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Best Famous Tricks Poems

Here is a collection of the all-time best famous Tricks poems. This is a select list of the best famous Tricks poetry. Reading, writing, and enjoying famous Tricks poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of tricks poems.

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Written by Margaret Atwood | Create an image from this poem

More and More

 More and more frequently the edges
of me dissolve and I become
a wish to assimilate the world, including
you, if possible through the skin
like a cool plant's tricks with oxygen
and live by a harmless green burning.
I would not consume you or ever finish, you would still be there surrounding me, complete as the air.
Unfortunately I don't have leaves.
Instead I have eyes and teeth and other non-green things which rule out osmosis.
So be careful, I mean it, I give you fair warning: This kind of hunger draws everything into its own space; nor can we talk it all over, have a calm rational discussion.
There is no reason for this, only a starved dog's logic about bones.


Written by C S Lewis | Create an image from this poem

The Country of the Blind

 Hard light bathed them-a whole nation of eyeless men, 
Dark bipeds not aware how they were maimed.
A long Process, clearly, a slow curse, Drained through centuries, left them thus.
At some transitional stage, then, a luckless few, No doubt, must have had eyes after the up-to-date, Normal type had achieved snug Darkness, safe from the guns of heavn; Whose blind mouths would abuse words that belonged to their Great-grandsires, unabashed, talking of light in some Eunuch'd, etiolated, Fungoid sense, as a symbol of Abstract thoughts.
If a man, one that had eyes, a poor Misfit, spoke of the grey dawn or the stars or green- Sloped sea waves, or admired how Warm tints change in a lady's cheek, None complained he had used words from an alien tongue, None question'd.
It was worse.
All would agree 'Of course,' Came their answer.
"We've all felt Just like that.
" They were wrong.
And he Knew too much to be clear, could not explain.
The words -- Sold, raped flung to the dogs -- now could avail no more; Hence silence.
But the mouldwarps, With glib confidence, easily Showed how tricks of the phrase, sheer metaphors could set Fools concocting a myth, taking the worlds for things.
Do you think this a far-fetched Picture? Go then about among Men now famous; attempt speech on the truths that once, Opaque, carved in divine forms, irremovable, Dear but dear as a mountain- Mass, stood plain to the inward eye.
Written by Allen Ginsberg | Create an image from this poem

September On Jessore Road

 Millions of babies watching the skies
Bellies swollen, with big round eyes
On Jessore Road--long bamboo huts
Noplace to **** but sand channel ruts

Millions of fathers in rain
Millions of mothers in pain
Millions of brothers in woe
Millions of sisters nowhere to go

One Million aunts are dying for bread
One Million uncles lamenting the dead
Grandfather millions homeless and sad
Grandmother millions silently mad

Millions of daughters walk in the mud
Millions of children wash in the flood
A Million girls vomit & groan
Millions of families hopeless alone

Millions of souls nineteenseventyone
homeless on Jessore road under grey sun
A million are dead, the million who can
Walk toward Calcutta from East Pakistan

Taxi September along Jessore Road
Oxcart skeletons drag charcoal load
past watery fields thru rain flood ruts
Dung cakes on treetrunks, plastic-roof huts

Wet processions Families walk
Stunted boys big heads don't talk
Look bony skulls & silent round eyes
Starving black angels in human disguise

Mother squats weeping & points to her sons
Standing thin legged like elderly nuns
small bodied hands to their mouths in prayer
Five months small food since they settled there

on one floor mat with small empty pot
Father lifts up his hands at their lot
Tears come to their mother's eye
Pain makes mother Maya cry

Two children together in palmroof shade
Stare at me no word is said
Rice ration, lentils one time a week
Milk powder for warweary infants meek

