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Best Famous Trio Poems

Here is a collection of the all-time best famous Trio poems. This is a select list of the best famous Trio poetry. Reading, writing, and enjoying famous Trio poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of trio poems.

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Written by Walt Whitman | Create an image from this poem

Brother of All with Generous Hand

 1
BROTHER of all, with generous hand, 
Of thee, pondering on thee, as o’er thy tomb, I and my Soul, 
A thought to launch in memory of thee, 
A burial verse for thee.
What may we chant, O thou within this tomb? What tablets, pictures, hang for thee, O millionaire? —The life thou lived’st we know not, But that thou walk’dst thy years in barter, ’mid the haunts of brokers; Nor heroism thine, nor war, nor glory.
Yet lingering, yearning, joining soul with thine, If not thy past we chant, we chant the future, Select, adorn the future.
2 Lo, Soul, the graves of heroes! The pride of lands—the gratitudes of men, The statues of the manifold famous dead, Old World and New, The kings, inventors, generals, poets, (stretch wide thy vision, Soul,) The excellent rulers of the races, great discoverers, sailors, Marble and brass select from them, with pictures, scenes, (The histories of the lands, the races, bodied there, In what they’ve built for, graced and graved, Monuments to their heroes.
) 3 Silent, my Soul, With drooping lids, as waiting, ponder’d, Turning from all the samples, all the monuments of heroes.
While through the interior vistas, Noiseless uprose, phantasmic (as, by night, Auroras of the North,) Lambent tableaux, prophetic, bodiless scenes, Spiritual projections.
In one, among the city streets, a laborer’s home appear’d, After his day’s work done, cleanly, sweet-air’d, the gaslight burning, The carpet swept, and a fire in the cheerful stove.
In one, the sacred parturition scene, A happy, painless mother birth’d a perfect child.
In one, at a bounteous morning meal, Sat peaceful parents, with contented sons.
In one, by twos and threes, young people, Hundreds concentering, walk’d the paths and streets and roads, Toward a tall-domed school.
In one a trio, beautiful, Grandmother, loving daughter, loving daughter’s daughter, sat, Chatting and sewing.
In one, along a suite of noble rooms, ’Mid plenteous books and journals, paintings on the walls, fine statuettes, Were groups of friendly journeymen, mechanics, young and old, Reading, conversing.
All, all the shows of laboring life, City and country, women’s, men’s and children’s, Their wants provided for, hued in the sun, and tinged for once with joy, Marriage, the street, the factory, farm, the house-room, lodging-room, Labor and toil, the bath, gymnasium, play-ground, library, college, The student, boy or girl, led forward to be taught; The sick cared for, the shoeless shod—the orphan father’d and mother’d, The hungry fed, the houseless housed; (The intentions perfect and divine, The workings, details, haply human.
) 4 O thou within this tomb, From thee, such scenes—thou stintless, lavish Giver, Tallying the gifts of Earth—large as the Earth, Thy name an Earth, with mountains, fields and rivers.
Nor by your streams alone, you rivers, By you, your banks, Connecticut, By you, and all your teeming life, Old Thames, By you, Potomac, laving the ground Washington trod—by you Patapsco, You, Hudson—you, endless Mississippi—not by you alone, But to the high seas launch, my thought, his memory.
5 Lo, Soul, by this tomb’s lambency, The darkness of the arrogant standards of the world, With all its flaunting aims, ambitions, pleasures.
(Old, commonplace, and rusty saws, The rich, the gay, the supercilious, smiled at long, Now, piercing to the marrow in my bones, Fused with each drop my heart’s blood jets, Swim in ineffable meaning.
) Lo, Soul, the sphere requireth, portioneth, To each his share, his measure, The moderate to the moderate, the ample to the ample.
Lo, Soul, see’st thou not, plain as the sun, The only real wealth of wealth in generosity, The only life of life in goodness?


