by
Marilyn Hacker
After Joseph Roth
Parce que c'était lui; parce que c'était moi.
Montaigne, De L'amitië
The dream's forfeit was a night in jail
and now the slant light is crepuscular.
Papers or not, you are a foreigner
whose name is always difficult to spell.
You pack your one valise. You ring the bell.
Might it not be prudent to disappear
beneath that mauve-blue sky above the square
fronting your cosmopolitan hotel?
You know two short-cuts to the train station
which could get you there, on foot, in time.
The person who's apprised of your intention
and seems to be your traveling companion
is merely the detritus of a dream.
You cross the lobby and go out alone.
You crossed the lobby and went out alone
through the square, where two red-headed girls played
hopscotch on a chalk grid, now in the shade,
of a broad-leafed plane tree, now in the sun.
The lively, lovely, widowed afternoon
disarmed, uncoupled, shuffled and disarrayed
itself; despite itself, dismayed
you with your certainties, your visa, gone
from your breast-pocket, or perhaps expired.
At the reception desk, no one inquired
if you'd be returning. Now you wonder why.
When the stout conductor comes down the aisle
mustached, red-faced, at first jovial,
and asks for your passport, what will you say?
When they ask for your passport, will you say
that town's name they'd find unpronounceable
which resonates, when uttered, like a bell
in your mind's tower, as it did the day
you carried your green schoolbag down the gray
fog-cobbled street, past church, bakery, shul
past farm women setting up market stalls
it was so early. "I am on my way
to school in ." You were part of the town
now, not the furnished rooms you shared
with Mutti, since the others disappeared.
Your knees were red with cold; your itchy wool
socks had inched down, so you stooped to pull
them up, a student and a citizen.
You are a student and a citizen
of whatever state is transient.
You are no more or less the resident
of a hotel than you were of that town
whose borders were disputed and redrawn.
A prince conceded to a president.
Another language became relevant
to merchants on that street a child walked down
whom you remember, in the corridors
of cities you inhabit, polyglot
as the distinguished scholar you were not
to be. A slight accent sets you apart,
but it would mark you on that peddlers'-cart
street now. Which language, after all, is yours?
Which language, after all these streets, is yours,
and why are you here, waiting for a train?
You could have run a hot bath, read Montaigne.
But would footsteps beyond the bathroom door's
bolt have disturbed the nondescript interior's
familiarity, shadowed the plain
blue draperies? You reflect, you know no one
who would, of you, echo your author's
"Because it was he; because it was I,"
as a unique friendship's non sequitur.
No footsteps and no friend: that makes you free.
The train approaches, wreathed in smoke like fur
around the shoulders of a dowager
with no time for sentimentality.
With no time for sentimentality,
mulling a twice-postponed book-review,
you take an empty seat. Opposite you
a voluble immigrant family
is already unwrapping garlicky
sausages—an unshaven man and his two
red-eared sons.
You once wrote: it is true,
awful, and unimportant, finally
that if the opportunity occurs
some of the exiles become storm-troopers;
and you try, culpably, to project these three
into some torch-lit future, filtering out
their wrangling (one of your languages) about
the next canto in their short odyssey.
The next canto in your short odyssey
will open, you know this, in yet another
hotel room. They have become your mother
country: benevolent anonymity
of rough starched sheets, dim lamp, rickety
escritoire, one window. Your neighbors gather
up their crusts and rinds. Out of a leather
satchel, the man takes their frayed identity
cards, examines them. The sons watch, pale
and less talkative. A border, passport control,
draw near: rubber stamp or interrogation?
You hope the customs officer lunched well;
reflect on the recurrent implication
of the dream's forfeit. One night in jail?
|
by
Judith Wright
South of my days' circle, part of my blood's country,
rises that tableland, high delicate outline
of bony slopes wincing under the winter,
low trees, blue-leaved and olive, outcropping granite-
clean, lean, hungry country. The creek's leaf-silenced,
willow choked, the slope a tangle of medlar and crabapple
branching over and under, blotched with a green lichen;
and the old cottage lurches in for shelter.
O cold the black-frost night. the walls draw in to the warmth
and the old roof cracks its joints; the slung kettle
hisses a leak on the fire. Hardly to be believed that summer
will turn up again some day in a wave of rambler-roses,
thrust it's hot face in here to tell another yarn-
a story old Dan can spin into a blanket against the winter.
seventy years of stories he clutches round his bones,
seventy years are hived in him like old honey.
