Five Hundred Billion Dollar Strength around the world same time this text is set in Boulder, Colorado before front range of Rocky Mountains twelve miles north of Rocky Flats Nuclear Facility in United States of North America, Western Hemi- sphere of planet Earth six months and fourteen days around our Solar System in a Spiral Galaxy the local year after Dominion of the last God nineteen hundred seventy eight Completed as yellow hazed dawn clouds brighten East, Denver city white below Blue sky transparent rising empty deep & spacious to a morning star high over the balcony above some autos sat with wheels to curb downhill from Flatiron's jagged pine ridge, sunlit mountain meadows sloped to rust-red sandstone cliffs above brick townhouse roofs as sparrows waked whistling through Marine Street's summer green leafed trees.
III This ode to you O Poets and Orators to come, you father Whitman as I join your side, you Congress and American people, you present meditators, spiritual friends & teachers, you O Master of the Diamond Arts, Take this wheel of syllables in hand, these vowels and consonants to breath's end take this inhalation of black poison to your heart, breath out this blessing from your breast on our creation forests cities oceans deserts rocky flats and mountains in the Ten Directions pacify with exhalation, enrich this Plutonian Ode to explode its empty thunder through earthen thought-worlds Magnetize this howl with heartless compassion, destroy this mountain of Plutonium with ordinary mind and body speech, thus empower this Mind-guard spirit gone out, gone out, gone beyond, gone beyond me, Wake space, so Ah! July 14, 1978


Written by Robinson Jeffers | Create an image from this poem

The Broken Balance

 I.
Reference to a Passage in Plutarch's Life of Sulla The people buying and selling, consuming pleasures, talking in the archways, Were all suddenly struck quiet And ran from under stone to look up at the sky: so shrill and mournful, So fierce and final, a brazen Pealing of trumpets high up in the air, in the summer blue over Tuscany.
They marvelled; the soothsayers answered: "Although the Gods are little troubled toward men, at the end of each period A sign is declared in heaven Indicating new times, new customs, a changed people; the Romans Rule, and Etruria is finished; A wise mariner will trim the sails to the wind.
" I heard yesterday So shrill and mournful a trumpet-blast, It was hard to be wise.
.
.
.
You must eat change and endure; not be much troubled For the people; they will have their happiness.
When the republic grows too heavy to endure, then Caesar will carry It; When life grows hateful, there's power .
.
.
II.
To the Children Power's good; life is not always good but power's good.
So you must think when abundance Makes pawns of people and all the loaves are one dough.
The steep singleness of passion Dies; they will say, "What was that?" but the power triumphs.
Loveliness will live under glass And beauty will go savage in the secret mountains.
There is beauty in power also.
You children must widen your minds' eyes to take mountains Instead of faces, and millions Instead of persons; not to hate life; and massed power After the lone hawk's dead.
III That light blood-loving weasel, a tongue of yellow Fire licking the sides of the gray stones, Has a more passionate and more pure heart In the snake-slender flanks than man can imagine; But he is betrayed by his own courage, The man who kills him is like a cloud hiding a star.
Then praise the jewel-eyed hawk and the tall blue heron; The black cormorants that fatten their sea-rock With shining slime; even that ruiner of anthills The red-shafted woodpecker flying, A white star between blood-color wing-clouds, Across the glades of the wood and the green lakes of shade.
These live their felt natures; they know their norm And live it to the brim; they understand life.
While men moulding themselves to the anthill have choked Their natures until the souls the in them; They have sold themselves for toys and protection: No, but consider awhile: what else? Men sold for toys.
Uneasy and fractional people, having no center But in the eyes and mouths that surround them, Having no function but to serve and support Civilization, the enemy of man, No wonder they live insanely, and desire With their tongues, progress; with their eyes, pleasure; with their hearts, death.
Their ancestors were good hunters, good herdsmen and swordsman, But now the world is turned upside down; The good do evil, the hope's in criminals; in vice That dissolves the cities and war to destroy them.
Through wars and corruptions the house will fall.
Mourn whom it falls on.
Be glad: the house is mined, it will fall.
IV Rain, hail and brutal sun, the plow in the roots, The pitiless pruning-iron in the branches, Strengthen the vines, they are all feeding friends Or powerless foes until the grapes purple.
But when you have ripened your berries it is time to begin to perish.
The world sickens with change, rain becomes poison, The earth is a pit, it Is time to perish.
The vines are fey, the very kindness of nature Corrupts what her cruelty before strengthened.
When you stand on the peak of time it is time to begin to perish.
Reach down the long morbid roots that forget the plow, Discover the depths; let the long pale tendrils Spend all to discover the sky, now nothing is good But only the steel mirrors of discovery .
.
.
And the beautiful enormous dawns of time, after we perish.
V Mourning the broken balance, the hopeless prostration of the earth Under men's hands and their minds, The beautiful places killed like rabbits to make a city, The spreading fungus, the slime-threads And spores; my own coast's obscene future: I remember the farther Future, and the last man dying Without succession under the confident eyes of the stars.
It was only a moment's accident, The race that plagued us; the world resumes the old lonely immortal Splendor; from here I can even Perceive that that snuffed candle had something .
.
.
a fantastic virtue, A faint and unshapely pathos .
.
.
So death will flatter them at last: what, even the bald ape's by-shot Was moderately admirable? VI.
Palinode All summer neither rain nor wave washes the cormorants' Perch, and their droppings have painted it shining white.
If the excrement of fish-eaters makes the brown rock a snow-mountain At noon, a rose in the morning, a beacon at moonrise On the black water: it is barely possible that even men's present Lives are something; their arts and sciences (by moonlight) Not wholly ridiculous, nor their cities merely an offense.
VII Under my windows, between the road and the sea-cliff, bitter wild grass Stands narrowed between the people and the storm.
The ocean winter after winter gnaws at its earth, the wheels and the feet Summer after summer encroach and destroy.
Stubborn green life, for the cliff-eater I cannot comfort you, ignorant which color, Gray-blue or pale-green, will please the late stars; But laugh at the other, your seed shall enjoy wonderful vengeances and suck The arteries and walk in triumph on the faces.
Written by John Trumbull | Create an image from this poem

