Written by
Anthony Hecht |
1992
1) I was born in a Free City, near the North Sea.
2) In the year of my birth, money was shredded into
confetti. A loaf of bread cost a million marks. Of
course I do not remember this.
3) Parents and grandparents hovered around me. The
world I lived in had a soft voice and no claws.
4) A cornucopia filled with treats took me into a building
with bells. A wide-bosomed teacher took me in.
5) At home the bookshelves connected heaven and earth.
6) On Sundays the city child waded through pinecones
and primrose marshes, a short train ride away.
7) My country was struck by history more deadly than
earthquakes or hurricanes.
8) My father was busy eluding the monsters. My mother
told me the walls had ears. I learned the burden of secrets.
9) I moved into the too bright days, the too dark nights
of adolescence.
10) Two parents, two daughters, we followed the sun
and the moon across the ocean. My grandparents stayed
behind in darkness.
11) In the new language everyone spoke too fast. Eventually
I caught up with them.
12) When I met you, the new language became the language
of love.
13) The death of the mother hurt the daughter into poetry.
The daughter became a mother of daughters.
14) Ordinary life: the plenty and thick of it. Knots tying
threads to everywhere. The past pushed away, the future left
unimagined for the sake of the glorious, difficult, passionate
present.
15) Years and years of this.
16) The children no longer children. An old man's pain, an
old man's loneliness.
17) And then my father too disappeared.
18) I tried to go home again. I stood at the door to my
childhood, but it was closed to the public.
19) One day, on a crowded elevator, everyone's face was younger
than mine.
20) So far, so good. The brilliant days and nights are
breathless in their hurry. We follow, you and I.
|
Written by
Tony Harrison |
Your bed's got two wrong sides. You life's all grouse.
I let your phone-call take its dismal course:
Ah can't stand it no more, this empty house!
Carrots choke us wi'out your mam's white sauce!
Them sweets you brought me, you can have 'em back.
Ah'm diabetic now. Got all the facts.
(The diabetes comes hard on the track
of two coronaries and cataracts.)
Ah've allus liked things sweet! But now ah push
food down mi throat! Ah'd sooner do wi'out.
And t'only reason now for beer 's to flush
(so t'dietician said) mi kidneys out.
When I come round, they'll be laid out, the sweets,
Lifesavers, my father's New World treats,
still in the big brown bag, and only bought
rushing through JFK as a last thought.
|
Written by
Dorothy Parker |
The Lives and Times of John Keats,
Percy Bysshe Shelley, and
George Gordon Noel, Lord Byron
Byron and Shelley and Keats
Were a trio of Lyrical treats.
The forehead of Shelley was cluttered with curls,
And Keats never was a descendant of earls,
And Byron walked out with a number of girls,
But it didn't impair the poetical feats
Of Byron and Shelley,
Of Byron and Shelley,
Of Byron and Shelley and Keats.
|
Written by
Lisel Mueller |
In 1936, a child
in Hitler's Germany,
what did I know about the war in Spain?
Andalusia was a tango
on a wind-up gramophone,
Franco a hero's face in the paper.
No one told me about a poet
for whose sake I might have learned Spanish
bleeding to death on a barren hill.
All I knew of Spain
were those precious imported treats
we splurged on for Christmas.
I remember pulling the sections apart,
lining them up, sucking each one
slowly, so the red sweetness
would last and last --
while I was reading a poem
by a long-dead German poet
in which the woods stood safe
under the moon's milky eye
and the white fog in the meadows
aspired to become lighter than air.
|
Written by
Charles Bukowski |
she's young, she said,
but look at me,
I have pretty ankles,
and look at my wrists, I have pretty
wrists
o my god,
I thought it was all working,
and now it's her again,
every time she phones you go crazy,
you told me it was over
you told me it was finished,
listen, I've lived long enough to become a
good woman,
why do you need a bad woman?
you need to be tortured, don't you?
you think life is rotten if somebody treats you
rotten it all fits,
doesn't it?
tell me, is that it? do you want to be treated like a
piece of ****?
and my son, my son was going to meet you.
I told my son
and I dropped all my lovers.
I stood up in a cafe and screamed
I'M IN LOVE,
and now you've made a fool of me. . .
I'm sorry, I said, I'm really sorry.
hold me, she said, will you please hold me?
I've never been in one of these things before, I said,
these triangles. . .
she got up and lit a cigarette, she was trembling all
over.she paced up and down,wild and crazy.she had
a small body.her arms were thin,very thin and when
she screamed and started beating me I held her
wrists and then I got it through the eyes:hatred,
centuries deep and true.I was wrong and graceless and
sick.all the things I had learned had been wasted.
there was no creature living as foul as I
and all my poems were
false.
|
Written by
Barry Tebb |
It brings to mind Swift leaving a fortune to Dublin
‘For the founding of a lunatic asylum - no place needs it more’.
