Get Your Premium Membership

Best Famous Travelers Poems

Here is a collection of the all-time best famous Travelers poems. This is a select list of the best famous Travelers poetry. Reading, writing, and enjoying famous Travelers poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of travelers poems.

Search and read the best famous Travelers poems, articles about Travelers poems, poetry blogs, or anything else Travelers poem related using the PoetrySoup search engine at the top of the page.

See Also:
Written by Czeslaw Milosz | Create an image from this poem

Child of Europe

 1
We, whose lungs fill with the sweetness of day.
Who in May admire trees flowering
Are better than those who perished.

We, who taste of exotic dishes,
And enjoy fully the delights of love,
Are better than those who were buried.

We, from the fiery furnaces, from behind barbed wires
On which the winds of endless autumns howled,
We, who remember battles where the wounded air roared in
paroxysms of pain.
We, saved by our own cunning and knowledge.

By sending others to the more exposed positions
Urging them loudly to fight on
Ourselves withdrawing in certainty of the cause lost.

Having the choice of our own death and that of a friend
We chose his, coldly thinking: Let it be done quickly.

We sealed gas chamber doors, stole bread
Knowing the next day would be harder to bear than the day before.

As befits human beings, we explored good and evil.
Our malignant wisdom has no like on this planet.

Accept it as proven that we are better than they,
The gullible, hot-blooded weaklings, careless with their lives.

2
Treasure your legacy of skills, child of Europe.
Inheritor of Gothic cathedrals, of baroque churches.
Of synagogues filled with the wailing of a wronged people.
Successor of Descartes, Spinoza, inheritor of the word 'honor',
Posthumous child of Leonidas
Treasure the skills acquired in the hour of terror.

You have a clever mind which sees instantly
The good and bad of any situation.
You have an elegant, skeptical mind which enjoys pleasures
Quite unknown to primitive races.

Guided by this mind you cannot fail to see
The soundness of the advice we give you:
Let the sweetness of day fill your lungs
For this we have strict but wise rules.

3
There can be no question of force triumphant
We live in the age of victorious justice.

Do not mention force, or you will be accused
Of upholding fallen doctrines in secret.

He who has power, has it by historical logic.
Respectfully bow to that logic.

Let your lips, proposing a hypothesis
Not know about the hand faking the experiment.

Let your hand, faking the experiment
No know about the lips proposing a hypothesis.

Learn to predict a fire with unerring precision
Then burn the house down to fulfill the prediction.

4
Grow your tree of falsehood from a single grain of truth.
Do not follow those who lie in contempt of reality.

Let your lie be even more logical than the truth itself
So the weary travelers may find repose in the lie.

After the Day of the Lie gather in select circles
Shaking with laughter when our real deeds are mentioned.

Dispensing flattery called: perspicacious thinking.
Dispensing flattery called: a great talent.

We, the last who can still draw joy from cynicism.
We, whose cunning is not unlike despair.

A new, humorless generation is now arising
It takes in deadly earnest all we received with laughter.

5
Let your words speak not through their meanings
But through them against whom they are used.

Fashion your weapon from ambiguous words.
Consign clear words to lexical limbo.

Judge no words before the clerks have checked
In their card index by whom they were spoken.

The voice of passion is better than the voice of reason.
The passionless cannot change history.

6
Love no country: countries soon disappear
Love no city: cities are soon rubble.

Throw away keepsakes, or from your desk
A choking, poisonous fume will exude.

Do not love people: people soon perish.
Or they are wronged and call for your help.

Do not gaze into the pools of the past.
Their corroded surface will mirror
A face different from the one you expected.

7
He who invokes history is always secure.
The dead will not rise to witness against him.

You can accuse them of any deeds you like.
Their reply will always be silence.

Their empty faces swim out of the deep dark.
You can fill them with any feature desired.

Proud of dominion over people long vanished,
Change the past into your own, better likeness.

8
The laughter born of the love of truth
Is now the laughter of the enemies of the people.

Gone is the age of satire. We no longer need mock.
The sensible monarch with false courtly phrases.

Stern as befits the servants of a cause,
We will permit ourselves sycophantic humor.

Tight-lipped, guided by reasons only
Cautiously let us step into the era of the unchained fire.