No vegetable money or work for the man
Rice lasts four days eat while they can
Then children starve three days in a row
and vomit their next food unless they eat slow.
On Jessore road Mother wept at my knees Bengali tongue cried mister Please Identity card torn up on the floor Husband still waits at the camp office door Baby at play I was washing the flood Now they won't give us any more food The pieces are here in my celluloid purse Innocent baby play our death curse Two policemen surrounded by thousands of boys Crowded waiting their daily bread joys Carry big whistles & long bamboo sticks to whack them in line They play hungry tricks Breaking the line and jumping in front Into the circle sneaks one skinny runt Two brothers dance forward on the mud stage Teh gaurds blow their whistles & chase them in rage Why are these infants massed in this place Laughing in play & pushing for space Why do they wait here so cheerful & dread Why this is the House where they give children bread The man in the bread door Cries & comes out Thousands of boys and girls Take up his shout Is it joy? is it prayer? "No more bread today" Thousands of Children at once scream "Hooray!" Run home to tents where elders await Messenger children with bread from the state No bread more today! & and no place to squat Painful baby, sick **** he has got.
Malnutrition skulls thousands for months Dysentery drains bowels all at once Nurse shows disease card Enterostrep Suspension is wanting or else chlorostrep Refugee camps in hospital shacks Newborn lay naked on mother's thin laps Monkeysized week old Rheumatic babe eye Gastoenteritis Blood Poison thousands must die September Jessore Road rickshaw 50,000 souls in one camp I saw Rows of bamboo huts in the flood Open drains, & wet families waiting for food Border trucks flooded, food cant get past, American Angel machine please come fast! Where is Ambassador Bunker today? Are his Helios machinegunning children at play? Where are the helicopters of U.
S.
AID? Smuggling dope in Bangkok's green shade.
Where is America's Air Force of Light? Bombing North Laos all day and all night? Where are the President's Armies of Gold? Billionaire Navies merciful Bold? Bringing us medicine food and relief? Napalming North Viet Nam and causing more grief? Where are our tears? Who weeps for the pain? Where can these families go in the rain? Jessore Road's children close their big eyes Where will we sleep when Our Father dies? Whom shall we pray to for rice and for care? Who can bring bread to this **** flood foul'd lair? Millions of children alone in the rain! Millions of children weeping in pain! Ring O ye tongues of the world for their woe Ring out ye voices for Love we don't know Ring out ye bells of electrical pain Ring in the conscious of America brain How many children are we who are lost Whose are these daughters we see turn to ghost? What are our souls that we have lost care? Ring out ye musics and weep if you dare-- Cries in the mud by the thatch'd house sand drain Sleeps in huge pipes in the wet ****-field rain waits by the pump well, Woe to the world! whose children still starve in their mother's arms curled.
Is this what I did to myself in the past? What shall I do Sunil Poet I asked? Move on and leave them without any coins? What should I care for the love of my loins? What should we care for our cities and cars? What shall we buy with our Food Stamps on Mars? How many millions sit down in New York & sup this night's table on bone & roast pork? How many millions of beer cans are tossed in Oceans of Mother? How much does She cost? Cigar gasolines and asphalt car dreams Stinking the world and dimming star beams-- Finish the war in your breast with a sigh Come tast the tears in your own Human eye Pity us millions of phantoms you see Starved in Samsara on planet TV How many millions of children die more before our Good Mothers perceive the Great Lord? How many good fathers pay tax to rebuild Armed forces that boast the children they've killed? How many souls walk through Maya in pain How many babes in illusory pain? How many families hollow eyed lost? How many grandmothers turning to ghost? How many loves who never get bread? How many Aunts with holes in their head? How many sisters skulls on the ground? How many grandfathers make no more sound? How many fathers in woe How many sons nowhere to go? How many daughters nothing to eat? How many uncles with swollen sick feet? Millions of babies in pain Millions of mothers in rain Millions of brothers in woe Millions of children nowhere to go New York, November 14-16, 1971
Written by Lawrence Ferlinghetti | Create an image from this poem