The breathing beauty of the moors and cheap accommodation
Drew me but the total barbarity of the town stopped me from
Writing a single line: from the hideous facade of its railway
Station - Betjeman must have been drunk or mad to praise it -
To that lump of stone on Castle Hill - her savage spirit broods.
I remember trying to teach there, at Bradley, where the head
Was some kind of ex-P.T. teacher, who thought poetry something
You did to children and his workaholic jackass deputy, obsessed
With practical science and lesson preparation and team teaching
And everything on, above and beneath the earth except ‘The Education
Of the Poetic Spirit’ and without that and as an example of what
Pound meant about how a country treats its poets "is a measure
Of its civilisation". I once had a holiday job in a mill and the
Nightwatchman’s killer alsatian had more civilisation than
Huddersfield’s Deputy Direction of Education.
For a while I was granted temporary asylum at Royds Hall -
At least some of the staff there had socialism if not art -
But soon it was spoilt for everyone when Jenks came to head
English, sweating for his OU degree and making us all suffer,
The kids hating his sarcasm and the staff his vaulting ambition
And I was the only one not afraid of him. His Achilles’ heel was
Culture - he was a yob through and through - and the Head said to me
"I’ve had enough of him throwing his weight around, if it comes
To a showdown I’ll back you against him any day" but he got
The degree and the job and the dollars - my old T.C. took him
But that was typical, after Roy Rich went came a fat appointee
Who had written nothing and knew nothing but knew everyone on
The appointing committee.
Everyday I was in Huddersfield I thought I was in hell and
Sartre was right and so was Jonson - "Hell’s a grammar school
To this" - too (Peter Porter I salute you!) and always I dreamed
Of Leeds and my beautiful gifted ten-year olds and Sheila, my
Genius-child-poet and a head who left me alone to teach poetry
And painting day in, day out and Dave Clark and Diane and I,
In the staffroom discussing phenomenology and daseinanalysis
Applied to Dewey’s theory of education and the essence of the
Forms in Plato and Plotinus and plaiting a rose in Sheila’s
Hair and Johns, the civilised HMI, asking for a copy of my poems
And Horovitz putting me in ‘Children of Albion’ and ‘The
Statesman’ giving me good reviews.
Decades later, in Byram Arcade, I am staring at the facade of
‘The Poetry Business’ and its proprietors sitting on the steps
Outside, trying to look civilised and their letter, "Your poetry
Is good but its not our kind" and I wondered what their kind was
And besides they’re not my kind of editor and I’m back in Leeds
With a letter from Seamus Heaney - thank you, Nobel Laureate, for
Liking ‘My Perfect Rose’ and yes, you’re right about my wanting
To get those New Generation Poets into my classroom at Wyther
Park and show them a thing or two and a phone call from
Horovitz who is my kind of editor still, after thirty years,
His mellifluous voice with its blend of an Oxford accent and
American High Camp, so warm and full of knowledge and above all
PASSIONATE ABOUT POETRY and I remember someone saying,
"If Oxford is the soul of England, Huddersfield is its arsehole".
|
Written by
Barry Tebb |
(To Paul Sykes, author of 'Sweet Agony')
He demolished five doors at a sitting
And topped it off with an outsize window
One Christmas afternoon, when drunk;
Sober he smiled like an angel, bowed,
Kissed ladies’ hands and courtesy
Was his middle name.
She tried to pass for thirty at fifty-six,
Called him "My Sweet piglet" and laid out
Dainty doylies for his teatime treats; always
She wore black from toe to top and especially
Underneath, her hair dyed black, stuck up in a
Bun, her lipstick caked and smeared, drawling
From the corner of her mouth like a
Thirties gangsters’ moll, her true ambition.
"Kill him, kill him, the bastard!" she’d scream
As all Wakefield watched, "It’s Grotty,
Grotty’s at it again!" as pubs and clubs
Banned them, singly or together and they
Moved lodgings yet again, landlords and
Landladies left reeling behind broken doors.
Blood-smeared walls covered with a shiny
Patina of carefully applied deceits! "It was
The cat, the kids, them druggies, lads from
Football", anyone, anywhere but him and her.
Once I heard them fight, "Barry, Barry, get
The police," she thumped my door, double
Five-lever mortice locked against them,
"Call t’ police ‘e’s murderin’ me!" I went
And calmed her down, pathetic in black
Underwear and he, suddenly sober, sorry,
Muttering, "Elaine, Elaine, it were only fun,
Give me a kiss, just one."