During that year, Charleville to the Hunter,
nineteen-one it was, and the drought beginning;
sixty head left at the McIntyre, the mud round them
hardened like iron; and the yellow boy died
in the sulky ahead with the gear, but the horse went on,
stopped at Sandy Camp and waited in the evening.
It was the flies we seen first, swarming like bees.
Came to the Hunter, three hundred head of a thousand-
cruel to keep them alive - and the river was dust.
Or mustering up in the Bogongs in the autumn
when the blizzards came early. Brought them down;
down, what aren't there yet. Or driving for Cobb's on the run
up from Tamworth-Thunderbolt at the top of Hungry Hill,
and I give him a wink. I wouoldn't wait long, Fred,
not if I was you. The troopers are just behind,
coming for that job at the Hillgrove. He went like a luny,
him on his big black horse.
Oh, they slide and they vanish
as he shuffles the years like a pack of conjuror's cards.
True or not, it's all the same; and the frost on the roof
cracks like a whip, and the back-log break into ash.
Wake, old man. this is winter, and the yarns are over.
No-one is listening
South of my days' circle.
I know it dark against the stars, the high lean country
full of old stories that still go walking in my sleep.
|
by
Rudyard Kipling
1891
There were thirty million English who talked of England's might,
There were twenty broken troopers who lacked a bed for the night.
They had neither food nor money, they had neither service nor trade;
They were only shiftless soldiers, the last of the Light Brigade.
They felt that life was fleeting; they kuew not that art was long,
That though they were dying of famine, they lived in deathless song.
They asked for a little money to keep the wolf from the door;
And the thirty million English sent twenty pounds and four!
They laid their heads together that were scarred and lined and grey;
Keen were the Russian sabres, but want was keener than they;
And an old Troop-Sergeant muttered, "Let us go to the man who writes
The things on Balaclava the kiddies at school recites."
They went without bands or colours, a regiment ten-file strong,
To look for the Master-singer who had crowned them all in his song;
And, waiting his servant's order, by the garden gate they stayed,
A desolate little cluster, the last of the Light Brigade.
They strove to stand to attention, to straighen the toil-bowed back;
They drilled on an empty stomach, the loose-knit files fell slack;
With stooping of weary shoulders, in garments tattered and frayed,
They shambled into his presence, the last of the Light Brigade.
The old Troop-Sergeant was spokesman, and "Beggin' your pardon," he said,
"You wrote o' the Light Brigade, sir. Here's all that isn't dead.
An' it's all come true what you wrote, sir, regardin' the mouth of hell;
For we're all of us nigh to the workhouse, an' we thought we'd call an' tell.
"No, thank you, we don't want food, sir; but couldn't you take an' write
A sort of 'to be conbnued' and 'see next page' o'the fight?
We think that someone has blundered, an' couldn't you tell'em how?
You wrote we were heroes once, sir. Please, write we are starving now."
The poor little army departed, limping and lean and forlorn.
And the heart of the Master-singer grew hot with "the sconrn of scorn."
And he wrote for them wonderful verses that swept the land like flame,
Till the fatted souls of the English were scourged with the thing called Shamme.
O thirty million English that babble of England's might,
Behold there are twenty heroes who lack their food to-night;
Our children's children are lisping to "honour the charge they made --"
And we leave to the streets and the workhouse the charge of the Light Brigade!
|
by
Rudyard Kipling
I went into a public-'ouse to get a pint o' beer,
The publican 'e up an' sez, "We serve no red-coats here."
The girls be'ind the bar they laughed an' giggled fit to die,
I outs into the street again an' to myself sez I:
O it's Tommy this, an' Tommy that, an' "Tommy, go away";
But it's "Thank you, Mister Atkins", when the band begins to play,
The band begins to play, my boys, the band begins to play,
O it's "Thank you, Mister Atkins", when the band begins to play.
I went into a theatre as sober as could be,
They gave a drunk civilian room, but 'adn't none for me;
They sent me to the gallery or round the music-'alls,
But when it comes to fightin', Lord! they'll shove me in the stalls!