Constantly Risking Absurdity

 Constantly risking absurdity
and death
whenever he performs
above the heads
of his audience
the poet like an acrobat
climbs on rime
to a high wire of his own making
and balancing on eyebeams
above a sea of faces
paces his way
to the other side of the day
performing entrachats
and sleight-of-foot tricks
and other high theatrics
and all without mistaking
any thing
for what it may not be
For he's the super realist
who must perforce perceive
taut truth
before the taking of each stance or step
in his supposed advance
toward that still higher perch
where Beauty stands and waits
with gravity
to start her death-defying leap
And he
a little charleychaplin man
who may or may not catch
her fair eternal form
spreadeagled in the empty air
of existence
Written by Louisa May Alcott | Create an image from this poem

The Lay of a Golden Goose

 Long ago in a poultry yard 
One dull November morn, 
Beneath a motherly soft wing 
A little goose was born.
Who straightway peeped out of the shell To view the world beyond, Longing at once to sally forth And paddle in the pond.
"Oh! be not rash," her father said, A mild Socratic bird; Her mother begged her not to stray With many a warning word.
But little goosey was perverse, And eagerly did cry, "I've got a lovely pair of wings, Of course I ought to fly.
" In vain parental cacklings, In vain the cold sky's frown, Ambitious goosey tried to soar, But always tumbled down.
The farmyard jeered at her attempts, The peacocks screamed, "Oh fie! You're only a domestic goose, So don't pretend to fly.
" Great cock-a-doodle from his perch Crowed daily loud and clear, "Stay in the puddle, foolish bird, That is your proper sphere," The ducks and hens said, one and all, In gossip by the pool, "Our children never play such pranks; My dear, that fowl's a fool.
" The owls came out and flew about, Hooting above the rest, "No useful egg was ever hatched From transcendental nest.
" Good little goslings at their play And well-conducted chicks Were taught to think poor goosey's flights Were naughty, ill-bred tricks.
They were content to swim and scratch, And not at all inclined For any wild goose chase in search Of something undefined.
Hard times she had as one may guess, That young aspiring bird, Who still from every fall arose Saddened but undeterred.
She knew she was no nightingale Yet spite of much abuse, She longed to help and cheer the world, Although a plain gray goose She could not sing, she could not fly, Nor even walk, with grace, And all the farmyard had declared A puddle was her place.
But something stronger than herself Would cry, "Go on, go on! Remember, though an humble fowl, You're cousin to a swan.
" So up and down poor goosey went, A busy, hopeful bird.
Searched many wide unfruitful fields, And many waters stirred.
At length she came unto a stream Most fertile of all Niles, Where tuneful birds might soar and sing Among the leafy isles.
Here did she build a little nest Beside the waters still, Where the parental goose could rest Unvexed by any bill.
And here she paused to smooth her plumes, Ruffled by many plagues; When suddenly arose the cry, "This goose lays golden eggs.
" At once the farmyard was agog; The ducks began to quack; Prim Guinea fowls relenting called, "Come back, come back, come back.
" Great chanticleer was pleased to give A patronizing crow, And the contemptuous biddies clucked, "I wish my chicks did so.
" The peacocks spread their shining tails, And cried in accents soft, "We want to know you, gifted one, Come up and sit aloft.
" Wise owls awoke and gravely said, With proudly swelling breasts, "Rare birds have always been evoked From transcendental nests!" News-hunting turkeys from afar Now ran with all thin legs To gobble facts and fictions of The goose with golden eggs.
But best of all the little fowls Still playing on the shore, Soft downy chicks and goslings gay, Chirped out, "Dear Goose, lay more.
" But goosey all these weary years Had toiled like any ant, And wearied out she now replied "My little dears, I can't.
"When I was starving, half this corn Had been of vital use, Now I am surfeited with food Like any Strasbourg goose.
" So to escape too many friends, Without uncivil strife, She ran to the Atlantic pond And paddled for her life.
Soon up among the grand old Alps She found two blessed things, The health she had so nearly lost, And rest for weary limbs.
But still across the briny deep Couched in most friendly words, Came prayers for letters, tales, or verse From literary birds.
Whereat the renovated fowl With grateful thanks profuse, Took from her wing a quill and wrote This lay of a Golden Goose.