Written by Robert William Service | Create an image from this poem

The Ballad Of The Ice-Worm Cocktail

 To Dawson Town came Percy Brown from London on the Thames.
A pane of glass was in his eye, and stockings on his stems.
Upon the shoulder of his coat a leather pad he wore, To rest his deadly rifle when it wasn't seeking gore; The which it must have often been, for Major Percy Brown, According to his story was a hunter of renown, Who in the Murrumbidgee wilds had stalked the kangaroo And killed the cassowary on the plains of Timbuctoo.
And now the Arctic fox he meant to follow to its lair, And it was also his intent to beard the Artic hare.
.
.
Which facts concerning Major Brown I merely tell because I fain would have you know him for the Nimrod that he was.
Now Skipper Grey and Deacon White were sitting in the shack, And sampling of the whisky that pertained to Sheriff Black.
Said Skipper Grey: "I want to say a word about this Brown: The piker's sticking out his chest as if he owned the town.
" Said Sheriff Black: "he has no lack of frigorated cheek; He called himself a Sourdough when he'd just been here a week.
" Said Deacon White: "Methinks you're right, and so I have a plan By which I hope to prove to-night the mettle of the man.
Just meet me where the hooch-bird sings, and though our ways be rude We'll make a proper Sourdough of this Piccadilly dude.
" Within the Malamute Saloon were gathered all the gang; The fun was fast and furious, and the loud hooch-bird sang.
In fact the night's hilarity had almost reached its crown, When into its storm-centre breezed the gallant Major Brown.
And at the apparation, whith its glass eye and plus-fours, From fifty alcoholic throats responded fifty roars.
With shouts of stark amazement and with whoops of sheer delight, They surged around the stranger, but the first was Deacon White.
"We welcome you," he cried aloud, "to this the Great White Land.
The Artic Brotherhood is proud to grip you by the hand.
Yea, sportsman of the bull-dog breed, from trails of far away, To Yukoners this is indeed a memorable day.
Our jubilation to express, vocabularies fail.
.
.
Boys, hail the Great Cheechako!" And the boys responded: "Hail!" "And now," continued Deacon White to blushing Major Brown, "Behold assembled the eelight and cream of Dawson Town, And one ambition fills their hearts and makes their bosoms glow - They want to make you, honoured sir, a bony feed Sourdough.
The same, some say, is one who's seen the Yukon ice go out, But most profound authorities the definition doubt, And to the genial notion of this meeting, Major Brown, A Sourdough is a guy who drinks .
.
.
an ice-worm cocktail down.
" "By Gad!" responded Major Brown, "that's ripping, don't you know.
I've always felt I'd like to be a certified Sourdough.
And though I haven't any doubt your Winter's awf'ly nice, Mayfair, I fear, may miss me ere the break-up of your ice.
Yet (pray excuse my ignorance of matters such as these) A cocktail I can understand - but what's an ice-worm, please?" Said Deacon White: "It is not strange that you should fail to know, Since ice-worms are peculiar to the Mountain of Blue Snow.
Within the Polar rim it rears, a solitary peak, And in the smoke of early Spring (a spectacle unique) Like flame it leaps upon the sight and thrills you through and through, For though its cone is piercing white, its base is blazing blue.
Yet all is clear as you draw near - for coyley peering out Are hosts and hosts of tiny worms, each indigo of snout.
And as no nourishment they find, to keep themselves alive They masticate each other's tails, till just the Tough survive.
Yet on this stern and Spartan fare so-rapidly they grow, That some attain six inches by the melting of the snow.
Then when the tundra glows to green and ****** heads appear, They burrow down and are not seen until another year.
" "A toughish yarn," laughed Major Brown, "as well you may admit.
I'd like to see this little beast before I swallow it.
" "'Tis easy done," said Deacon White, "Ho! Barman, haste and bring Us forth some pickled ice-worms of the vintage of last Spring.
" But sadly still was Barman Bill, then sighed as one bereft: "There's been a run on cocktails, Boss; there ain't an ice-worm left.
Yet wait .
.
.
By gosh! it seems to me that some of extra size Were picked and put away to show the scientific guys.