Written by Walt Whitman | Create an image from this poem

American Feuillage

 AMERICA always! 
Always our own feuillage! 
Always Florida’s green peninsula! Always the priceless delta of Louisiana! Always the
 cotton-fields of Alabama and Texas! 
Always California’s golden hills and hollows—and the silver mountains of New
 Mexico!
 Always soft-breath’d Cuba! 
Always the vast slope drain’d by the Southern Sea—inseparable with the slopes
 drain’d
 by the Eastern and Western Seas;
The area the eighty-third year of These States—the three and a half millions of
 square
 miles; 
The eighteen thousand miles of sea-coast and bay-coast on the main—the thirty
 thousand
 miles of
 river navigation, 
The seven millions of distinct families, and the same number of dwellings—Always
 these,
 and
 more, branching forth into numberless branches; 
Always the free range and diversity! always the continent of Democracy! 
Always the prairies, pastures, forests, vast cities, travelers, Kanada, the snows;
Always these compact lands—lands tied at the hips with the belt stringing the huge
 oval
 lakes; 
Always the West, with strong native persons—the increasing density there—the
 habitans,
 friendly, threatening, ironical, scorning invaders; 
All sights, South, North, East—all deeds, promiscuously done at all times, 
All characters, movements, growths—a few noticed, myriads unnoticed, 
Through Mannahatta’s streets I walking, these things gathering;
On interior rivers, by night, in the glare of pine knots, steamboats wooding up; 
Sunlight by day on the valley of the Susquehanna, and on the valleys of the Potomac and
 Rappahannock, and the valleys of the Roanoke and Delaware; 
In their northerly wilds, beasts of prey haunting the Adirondacks, the hills—or
 lapping
 the
 Saginaw waters to drink; 
In a lonesome inlet, a sheldrake, lost from the flock, sitting on the water, rocking
 silently; 
In farmers’ barns, oxen in the stable, their harvest labor done—they rest
 standing—they are too tired;
Afar on arctic ice, the she-walrus lying drowsily, while her cubs play around; 
The hawk sailing where men have not yet sail’d—the farthest polar sea, ripply,
 crystalline, open, beyond the floes; 
White drift spooning ahead, where the ship in the tempest dashes; 
On solid land, what is done in cities, as the bells all strike midnight together; 
In primitive woods, the sounds there also sounding—the howl of the wolf, the scream
 of the
 panther, and the hoarse bellow of the elk;
In winter beneath the hard blue ice of Moosehead Lake—in summer visible through the
 clear
 waters, the great trout swimming; 
In lower latitudes, in warmer air, in the Carolinas, the large black buzzard floating
 slowly,
 high
 beyond the tree tops, 
Below, the red cedar, festoon’d with tylandria—the pines and cypresses, growing
 out
 of the
 white sand that spreads far and flat; 
Rude boats descending the big Pedee—climbing plants, parasites, with color’d
 flowers
 and
 berries, enveloping huge trees, 
The waving drapery on the live oak, trailing long and low, noiselessly waved by the wind;
The camp of Georgia wagoners, just after dark—the supper-fires, and the cooking and
 eating
 by
 whites and *******, 
Thirty or forty great wagons—the mules, cattle, horses, feeding from troughs, 
The shadows, gleams, up under the leaves of the old sycamore-trees—the
 flames—with
 the
 black smoke from the pitch-pine, curling and rising; 
Southern fishermen fishing—the sounds and inlets of North Carolina’s
 coast—the
 shad-fishery and the herring-fishery—the large sweep-seines—the windlasses on
 shore
 work’d by horses—the clearing, curing, and packing-houses; 
Deep in the forest, in piney woods, turpentine dropping from the incisions in the
 trees—There
 are the turpentine works,
There are the ******* at work, in good health—the ground in all directions is
 cover’d
 with
 pine straw: 
—In Tennessee and Kentucky, slaves busy in the coalings, at the forge, by the
 furnace-blaze, or
 at the corn-shucking; 
In Virginia, the planter’s son returning after a long absence, joyfully welcom’d
 and
 kiss’d by the aged mulatto nurse; 
On rivers, boatmen safely moor’d at night-fall, in their boats, under shelter of high
 banks, 
Some of the younger men dance to the sound of the banjo or fiddle—others sit on the
 gunwale,
 smoking and talking;
Late in the afternoon, the mocking-bird, the American mimic, singing in the Great Dismal
 Swamp—there are the greenish waters, the resinous odor, the plenteous moss, the
 cypress
 tree,
 and the juniper tree; 
—Northward, young men of Mannahatta—the target company from an excursion
 returning
 home at
 evening—the musket-muzzles all bear bunches of flowers presented by women; 
