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Best Famous Travels Poems

Here is a collection of the all-time best famous Travels poems. This is a select list of the best famous Travels poetry. Reading, writing, and enjoying famous Travels poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of travels poems.

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Written by Henry Van Dyke | Create an image from this poem

Life

 Let me but live my life from year to year, 
With forward face and unreluctant soul; 
Not hurrying to, nor turning from the goal; 
Not mourning for the things that disappear 
In the dim past, nor holding back in fear 
From what the future veils; but with a whole 
And happy heart, that pays its toll 
To Youth and Age, and travels on with cheer. 

So let the way wind up the hill or down, 
O'er rough or smooth, the journey will be joy: 
Still seeking what I sought when but a boy, 
New friendship, high adventure, and a crown, 
My heart will keep the courage of the quest, 
And hope the road's last turn will be the best.


Written by Thomas Campbell | Create an image from this poem

Ode to Winter

 When first the fiery-mantled sun 
His heavenly race begun to run; 
Round the earth and ocean blue, 
His children four the Seasons flew. 
First, in green apparel dancing, 
The young Spring smiled with angel grace; 
Rosy summer next advancing, 
Rushed into her sire's embrace:- 
Her blue-haired sire, who bade her keep 
For ever nearest to his smile, 
On Calpe's olive-shaded steep, 
On India's citron-covered isles: 
More remote and buxom-brown, 
The Queen of vintage bowed before his throne, 
A rich pomegranate gemmed her gown, 
A ripe sheaf bound her zone. 
But howling Winter fled afar, 
To hills that prop the polar star, 
And lives on deer-borne car to ride 
With barren darkness at his side, 
Round the shore where loud Lofoden 
Whirls to death the roaring whale, 
Round the hall where runic Odin 
Howls his war-song to the gale; 
Save when adown the ravaged globe 
He travels on his native storm, 
Deflowering Nature's grassy robe, 
And trampling on her faded form:- 
Till light's returning lord assume 
The shaft the drives him to his polar field, 
Of power to pierce his raven plume 
And crystal-covered shield. 
Oh, sire of storms! whose savage ear 
The Lapland drum delights to hear, 
When frenzy with her blood-shot eye 
Implores thy dreadful deity, 
Archangel! power of desolation! 
Fast descending as thou art, 
Say, hath mortal invocation 
Spells to touch thy stony heart? 
Then, sullen Winter, hear my prayer, 
And gently rule the ruined year; 
Nor chill the wanders bosom bare, 
Nor freeze the wretch's falling tear;- 
To shuddering Want's unmantled bed 
Thy horror-breathing agues cease to lead, 
And gently on the orphan head 
Of innocence descend.- 
But chiefly spare, O king of clouds! 
The sailor on his airy shrouds; 
When wrecks and beacons strew the steep, 
And specters walk along the deep. 
Milder yet thy snowy breezes 
Pour on yonder tented shores, 
Where the Rhine's broad billow freezes, 
Or the Dark-brown Danube roars. 
Oh, winds of winter! List ye there 
To many a deep and dying groan; 
Or start, ye demons of the midnight air, 
At shrieks and thunders louder than your own. 
Alas! Even unhallowed breath 
May spare the victim fallen low; 
But man will ask no truce of death,- 
No bounds to human woe.
Written by Dylan Thomas | Create an image from this poem

I In My Intricate Image

 I

I, in my intricate image, stride on two levels,
Forged in man's minerals, the brassy orator
Laying my ghost in metal,
The scales of this twin world tread on the double,
My half ghost in armour hold hard in death's corridor,
To my man-iron sidle.

Beginning with doom in the bulb, the spring unravels,
Bright as her spinning-wheels, the colic season
Worked on a world of petals;
She threads off the sap and needles, blood and bubble
Casts to the pine roots, raising man like a mountain
Out of the naked entrail.

Beginning with doom in the ghost, and the springing marvels,
Image of images, my metal phantom
Forcing forth through the harebell,
My man of leaves and the bronze root, mortal, unmortal,
I, in my fusion of rose and male motion,
Create this twin miracle.