" Then deeply in a drawer he sought, and there he found a jar, The which with due and proper pride he put upon the bar; And in it, wreathed in queasy rings, or rolled into a ball, A score of grey and greasy things, were drowned in alcohol.
Their bellies were a bilious blue, their eyes a bulbous red; Their back were grey, and gross were they, and hideous of head.
And when with gusto and a fork the barman speared one out, It must have gone four inches from its tail-tip to its snout.
Cried Deacon White with deep delight: "Say, isn't that a beaut?" "I think it is," sniffed Major Brown, "a most disgustin' brute.
Its very sight gives me the pip.
I'll bet my bally hat, You're only spoofin' me, old chap.
You'll never swallow that.
" "The hell I won't!" said Deacon White.
"Hey! Bill, that fellows fine.
Fix up four ice-worm cocktails, and just put that wop in mine.
" So Barman Bill got busy, and with sacerdotal air His art's supreme achievement he proceeded to prepare.
His silver cups, like sickle moon, went waving to and fro, And four celestial cocktails soon were shining in a row.
And in the starry depths of each, artistically piled, A fat and juicy ice-worm raised its mottled mug and smiled.
Then closer pressed the peering crown, suspended was the fun, As Skipper Grey in courteous way said: "Stranger, please take one.
" But with a gesture of disgust the Major shook his head.
"You can't bluff me.
You'll never drink that gastly thing," he said.
"You'll see all right," said Deacon White, and held his cocktail high, Till its ice-worm seemed to wiggle, and to wink a wicked eye.
Then Skipper Grey and Sheriff Black each lifted up a glass, While through the tense and quiet crown a tremor seemed to pass.
"Drink, Stranger, drink," boomed Deacon White.
"proclaim you're of the best, A doughty Sourdough who has passed the Ice-worm Cocktail Test.
" And at these words, with all eyes fixed on gaping Major Brown, Like a libation to the gods, each dashed his cocktail down.
The Major gasped with horror as the trio smacked their lips.
He twiddled at his eye-glass with unsteady finger-tips.
Into his starry cocktail with a look of woe he peered, And its ice-worm, to his thinking, mosy incontinently leered.
Yet on him were a hundred eyes, though no one spoke aloud, For hushed with expectation was the waiting, watching crowd.
The Major's fumbling hand went forth - the gang prepared to cheer; The Major's falt'ring hand went back, the mob prepared to jeer, The Major gripped his gleaming glass and laid it to his lips, And as despairfully he took some nauseated sips, From out its coil of crapulence the ice-worm raised its head, Its muzzle was a murky blue, its eyes a ruby red.
And then a roughneck bellowed fourth: "This stiff comes here and struts, As if he bought the blasted North - jest let him show his guts.
" And with a roar the mob proclaimed: "Cheechako, Major Brown, Reveal that you're of Sourdough stuff, and drink your cocktail down.
" The Major took another look, then quickly closed his eyes, For even as he raised his glass he felt his gorge arise.
Aye, even though his sight was sealed, in fancy he could see That grey and greasy thing that reared and sneered in mockery.
Yet round him ringed the callous crowd - and how they seemed to gloat! It must be done .
.
.
He swallowed hard .
.
.
The brute was at his throat.
He choked.
.
.
he gulped .
.
.
Thank God! at last he'd got the horror down.
Then from the crowd went up a roar: "Hooray for Sourdough Brown!" With shouts they raised him shoulder high, and gave a rousing cheer, But though they praised him to the sky the Major did not hear.
Amid their demonstrative glee delight he seemed to lack; Indeed it almost seemed that he - was "keeping something back.
" A clammy sweat was on his brow, and pallid as a sheet: "I feel I must be going now," he'd plaintively repeat.
Aye, though with drinks and smokes galore, they tempted him to stay, With sudden bolt he gained the door, and made his get-away.
And ere next night his story was the talk of Dawson Town, But gone and reft of glory was the wrathful Major Brown; For that ice-worm (so they told him) of such formidable size Was - a stick of stained spaghetti with two red ink spots for eyes.
Written by Walt Whitman | Create an image from this poem