The Owl And The Sparrow

 In elder days, in Saturn's prime,
Ere baldness seized the head of Time,
While truant Jove, in infant pride,
Play'd barefoot on Olympus' side,
Each thing on earth had power to chatter,
And spoke the mother tongue of nature.
Each stock or stone could prate and gabble, Worse than ten labourers of Babel.
Along the street, perhaps you'd see A Post disputing with a Tree, And mid their arguments of weight, A Goose sit umpire of debate.
Each Dog you met, though speechless now, Would make his compliments and bow, And every Swine with congees come, To know how did all friends at home.
Each Block sublime could make a speech, In style and eloquence as rich, And could pronounce it and could pen it, As well as Chatham in the senate.
Nor prose alone.
--In these young times, Each field was fruitful too in rhymes; Each feather'd minstrel felt the passion, And every wind breathed inspiration.
Each Bullfrog croak'd in loud bombastic, Each Monkey chatter'd Hudibrastic; Each Cur, endued with yelping nature, Could outbark Churchill's[2] self in satire; Each Crow in prophecy delighted, Each Owl, you saw, was second-sighted, Each Goose a skilful politician, Each Ass a gifted met'physician, Could preach in wrath 'gainst laughing rogues, Write Halfway-covenant Dialogues,[3] And wisely judge of all disputes In commonwealths of men or brutes.
'Twas then, in spring a youthful Sparrow Felt the keen force of Cupid's arrow: For Birds, as Æsop's tales avow, Made love then, just as men do now, And talk'd of deaths and flames and darts, And breaking necks and losing hearts; And chose from all th' aerial kind, Not then to tribes, like Jews, confined The story tells, a lovely Thrush Had smit him from a neigh'bring bush, Where oft the young coquette would play, And carol sweet her siren lay: She thrill'd each feather'd heart with love, And reign'd the Toast of all the grove.
He felt the pain, but did not dare Disclose his passion to the fair; For much he fear'd her conscious pride Of race, to noble blood allied.
Her grandsire's nest conspicuous stood, Mid loftiest branches of the wood, In airy height, that scorn'd to know Each flitting wing that waved below.
So doubting, on a point so nice He deem'd it best to take advice.
Hard by there dwelt an aged Owl, Of all his friends the gravest fowl; Who from the cares of business free, Lived, hermit, in a hollow tree; To solid learning bent his mind, In trope and syllogism he shined, 'Gainst reigning follies spent his railing; Too much a Stoic--'twas his failing.
Hither for aid our Sparrow came, And told his errand and his name, With panting breath explain'd his case, Much trembling at the sage's face; And begg'd his Owlship would declare If love were worth a wise one's care.
The grave Owl heard the weighty cause, And humm'd and hah'd at every pause; Then fix'd his looks in sapient plan, Stretch'd forth one foot, and thus began.
"My son, my son, of love beware, And shun the cheat of beauty's snare; That snare more dreadful to be in, Than huntsman's net, or horse-hair gin.
"By others' harms learn to be wise," As ancient proverbs well advise.
Each villany, that nature breeds, From females and from love proceeds.
'Tis love disturbs with fell debate Of man and beast the peaceful state: Men fill the world with war's alarms, When female trumpets sound to arms; The commonwealth of dogs delight For beauties, as for bones, to fight.
Love hath his tens of thousands slain, And heap'd with copious death the plain: Samson, with ass's jaw to aid, Ne'er peopled thus th'infernal shade.
"Nor this the worst; for he that's dead, With love no more will vex his head.
'Tis in the rolls of fate above, That death's a certain cure for love; A noose can end the cruel smart; The lover's leap is from a cart.
But oft a living death they bear, Scorn'd by the proud, capricious fair.
The fair to sense pay no regard, And beauty is the fop's reward; They slight the generous hearts' esteem, And sigh for those, who fly from them.
Just when your wishes would prevail, Some rival bird with gayer tail, Who sings his strain with sprightlier note, And chatters praise with livelier throat, Shall charm your flutt'ring fair one down, And leave your choice, to hang or drown.
Ev'n I, my son, have felt the smart; A Pheasant won my youthful heart.
For her I tuned the doleful lay,[4] For her I watch'd the night away; In vain I told my piteous case, And smooth'd my dignity of face; In vain I cull'd the studied phrase, And sought hard words in beauty's praise.
Her, not my charms nor sense could move, For folly is the food of love.
Each female scorns our serious make, "Each woman is at heart a rake.
"[5] Thus Owls in every age have said, Since our first parent-owl was made; Thus Pope and Swift, to prove their sense, Shall sing, some twenty ages hence; Then shall a man of little fame, One ** **** sing the same.
Written by William Vaughn Moody | Create an image from this poem