This is the fortune of manhood: the natural peril,
A steeplejack tower, bonerailed and masterless,
No death more natural;
Thus the shadowless man or ox, and the pictured devil,
In seizure of silence commit the dead nuisance.
The natural parallel.

My images stalk the trees and the slant sap's tunnel,
No tread more perilous, the green steps and spire
Mount on man's footfall,
I with the wooden insect in the tree of nettles,
In the glass bed of grapes with snail and flower,
Hearing the weather fall.

Intricate manhood of ending, the invalid rivals,
Voyaging clockwise off the symboled harbour,
Finding the water final,
On the consumptives' terrace taking their two farewells,
Sail on the level, the departing adventure,
To the sea-blown arrival.

II

They climb the country pinnacle,
Twelve winds encounter by the white host at pasture,
Corner the mounted meadows in the hill corral;
They see the squirrel stumble,
The haring snail go giddily round the flower,
A quarrel of weathers and trees in the windy spiral.

As they dive, the dust settles,
The cadaverous gravels, falls thick and steadily,
The highroad of water where the seabear and mackerel
Turn the long sea arterial
Turning a petrol face blind to the enemy
Turning the riderless dead by the channel wall.

(Death instrumental,
Splitting the long eye open, and the spiral turnkey,
Your corkscrew grave centred in navel and nipple,
The neck of the nostril,
Under the mask and the ether, they making bloody
The tray of knives, the antiseptic funeral;

Bring out the black patrol,
Your monstrous officers and the decaying army,
The sexton sentinel, garrisoned under thistles,
A cock-on-a-dunghill
Crowing to Lazarus the morning is vanity,
Dust be your saviour under the conjured soil.)

As they drown, the chime travels,
Sweetly the diver's bell in the steeple of spindrift
Rings out the Dead Sea scale;
And, clapped in water till the triton dangles,
Strung by the flaxen whale-weed, from the hangman's raft,
Hear they the salt glass breakers and the tongues of burial.

(Turn the sea-spindle lateral,
The grooved land rotating, that the stylus of lightning
Dazzle this face of voices on the moon-turned table,
Let the wax disk babble
Shames and the damp dishonours, the relic scraping.
These are your years' recorders. The circular world stands still.)

III

They suffer the undead water where the turtle nibbles,
Come unto sea-stuck towers, at the fibre scaling,
The flight of the carnal skull
And the cell-stepped thimble;
Suffer, my topsy-turvies, that a double angel
Sprout from the stony lockers like a tree on Aran.

Be by your one ghost pierced, his pointed ferrule,
Brass and the bodiless image, on a stick of folly
Star-set at Jacob's angle,
Smoke hill and hophead's valley,
And the five-fathomed Hamlet on his father's coral
Thrusting the tom-thumb vision up the iron mile.

Suffer the slash of vision by the fin-green stubble,
Be by the ships' sea broken at the manstring anchored
The stoved bones' voyage downward
In the shipwreck of muscle;
Give over, lovers, locking, and the seawax struggle,
Love like a mist or fire through the bed of eels.

And in the pincers of the boiling circle,
The sea and instrument, nicked in the locks of time,
My great blood's iron single
In the pouring town,
I, in a wind on fire, from green Adam's cradle,
No man more magical, clawed out the crocodile.

Man was the scales, the death birds on enamel,
Tail, Nile, and snout, a saddler of the rushes,
Time in the hourless houses
Shaking the sea-hatched skull,
And, as for oils and ointments on the flying grail,
All-hollowed man wept for his white apparel.

Man was Cadaver's masker, the harnessing mantle,
Windily master of man was the rotten fathom,
My ghost in his metal neptune
Forged in man's mineral.
This was the god of beginning in the intricate seawhirl,
And my images roared and rose on heaven's hill.
Written by Robinson Jeffers | Create an image from this poem

Birthday (Autobiography)

 Seventy years ago my mother labored to bear me,
A twelve-pound baby with a big head,
Her first, it was plain torture. Finally they used the forceps
And dragged me out, with one prong
In my right eye, and slapped and banged me until I breathed.
I am not particularly grateful for it.