Pioneers! O Pioneers!

 1
 COME, my tan-faced children, 
Follow well in order, get your weapons ready; 
Have you your pistols? have you your sharp edged axes? Pioneers! O pioneers! 

2
 For we cannot tarry here, 
We must march my darlings, we must bear the brunt of danger,
We, the youthful sinewy races, all the rest on us depend, Pioneers! O pioneers! 

3
 O you youths, western youths, 
So impatient, full of action, full of manly pride and friendship, 
Plain I see you, western youths, see you tramping with the foremost, Pioneers! O
 pioneers! 

4
 Have the elder races halted?
Do they droop and end their lesson, wearied, over there beyond the seas? 
We take up the task eternal, and the burden, and the lesson, Pioneers! O pioneers! 

5
 All the past we leave behind; 
We debouch upon a newer, mightier world, varied world, 
Fresh and strong the world we seize, world of labor and the march, Pioneers! O pioneers!

6
 We detachments steady throwing, 
Down the edges, through the passes, up the mountains steep, 
Conquering, holding, daring, venturing, as we go, the unknown ways, Pioneers! O pioneers!


7
 We primeval forests felling, 
We the rivers stemming, vexing we, and piercing deep the mines within;
We the surface broad surveying, we the virgin soil upheaving, Pioneers! O pioneers! 

8
 Colorado men are we, 
From the peaks gigantic, from the great sierras and the high plateaus, 
From the mine and from the gully, from the hunting trail we come, Pioneers! O pioneers! 

9
 From Nebraska, from Arkansas,
Central inland race are we, from Missouri, with the continental blood intervein’d; 
All the hands of comrades clasping, all the Southern, all the Northern, Pioneers! O
 pioneers!


10
 O resistless, restless race! 
O beloved race in all! O my breast aches with tender love for all! 
O I mourn and yet exult—I am rapt with love for all, Pioneers! O pioneers!

11
 Raise the mighty mother mistress, 
Waving high the delicate mistress, over all the starry mistress, (bend your heads all,) 
Raise the fang’d and warlike mistress, stern, impassive, weapon’d mistress, Pioneers! O
 pioneers! 

12
See, my children, resolute children, 
By those swarms upon our rear, we must never yield or falter,
Ages back in ghostly millions, frowning there behind us urging, Pioneers! O pioneers! 

13
 On and on, the compact ranks, 
With accessions ever waiting, with the places of the dead quickly fill’d, 
Through the battle, through defeat, moving yet and never stopping, Pioneers! O pioneers!


14
 O to die advancing on!
Are there some of us to droop and die? has the hour come? 
Then upon the march we fittest die, soon and sure the gap is fill’d, Pioneers! O
 pioneers! 

15
 All the pulses of the world, 
Falling in, they beat for us, with the western movement beat; 
Holding single or together, steady moving, to the front, all for us, Pioneers! O
 pioneers!

16
 Life’s involv’d and varied pageants, 
All the forms and shows, all the workmen at their work, 
All the seamen and the landsmen, all the masters with their slaves, Pioneers! O pioneers!


17
 All the hapless silent lovers, 
All the prisoners in the prisons, all the righteous and the wicked,
All the joyous, all the sorrowing, all the living, all the dying, Pioneers! O pioneers! 

18
 I too with my soul and body, 
We, a curious trio, picking, wandering on our way, 
Through these shores, amid the shadows, with the apparitions pressing, Pioneers! O
 pioneers! 

19

 Lo! the darting bowling orb! 
Lo! the brother orbs around! all the clustering suns and planets, 
All the dazzling days, all the mystic nights with dreams, Pioneers! O pioneers! 

20
 These are of us, they are with us, 
All for primal needed work, while the followers there in embryo wait behind,
We to-day’s procession heading, we the route for travel clearing, Pioneers! O pioneers! 

21
 O you daughters of the west! 
O you young and elder daughters! O you mothers and you wives! 
Never must you be divided, in our ranks you move united, Pioneers! O pioneers! 

22
 Minstrels latent on the prairies!
(Shrouded bards of other lands! you may sleep—you have done your work;) 
Soon I hear you coming warbling, soon you rise and tramp amid us, Pioneers! O pioneers! 