Written by Ted Hughes | Create an image from this poem

Lovesong

 He loved her and she loved him
His kisses sucked out her whole past and future or tried to
He had no other appetite
She bit him she gnawed him she sucked
She wanted him complete inside her
Safe and Sure forever and ever
Their little cries fluttered into the curtains

Her eyes wanted nothing to get away
Her looks nailed down his hands his wrists his elbows
He gripped her hard so that life
Should not drag her from that moment
He wanted all future to cease
He wanted to topple with his arms round her
Or everlasting or whatever there was
Her embrace was an immense press
To print him into her bones
His smiles were the garrets of a fairy place
Where the real world would never come
Her smiles were spider bites
So he would lie still till she felt hungry
His word were occupying armies
Her laughs were an assasin's attempts
His looks were bullets daggers of revenge
Her glances were ghosts in the corner with horrible secrets
His whispers were whips and jackboots
Her kisses were lawyers steadily writing
His caresses were the last hooks of a castaway 
Her love-tricks were the grinding of locks
And their deep cries crawled over the floors
Like an animal dragging a great trap
His promises were the surgeon's gag
Her promises took the top off his skull
She would get a brooch made of it
His vows pulled out all her sinews 
He showed her how to make a love-knot
At the back of her secret drawer
Their screams stuck in the wall
Their heads fell apart into sleep like the two halves
Of a lopped melon, but love is hard to stop

In their entwined sleep they exchanged arms and legs
In their dreams their brains took each other hostage

In the morning they wore each other's face
Written by Alec Derwent (A D) Hope | Create an image from this poem

Standardization

 When, darkly brooding on this Modern Age, 
The journalist with his marketable woes 
Fills up once more the inevitable page 
Of fatuous, flatulent, Sunday-paper prose; 

Whenever the green aesthete starts to whoop 
With horror at the house not made with hands 
And when from vacuum cleaners and tinned soup 
Another pure theosophist demands 

Rebirth in other, less industrial stars 
Where huge towns thrust up in synthetic stone 
And films and sleek miraculous motor cars 
And celluloid and rubber are unknown; 

When from his vegetable Sunday School 
Emerges with the neatly maudlin phrase 
Still one more Nature poet, to rant or drool 
About the "Standardization of the Race"; 

I see, stooping among her orchard trees, 
The old, sound Earth, gathering her windfalls in, 
Broad in the hams and stiffening at the knees, 
Pause and I see her grave malicious grin.
For there is no manufacturer competes With her in the mass production of shapes and things.
Over and over she gathers and repeats The cast of a face, a million butterfly wings.
She does not tire of the pattern of a rose.
Her oldest tricks still catch us with surprise.
She cannot recall how long ago she chose The streamlined hulls of fish, the snail's long eyes, Love, which still pours into its ancient mould The lashing seed that grows to a man again, From whom by the same processes unfold Unending generations of living men.
She has standardized his ultimate needs and pains.
Lost tribes in a lost language mutter in His dreams: his science is tethered to their brains, His guilt merely repeats Original Sin.
And beauty standing motionless before Her mirror sees behind her, mile on mile, A long queue in an unknown corridor, Anonymous faces plastered with her smile.
Written by Allen Ginsberg | Create an image from this poem

CIA Dope Calypso

 In nineteen hundred forty-nine
China was won by Mao Tse-tung
Chiang Kai-shek's army ran away
They were waiting there in Thailand yesterday

Supported by the CIA
Pushing junk down Thailand way

First they stole from the Meo Tribes
Up in the hills they started taking bribes
Then they sent their soldiers up to Shan
Collecting opium to send to The Man

Pushing junk in Bangkok yesterday
Supported by the CIA

Brought their jam on mule trains down
To Chiang Rai that's a railroad town
Sold it next to the police chief brain
He took it to town on the choochoo train