An Ode in Time of Hesitation

 After seeing at Boston the statue of Robert Gould Shaw, killed while storming Fort Wagner, July 18, 1863, at the head of the first enlisted ***** regiment, the Fifty-fourth Massachusetts.
I Before the solemn bronze Saint Gaudens made To thrill the heedless passer's heart with awe, And set here in the city's talk and trade To the good memory of Robert Shaw, This bright March morn I stand, And hear the distant spring come up the land; Knowing that what I hear is not unheard Of this boy soldier and his ***** band, For all their gaze is fixed so stern ahead, For all the fatal rhythm of their tread.
The land they died to save from death and shame Trembles and waits, hearing the spring's great name, And by her pangs these resolute ghosts are stirred.
II Through street and mall the tides of people go Heedless; the trees upon the Common show No hint of green; but to my listening heart The still earth doth impart Assurance of her jubilant emprise, And it is clear to my long-searching eyes That love at last has might upon the skies.
The ice is runneled on the little pond; A telltale patter drips from off the trees; The air is touched with southland spiceries, As if but yesterday it tossed the frond Of pendant mosses where the live-oaks grow Beyond Virginia and the Carolines, Or had its will among the fruits and vines Of aromatic isles asleep beyond Florida and the Gulf of Mexico.
III Soon shall the Cape Ann children shout in glee, Spying the arbutus, spring's dear recluse; Hill lads at dawn shall hearken the wild goose Go honking northward over Tennessee; West from Oswego to Sault Sainte-Marie, And on to where the Pictured Rocks are hung, And yonder where, gigantic, wilful, young, Chicago sitteth at the northwest gates, With restless violent hands and casual tongue Moulding her mighty fates, The Lakes shall robe them in ethereal sheen; And like a larger sea, the vital green Of springing wheat shall vastly be outflung Over Dakota and the prairie states.
By desert people immemorial On Arizonan mesas shall be done Dim rites unto the thunder and the sun; Nor shall the primal gods lack sacrifice More splendid, when the white Sierras call Unto the Rockies straightway to arise And dance before the unveiled ark of the year, Sounding their windy cedars as for shawms, Unrolling rivers clear For flutter of broad phylacteries; While Shasta signals to Alaskan seas That watch old sluggish glaciers downward creep To fling their icebergs thundering from the steep, And Mariposa through the purple calms Gazes at far Hawaii crowned with palms Where East and West are met, -- A rich seal on the ocean's bosom set To say that East and West are twain, With different loss and gain: The Lord hath sundered them; let them be sundered yet.
IV Alas! what sounds are these that come Sullenly over the Pacific seas, -- Sounds of ignoble battle, striking dumb The season's half-awakened ecstasies? Must I be humble, then, Now when my heart hath need of pride? Wild love falls on me from these sculptured men; By loving much the land for which they died I would be justified.
My spirit was away on pinions wide To soothe in praise of her its passionate mood And ease it of its ache of gratitude.
Too sorely heavy is the debt they lay On me and the companions of my day.
I would remember now My country's goodliness, make sweet her name.
Alas! what shade art thou Of sorrow or of blame Liftest the lyric leafage from her brow, And pointest a slow finger at her shame? V Lies! lies! It cannot be! The wars we wage Are noble, and our battles still are won By justice for us, ere we lift the gage.
We have not sold our loftiest heritage.
The proud republic hath not stooped to cheat And scramble in the market-place of war; Her forehead weareth yet its solemn star.
Here is her witness: this, her perfect son, This delicate and proud New England soul Who leads despisèd men, with just-unshackled feet, Up the large ways where death and glory meet, To show all peoples that our shame is done, That once more we are clean and spirit-whole.
VI Crouched in the sea fog on the moaning sand All night he lay, speaking some simple word From hour to hour to the slow minds that heard, Holding each poor life gently in his hand And breathing on the base rejected clay Till each dark face shone mystical and grand Against the breaking day; And lo, the shard the potter cast away Was grown a fiery chalice crystal-fine Fulfilled of the divine Great wine of battle wrath by God's ring-finger stirred.
Then upward, where the shadowy bastion loomed Huge on the mountain in the wet sea light, Whence now, and now, infernal flowerage bloomed, Bloomed, burst, and scattered down its deadly seed, -- They swept, and died like freemen on the height, Like freemen, and like men of noble breed; And when the battle fell away at night By hasty and contemptuous hands were thrust Obscurely in a common grave with him The fair-haired keeper of their love and trust.
Now limb doth mingle with dissolvèd limb In nature's busy old democracy To flush the mountain laurel when she blows Sweet by the southern sea, And heart with crumbled heart climbs in the rose: -- The untaught hearts with the high heart that knew This mountain fortress for no earthly hold Of temporal quarrel, but the bastion old Of spiritual wrong, Built by an unjust nation sheer and strong, Expugnable but by a nation's rue And bowing down before that equal shrine By all men held divine, Whereof his band and he were the most holy sign.
VII O bitter, bitter shade! Wilt thou not put the scorn And instant tragic question from thine eye? Do thy dark brows yet crave That swift and angry stave -- Unmeet for this desirous morn -- That I have striven, striven to evade? Gazing on him, must I not deem they err Whose careless lips in street and shop aver As common tidings, deeds to make his cheek Flush from the bronze, and his dead throat to speak? Surely some elder singer would arise, Whose harp hath leave to threaten and to mourn Above this people when they go astray.
Is Whitman, the strong spirit, overworn? Has Whittier put his yearning wrath away? I will not and I dare not yet believe! Though furtively the sunlight seems to grieve, And the spring-laden breeze Out of the gladdening west is sinister With sounds of nameless battle overseas; Though when we turn and question in suspense If these things be indeed after these ways, And what things are to follow after these, Our fluent men of place and consequence Fumble and fill their mouths with hollow phrase, Or for the end-all of deep arguments Intone their dull commercial liturgies -- I dare not yet believe! My ears are shut! I will not hear the thin satiric praise And muffled laughter of our enemies, Bidding us never sheathe our valiant sword Till we have changed our birthright for a gourd Of wild pulse stolen from a barbarian's hut; Showing how wise it is to cast away The symbols of our spiritual sway, That so our hands with better ease May wield the driver's whip and grasp the jailer's keys.
VIII Was it for this our fathers kept the law? This crown shall crown their struggle and their ruth? Are we the eagle nation Milton saw Mewing its mighty youth, Soon to possess the mountain winds of truth, And be a swift familiar of the sun Where aye before God's face his trumpets run? Or have we but the talons and the maw, And for the abject likeness of our heart Shall some less lordly bird be set apart? -- Some gross-billed wader where the swamps are fat? Some gorger in the sun? Some prowler with the bat? IX Ah no! We have not fallen so.
We are our fathers' sons: let those who lead us know! 'T was only yesterday sick Cuba's cry Came up the tropic wind, "Now help us, for we die!" Then Alabama heard, And rising, pale, to Maine and Idaho Shouted a burning word.
Proud state with proud impassioned state conferred, And at the lifting of a hand sprang forth, East, west, and south, and north, Beautiful armies.
Oh, by the sweet blood and young Shed on the awful hill slope at San Juan, By the unforgotten names of eager boys Who might have tasted girls' love and been stung With the old mystic joys And starry griefs, now the spring nights come on, But that the heart of youth is generous, -- We charge you, ye who lead us, Breathe on their chivalry no hint of stain! Turn not their new-world victories to gain! One least leaf plucked for chaffer from the bays Of their dear praise, One jot of their pure conquest put to hire, The implacable republic will require; With clamor, in the glare and gaze of noon, Or subtly, coming as a thief at night, But surely, very surely, slow or soon That insult deep we deeply will requite.
Tempt not our weakness, our cupidity! For save we let the island men go free, Those baffled and dislaureled ghosts Will curse us from the lamentable coasts Where walk the frustrate dead.
The cup of trembling shall be drainèd quite, Eaten the sour bread of astonishment, With ashes of the hearth shall be made white Our hair, and wailing shall be in the tent; Then on your guiltier head Shall our intolerable self-disdain Wreak suddenly its anger and its pain; For manifest in that disastrous light We shall discern the right And do it, tardily.
-- O ye who lead, Take heed! Blindness we may forgive, but baseness we will smite.
Written by Oscar Wilde | Create an image from this poem