23
 Not for delectations sweet; 
Not the cushion and the slipper, not the peaceful and the studious; 
Not the riches safe and palling, not for us the tame enjoyment, Pioneers! O pioneers!

24
 Do the feasters gluttonous feast? 
Do the corpulent sleepers sleep? have they lock’d and bolted doors? 
Still be ours the diet hard, and the blanket on the ground, Pioneers! O pioneers! 

25
 Has the night descended? 
Was the road of late so toilsome? did we stop discouraged, nodding on our way?
Yet a passing hour I yield you, in your tracks to pause oblivious, Pioneers! O pioneers!


26
 Till with sound of trumpet, 
Far, far off the day-break call—hark! how loud and clear I hear it wind; 
Swift! to the head of the army!—swift! spring to your places, Pioneers! O pioneers.
Written by Dorothy Parker | Create an image from this poem

A Pigs-Eye View Of Literature

 The Lives and Times of John Keats,
Percy Bysshe Shelley, and
George Gordon Noel, Lord Byron

Byron and Shelley and Keats
Were a trio of Lyrical treats.
The forehead of Shelley was cluttered with curls, And Keats never was a descendant of earls, And Byron walked out with a number of girls, But it didn't impair the poetical feats Of Byron and Shelley, Of Byron and Shelley, Of Byron and Shelley and Keats.
Written by Anne Waldman | Create an image from this poem

Number Song

 I've multiplied, I'm 2.
He was part of me he came out of me, he took a part of me He took me apart.
I'm 2, he's my art, no, he's separate.
He art one.
I'm not done & I'm still one.
I sing of my son.
I've multiplied.
My heart's in 2, half to him & half to you, who are also a part of him, & you & he & I make trio of kind congruity.


Written by Walt Whitman | Create an image from this poem

Years of the Modern

 YEARS of the modern! years of the unperform’d! 
Your horizon rises—I see it parting away for more august dramas; 
I see not America only—I see not only Liberty’s nation, but other nations
 preparing; 
I see tremendous entrances and exits—I see new combinations—I see the solidarity
 of
 races; 
I see that force advancing with irresistible power on the world’s stage;
(Have the old forces, the old wars, played their parts? are the acts suitable to them
 closed?) 
I see Freedom, completely arm’d, and victorious, and very haughty, with Law on one
 side,
 and Peace on the other, 
A stupendous Trio, all issuing forth against the idea of caste; 
—What historic denouements are these we so rapidly approach? 
I see men marching and countermarching by swift millions;
I see the frontiers and boundaries of the old aristocracies broken; 
I see the landmarks of European kings removed; 
I see this day the People beginning their landmarks, (all others give way;) 
—Never were such sharp questions ask’d as this day; 
Never was average man, his soul, more energetic, more like a God;
Lo! how he urges and urges, leaving the masses no rest; 
His daring foot is on land and sea everywhere—he colonizes the Pacific, the
 archipelagoes;

With the steam-ship, the electric telegraph, the newspaper, the wholesale engines of war, 
With these, and the world-spreading factories, he interlinks all geography, all lands; 
—What whispers are these, O lands, running ahead of you, passing under the seas?
Are all nations communing? is there going to be but one heart to the globe? 
Is humanity forming, en-masse?—for lo! tyrants tremble, crowns grow dim; 
The earth, restive, confronts a new era, perhaps a general divine war; 
No one knows what will happen next—such portents fill the days and nights; 
Years prophetical! the space ahead as I walk, as I vainly try to pierce it, is full of
 phantoms;
Unborn deeds, things soon to be, project their shapes around me; 
This incredible rush and heat—this strange extatic fever of dreams, O years! 
Your dreams, O year, how they penetrate through me! (I know not whether I sleep or wake!) 
The perform’d America and Europe grow dim, retiring in shadow behind me, 
The unperform’d, more gigantic than ever, advance, advance upon me.
Written by Walt Whitman | Create an image from this poem