Trafficking dope to Bangkok all day
Supported by the CIA

The policeman's name was Mr.
Phao He peddled dope grand scale and how Chief of border customs paid By Central Intelligence's U.
S.
A.
I.
D.
The whole operation, Newspapers say Supported by the CIA He got so sloppy & peddled so loose He busted himself & cooked his own goose Took the reward for an opium load Seizing his own haul which same he resold Big time pusher for a decade turned grey Working for the CIA Touby Lyfong he worked for the French A big fat man liked to dine & wench Prince of the Meos he grew black mud Till opium flowed through the land like a flood Communists came and chased the French away So Touby took a job with the CIA The whole operation fell in to chaos Till U.
S.
Intelligence came into Laos I'll tell you no lie I'm a true American Our big pusher there was Phoumi Nosovan All them Princes in a power play But Phoumi was the man for the CIA And his best friend General Vang Pao Ran the Meo army like a sacred cow Helicopter smugglers filled Long Cheng's bars In Xieng Quang province on the Plain of Jars It started in secret they were fighting yesterday Clandestine secret army of the CIA All through the Sixties the Dope flew free Thru Tan Son Nhut Saigon to Marshal Ky Air America followed through Transporting confiture for President Thieu All these Dealers were decades and yesterday The Indochinese mob of the U.
S.
CIA Operation Haylift Offisir Wm.
Colby Saw Marshal Ky fly opium Mr.
Mustard told me Indochina desk he was Chief of Dirty Tricks "Hitchhiking" with dope pushers was how he got his fix Subsidizing traffickers to drive the Reds away Till Colby was the head of the CIA January 1972
Written by James Joyce | Create an image from this poem

The Ballad of Persse OReilly

 Have you heard of one Humpty Dumpty
How he fell with a roll and a rumble
And curled up like Lord Olofa Crumple
By the butt of the Magazine Wall,
 (Chorus) Of the Magazine Wall,
 Hump, helmet and all?

He was one time our King of the Castle
Now he's kicked about like a rotten old parsnip.
And from Green street he'll be sent by order of His Worship To the penal jail of Mountjoy (Chorus) To the jail of Mountjoy! Jail him and joy.
He was fafafather of all schemes for to bother us Slow coaches and immaculate contraceptives for the populace, Mare's milk for the sick, seven dry Sundays a week, Openair love and religion's reform, (Chorus) And religious reform, Hideous in form.
Arrah, why, says you, couldn't he manage it? I'll go bail, my fine dairyman darling, Like the bumping bull of the Cassidys All your butter is in your horns.
(Chorus) His butter is in his horns.
Butter his horns! (Repeat) Hurrah there, Hosty, frosty Hosty, change that shirt on ye, Rhyme the rann, the king of all ranns! Balbaccio, balbuccio! We had chaw chaw chops, chairs, chewing gum, the chicken-pox and china chambers Universally provided by this soffsoaping salesman.
Small wonder He'll Cheat E'erawan our local lads nicknamed him.
When Chimpden first took the floor (Chorus) With his bucketshop store Down Bargainweg, Lower.
So snug he was in his hotel premises sumptuous But soon we'll bonfire all his trash, tricks and trumpery And 'tis short till sheriff Clancy'll be winding up his unlimited company With the bailiff's bom at the door, (Chorus) Bimbam at the door.
Then he'll bum no more.
Sweet bad luck on the waves washed to our island The hooker of that hammerfast viking And Gall's curse on the day when Eblana bay Saw his black and tan man-o'-war.
(Chorus) Saw his man-o'-war On the harbour bar.
Where from? roars Poolbeg.
Cookingha'pence, he bawls Donnez-moi scampitle, wick an wipin'fampiny Fingal Mac Oscar Onesine Bargearse Boniface Thok's min gammelhole Norveegickers moniker Og as ay are at gammelhore Norveegickers cod.
(Chorus) A Norwegian camel old cod.
He is, begod.
Lift it, Hosty, lift it, ye devil, ye! up with the rann, the rhyming rann! It was during some fresh water garden pumping Or, according to the Nursing Mirror, while admiring the monkeys That our heavyweight heathen Humpharey Made bold a maid to woo (Chorus) Woohoo, what'll she doo! The general lost her maidenloo! He ought to blush for himself, the old hayheaded philosopher, For to go and shove himself that way on top of her.
Begob, he's the crux of the catalogue Of our antediluvial zoo, (Chorus) Messrs Billing and Coo.
Noah's larks, good as noo.
He was joulting by Wellinton's monument Our rotorious hippopopotamuns When some bugger let down the backtrap of the omnibus And he caught his death of fusiliers, (Chorus) With his rent in his rears.
Give him six years.
'Tis sore pity for his innocent poor children But look out for his missus legitimate! When that frew gets a grip of old Earwicker Won't there be earwigs on the green? (Chorus) Big earwigs on the green, The largest ever you seen.
Suffoclose! Shikespower! Seudodanto! Anonymoses! Then we'll have a free trade Gael's band and mass meeting For to sod him the brave son of Scandiknavery.
And we'll bury him down in Oxmanstown Along with the devil and the Danes, (Chorus) With the deaf and dumb Danes, And all their remains.
And not all the king's men nor his horses Will resurrect his corpus For there's no true spell in Connacht or hell (bis) That's able to raise a Cain.
Written by John Trumbull | Create an image from this poem