Children at play—or on his father’s lap a young boy fallen asleep, (how his lips
 move! how
 he smiles in his sleep!) 
The scout riding on horseback over the plains west of the Mississippi—he ascends a
 knoll
 and
 sweeps his eye around; 
California life—the miner, bearded, dress’d in his rude costume—the stanch
 California
 friendship—the sweet air—the graves one, in passing, meets, solitary, just
 aside the
 horsepath;
Down in Texas, the cotton-field, the *****-cabins—drivers driving mules or oxen
 before
 rude
 carts—cotton bales piled on banks and wharves; 
Encircling all, vast-darting, up and wide, the American Soul, with equal
 hemispheres—one
 Love,
 one Dilation or Pride; 
—In arriere, the peace-talk with the Iroquois, the aborigines—the calumet, the
 pipe
 of
 good-will, arbitration, and indorsement, 
The sachem blowing the smoke first toward the sun and then toward the earth, 
The drama of the scalp-dance enacted with painted faces and guttural exclamations,
The setting out of the war-party—the long and stealthy march, 
The single-file—the swinging hatchets—the surprise and slaughter of enemies; 
—All the acts, scenes, ways, persons, attitudes of These States—reminiscences,
 all
 institutions, 
All These States, compact—Every square mile of These States, without excepting a
 particle—you also—me also, 
Me pleas’d, rambling in lanes and country fields, Paumanok’s fields,
Me, observing the spiral flight of two little yellow butterflies, shuffling between each
 other,
 ascending high in the air; 
The darting swallow, the destroyer of insects—the fall traveler southward, but
 returning
 northward early in the spring; 
The country boy at the close of the day, driving the herd of cows, and shouting to them as
 they
 loiter to browse by the road-side; 
The city wharf—Boston, Philadelphia, Baltimore, Charleston, New Orleans, San
 Francisco, 
The departing ships, when the sailors heave at the capstan;
—Evening—me in my room—the setting sun, 
The setting summer sun shining in my open window, showing the swarm of flies, suspended,
 balancing
 in the air in the centre of the room, darting athwart, up and down, casting swift shadows
 in
 specks
 on the opposite wall, where the shine is; 
The athletic American matron speaking in public to crowds of listeners; 
Males, females, immigrants, combinations—the copiousness—the individuality of
 The
 States,
 each for itself—the money-makers; 
Factories, machinery, the mechanical forces—the windlass, lever, pulley—All
 certainties,
The certainty of space, increase, freedom, futurity, 
In space, the sporades, the scatter’d islands, the stars—on the firm earth, the
 lands, my
 lands; 
O lands! all so dear to me—what you are, (whatever it is,) I become a part of that,
 whatever it
 is; 
Southward there, I screaming, with wings slowly flapping, with the myriads of gulls
 wintering
 along
 the coasts of Florida—or in Louisiana, with pelicans breeding; 
Otherways, there, atwixt the banks of the Arkansaw, the Rio Grande, the Nueces, the
 Brazos, the
 Tombigbee, the Red River, the Saskatchawan, or the Osage, I with the spring waters
 laughing
 and
 skipping and running;
Northward, on the sands, on some shallow bay of Paumanok, I, with parties of snowy herons
 wading in
 the wet to seek worms and aquatic plants; 
Retreating, triumphantly twittering, the king-bird, from piercing the crow with its bill,
 for
 amusement—And I triumphantly twittering; 
The migrating flock of wild geese alighting in autumn to refresh themselves—the body
 of
 the
 flock feed—the sentinels outside move around with erect heads watching, and are from
 time
 to
 time reliev’d by other sentinels—And I feeding and taking turns with the rest; 
In Kanadian forests, the moose, large as an ox, corner’d by hunters, rising
 desperately on
 his
 hind-feet, and plunging with his fore-feet, the hoofs as sharp as knives—And I,
 plunging
 at the
 hunters, corner’d and desperate; 
In the Mannahatta, streets, piers, shipping, store-houses, and the countless workmen
 working in
 the
 shops,
And I too of the Mannahatta, singing thereof—and no less in myself than the whole of
 the
 Mannahatta in itself, 
Singing the song of These, my ever united lands—my body no more inevitably united,
 part to
 part, and made one identity, any more than my lands are inevitably united, and made ONE
 IDENTITY; 
Nativities, climates, the grass of the great Pastoral Plains; 
Cities, labors, death, animals, products, war, good and evil—these me, 
These affording, in all their particulars, endless feuillage to me and to America, how can
 I do
 less
 than pass the clew of the union of them, to afford the like to you?
Whoever you are! how can I but offer you divine leaves, that you also be eligible as I am?