For it's Tommy this, an' Tommy that, an' "Tommy, wait outside";
But it's "Special train for Atkins" when the trooper's on the tide,
The troopship's on the tide, my boys, the troopship's on the tide,
O it's "Special train for Atkins" when the trooper's on the tide.
Yes, makin' mock o' uniforms that guard you while you sleep
Is cheaper than them uniforms, an' they're starvation cheap;
An' hustlin' drunken soldiers when they're goin' large a bit
Is five times better business than paradin' in full kit.
Then it's Tommy this, an' Tommy that, an' "Tommy, 'ow's yer soul?"
But it's "Thin red line of 'eroes" when the drums begin to roll,
The drums begin to roll, my boys, the drums begin to roll,
O it's "Thin red line of 'eroes" when the drums begin to roll.
We aren't no thin red 'eroes, nor we aren't no blackguards too,
But single men in barricks, most remarkable like you;
An' if sometimes our conduck isn't all your fancy paints,
Why, single men in barricks don't grow into plaster saints;
While it's Tommy this, an' Tommy that, an' "Tommy, fall be'ind",
But it's "Please to walk in front, sir", when there's trouble in the wind,
There's trouble in the wind, my boys, there's trouble in the wind,
O it's "Please to walk in front, sir", when there's trouble in the wind.
You talk o' better food for us, an' schools, an' fires, an' all:
We'll wait for extry rations if you treat us rational.
Don't mess about the cook-room slops, but prove it to our face
The Widow's Uniform is not the soldier-man's disgrace.
For it's Tommy this, an' Tommy that, an' "Chuck him out, the brute!"
But it's "Saviour of 'is country" when the guns begin to shoot;
An' it's Tommy this, an' Tommy that, an' anything you please;
An' Tommy ain't a bloomin' fool -- you bet that Tommy sees!
|
by
Rudyard Kipling
To the legion of the lost ones, to the cohort of the damned,
To my brethren in their sorrow overseas,
Sings a gentleman of England cleanly bred, machinely crammed,
And a trooper of the Empress, if you please.
Yea, a trooper of the forces who has run his own six horses,
And faith he went the pace and went it blind,
And the world was more than kin while he held the ready tin,
But to-day the Sergeant's something less than kind.
We're poor little lambs who've lost our way,
Baa! Baa! Baa!
We're little black sheep who've gone astray,
Baa--aa--aa!
Gentlemen-rankers out on the spree,
Damned from here to Eternity,
God ha' mercy on such as we,
Baa! Yah! Bah!
Oh, it's sweet to sweat through stables, sweet to empty kitchen slops,
And it's sweet to hear the tales the troopers tell,
To dance with blowzy housemaids at the regimental hops
And thrash the cad who says you waltz too well.
Yes, it makes you cock-a-hoop to be "Rider" to your troop,
And branded with a blasted worsted spur,
When you envy, O how keenly, one poor Tommy being cleanly
Who blacks your boots and sometimes calls you "Sir".
If the home we never write to, and the oaths we never keep,
And all we know most distant and most dear,
Across the snoring barrack-room return to break our sleep,
Can you blame us if we soak ourselves in beer?
When the drunken comrade mutters and the great guard-lantern gutters
And the horror of our fall is written plain,
Every secret, self-revealing on the aching white-washed ceiling,
Do you wonder that we drug ourselves from pain?
We have done with Hope and Honour, we are lost to Love and Truth,
We are dropping down the ladder rung by rung,
And the measure of our torment is the measure of our youth.
God help us, for we knew the worst too young!
Our shame is clean repentance for the crime that brought the sentence,
Our pride it is to know no spur of pride,
And the Curse of Reuben holds us till an alien turf enfolds us
And we die, and none can tell Them where we died.
We're poor little lambs who've lost our way,
Baa! Baa! Baa!
We're little black sheep who've gone astray,
Baa--aa--aa!
Gentlemen-rankers out on the spree,
Damned from here to Eternity,
God ha' mercy on such as we,
Baa! Yah! Bah!
|
by
Adam Lindsay Gordon
Hold hard, Ned! Lift me down once more, and lay me in the shade.
Old man, you've had your work cut out to guide
Both horses, and to hold me in the saddle when I swayed,
All through the hot, slow, sleepy, silent ride.