As to the eye: it remained invalid and now has a cataract.
It can see gods and spirits in its cloud,
And the weird end of the world: the left one's for common daylight.

As to my mother:
A rather beautiful young woman married to a grim clergyman
Twenty-two years older than she:
She had her little innocent diversions, her little travels in Europe—
And once for scandal kissed the Pope's ring—
Perhaps her life was no emptier than other lives. Both parents
Swim in my blood and distort my thought but the old man's welcome.
Written by William Wordsworth | Create an image from this poem

The Tables Turned;

An Evening Scene, on the same Subject,

  Up! up! my friend, and clear your looks,  Why all this toil and trouble?  Up! up! my friend, and quit your books,  Or surely you'll grow double.

  The sun, above the mountain's head,  A freshening lustre mellow  Through all the long green fields has spread,  His first sweet evening yellow.

  Books! 'tis dull and endless strife,  Come, here the woodland linnet,  How sweet his music; on my life  There's more of wisdom in it.

  And hark! how blithe the throstle sings!  And he is no mean preacher;  Come forth into the light of things,  Let Nature be your teacher.

  She has a world of ready wealth,  Our minds and hearts to bless—  Spontaneous wisdom breathed by health,  Truth breathed by chearfulness.

  One impulse from a vernal wood  May teach you more of man;  Of moral evil and of good,  Than all the sages can.

  Sweet is the lore which nature brings;  Our meddling intellect  Mishapes the beauteous forms of things;  —We murder to dissect.

  Enough of science and of art;  Close up these barren leaves;  Come forth, and bring with you a heart  That watches and receives.

ANIMAL TRANQUILLITY & DECAY

A SKETCH.

                  The little hedge-row birds  That peck along the road, regard him not.  He travels on, and in his face, his step,  His gait, is one expression; every limb,  His look and bending figure, all bespeak  A man who does not move with pain, but moves  With thought—He is insensibly subdued  To settled quiet: he is one by whom  All effort seems forgotten, one to whom  Long patience has such mild composure given,  That patience now doth seem a thing, of which  He hath no need. He is by nature led  To peace so perfect, that the young behold  With envy, what the old man hardly feels.  —I asked him whither he was bound, and what  The object of his journey; he replied  That he was going many miles to take  A last leave of his son, a mariner,  Who from a sea-fight had been brought to Falmouth,  And there was lying in an hospital.



Written by Les Murray | Create an image from this poem

Travels With John Hunter

 We who travel between worlds 
lose our muscle and bone. 
I was wheeling a barrow of earth 
when agony bayoneted me. 

I could not sit, or lie down, 
or stand, in Casualty. 
Stomach-calming clay caked my lips, 
I turned yellow as the moon 

and slid inside a CAT-scan wheel 
in a hospital where I met no one 
so much was my liver now my dire 
preoccupation. I was sped down a road. 

of treetops and fishing-rod lightpoles 
towards the three persons of God 
and the three persons of John Hunter 
Hospital. Who said We might lose this one. 

Twenty days or to the heat-death 
of the Universe have the same duration: 
vaguely half a hour. I awoke 
giggling over a joke 

about Paul Kruger in Johannesburg 
and missed the white court stockings 
I half remembered from my prone 
still voyage beyond flesh and bone. 

I asked my friend who got new lungs 
How long were you crazy, coming back? 
Five days, he said. Violent and mad. 
Fictive Afrikaner police were at him, 

not unworldly Oom Paul Kruger. 
Valerie, who had sat the twenty days 
beside me, now gently told me tales 
of my time-warp. The operative canyon 

stretched, stapled, with dry roseate walls 
down my belly. Seaweed gel 
plugged views of my pluck and offal. 
The only poet whose liver 

damage hadn't been self-inflicted, 
grinned my agent. A momentarily 
holed bowel had released flora 
who live in us and will eat us 

when we stop feeding them the earth. 
I had, it did seem, rehearsed 
the private office of the grave, 
ceased excreting, made corpse gases 

all while liana'd in tubes 
and overseen by cockpit instruments 
that beeped or struck up Beethoven's 
Fifth at behests of fluid. 

