Written by
Countee Cullen |
My father is a quiet man
With sober, steady ways;
For simile, a folded fan;
His nights are like his days.
My mother's life is puritan,
No hint of cavalier,
A pool so calm you're sure it can
Have little depth to fear.
And yet my father's eyes can boast
How full his life has been;
There haunts them yet the languid ghost
Of some still sacred sin.
And though my mother chants of God,
And of the mystic river,
I've seen a bit of checkered sod
Set all her flesh aquiver.
Why should he deem it pure mischance
A son of his is fain
To do a naked tribal dance
Each time he hears the rain?
Why should she think it devil's art
That all my songs should be
Of love and lovers, broken heart,
And wild sweet agony?
Who plants a seed begets a bud,
Extract of that same root;
Why marvel at the hectic blood
That flushes this wild fruit?
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Written by
Robert William Service |
The Elders of the Tribe were grouped
And squatted in the Council Cave;
They seemed to be extremely pooped,
And some were grim, but all were grave:
The subject of their big To-do
Was axe-man Chow, the son of Choo.
Then up spoke Tribal Wiseman Waw:
"Brothers, today I talk to grieve:
As an upholder of the Law
You know how deeply we believe
In Liberty, Fraternity,
And likewise Equality.
"A chipper of the flint am I;
I make the weapons that you use,
And though to hunt I never try,
To bow to hunters I refuse:
But stalwart Chow, the son of Choo
Is equal to us any two.
"He is the warrior supreme,
The Super-caveman, one might say;
The pride of youth, the maiden's dream,
And in the chase the first to slay.
Where we are stunted he is tall:
In short, a menace to us all.
"He struts with throwing stone and spear;
And is he not the first to wear
Around his waist with bully leer
The pelt of wolf and baby bear!
Admitting that he made the kill
Why should he so exploit his skill?
"Comrades, grave counsel we must take,
And as he struts with jest and jibe,
Let us act swiftly lest he make
Himself Dictator of our Tribe:
The Gods have built him on their plan:
Let us reduce him to a man."
And so they seized him in the night,
And on the sacrificial stone
The axe-men of the Tribe did smite,
Until one limb he ceased to own.
There! They had equalized the odds,
Foiling unfairness of the Gods.
So Chow has lost his throwing arm,
And goes around like every one;
No longer does he threaten harm,
And tribal justice has been done.
For men are equal, let us seek
To grade the Strong down to the weak.
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Written by
Oodgeroo Noonuccal |
They came in to the little town
A semi-naked band subdued and silent
All that remained of their tribe.
They came here to the place of their old bora ground
Where now the many white men hurry about like ants.
Notice of the estate agent reads: 'Rubbish May Be Tipped Here'.
Now it half covers the traces of the old bora ring.
'We are as strangers here now, but the white tribe are the strangers.
We belong here, we are of the old ways.
We are the corroboree and the bora ground,
We are the old ceremonies, the laws of the elders.
We are the wonder tales of Dream Time, the tribal legends told.
We are the past, the hunts and the laughing games, the wandering camp fires.
We are the lightening bolt over Gaphembah Hill
Quick and terrible,
And the Thunderer after him, that loud fellow.
We are the quiet daybreak paling the dark lagoon.
We are the shadow-ghosts creeping back as the camp fires burn low.
We are nature and the past, all the old ways
Gone now and scattered.
The scrubs are gone, the hunting and the laughter.
The eagle is gone, the emu and the kangaroo are gone from this place.
The bora ring is gone.
The corroboree is gone.
And we are going.'
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Written by
Stanley Kunitz |
1
On my way home from school
up tribal Providence Hill
past the Academy ballpark
where I could never hope to play
I scuffed in the drainage ditch
among the sodden seethe of leaves
hunting for perfect stones
rolled out of glacial time
into my pitcher’s hand;
then sprinted lickety-
split on my magic Keds
from a crouching start,
scarcely touching the ground
with my flying skin
as I poured it on
for the prize of the mastery
over that stretch of road,
with no one no where to deny
when I flung myself down
that on the given course
I was the world’s fastest human.