Easter Day

 The silver trumpets rang across the Dome:
The people knelt upon the ground with awe:
And borne upon the necks of men I saw,
Like some great God, the Holy Lord of Rome.
Priest-like, he wore a robe more white than foam, And, king-like, swathed himself in royal red, Three crowns of gold rose high upon his head: In splendour and in light the Pope passed home.
My heart stole back across wide wastes of years To One who wandered by a lonely sea, And sought in vain for any place of rest: 'Foxes have holes, and every bird its nest.
I, only I, must wander wearily, And bruise my feet, and drink wine salt with tears.
'


Written by Rupert Brooke | Create an image from this poem

A Letter to a Live Poet

 Sir, since the last Elizabethan died,
Or, rather, that more Paradisal muse,
Blind with much light, passed to the light more glorious
Or deeper blindness, no man's hand, as thine,
Has, on the world's most noblest chord of song,
Struck certain magic strains.
Ears satiate With the clamorous, timorous whisperings of to-day, Thrilled to perceive once more the spacious voice And serene unterrance of old.
We heard -- With rapturous breath half-held, as a dreamer dreams Who dares not know it dreaming, lest he wake -- The odorous, amorous style of poetry, The melancholy knocking of those lines, The long, low soughing of pentameters, -- Or the sharp of rhyme as a bird's cry -- And the innumerable truant polysyllables Multitudinously twittering like a bee.
Fulfilled our hearts were with the music then, And all the evenings sighed it to the dawn, And all the lovers heard it from all the trees.
All of the accents upon the all the norms! -- And ah! the stress of the penultimate! We never knew blank verse could have such feet.
Where is it now? Oh, more than ever, now I sometimes think no poetry is read Save where some sepultured C?sura bled, Royally incarnadining all the line.
Is the imperial iamb laid to rest, And the young trochee, having done enough? Ah! turn again! Sing so to us, who are sick Of seeming-simple rhymes, bizarre emotions, Decked in the simple verses of the day, Infinite meaning in a little gloom, Irregular thoughts in stanzas regular, Modern despair in antique metres, myths Incomprehensible at evening, And symbols that mean nothing in the dawn.
The slow lines swell.
The new style sighs.
The Celt Moans round with many voices.
God! to see Gaunt anap?sts stand up out of the verse, Combative accents, stress where no stress should be, Spondee on spondee, iamb on choriamb, The thrill of all the tribrachs in the world, And all the vowels rising to the E! To hear the blessed mutter of those verbs, Conjunctions passionate toward each other's arms, And epithets like amaranthine lovers Stretching luxuriously to the stars, All prouder pronouns than the dawn, and all The thunder of the trumpets of the noun!
Written by Walt Whitman | Create an image from this poem