The dawn at "Moorabinda" was a mist rack dull and dense,
The sun-rise was a sullen, sluggish lamp;
I was dozing in the gateway at Arbuthnot's bound'ry fence,
I was dreaming on the Limestone cattle camp.
We crossed the creek at Carricksford, and sharply through the haze,
And suddenly the sun shot flaming forth;
To southward lay "Katawa", with the sand peaks all ablaze,
And the flushed fields of Glen Lomond lay to north.
Now westward winds the bridle-path that leads to Lindisfarm,
And yonder looms the double-headed Bluff;
From the far side of the first hill, when the skies are clear and calm,
You can see Sylvester's woolshed fair enough.
Five miles we used to call it from our homestead to the place
Where the big tree spans the roadway like an arch;
'Twas here we ran the dingo down that gave us such a chase
Eight years ago -- or was it nine? -- last March.
'Twas merry in the glowing morn among the gleaming grass,
To wander as we've wandered many a mile,
And blow the cool tobacco cloud, and watch the white wreaths pass,
Sitting loosely in the saddle all the while.
'Twas merry 'mid the blackwoods, when we spied the station roofs,
To wheel the wild scrub cattle at the yard,
With a running fire of stock whips and a fiery run of hoofs;
Oh! the hardest day was never then too hard!
Aye! we had a glorious gallop after "Starlight" and his gang,
When they bolted from Sylvester's on the flat;
How the sun-dried reed-beds crackled, how the flint-strewn ranges rang,
To the strokes of "Mountaineer" and "Acrobat".
Hard behind them in the timber, harder still across the heath,
Close beside them through the tea-tree scrub we dash'd;
And the golden-tinted fern leaves, how they rustled underneath;
And the honeysuckle osiers, how they crash'd!
We led the hunt throughout, Ned, on the chestnut and the grey,
And the troopers were three hundred yards behind,
While we emptied our six-shooters on the bushrangers at bay,
In the creek with stunted box-trees for a blind!
There you grappled with the leader, man to man, and horse to horse,
And you roll'd together when the chestnut rear'd;
He blazed away and missed you in that shallow water-course --
A narrow shave -- his powder singed your beard!
In these hours when life is ebbing, how those days when life was young
Come back to us; how clearly I recall
Even the yarns Jack Hall invented, and the songs Jem Roper sung;
And where are now Jem Roper and Jack Hall?
Ay! nearly all our comrades of the old colonial school,
Our ancient boon companions, Ned, are gone;
Hard livers for the most part, somewhat reckless as a rule,
It seems that you and I are left alone.
There was Hughes, who got in trouble through that business with the cards,
It matters little what became of him;
But a steer ripp'd up Macpherson in the Cooraminta yards,
And Sullivan was drown'd at Sink-or-swim;
And Mostyn -- poor Frank Mostyn -- died at last, a fearful wreck,
In the "horrors" at the Upper Wandinong,
And Carisbrooke, the rider, at the Horsefall broke his neck;
Faith! the wonder was he saved his neck so long!
Ah! those days and nights we squandered at the Logans' in the glen --
The Logans, man and wife, have long been dead.
Elsie's tallest girl seems taller than your little Elsie then;
And Ethel is a woman grown and wed.
I've had my share of pastime, and I've done my share of toil,
And life is short -- the longest life a span;
I care not now to tarry for the corn or for the oil,
Or for wine that maketh glad the heart of man.
For good undone, and gifts misspent, and resolutions vain,
'Tis somewhat late to trouble. This I know --
I should live the same life over, if I had to live again;
And the chances are I go where most men go.
The deep blue skies wax dusky, and the tall green trees grow dim,
The sward beneath me seems to heave and fall;
And sickly, smoky shadows through the sleepy sunlight swim,
And on the very sun's face weave their pall.
Let me slumber in the hollow where the wattle blossoms wave,
With never stone or rail to fence my bed;
Should the sturdy station children pull the bush-flowers on my grave,
I may chance to hear them romping overhead.
I don't suppose I shall though, for I feel like sleeping sound,
That sleep, they say, is doubtful. True; but yet
At least it makes no difference to the dead man underground
What the living men remember or forget.
Enigmas that perplex us in the world's unequal strife,
The future may ignore or may reveal;
Yet some, as weak as water, Ned, to make the best of life,
Have been to face the worst as true as steel.
|
by
Henry Lawson
They stood by the door of the Inn on the Rise;
May Carney looked up in the bushranger's eyes:
`Oh! why did you come? -- it was mad of you, Jack;
You know that the troopers are out on your track.'