Was this her fourth or fifth husband, I’d
Lost count and so had she, each one she said
Was worse than the last, they’d all pulled her
Down, one put her through a Dorothy Perkins
Plate-glass window in Wakefield’s midnight,
Leaving her strewn amongst the furs and
Bridal gowns, blood everywhere, such perfection
Of evidence they nearly let her bleed to death
Getting all the photographs.
Rumour flew and grew around her, finally
They said it was all in a book one ‘husband’
Wrote in prison, how she’d had a great house,
Been a brothel madame, had servants even.
For years I chased that book, "Lynch," they
Told me, "It’s by Paul Lynch" but it wasn’t,
Then finally, "I remember, Sykes, they allus
Called him Sykesy" and so it was, Sweet Agony,
Written in prison by one Paul Sykes, her most
Famous inamorato, amateur boxing champion
Of all England, twenty years inside, fly-pitcher
Supreme, king of spielers; how she hated you
For beating her, getting it all down on paper,
Even making money for doing it, "That bastard
Cheated me, writing lying filth about me and
I never saw a penny!" she’d mutter, side-mouthed,
To her pals.
But that book, that bloody book, was no pub myth,
It even won an Arthur Koestler Literary Award
And is compulsive reading; hardly, as a poet,
My cup of tea but I couldn’t put it down.
Paul Sykes, I salute you, immortaliser of Elaine,
Your book became and is my sweetest pain.
|
Written by
Anthony Hecht |
So there stood Matthew Arnold and this girl
With the cliffs of England crumbling away behind them,
And he said to her, "Try to be true to me,
And I'll do the same for you, for things are bad
All over, etc., etc."
Well now, I knew this girl. It's true she had read
Sophocles in a fairly good translation
And caught that bitter allusion to the sea,
But all the time he was talking she had in mind
the notion of what his whiskers would feel like
On the back of her neck. She told me later on
That after a while she got to looking out
At the lights across the channel, and really felt sad,
Thinking of all the wine and enormous beds
And blandishments in French and the perfumes.
And then she got really angry. To have been brought
All the way down from London, and then be addressed
As sort of a mournful cosmic last resort
Is really tough on a girl, and she was pretty.
Anyway, she watched him pace the room
and finger his watch-chain and seem to sweat a bit,
And then she said one or two unprintable things.
But you mustn't judge her by that. What I mean to say is,
She's really all right. I still see her once in a while
And she always treats me right. We have a drink
And I give her a good time, and perhaps it's a year
Before I see her again, but there she is,
Running to fat, but dependable as they come,
And sometimes I bring her a bottle of Nuit d'Amour.
[Ed. note: See Matthew Arnold's poem "Dover Beach"]
|
Written by
Andrew Marvell |
When I beheld the Poet blind, yet bold,
In slender Book his vast Design unfold,
Messiah Crown'd, Gods Reconcil'd Decree,
Rebelling Angels, the Forbidden Tree,
Heav'n, Hell, Earth, Chaos, All; the Argument
Held me a while misdoubting his Intent,
That he would ruine (for I saw him strong)
The sacred Truths to Fable and old Song,
(So Sampson groap'd the Temples Posts in spight)
The World o'rewhelming to revenge his Sight.
Yet as I read, soon growing less severe,
I lik'd his Project, the success did fear;
Through that wide Field how he his way should find
O're which lame Faith leads Understanding blind;
Lest he perplext the things he would explain,
And what was easie he should render vain.
Or if a Work so infinite he spann'd,
Jealous I was that some less skilful hand
(Such as disquiet alwayes what is well,
And by ill imitating would excell)
Might hence presume the whole Creations day
To change in Scenes, and show it in a Play.
Pardon me, Mighty Poet, nor despise
My causeless, yet not impious, surmise.
But I am now convinc'd, and none will dare
Within thy Labours to pretend a Share.
Thou hast not miss'd one thought that could be fit,
And all that was improper dost omit:
So that no room is here for Writers left,
But to detect their Ignorance or Theft.
That Majesty which through thy Work doth Reign
Draws the Devout, deterring the Profane.
And things divine thou treats of in such state
As them preserves, and Thee in violate.
At once delight and horrour on us seize,
Thou singst with so much gravity and ease;
And above humane flight dost soar aloft,
With Plume so strong, so equal, and so soft.
The Bird nam'd from that Paradise you sing
So never Flags, but alwaies keeps on Wing.
Where couldst thou Words of such a compass find?