Give me the Splendid Silent Sun

 1
GIVE me the splendid silent sun, with all his beams full-dazzling; 
Give me juicy autumnal fruit, ripe and red from the orchard; 
Give me a field where the unmow’d grass grows; 
Give me an arbor, give me the trellis’d grape; 
Give me fresh corn and wheat—give me serene-moving animals, teaching content;
Give me nights perfectly quiet, as on high plateaus west of the Mississippi, and I looking
 up
 at the
 stars; 
Give me odorous at sunrise a garden of beautiful flowers, where I can walk
 undisturb’d; 
Give me for marriage a sweet-breath’d woman, of whom I should never tire; 
Give me a perfect child—give me, away, aside from the noise of the world, a rural,
 domestic
 life; 
Give me to warble spontaneous songs, reliev’d, recluse by myself, for my own ears
 only;
Give me solitude—give me Nature—give me again, O Nature, your primal sanities! 
—These, demanding to have them, (tired with ceaseless excitement, and rack’d by
 the
 war-strife;) 
These to procure, incessantly asking, rising in cries from my heart, 
While yet incessantly asking, still I adhere to my city; 
Day upon day, and year upon year, O city, walking your streets,
Where you hold me enchain’d a certain time, refusing to give me up; 
Yet giving to make me glutted, enrich’d of soul—you give me forever faces; 
(O I see what I sought to escape, confronting, reversing my cries; 
I see my own soul trampling down what it ask’d for.
) 2 Keep your splendid, silent sun; Keep your woods, O Nature, and the quiet places by the woods; Keep your fields of clover and timothy, and your corn-fields and orchards; Keep the blossoming buckwheat fields, where the Ninth-month bees hum; Give me faces and streets! give me these phantoms incessant and endless along the trottoirs! Give me interminable eyes! give me women! give me comrades and lovers by the thousand! Let me see new ones every day! let me hold new ones by the hand every day! Give me such shows! give me the streets of Manhattan! Give me Broadway, with the soldiers marching—give me the sound of the trumpets and drums! (The soldiers in companies or regiments—some, starting away, flush’d and reckless; Some, their time up, returning, with thinn’d ranks—young, yet very old, worn, marching, noticing nothing;) —Give me the shores and the wharves heavy-fringed with the black ships! O such for me! O an intense life! O full to repletion, and varied! The life of the theatre, bar-room, huge hotel, for me! The saloon of the steamer! the crowded excursion for me! the torch-light procession! The dense brigade, bound for the war, with high piled military wagons following; People, endless, streaming, with strong voices, passions, pageants; Manhattan streets, with their powerful throbs, with the beating drums, as now; The endless and noisy chorus, the rustle and clank of muskets, (even the sight of the wounded;) Manhattan crowds, with their turbulent musical chorus—with varied chorus, and light of the sparkling eyes; Manhattan faces and eyes forever for me.
Written by Anne Sexton | Create an image from this poem