A laugh and a shake of his obstinate head --
`I wanted a dance, and I'll chance it,' he said.
Some twenty-odd bushmen had come to the `ball',
But Jack from his youth had been known to them all,
And bushmen are soft where a woman is fair,
So the love of May Carney protected him there;
And all the short evening -- it seems like romance --
She danced with a bushranger taking his chance.
`Twas midnight -- the dancers stood suddenly still,
For hoofs had been heard on the side of the hill!
Ben Duggan, the drover, along the hillside
Came riding as only a bushman can ride.
He sprang from his horse, to the shanty he sped --
`The troopers are down in the gully!' he said.
Quite close to the homestead the troopers were seen.
`Clear out and ride hard for the ranges, Jack Dean!
Be quick!' said May Carney -- her hand on her heart --
`We'll bluff them awhile, and 'twill give you a start.'
He lingered a moment -- to kiss her, of course --
Then ran to the trees where he'd hobbled his horse.
She ran to the gate, and the troopers were there --
The jingle of hobbles came faint on the air --
Then loudly she screamed: it was only to drown
The treacherous clatter of slip-rails let down.
But troopers are sharp, and she saw at a glance
That someone was taking a desperate chance.
They chased, and they shouted, `Surrender, Jack Dean!'
They called him three times in the name of the Queen.
Then came from the darkness the clicking of locks;
The crack of the rifles was heard in the rocks!
A shriek and a shout, and a rush of pale men --
And there lay the bushranger, chancing it then.
The sergeant dismounted and knelt on the sod --
`Your bushranging's over -- make peace, Jack, with God!'
The bushranger laughed -- not a word he replied,
But turned to the girl who knelt down by his side.
He gazed in her eyes as she lifted his head:
`Just kiss me -- my girl -- and -- I'll -- chance it,' he said.
|
by
Henry Lawson
Roll up, Eureka's heroes, on that grand Old Rush afar,
For Lalor's gone to join you in the big camp where you are;
Roll up and give him welcome such as only diggers can,
For well he battled for the rights of miner and of Man.
In that bright golden country that lies beyond our sight,
The record of his honest life shall be his Miner's Right;
But many a bearded mouth shall twitch, and many a tear be shed,
And many a grey old digger sigh to hear that Lalor's dead.
Yet wipe your eyes, old fossickers, o'er worked-out fields that roam,
You need not weep at parting from a digger going home.
Now from the strange wild seasons past, the days of golden strife,
Now from the Roaring Fifties comes a scene from Lalor's life:
All gleaming white amid the shafts o'er gully, hill and flat
Again I see the tents that form the camp at Ballarat.
I hear the shovels and the picks, and all the air is rife
With the rattle of the cradles and the sounds of digger-life;
The clatter of the windlass-boles, as spinning round they go,
And then the signal to his mate, the digger's cry, "Below!"
From many a busy pointing-forge the sound of labour swells,
The tinkling of the anvils is as clear as silver bells.
I hear the broken English from the mouth of many a one
From every state and nation that is known beneath the sun;
The homely tongue of Scotland and the brogue of Ireland blend
With the dialects of England, right from Berwick to Lands End;
And to the busy concourse here the States have sent a part,
The land of gulches that has been immortalised by Harte;
The land where long from mining-camps the blue smoke upward curled;
The land that gave the "Partner" true and "Mliss" unto the world;
The men from all the nations in the New World and the Old,
All side by side, like brethren here, are delving after gold.
But suddenly the warning cries are heard on every side
As closing in around the field, a ring of troopers ride,
Unlicensed diggers are the game--their class and want are sins,
And so with all its shameful scenes, the digger hunt begins.
The men are seized who are too poor the heavy tax to pay,
Chained man to man as convicts were, and dragged in gangs away.
Though in the eyes of many a man the menace scarce was hid,
The diggers' blood was slow to boil, but scalded when it did.
But now another match is lit that soon must fire the charge
"Roll up! Roll up!" the poignant cry awakes the evening air,
And angry faces surge like waves around the speakers there.
"What are our sins that we should be an outlawed class?" they say,
"Shall we stand by while mates are seized and dragged like lags away?