2
Around the bend
that tried to loop me home
dawdling came natural
across a nettled field
riddled with rabbit-life
where the bees sank sugar-wells
in the trunks of the maples
and a stringy old lilac
more than two stories tall
blazing with mildew
remembered a door in the
long teeth of the woods.
All of it happened slow:
brushing the stickseed off,
wading through jewelweed
strangled by angel’s hair,
spotting the print of the deer
and the red fox’s scats.
Once I owned the key
to an umbrageous trail
thickened with mosses
where flickering presences
gave me right of passage
as I followed in the steps
of straight-backed Massassoit
soundlessly heel-and-toe
practicing my Indian walk.
3
Past the abandoned quarry
where the pale sun bobbed
in the sump of the granite,
past copperhead ledge,
where the ferns gave foothold,
I walked, deliberate,
on to the clearing,
with the stones in my pocket
changing to oracles
and my coiled ear tuned
to the slightest leaf-stir.
I had kept my appointment.
There I stood int he shadow,
at fifty measured paces,
of the inexhaustible oak,
tyrant and target,
Jehovah of acorns,
watchtower of the thunders,
that locked King Philip’s War
in its annulated core
under the cut of my name.
Father wherever you are
I have only three throws
bless my good right arm.
In the haze of afternoon,
while the air flowed saffron,
I played my game for keeps--
for love, for poetry,
and for eternal life--
after the trials of summer.
4
In the recurring dream
my mother stands
in her bridal gown
under the burning lilac,
with Bernard Shaw and Bertie
Russell kissing her hands;
the house behind her is in ruins;
she is wearing an owl’s face
and makes barking noises.
Her minatory finger points.
I pass through the cardboard doorway
askew in the field
and peer down a well
where an albino walrus huffs.
He has the gentlest eyes.
If the dirt keeps sifting in,
staining the water yellow,
why should I be blamed?
Never try to explain.
That single Model A
sputtering up the grade
unfurled a highway behind
where the tanks maneuver,
revolving their turrets.
In a murderous time
the heart breaks and breaks
and lives by breaking.
It is necessary to go
through dark and deeper dark
and not to turn.
I am looking for the trail.
Where is my testing-tree?
Give me back my stones!
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Written by
Rudyard Kipling |
1895
I the Neolithic Age savage warfare did I wage
For food and fame and woolly horses' pelt.
I was singer to my clan in that dim, red Dawn of Man,
And I sang of all we fought and feared and felt.
Yea, I sang as now I sing, when the Prehistoric spring
Made the piled Biscayan ice-pack split and shove;
And the troll and gnome and dwerg, and the Gods of Cliff and
Berg
Were about me and beneath me and above.
But a rival, of Solutre, told the tribe my style was outre--
'Neath a tomahawk, of diorite, he fell
And I left my views on Art, barbed and tanged below the heart
Of a mammothistic etcher at Grenelle.
Then I stripped them, scalp from skull, and my hunting-dogs
fed full,
And their teeth I threaded neatly on a thong;
And I wiped my mouth and said, "It is well that they are dead,
For I know my work is right and theirs was wrong."
But my Totem saw the shame; from his ridgepole-shrine he came,
And he told me in a vision of the night: --
"There are nine and sixty ways of constructing tribal lays,
"And every single one of them is right!"
. . . . . . .
Then the silence closed upon me till They put new clothing on me
Of whiter, weaker fresh and bone more frail; .
And I stepped beneath Time's finger, once again a tribal singer,
And a minor poet certified by Traill!
Still they skirmish to and fro, men my messmates on the snow
When we headed off the aurochs turn for turn;
When the rich Allobrogenses never kept amanuenses,
And our only plots were piled in lakes at Berne.
Still a cultured Christian age sees us scuffle, squeak, and rage,
Still we pinch and slap and jabber, scratch and dirk;
Still we let our business slide--as we dropped the half-dressed
hide--
To show a fellow-savage how to work.
Still the world is wondrous large,--seven seas from marge to
marge--
And it holds a vast of various kinds of man;
And the wildest dreams of Kew are the facts of Khatmandhu
And the crimes of Clapham chaste in Martaban.
Here's my wisdom for your use, as I learned it when the moose
And the reindeer roared where Paris roars to-night:--
"There are nine and sixty ways of constructing tribal lays,
"And--every--single--one--of--them--is--right!"