Out of the Cradle Endlessly Rocking

 1
OUT of the cradle endlessly rocking, 
Out of the mocking-bird’s throat, the musical shuttle, 
Out of the Ninth-month midnight, 
Over the sterile sands, and the fields beyond, where the child, leaving his bed, wander’d
 alone, bare-headed, barefoot, 
Down from the shower’d halo,
Up from the mystic play of shadows, twining and twisting as if they were alive, 
Out from the patches of briers and blackberries, 
From the memories of the bird that chanted to me, 
From your memories, sad brother—from the fitful risings and fallings I heard, 
From under that yellow half-moon, late-risen, and swollen as if with tears,
From those beginning notes of sickness and love, there in the transparent mist, 
From the thousand responses of my heart, never to cease, 
From the myriad thence-arous’d words, 
From the word stronger and more delicious than any, 
From such, as now they start, the scene revisiting,
As a flock, twittering, rising, or overhead passing, 
Borne hither—ere all eludes me, hurriedly, 
A man—yet by these tears a little boy again, 
Throwing myself on the sand, confronting the waves, 
I, chanter of pains and joys, uniter of here and hereafter,
Taking all hints to use them—but swiftly leaping beyond them, 
A reminiscence sing.
2 Once, Paumanok, When the snows had melted—when the lilac-scent was in the air, and the Fifth-month grass was growing, Up this sea-shore, in some briers, Two guests from Alabama—two together, And their nest, and four light-green eggs, spotted with brown, And every day the he-bird, to and fro, near at hand, And every day the she-bird, crouch’d on her nest, silent, with bright eyes, And every day I, a curious boy, never too close, never disturbing them, Cautiously peering, absorbing, translating.
3 Shine! shine! shine! Pour down your warmth, great Sun! While we bask—we two together.
Two together! Winds blow South, or winds blow North, Day come white, or night come black, Home, or rivers and mountains from home, Singing all time, minding no time, While we two keep together.
4 Till of a sudden, May-be kill’d, unknown to her mate, One forenoon the she-bird crouch’d not on the nest, Nor return’d that afternoon, nor the next, Nor ever appear’d again.
And thenceforward, all summer, in the sound of the sea, And at night, under the full of the moon, in calmer weather, Over the hoarse surging of the sea, Or flitting from brier to brier by day, I saw, I heard at intervals, the remaining one, the he-bird, The solitary guest from Alabama.
5 Blow! blow! blow! Blow up, sea-winds, along Paumanok’s shore! I wait and I wait, till you blow my mate to me.
6 Yes, when the stars glisten’d, All night long, on the prong of a moss-scallop’d stake, Down, almost amid the slapping waves, Sat the lone singer, wonderful, causing tears.
He call’d on his mate; He pour’d forth the meanings which I, of all men, know.
Yes, my brother, I know; The rest might not—but I have treasur’d every note; For once, and more than once, dimly, down to the beach gliding, Silent, avoiding the moonbeams, blending myself with the shadows, Recalling now the obscure shapes, the echoes, the sounds and sights after their sorts, The white arms out in the breakers tirelessly tossing, I, with bare feet, a child, the wind wafting my hair, Listen’d long and long.
Listen’d, to keep, to sing—now translating the notes, Following you, my brother.
7 Soothe! soothe! soothe! Close on its wave soothes the wave behind, And again another behind, embracing and lapping, every one close, But my love soothes not me, not me.
Low hangs the moon—it rose late; O it is lagging—O I think it is heavy with love, with love.
O madly the sea pushes, pushes upon the land, With love—with love.
O night! do I not see my love fluttering out there among the breakers? What is that little black thing I see there in the white? Loud! loud! loud! Loud I call to you, my love! High and clear I shoot my voice over the waves; Surely you must know who is here, is here; You must know who I am, my love.
Low-hanging moon! What is that dusky spot in your brown yellow? O it is the shape, the shape of my mate! O moon, do not keep her from me any longer.
Land! land! O land! Whichever way I turn, O I think you could give me my mate back again, if you only would; For I am almost sure I see her dimly whichever way I look.
O rising stars! Perhaps the one I want so much will rise, will rise with some of you.
O throat! O trembling throat! Sound clearer through the atmosphere! Pierce the woods, the earth; Somewhere listening to catch you, must be the one I want.