To Ladies Of A Certain Age

 Ye ancient Maids, who ne'er must prove
The early joys of youth and love,
Whose names grim Fate (to whom 'twas given,
When marriages were made in heaven)
Survey'd with unrelenting scowl,
And struck them from the muster-roll;
Or set you by, in dismal sort,
For wintry bachelors to court;
Or doom'd to lead your faded lives,
Heirs to the joys of former wives;
Attend! nor fear in state forlorn,
To shun the pointing hand of scorn,
Attend, if lonely age you dread,
And wish to please, or wish to wed.
When beauties lose their gay appearance, And lovers fall from perseverance, When eyes grow dim and charms decay, And all your roses fade away, First know yourselves; lay by those airs, Which well might suit your former years, Nor ape in vain the childish mien, And airy follies of sixteen.
We pardon faults in youth's gay flow, While beauty prompts the cheek to glow, While every glance has power to warm, And every turn displays a charm, Nor view a spot in that fair face, Which smiles inimitable grace.
But who, unmoved with scorn, can see The grey coquette's affected glee, Her ambuscading tricks of art To catch the beau's unthinking heart, To check th' assuming fopling's vows, The bridling frown of wrinkled brows; Those haughty airs of face and mind, Departed beauty leaves behind.
Nor let your sullen temper show Spleen louring on the envious brow, The jealous glance of rival rage, The sourness and the rust of age.
With graceful ease, avoid to wear The gloom of disappointed care: And oh, avoid the sland'rous tongue, By malice tuned, with venom hung, That blast of virtue and of fame, That herald to the court of shame; Less dire the croaking raven's throat, Though death's dire omens swell the note.
Contented tread the vale of years, Devoid of malice, guilt and fears; Let soft good humour, mildly gay, Gild the calm evening of your day, And virtue, cheerful and serene, In every word and act be seen.
Virtue alone with lasting grace, Embalms the beauties of the face, Instructs the speaking eye to glow, Illumes the cheek and smooths the brow, Bids every look the heart engage, Nor fears the wane of wasting age.
Nor think these charms of face and air, The eye so bright, the form so fair, This light that on the surface plays, Each coxcomb fluttering round its blaze, Whose spell enchants the wits of beaux, The only charms, that heaven bestows.
Within the mind a glory lies, O'erlook'd and dim to vulgar eyes; Immortal charms, the source of love, Which time and lengthen'd years improve, Which beam, with still increasing power, Serene to life's declining hour; Then rise, released from earthly cares, To heaven, and shine above the stars.
Thus might I still these thoughts pursue, The counsel wise, and good, and true, In rhymes well meant and serious lay, While through the verse in sad array, Grave truths in moral garb succeed: Yet who would mend, for who would read? But when the force of precept fails, A sad example oft prevails.
Beyond the rules a sage exhibits, Thieves heed the arguments of gibbets, And for a villain's quick conversion, A pillory can outpreach a parson.
To thee, Eliza, first of all, But with no friendly voice I call.