Shall insult be on insult heaped? Shall we let these things go?"
And with a roar of voices comes the diggers' answer--"No!"
The day has vanished from the scene, but not the air of night
Can cool the blood that, ebbing back, leaves brows in anger white.
Lo, from the roof of Bentley's Inn the flames are leaping high;
They write "Revenge!" in letters red across the smoke-dimmed sky.
"To arms! To arms!" the cry is out; "To arms and play your part;
For every pike upon a pole will find a tyrant's heart!"
Now Lalor comes to take the lead, the spirit does not lag,
And down the rough, wild diggers kneel beneath the Diggers' Flag;
Then, rising to their feet, they swear, while rugged hearts beat high,
To stand beside their leader and to conquer or to die!
Around Eureka's stockade now the shades of night close fast,
Three hundred sleep beside their arms, and thirty sleep their last.
About the streets of Melbourne town the sound of bells is borne
That call the citizens to prayer that fateful Sabbath morn;
But there upon Eureka's hill, a hundred miles away,
The diggers' forms lie white and still above the blood-stained clay.
The bells that toll the diggers' death might also ring a knell
For those few gallant soldiers, dead, who did their duty well.
The sight of murdered heroes is to hero-hearts a goad,
A thousand men are up in arms upon the Creswick road,
And wildest rumours in the air are flying up and down,
'Tis said the men of Ballarat will march on Melbourne town.
But not in vain those diggers died. Their comrades may rejoice,
For o'er the voice of tyranny is heard the people's voice;
It says: "Reform your rotten law, the diggers' wrongs make right,
Or else with them, our brothers now, we'll gather to the fight."
'Twas of such stuff the men were made who saw our nation born,
And such as Lalor were the men who led the vanguard on;
And like such men may we be found, with leaders such as they,
In the roll-up of Australians on our darkest, grandest day!
|
by
Andrew Barton Paterson
Wargeilah town is very small,
There's no cathedral nor a club,
In fact the township, all in all,
Is just one unpretentious pub;
And there, from all the stations round,
The local sportsmen can be found.
The sportsmen of Wargeilah-side
Are very few but very fit;
There's scarcely any sport been tried
But they can hold their own at it;
In fact, to search their records o'er,
They hold their own and something more.
The precincts of Wargeilah town
An English new-chum did infest:
He used to wander up and down
In baggy English breeches drest;
His mental aspect seemed to be
Just stolid self-sufficiency.
The local sportsmen vainly sought
His tranquil calm to counteract
By urging that he should be brought
Within the Noxious Creatures Act.
"Nay, harm him not," said one more wise,
"He is a blessing in disguise!
"You see, he wants to buy a horse,
To ride, and hunt, and steeplechase,
And carry ladies, too, of course,
And pull a cart, and win a race.
Good gracious! he must be a flat
To think he'll get a horse like that!
"But, since he has so little sense
And such a lot of cash to burn,
We'll sell him some experience
By which alone a fool can learn.
Suppose we let him have The Trap
To win Wargeilah Handicap!"
And her, I must explain to you
That round about Wargeilah run
There lived a very aged screw
Whose days of brilliancy were done.
A grand old warrior in his prime --
But age will beat us any time.
A trooper's horse in seasons past
He did his share to keep the peace,
But took to falling, and at last
Was cast for age from the Police.
A publican at Conroy's Gap
Bought him and christened him The Trap.
When grass was good and horses dear,
He changed his owner now and then
At prices ranging somewhere near
The neighbourhood of two-pound-ten:
And manfully he earned his keep
By yarding cows and ration sheep.
They brought him in from off the grass
And fed and groomed the old horse up;
His coat began to shine like glass --
You'd think he'd win the Melbourne Cup.
And when they'd got him fat and flash
They asked the new chum -- fifty -- cash!
And when he said the price was high,
Their indignation knew no bounds.
They said, "It's seldom you can buy
A horse like that for fifty pounds!
We'll refund twenty if The Trap
Should fail to win the handicap!"
The deed was done, the price was paid,
The new-chum put the horse in train.
The local sports were much afraid
That he would sad experience gain
By racing with some shearer's hack,
Who'd beat him half-way round the track.