Shake out, carols! Solitary here—the night’s carols! Carols of lonesome love! Death’s carols! Carols under that lagging, yellow, waning moon! O, under that moon, where she droops almost down into the sea! O reckless, despairing carols.
But soft! sink low; Soft! let me just murmur; And do you wait a moment, you husky-noised sea; For somewhere I believe I heard my mate responding to me, So faint—I must be still, be still to listen; But not altogether still, for then she might not come immediately to me.
Hither, my love! Here I am! Here! With this just-sustain’d note I announce myself to you; This gentle call is for you, my love, for you.
Do not be decoy’d elsewhere! That is the whistle of the wind—it is not my voice; That is the fluttering, the fluttering of the spray; Those are the shadows of leaves.
O darkness! O in vain! O I am very sick and sorrowful.
O brown halo in the sky, near the moon, drooping upon the sea! O troubled reflection in the sea! O throat! O throbbing heart! O all—and I singing uselessly, uselessly all the night.
Yet I murmur, murmur on! O murmurs—you yourselves make me continue to sing, I know not why.
O past! O life! O songs of joy! In the air—in the woods—over fields; Loved! loved! loved! loved! loved! But my love no more, no more with me! We two together no more.
8 The aria sinking; All else continuing—the stars shining, The winds blowing—the notes of the bird continuous echoing, With angry moans the fierce old mother incessantly moaning, On the sands of Paumanok’s shore, gray and rustling; The yellow half-moon enlarged, sagging down, drooping, the face of the sea almost touching; The boy extatic—with his bare feet the waves, with his hair the atmosphere dallying, The love in the heart long pent, now loose, now at last tumultuously bursting, The aria’s meaning, the ears, the Soul, swiftly depositing, The strange tears down the cheeks coursing, The colloquy there—the trio—each uttering, The undertone—the savage old mother, incessantly crying, To the boy’s Soul’s questions sullenly timing—some drown’d secret hissing, To the outsetting bard of love.
9 Demon or bird! (said the boy’s soul,) Is it indeed toward your mate you sing? or is it mostly to me? For I, that was a child, my tongue’s use sleeping, Now I have heard you, Now in a moment I know what I am for—I awake, And already a thousand singers—a thousand songs, clearer, louder and more sorrowful than yours, A thousand warbling echoes have started to life within me, Never to die.
O you singer, solitary, singing by yourself—projecting me; O solitary me, listening—nevermore shall I cease perpetuating you; Never more shall I escape, never more the reverberations, Never more the cries of unsatisfied love be absent from me, Never again leave me to be the peaceful child I was before what there, in the night, By the sea, under the yellow and sagging moon, The messenger there arous’d—the fire, the sweet hell within, The unknown want, the destiny of me.
O give me the clew! (it lurks in the night here somewhere;) O if I am to have so much, let me have more! O a word! O what is my destination? (I fear it is henceforth chaos;) O how joys, dreads, convolutions, human shapes, and all shapes, spring as from graves around me! O phantoms! you cover all the land and all the sea! O I cannot see in the dimness whether you smile or frown upon me; O vapor, a look, a word! O well-beloved! O you dear women’s and men’s phantoms! A word then, (for I will conquer it,) The word final, superior to all, Subtle, sent up—what is it?—I listen; Are you whispering it, and have been all the time, you sea-waves? Is that it from your liquid rims and wet sands? 10 Whereto answering, the sea, Delaying not, hurrying not, Whisper’d me through the night, and very plainly before day-break, Lisp’d to me the low and delicious word DEATH; And again Death—ever Death, Death, Death, Hissing melodious, neither like the bird, nor like my arous’d child’s heart, But edging near, as privately for me, rustling at my feet, Creeping thence steadily up to my ears, and laving me softly all over, Death, Death, Death, Death, Death.
Which I do not forget, But fuse the song of my dusky demon and brother, That he sang to me in the moonlight on Paumanok’s gray beach, With the thousand responsive songs, at random, My own songs, awaked from that hour; And with them the key, the word up from the waves, The word of the sweetest song, and all songs, That strong and delicious word which, creeping to my feet, The sea whisper’d me.
Written by Robert William Service | Create an image from this poem