The Twelve Dancing Princesses

 If you danced from midnight
to six A.
M.
who would understand? The runaway boy who chucks it all to live on the Boston Common on speed and saltines, pissing in the duck pond, rapping with the street priest, trading talk like blows, another missing person, would understand.
The paralytic's wife who takes her love to town, sitting on the bar stool, downing stingers and peanuts, singing "That ole Ace down in the hole," would understand.
The passengers from Boston to Paris watching the movie with dawn coming up like statues of honey, having partaken of champagne and steak while the world turned like a toy globe, those murderers of the nightgown would understand.
The amnesiac who tunes into a new neighborhood, having misplaced the past, having thrown out someone else's credit cards and monogrammed watch, would understand.
The drunken poet (a genius by daylight) who places long-distance calls at three A.
M.
and then lets you sit holding the phone while he vomits (he calls it "The Night of the Long Knives") getting his kicks out of the death call, would understand.
The insomniac listening to his heart thumping like a June bug, listening on his transistor to Long John Nebel arguing from New York, lying on his bed like a stone table, would understand.
The night nurse with her eyes slit like Venetian blinds, she of the tubes and the plasma, listening to the heart monitor, the death cricket bleeping, she who calls you "we" and keeps vigil like a ballistic missile, would understand.
Once this king had twelve daughters, each more beautiful than the other.
They slept together, bed by bed in a kind of girls' dormitory.
At night the king locked and bolted the door .
How could they possibly escape? Yet each morning their shoes were danced to pieces.
Each was as worn as an old jockstrap.
The king sent out a proclamation that anyone who could discover where the princesses did their dancing could take his pick of the litter.
However there was a catch.
If he failed, he would pay with his life.
Well, so it goes.
Many princes tried, each sitting outside the dormitory, the door ajar so he could observe what enchantment came over the shoes.
But each time the twelve dancing princesses gave the snoopy man a Mickey Finn and so he was beheaded.
Poof! Like a basketball.
It so happened that a poor soldier heard about these strange goings on and decided to give it a try.
On his way to the castle he met an old old woman.
Age, for a change, was of some use.
She wasn't stuffed in a nursing home.
She told him not to drink a drop of wine and gave him a cloak that would make him invisible when the right time came.
And thus he sat outside the dorm.
The oldest princess brought him some wine but he fastened a sponge beneath his chin, looking the opposite of Andy Gump.
The sponge soaked up the wine, and thus he stayed awake.
He feigned sleep however and the princesses sprang out of their beds and fussed around like a Miss America Contest.
Then the eldest went to her bed and knocked upon it and it sank into the earth.
They descended down the opening one after the other.
They crafty soldier put on his invisisble cloak and followed.
Yikes, said the youngest daughter, something just stepped on my dress.
But the oldest thought it just a nail.
Next stood an avenue of trees, each leaf make of sterling silver.
The soldier took a leaf for proof.
The youngest heard the branch break and said, Oof! Who goes there? But the oldest said, Those are the royal trumpets playing triumphantly.
The next trees were made of diamonds.
He took one that flickered like Tinkerbell and the youngest said: Wait up! He is here! But the oldest said: Trumpets, my dear.
Next they came to a lake where lay twelve boats with twelve enchanted princes waiting to row them to the underground castle.
The soldier sat in the youngest's boat and the boat was as heavy as if an icebox had been added but the prince did not suspect.
Next came the ball where the shoes did duty.
The princesses danced like taxi girls at Roseland as if those tickets would run right out.
They were painted in kisses with their secret hair and though the soldier drank from their cups they drank down their youth with nary a thought.
Cruets of champagne and cups full of rubies.
They danced until morning and the sun came up naked and angry and so they returned by the same strange route.
The soldier went forward through the dormitory and into his waiting chair to feign his druggy sleep.
That morning the soldier, his eyes fiery like blood in a wound, his purpose brutal as if facing a battle, hurried with his answer as if to the Sphinx.
The shoes! The shoes! The soldier told.
He brought forth the silver leaf, the diamond the size of a plum.
He had won.
The dancing shoes would dance no more.
The princesses were torn from their night life like a baby from its pacifier.
Because he was old he picked the eldest.
At the wedding the princesses averted their eyes and sagged like old sweatshirts.
Now the runaways would run no more and never again would their hair be tangled into diamonds, never again their shoes worn down to a laugh, never the bed falling down into purgatory to let them climb in after with their Lucifer kicking.
Written by Algernon Charles Swinburne | Create an image from this poem