Whence furnish such a vast expense of Mind?
Just Heav'n Thee, like Tiresias, to requite,
Rewards with Prophesie thy loss of Sight.
Well might thou scorn thy Readers to allure
With tinkling Rhime, of thy own Sense secure;
While the Town-Bays writes all the while and spells,
And like a Pack-Horse tires without his Bells.
Their Fancies like our bushy Points appear,
The Poets tag them; we for fashion wear.
I too transported by the Mode offend,
And while I meant to Praise thee, must Commend.
Thy verse created like thy Theme sublime,
In Number, Weight, and Measure, needs not Rhime.
|
Written by
Lewis Carroll |
"OH, when I was a little Ghost,
A merry time had we!
Each seated on his favourite post,
We chumped and chawed the buttered toast
They gave us for our tea."
"That story is in print!" I cried.
"Don't say it's not, because
It's known as well as Bradshaw's Guide!"
(The Ghost uneasily replied
He hardly thought it was).
"It's not in Nursery Rhymes? And yet
I almost think it is -
'Three little Ghosteses' were set
'On posteses,' you know, and ate
Their 'buttered toasteses.'
"I have the book; so if you doubt it - "
I turned to search the shelf.
"Don't stir!" he cried. "We'll do without it:
I now remember all about it;
I wrote the thing myself.
"It came out in a 'Monthly,' or
At least my agent said it did:
Some literary swell, who saw
It, thought it seemed adapted for
The Magazine he edited.
"My father was a Brownie, Sir;
My mother was a Fairy.
The notion had occurred to her,
The children would be happier,
If they were taught to vary.
"The notion soon became a craze;
And, when it once began, she
Brought us all out in different ways -
One was a Pixy, two were Fays,
Another was a Banshee;
"The Fetch and Kelpie went to school
And gave a lot of trouble;
Next came a Poltergeist and Ghoul,
And then two Trolls (which broke the rule),
A Goblin, and a Double -
"(If that's a snuff-box on the shelf,"
He added with a yawn,
"I'll take a pinch) - next came an Elf,
And then a Phantom (that's myself),
And last, a Leprechaun.
"One day, some Spectres chanced to call,
Dressed in the usual white:
I stood and watched them in the hall,
And couldn't make them out at all,
They seemed so strange a sight.
"I wondered what on earth they were,
That looked all head and sack;
But Mother told me not to stare,
And then she twitched me by the hair,
And punched me in the back.
"Since then I've often wished that I
Had been a Spectre born.
But what's the use?" (He heaved a sigh.)
"THEY are the ghost-nobility,
And look on US with scorn.
"My phantom-life was soon begun:
When I was barely six,
I went out with an older one -
And just at first I thought it fun,
And learned a lot of tricks.
"I've haunted dungeons, castles, towers -
Wherever I was sent:
I've often sat and howled for hours,
Drenched to the skin with driving showers,
Upon a battlement.
"It's quite old-fashioned now to groan
When you begin to speak:
This is the newest thing in tone - "
And here (it chilled me to the bone)
He gave an AWFUL squeak.
"Perhaps," he added, "to YOUR ear
That sounds an easy thing?
Try it yourself, my little dear!
It took ME something like a year,
With constant practising.
"And when you've learned to squeak, my man,
And caught the double sob,
You're pretty much where you began:
Just try and gibber if you can!
That's something LIKE a job!
"I'VE tried it, and can only say
I'm sure you couldn't do it, e-
ven if you practised night and day,
Unless you have a turn that way,
And natural ingenuity.
"Shakspeare I think it is who treats
Of Ghosts, in days of old,
Who 'gibbered in the Roman streets,'
Dressed, if you recollect, in sheets -
They must have found it cold.
"I've often spent ten pounds on stuff,
In dressing as a Double;
But, though it answers as a puff,
It never has effect enough
To make it worth the trouble.
"Long bills soon quenched the little thirst
I had for being funny.
The setting-up is always worst:
Such heaps of things you want at first,
One must be made of money!
"For instance, take a Haunted Tower,
With skull, cross-bones, and sheet;
Blue lights to burn (say) two an hour,
Condensing lens of extra power,
And set of chains complete:
"What with the things you have to hire -
The fitting on the robe -
And testing all the coloured fire -
The outfit of itself would tire
The patience of a Job!
"And then they're so fastidious,
The Haunted-House Committee:
I've often known them make a fuss
Because a Ghost was French, or Russ,
Or even from the City!
"Some dialects are objected to -
For one, the IRISH brogue is:
And then, for all you have to do,
One pound a week they offer you,
And find yourself in Bogies!
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