Advance with all thine airs sublime, Thou remnant left of ancient time! Poor mimic of thy former days, Vain shade of beauty, once in blaze! We view thee, must'ring forth to arms The veteran relics of thy charms; The artful leer, the rolling eye, The trip genteel, the heaving sigh, The labour'd smile, of force too weak, Low dimpling in th' autumnal cheek, The sad, funereal frown, that still Survives its power to wound or kill; Or from thy looks, with desperate rage, Chafing the sallow hue of age, And cursing dire with rueful faces, The repartees of looking-glasses.
Now at tea-table take thy station, Those shambles vile of reputation, Where butcher'd characters and stale Are day by day exposed for sale: Then raise the floodgates of thy tongue, And be the peal of scandal rung; While malice tunes thy voice to rail, And whispering demons prompt the tale-- Yet hold thy hand, restrain thy passion, Thou cankerworm of reputation; Bid slander, rage and envy cease, For one short interval of peace; Let other's faults and crimes alone, Survey thyself and view thine own; Search the dark caverns of thy mind, Or turn thine eyes and look behind: For there to meet thy trembling view, With ghastly form and grisly hue, And shrivel'd hand, that lifts sublime The wasting glass and scythe of Time, A phantom stands: his name is Age; Ill-nature following as his page.
While bitter taunts and scoffs and jeers, And vexing cares and torturing fears, Contempt that lifts the haughty eye, And unblest solitude are nigh; While conscious pride no more sustains, Nor art conceals thine inward pains, And haggard vengeance haunts thy name, And guilt consigns thee o'er to shame, Avenging furies round thee wait, And e'en thy foes bewail thy fate.
But see, with gentler looks and air, Sophia comes.
Ye youths beware! Her fancy paints her still in prime, Nor sees the moving hand of time; To all her imperfections blind, Hears lovers sigh in every wind, And thinks her fully ripen'd charms, Like Helen's, set the world in arms.
Oh, save it but from ridicule, How blest the state, to be a fool! The bedlam-king in triumph shares The bliss of crowns, without the cares; He views with pride-elated mind, His robe of tatters trail behind; With strutting mien and lofty eye, He lifts his crabtree sceptre high; Of king's prerogative he raves, And rules in realms of fancied slaves.
In her soft brain, with madness warm, Thus airy throngs of lovers swarm.
She takes her glass; before her eyes Imaginary beauties rise; Stranger till now, a vivid ray Illumes each glance and beams like day; Till furbish'd every charm anew, An angel steps abroad to view; She swells her pride, assumes her power, And bids the vassal world adore.
Indulge thy dream.
The pictured joy No ruder breath should dare destroy; No tongue should hint, the lover's mind Was ne'er of virtuoso-kind, Through all antiquity to roam For what much fairer springs at home.
No wish should blast thy proud design; The bliss of vanity be thine.
But while the subject world obey, Obsequious to thy sovereign sway, Thy foes so feeble and so few, With slander what hadst thou to do? What demon bade thine anger rise? What demon glibb'd thy tongue with lies? What demon urged thee to provoke Avenging satire's deadly stroke? Go, sink unnoticed and unseen, Forgot, as though thou ne'er hadst been.
Oblivion's long projected shade In clouds hangs dismal o'er thy head.
Fill the short circle of thy day, Then fade from all the world away; Nor leave one fainting trace behind, Of all that flutter'd once and shined; The vapoury meteor's dancing light Deep sunk and quench'd in endless night

Book: Reflection on the Important Things