Mater Triumphalis

 Mother of man's time-travelling generations,
Breath of his nostrils, heartblood of his heart,
God above all Gods worshipped of all nations,
Light above light, law beyond law, thou art.
Thy face is as a sword smiting in sunder Shadows and chains and dreams and iron things; The sea is dumb before thy face, the thunder Silent, the skies are narrower than thy wings.
Angels and Gods, spirit and sense, thou takest In thy right hand as drops of dust or dew; The temples and the towers of time thou breakest, His thoughts and words and works, to make them new.
All we have wandered from thy ways, have hidden Eyes from thy glory and ears from calls they heard; Called of thy trumpets vainly, called and chidden, Scourged of thy speech and wounded of thy word.
We have known thee and have not known thee; stood beside thee, Felt thy lips breathe, set foot where thy feet trod, Loved and renounced and worshipped and denied thee, As though thou wert but as another God, "One hour for sleep," we said, "and yet one other; All day we served her, and who shall serve by night?" Not knowing of thee, thy face not knowing, O mother, O light wherethrough the darkness is as light.
Men that forsook thee hast thou not forsaken, Races of men that knew not hast thou known; Nations that slept thou hast doubted not to waken, Worshippers of strange Gods to make thine own.
All old grey histories hiding thy clear features, O secret spirit and sovereign, all men's tales, Creeds woven of men thy children and thy creatures, They have woven for vestures of thee and for veils.
Thine hands, without election or exemption, Feed all men fainting from false peace or strife, O thou, the resurrection and redemption, The godhead and the manhood and the life.
Thy wings shadow the waters; thine eyes lighten The horror of the hollows of the night; The depths of the earth and the dark places brighten Under thy feet, whiter than fire is white.
Death is subdued to thee, and hell's bands broken; Where thou art only is heaven; who hears not thee, Time shall not hear him; when men's names are spoken, A nameless sign of death shall his name be.
Deathless shall be the death, the name be nameless; Sterile of stars his twilight time of breath; With fire of hell shall shame consume him shameless, And dying, all the night darken his death.
The years are as thy garments, the world's ages As sandals bound and loosed from thy swift feet; Time serves before thee, as one that hath for wages Praise or shame only, bitter words or sweet.
Thou sayest "Well done," and all a century kindles; Again thou sayest "Depart from sight of me," And all the light of face of all men dwindles, And the age is as the broken glass of thee.
The night is as a seal set on men's faces, On faces fallen of men that take no light, Nor give light in the deeps of the dark places, Blind things, incorporate with the body of night.
Their souls are serpents winterbound and frozen, Their shame is as a tame beast, at their feet Couched; their cold lips deride thee and thy chosen, Their lying lips made grey with dust for meat.
Then when their time is full and days run over, The splendour of thy sudden brow made bare Darkens the morning; thy bared hands uncover The veils of light and night and the awful air.
And the world naked as a new-born maiden Stands virginal and splendid as at birth, With all thine heaven of all its light unladen, Of all its love unburdened all thine earth.
For the utter earth and the utter air of heaven And the extreme depth is thine and the extreme height; Shadows of things and veils of ages riven Are as men's kings unkingdomed in thy sight.
Through the iron years, the centuries brazen-gated, By the ages' barred impenetrable doors, From the evening to the morning have we waited, Should thy foot haply sound on the awful floors.
The floors untrodden of the sun's feet glimmer, The star-unstricken pavements of the night; Do the lights burn inside? the lights wax dimmer On festal faces withering out of sight.
The crowned heads lose the light on them; it may be Dawn is at hand to smite the loud feast dumb; To blind the torch-lit centuries till the day be, The feasting kingdoms till thy kingdom come.
Shall it not come? deny they or dissemble, Is it not even as lightning from on high Now? and though many a soul close eyes and tremble, How should they tremble at all who love thee as I? I am thine harp between thine hands, O mother! All my strong chords are strained with love of thee.
We grapple in love and wrestle, as each with other Wrestle the wind and the unreluctant sea.
I am no courtier of thee sober-suited, Who loves a little for a little pay.
Me not thy winds and storms nor thrones disrooted Nor molten crowns nor thine own sins dismay.
Sinned hast thou sometime, therefore art thou sinless; Stained hast thou been, who art therefore without stain; Even as man's soul is kin to thee, but kinless Thou, in whose womb Time sows the all-various grain.
I do not bid thee spare me, O dreadful mother! I pray thee that thou spare not, of thy grace.
How were it with me then, if ever another Should come to stand before thee in this my place? I am the trumpet at thy lips, thy clarion Full of thy cry, sonorous with thy breath; The graves of souls born worms and creeds grown carrion Thy blast of judgment fills with fires of death.
Thou art the player whose organ-keys are thunders, And I beneath thy foot the pedal prest; Thou art the ray whereat the rent night sunders, And I the cloudlet borne upon thy breast.
I shall burn up before thee, pass and perish, As haze in sunrise on the red sea-line; But thou from dawn to sunsetting shalt cherish The thoughts that led and souls that lighted mine.
Reared between night and noon and truth and error, Each twilight-travelling bird that trills and screams Sickens at midday, nor can face for terror The imperious heaven's inevitable extremes.
I have no spirit of skill with equal fingers At sign to sharpen or to slacken strings; I keep no time of song with gold-perched singers And chirp of linnets on the wrists of kings.
I am thy storm-thrush of the days that darken, Thy petrel in the foam that bears thy bark To port through night and tempest; if thou hearken, My voice is in thy heaven before the lark.
My song is in the mist that hides thy morning, My cry is up before the day for thee; I have heard thee and beheld thee and give warning, Before thy wheels divide the sky and sea.
Birds shall wake with thee voiced and feathered fairer, To see in summer what I see in spring; I have eyes and heart to endure thee, O thunder-bearer, And they shall be who shall have tongues to sing.
I have love at least, and have not fear, and part not From thine unnavigable and wingless way; Thou tarriest, and I have not said thou art not, Nor all thy night long have denied thy day.
Darkness to daylight shall lift up thy paean, Hill to hill thunder, vale cry back to vale, With wind-notes as of eagles AEschylean, And Sappho singing in the nightingale.
Sung to by mighty sons of dawn and daughters, Of this night's songs thine ear shall keep but one; That supreme song which shook the channelled waters, And called thee skyward as God calls the sun.
Come, though all heaven again be fire above thee; Though death before thee come to clear thy sky; Let us but see in his thy face who love thee; Yea, though thou slay us, arise and let us die.
Written by G K Chesterton | Create an image from this poem