So, on this guileless English spark
They did most fervently impress
That he must keep the matter dark,
And not let any person guess
That he was purchasing The Trap
To win Wargeilah Handicap.
They spoke of "spielers from the Bland",
And "champions from the Castlereagh",
And gave the youth to understand
That all of these would stop away,
And spoil the race, if they should hear
That they had got The Trap to fear.
"Keep dark! They'll muster thick as flies
When once the news gets sent around
We're giving such a splendid prize --
A Snowdon horse worth fifty pound!
They'll come right in from Dandaloo,
And find -- that it's a gift for you!"
The race came on -- with no display
Nor any calling of the card,
But round about the pub all day
A crowd of shearers, drinking hard,
And using language in a strain
'Twere flattery to call profane.
Our hero, dressed in silk attire --
Blue jacket and scarlet cap --
With boots that shone like flames of fire,
Now did his canter on The Trap,
And walked him up and round about,
Until other steeds came out.
He eyed them with a haughty look,
But saw a sight that caught his breath!
It was Ah John! the Chinee cook!
In boots and breeches! pale as death!
Tied with a rope, like any sack,
Upon a piebald pony's back!
The next, a colt -- all mud and burrs,
Half-broken, with a black boy up,
Who said, "You gim'me pair o' spurs,
I win the bloomin' Melbourne Cup!"
These two were to oppose The Trap
For the Wargeilah Handicap!
They're off! The colt whipped down his head,
And humped his back, and gave a squeal,
And bucked into the drinking shed,
Revolving like a Catherine wheel!
Men ran like rats! The atmosphere
Was filled with oaths and pints of beer!
But up the course the bold Ah John
Beside The Trap raced neck and neck:
The boys had tied him firmly on,
Which ultimately proved his wreck;
The saddle turned, and, like a clown,
He rode some distance upside-down.
His legs around the horse were tied,
His feet towards the heavens were spread,
He swung and bumped at every stride
And ploughed the ground up with his head!
And when they rescued him, The Trap
Had won Wargeilah Handicap!
And no enquiries we could make
Could tell by what false statements swayed
Ah John was led to undertake
A task so foreign to his trade!
He only smiled and said, "Hoo Ki!
I stop topside, I win all li'!"
But never in Wargeilah Town
Was heard so eloquent a cheer
As when the President came down,
And toasted, in Colonial beer,
"The finest rider on the course!
The winner of the Snowdon Horse!
"You go and get your prize," he said;
"He's with a wild mob, somewhere round
The mountains near the Watershed;
He's honestly worth fifty pound --
A noble horse, indeed, to win,
But none of us can run him in!
"We've chased him poor, we've chased him fat,
We've run him till our horses dropped;
But by such obstacles as that
A man like you will not be stopped;
You'll go and yard him any day,
So here's your health! Hooray! Hooray!"
The day wound up with booze and blow
And fights till all were well content.
But of the new-chum all I know
Is shown by this advertisement --
"For sale, the well-known racehorse Trap.
He won Wargeilah Handicap!"
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by
Andrew Barton Paterson
'Twas the horse thief, Andy Regan, that was hunted like a dog
By the troopers of the upper Murray side,
They had searched in every gully -- they had looked in every log,
But never sight or track of him they spied,
Till the priest at Kiley's Crossing heard a knocking very late
And a whisper "Father Riley -- come across!"
So his Rev'rence in pyjamas trotted softly to the gate
And admitted Andy Regan -- and a horse!
"Now, it's listen, Father Riley, to the words I've got to say,
For it's close upon my death I am tonight.
With the troopers hard behind me I've been hiding all the day
In the gullies keeping close and out of sight.
But they're watching all the ranges till there's not a bird could fly,
And I'm fairly worn to pieces with the strife,
So I'm taking no more trouble, but I'm going home to die,
'Tis the only way I see to save my life.
"Yes, I'm making home to mother's, and I'll die o' Tuesday next
An' be buried on the Thursday -- and, of course,
I'm prepared to meet my penance, but with one thing I'm perplexed
And it's -- Father, it's this jewel of a horse!
He was never bought nor paid for, and there's not a man can swear
To his owner or his breeder, but I know,
That his sire was by Pedantic from the Old Pretender mare
And his dam was close related to The Roe.