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Written by
Richard Hugo |
for Sydney Pettit
The lines are keen against today's bad sky
about to rain. We're white and understand
why Indians sold butter for the funds
to build this church. Four hens and a rooster
huddle on the porch. We are dark
and know why no one climbed to pray. The priest
who did his best to imitate a bell
watched the river, full of spirits, coil
below the hill, relentless for the bay.
A church abandoned to the wind is portent.
In high wind, ruins make harsh music.
The priest is tending bar. His dreams have paid
outrageous fees for stone and mortar.
His eyes are empty as a chapel
roofless in a storm. Greek temples seem
the same as forty centuries ago.
If we used one corner for a urinal,
he wouldn't swear we hadn't worshipped here.
The chickens cringe. Rain sprays chaos where
the altar and the stained glass would have gone
had Indians not eaten tribal cows
one hungry fall. Despite the chant,
salmon hadn't come. The first mass
and a phone line cursed the river.
If rain had rhythm, it would not be Latin.
Children do not wave as we drive out.
Like these graves ours may go unmarked.
Can we be satisfied when dead
with daffodils for stones? These Indians--
whatever they once loved or used for God--
the hill--the river--the bay burned by the moon--
they knew that when you die you lose your name.
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Written by
Gary Snyder |
Kisiabaton
Beat-up datsun idling in the road
shreds of fog
almost-vertical hillsides drop away
huge stumps fading into mist
soft warm rain
Snaggy, forked and spreading tops, a temperate cloud-forest tree
Chamaecyparis formosiana--
Taiwan hinoki,
hung-kuai red cypress
That the tribal people call kisiabaton
this rare old tree
is what we came to see.
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Written by
Les Murray |
Inside Ayers Rock is lit
with paired fluorescent lights
on steel pillars supporting the ceiling
of haze-blue marquee cloth
high above the non-slip pavers.
Curving around the cafeteria
throughout vast inner space
is a Milky way of plastic chairs
in foursomes around tables
all the way to the truck drivers' enclave.
Dusted coolabah trees grow to the ceiling,
TVs talk in gassy colours, and
round the walls are Outback shop fronts:
the Beehive Bookshop for brochures,
Casual Clobber, the bottled Country Kitchen
and the sheet-iron Dreamtime Experience
that is turned off at night.
A high bank of medal-ribbony
lolly jars preside over
island counters like opened crates,
one labelled White Mugs, and covered with them.
A two-dimensional policeman
discourages shoplifting of gifts
and near the entrance, where you pay
for fuel, there stands a tribal man
in rib-paint and pubic tassel.
It is all gentle and kind.
In beyond the children's playworld
there are fossils, like crumpled
old drawings of creatures in rock.
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Written by
Robert William Service |
This is the pay-day up at the mines, when the bearded brutes come down;
There's money to burn in the streets to-night, so I've sent my klooch to town,
With a haggard face and a ribband of red entwined in her hair of brown.
And I know at the dawn she'll come reeling home with the bottles, one, two, three --
One for herself, to drown her shame, and two big bottles for me,
To make me forget the thing I am and the man I used to be.
To make me forget the brand of the dog, as I crouch in this hideous place;
To make me forget once I kindled the light of love in a lady's face,
Where even the squalid Siwash now holds me a black disgrace.
Oh, I have guarded my secret well! And who would dream as I speak
In a tribal tongue like a rogue unhung, 'mid the ranch-house filth and reek,
I could roll to bed with a Latin phrase and rise with a verse of Greek?
Yet I was a senior prizeman once, and the pride of a college eight;
Called to the bar -- my friends were true! but they could not keep me straight;
Then came the divorce, and I went abroad and "died" on the River Plate.
But I'm not dead yet; though with half a lung there isn't time to spare,
And I hope that the year will see me out, and, thank God, no one will care --
Save maybe the little slim Siwash girl with the rose of shame in her hair.
She will come with the dawn, and the dawn is near; I can see its evil glow,
Like a corpse-light seen through a frosty pane in a night of want and woe;
And yonder she comes by the bleak bull-pines, swift staggering through the snow.
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