Lepanto

 White founts falling in the Courts of the sun, 
And the Soldan of Byzantium is smiling as they run; 
There is laughter like the fountains in that face of all men feared, 
It stirs the forest darkness, the darkness of his beard; 
It curls the blood-red crescent, the crescent of his lips; 
For the inmost sea of all the earth is shaken with his ships.
They have dared the white republics up the capes of Italy, They have dashed the Adriatic round the Lion of the Sea, And the Pope has cast his arms abroad for agony and loss, And called the kings of Christendom for swords about the Cross.
The cold queen of England is looking in the glass; The shadow of the Valois is yawning at the Mass; From evening isles fantastical rings faint the Spanish gun, And the Lord upon the Golden Horn is laughing in the sun.
Dim drums throbbing, in the hills half heard, Where only on a nameless throne a crownless prince has stirred, Where, risen from a doubtful seat and half attainted stall, The last knight of Europe takes weapons from the wall, The last and lingering troubadour to whom the bird has sung, That once went singing southward when all the world was young.
In that enormous silence, tiny and unafraid, Comes up along a winding road the noise of the Crusade.
Strong gongs groaning as the guns boom far, Don John of Austria is going to the war, Stiff flags straining in the night-blasts cold In the gloom black-purple, in the glint old-gold, Torchlight crimson on the copper kettle-drums, Then the tuckets, then the trumpets, then the cannon, and he comes.
Don John laughing in the brave beard curled, Spurning of his stirrups like the thrones of all the world, Holding his head up for a flag of all the free.
Love-light of Spain--hurrah! Death-light of Africa! Don John of Austria Is riding to the sea.
Mahound is in his paradise above the evening star, (Don John of Austria is going to the war.
) He moves a mighty turban on the timeless houri's knees, His turban that is woven of the sunsets and the seas.
He shakes the peacock gardens as he rises from his ease, And he strides among the tree-tops and is taller than the trees; And his voice through all the garden is a thunder sent to bring Black Azrael and Ariel and Ammon on the wing.
Giants and the Genii, Multiplex of wing and eye, Whose strong obedience broke the sky When Solomon was king.
They rush in red and purple from the red clouds of the morn, From the temples where the yellow gods shut up their eyes in scorn; They rise in green robes roaring from the green hells of the sea Where fallen skies and evil hues and eyeless creatures be, On them the sea-valves cluster and the grey sea-forests curl, Splashed with a splendid sickness, the sickness of the pearl; They swell in sapphire smoke out of the blue cracks of the ground,-- They gather and they wonder and give worship to Mahound.
And he saith, "Break up the mountains where the hermit-folk can hide, And sift the red and silver sands lest bone of saint abide, And chase the Giaours flying night and day, not giving rest, For that which was our trouble comes again out of the west.
We have set the seal of Solomon on all things under sun, Of knowledge and of sorrow and endurance of things done.
But a noise is in the mountains, in the mountains, and I know The voice that shook our palaces--four hundred years ago: It is he that saith not 'Kismet'; it is he that knows not Fate; It is Richard, it is Raymond, it is Godfrey at the gate! It is he whose loss is laughter when he counts the wager worth, Put down your feet upon him, that our peace be on the earth.
" For he heard drums groaning and he heard guns jar, (Don John of Austria is going to the war.
) Sudden and still--hurrah! Bolt from Iberia! Don John of Austria Is gone by Alcalar.
St.
Michaels on his Mountain in the sea-roads of the north (Don John of Austria is girt and going forth.
) Where the grey seas glitter and the sharp tides shift And the sea-folk labour and the red sails lift.
He shakes his lance of iron and he claps his wings of stone; The noise is gone through Normandy; the noise is gone alone; The North is full of tangled things and texts and aching eyes, And dead is all the innocence of anger and surprise, And Christian killeth Christian in a narrow dusty room, And Christian dreadeth Christ that hath a newer face of doom, And Christian hateth Mary that God kissed in Galilee,-- But Don John of Austria is riding to the sea.
Don John calling through the blast and the eclipse Crying with the trumpet, with the trumpet of his lips, Trumpet that sayeth ha! Domino gloria! Don John of Austria Is shouting to the ships.
King Philip's in his closet with the Fleece about his neck (Don John of Austria is armed upon the deck.
) The walls are hung with velvet that is black and soft as sin, And little dwarfs creep out of it and little dwarfs creep in.
He holds a crystal phial that has colours like the moon, He touches, and it tingles, and he trembles very soon, And his face is as a fungus of a leprous white and grey Like plants in the high houses that are shuttered from the day, And death is in the phial and the end of noble work, But Don John of Austria has fired upon the Turk.
Don John's hunting, and his hounds have bayed-- Booms away past Italy the rumour of his raid.
Gun upon gun, ha! ha! Gun upon gun, hurrah! Don John of Austria Has loosed the cannonade.
The Pope was in his chapel before day or battle broke, (Don John of Austria is hidden in the smoke.
) The hidden room in man's house where God sits all the year, The secret window whence the world looks small and very dear.
He sees as in a mirror on the monstrous twilight sea The crescent of his cruel ships whose name is mystery; They fling great shadows foe-wards, making Cross and Castle dark, They veil the plum?d lions on the galleys of St.
Mark; And above the ships are palaces of brown, black-bearded chiefs, And below the ships are prisons, where with multitudinous griefs, Christian captives sick and sunless, all a labouring race repines Like a race in sunken cities, like a nation in the mines.
They are lost like slaves that sweat, and in the skies of morning hung The stair-ways of the tallest gods when tyranny was young.
They are countless, voiceless, hopeless as those fallen or fleeing on Before the high Kings' horses in the granite of Babylon.
And many a one grows witless in his quiet room in hell Where a yellow face looks inward through the lattice of his cell, And he finds his God forgotten, and he seeks no more a sign-- (But Don John of Austria has burst the battle-line!) Don John pounding from the slaughter-painted poop, Purpling all the ocean like a bloody pirate's sloop, Scarlet running over on the silvers and the golds, Breaking of the hatches up and bursting of the holds, Thronging of the thousands up that labour under sea White for bliss and blind for sun and stunned for liberty.
Vivat Hispania! Domino Gloria! Don John of Austria Has set his people free! Cervantes on his galley sets the sword back in the sheath (Don John of Austria rides homeward with a wreath.
) And he sees across a weary land a straggling road in Spain, Up which a lean and foolish knight for ever rides in vain, And he smiles, but not as Sultans smile, and settles back the blade.
.
.
.
(But Don John of Austria rides home from the Crusade.
)

Book: Shattered Sighs