"And there's nothing in the district that can race him for a step,
He could canter while they're going at their top:
He's the king of all the leppers that was ever seen to lep,
A five-foot fence -- he'd clear it in a hop!
So I'll leave him with you, Father, till the dead shall rise again,
Tis yourself that knows a good 'un; and, of course,
You can say he's got by Moonlight out of Paddy Murphy's plain
If you're ever asked the breeding of the horse!
"But it's getting on to daylight and it's time to say goodbye,
For the stars above the east are growing pale.
And I'm making home to mother -- and it's hard for me to die!
But it's harder still, is keeping out of gaol!
You can ride the old horse over to my grave across the dip
Where the wattle bloom is waving overhead.
Sure he'll jump them fences easy -- you must never raise the whip
Or he'll rush 'em! -- now, goodbye!" and he had fled!
So they buried Andy Regan, and they buried him to rights,
In the graveyard at the back of Kiley's Hill;
There were five-and-twenty mourners who had five-and-twenty fights
Till the very boldest fighters had their fill.
There were fifty horses racing from the graveyard to the pub,
And their riders flogged each other all the while.
And the lashin's of the liquor! And the lavin's of the grub!
Oh, poor Andy went to rest in proper style.
Then the races came to Kiley's -- with a steeplechase and all,
For the folk were mostly Irish round about,
And it takes an Irish rider to be fearless of a fall,
They were training morning in and morning out.
But they never started training till the sun was on the course
For a superstitious story kept 'em back,
That the ghost of Andy Regan on a slashing chestnut horse,
Had been training by the starlight on the track.
And they read the nominations for the races with surprise
And amusement at the Father's little joke,
For a novice had been entered for the steeplechasing prize,
And they found it was Father Riley's moke!
He was neat enough to gallop, he was strong enough to stay!
But his owner's views of training were immense,
For the Reverend Father Riley used to ride him every day,
And he never saw a hurdle nor a fence.
And the priest would join the laughter: "Oh," said he, "I put him in,
For there's five-and-twenty sovereigns to be won.
And the poor would find it useful, if the chestnut chanced to win,
And he'll maybe win when all is said and done!"
He had called him Faugh-a-ballagh, which is French for 'Clear the course',
And his colours were a vivid shade of green:
All the Dooleys and O'Donnells were on Father Riley's horse,
While the Orangemen were backing Mandarin!
It was Hogan, the dog poisoner -- aged man and very wise,
Who was camping in the racecourse with his swag,
And who ventured the opinion, to the township's great surprise,
That the race would go to Father Riley's nag.
"You can talk about your riders -- and the horse has not been schooled,
And the fences is terrific, and the rest!
When the field is fairly going, then ye'll see ye've all been fooled,
And the chestnut horse will battle with the best.
"For there's some has got condition, and they think the race is sure,
And the chestnut horse will fall beneath the weight,
But the hopes of all the helpless, and the prayers of all the poor,
Will be running by his side to keep him straight.
And it's what's the need of schoolin' or of workin' on the track,
Whin the saints are there to guide him round the course!
I've prayed him over every fence -- I've prayed him out and back!
And I'll bet my cash on Father Riley's horse!"
*
Oh, the steeple was a caution! They went tearin' round and round,
And the fences rang and rattled where they struck.
There was some that cleared the water -- there was more fell in and drowned,
Some blamed the men and others blamed the luck!
But the whips were flying freely when the field came into view,
For the finish down the long green stretch of course,
And in front of all the flyers -- jumpin' like a kangaroo,
Came the rank outsider -- Father Riley's horse!
Oh, the shouting and the cheering as he rattled past the post!
For he left the others standing, in the straight;
And the rider -- well they reckoned it was Andy Regan's ghost,
And it beat 'em how a ghost would draw the weight!
But he weighed in, nine stone seven, then he laughed and disappeared,
Like a banshee (which is Spanish for an elf),
And old Hogan muttered sagely, "If it wasn't for the beard
They'd be thinking it was Andy Regan's self!"
And the poor of Kiley's Crossing drank the health at Christmastide
Of the chestnut and his rider dressed in green.
There was never such a rider, not since Andy Regan died,
And they wondered who on earth he could have been.
But they settled it among 'em, for the story got about,
'Mongst the bushmen and the people on the course,
That the Devil had been ordered to let Andy Regan out
For the steeplechase on Father Riley's horse!
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