Externalism

 The Greatest Writer of to-day
(With Maupassant I almost set him)
Said to me in a weary way,
The last occasion that I met him:
"Old chap, this world is more and more
Becoming bourgeois, blasé, blousy:
Thank God I've lived so long before
It got so definitely lousy.
" Said I: "Old chap, I don't agree.
Why should one so dispraise the present? For gainful guys like you and me, It still can be extremely pleasant.
Have we not Women, Wine and Song - A gleeful trio to my thinking; So blithely we can get along With laughing, loving, eating, drinking.
" Said he: "Dear Boy, it may be so, But I'm fed up with war and worry; I would escape this world of woe, Of wrath and wrong, of hate and hurry.
I fain would gain the peace of mind Of Lamas on Thibetan highlands, Or maybe sanctuary find With beach-combers on coral islands.
" Said I: "Dear Boy, don't go so far: Just live a life of simple being; Forgetting all the ills that are, Be satisfied with hearing, seeing.
The sense of smell and taste and touch Can bring you bliss in ample measure: If only you don't think too much, Your programme can be packed with pleasure.
"But do not try to probe below This fairy film of Nature's screening; Look on it as a surface show, Without a purpose of a meaning.
Take no account of social strife, And dread no coming cataclysm: Let your philosophy of life Be what I call: EXTERNALISM.
The moon shines down with borrowed light, So savants say - I do not doubt it.
Suffice its silver trance my sight, That's all I want to know about it.
A fig for science - 'how' and 'why' Distract me in my happy dreaming: Through line and form and colour I Am all content with outward seeming.
.
.
.
" The Greatest Writer of to-day (I would have loved to call him Willie), looked wry at me and went his way - I think he thought me rather silly.
Maybe I am, but I insist My point of view will take some beating: Don't mock this old Externalist - The pudding's proof is in the eating.
Written by Hugo Williams | Create an image from this poem

Siren Song

 This is the one song everyone 
would like to learn: the song
that is irresistible:

the song that forces men
to leap overboard in squadrons
even though they see the beached skulls

the song nobody knows
because anyone who has heard it
is dead, and the others can't remember.
Shall I tell you the secret and if I do, will you get me out of this bird suit? I don'y enjoy it here squatting on this island looking picturesque and mythical with these two faethery maniacs, I don't enjoy singing this trio, fatal and valuable.
I will tell the secret to you, to you, only to you.
Come closer.
This song is a cry for help: Help me! Only you, only you can, you are unique at last.
Alas it is a boring song but it works every time.
Written by Robert William Service | Create an image from this poem

The Smoking Frog

 Three men I saw beside a bar,
Regarding o'er their bottle,
A frog who smoked a rank cigar
They'd jammed within its throttle.
A Pasha frog it must have been So big it as and bloated; And from its lips the nicotine In graceful festoon floated.
And while the trio jeered and joked, As if it quite enjoyed it, Impassively it smoked and smoked, (It could now well avoid it).
A ring of fire its lips were nigh Yet it seemed all unwitting; It could not spit, like you and I, Who've learned the art of spitting.
It did not wink, it did not shrink, As there serene it squatted' Its eyes were clear, it did not fear The fate the Gods allotted.
It squatted there with calm sublime, Amid their cruel guying; Grave as a god, and all the time It knew that it was dying.
And somehow then it seemed to me These men expectorating, Were infinitely less than he, The dumb thing they were baiting.
It seemed to say, despite their jokes: "This is my hour of glory.
It isn't every frog that smokes: My name will live in story.
" Before its nose the smoke arose; The flame grew nigher, nigher; And then I saw its bright eyes close Beside that ring of fire.
They turned it on its warty back, From off its bloated belly; It legs jerked out, then dangled slack; It quivered like a jelly.
And then the fellows went away, Contented with their joking; But even as in death it lay, The frog continued smoking.
Life's like a lighted ***, thought I; We smoke it stale; then after Death turns our belly to the sky: The Gods must have their laughter.

Book: Shattered Sighs