I also hear when I lay lipless 
and far away I was anointed 
first by a mild metaphoric church 
then by the Church of no metaphors. 

Now I said, signing a Dutch contract 
in a hand I couldn't recognise, 
let's go and eat Chinese soup 
and drive to Lake Macquarie. Was I 

not renewed as we are in Heaven? 
In fact I could hardly endure 
Earth gravity, and stayed weak and cranky 
till the soup came, squid and vegetables, 

pure Yang. And was sane thereafter. 
It seemed I'd also travelled 
in a Spring-in-Winter love-barque of cards, 
of flowers and phone calls and letters, 

concern I'd never dreamed was there 
when black kelp boiled in my head. 
I'd awoken amid my State funeral, 
nevermore to eat my liver 

or feed it to the Black Dog, depression 
which the three Johns Hunter seem 
to have killed with their scalpels: 
it hasn't found its way home, 

where I now dodder and mend 
in thanks for devotion, for the ambulance 
this time, for the hospital fork lift, 
for pethidine, and this face of deity: 

not the foreknowledge of death 
but the project of seeing conscious life 
rescued from death defines and will 
atone for the human.
Written by William Butler Yeats | Create an image from this poem

A Man Young And Old: I. First Love

 Though nurtured like the sailing moon
In beauty's murderous brood,
She walked awhile and blushed awhile
And on my pathway stood
Until I thought her body bore
A heart of flesh and blood.

But since I laid a hand thereon
And found a heart of stone
I have attempted many things
And not a thing is done,
For every hand is lunatic
That travels on the moon.

She smiled and that transfigured me
And left me but a lout,
Maundering here, and maundering there,
Emptier of thought
Than the heavenly circuit of its stars
When the moon sails out.
Written by John Betjeman | Create an image from this poem

Guilt

 The clock is frozen in the tower,
The thickening fog with sooty smell
Has blanketed the motor power
Which turns the London streets to hell;
And footsteps with their lonely sound
Intensify the silence round.

I haven't hope. I haven't faith.
I live two lives and sometimes three.
The lives I live make life a death
For those who have to live with me.
Knowing the virtues that I lack,
I pat myself upon the back.

With breastplate of self-righteousness
And shoes of smugness on my feet,
Before the urge in me grows less
I hurry off to make retreat.
For somewhere, somewhere, burns a light
To lead me out into the night.

It glitters icy, thin and plain,
And leads me down to Waterloo-
Into a warm electric train
Which travels sorry Surrey through
And crystal-hung, the clumps of pine
Stand deadly still beside the line.
Written by W S Merwin | Create an image from this poem

We continue

For Galway Kinnell


The rust a little pile of western color lies
At the end of its travels 
Our instrument no longer.

Those who believe
In death have their worship cut out for them.
As for myself we
Continue 

An old
Scar of light our trumpet 

Pilgrims with thorns
To the eye of the cold
Under flags made by the blind 
In one fist

Their letter that vanishes
If the hand opens:

Charity come home 
Begin.
Written by William Shakespeare | Create an image from this poem

Sonnet 109: O never say that I was false of heart

 O, never say that I was false of heart,
Though absence seemed my flame to qualify.
As easy might I from my self depart
As from my soul which in thy breast doth lie.
That is my home of love; if I have ranged,
Like him that travels I return again,
Just to the time, not with the time exchanged,
So that myself bring water for my stain.
Never believe though in my nature reigned
All frailties that besiege all kinds of blood,
That it could so preposterously be stained
To leave for nothing all thy sum of good;
For nothing this wide universe I call
Save thou, my rose, in it thou art my all.

Book: Reflection on the Important Things