How can I but, as here, chanting, invite you for yourself to collect bouquets of the
 incomparable
 feuillage of These States?
Written by Edgar Bowers | Create an image from this poem

Elegy: Walking the Line

 Every month or so, Sundays, we walked the line,
The limit and the boundary. Past the sweet gum
Superb above the cabin, along the wall—
Stones gathered from the level field nearby
When first we cleared it. (Angry bumblebees
Stung the two mules. They kicked. Thirteen, I ran.)
And then the field: thread-leaf maple, deciduous
Magnolia, hybrid broom, and, further down,
In light shade, one Franklinia Alatamaha
In solstice bloom, all white, most graciously.
On the sunnier slope, the wild plums that my mother
Later would make preserves of, to give to friends
Or sell, in autumn, with the foxgrape, quince,
Elderberry, and muscadine. Around
The granite overhang, moist den of foxes;
Gradually up a long hill, high in pine,
Park-like, years of dry needles on the ground,
And dogwood, slopes the settlers terraced; pine
We cut at Christmas, berries, hollies, anise,
And cones for sale in Mister Haymore’s yard
In town, below the Courthouse Square. James Haymore,
One of the two good teachers at Boys’ High,
Ironic and demanding, chemistry;
Mary Lou Culver taught us English: essays,
Plot summaries, outlines, meters, kinds of clauses
(Noun, adjective, and adverb, five at a time),
Written each day and then revised, and she
Up half the night to read them once again
Through her pince-nez, under a single lamp.
Across the road, on a steeper hill, the settlers
Set a house, unpainted, the porch fallen in,
The road a red clay strip without a bridge,
A shallow stream that liked to overflow.
Oliver Brand’s mules pulled our station wagon
Out of the gluey mire, earth’s rust. Then, here
And there, back from the road, the specimen
Shrubs and small trees my father planted, some
Taller than we were, some in bloom, some berried,
And some we still brought water to. We always
Paused at the weed-filled hole beside the beech
That, one year, brought forth beech nuts by the thousands,
A hole still reminiscent of the man
Chewing tobacco in among his whiskers
My father happened on, who, discovered, told
Of dreaming he should dig there for the gold
And promised to give half of what he found. 

During the wars with Germany and Japan,
Descendents of the settlers, of Oliver Brand
And of that man built Flying Fortresses
For Lockheed, in Atlanta; now they build
Brick mansions in the woods they left, with lawns
To paved and lighted streets, azaleas, camellias
Blooming among the pines and tulip trees—
Mercedes Benz and Cadillac Republicans.
There was another stream further along 
Divided through a marsh, lined by the fence
We stretched to posts with Mister Garner’s help
The time he needed cash for his son’s bail
And offered all his place. A noble spring
Under the oak root cooled his milk and butter.
He called me “honey,” working with us there
(My father bought three acres as a gift),
His wife pale, hair a country orange, voice
Uncanny, like a ghost’s, through the open door
Behind her, chickens scratching on the floor.
Barred Rocks, our chickens; one, a rooster, splendid
Sliver and grey, red comb and long sharp spurs,
Once chased Aunt Jennie as far as the daphne bed
The two big king snakes were familiars of.
My father’s dog would challenge him sometimes
To laughter and applause. Once, in Stone Mountain,
Travelers, stopped for gas, drove off with Smokey;
Angrily, grievingly, leaving his work, my father
Traced the car and found them way far south,
Had them arrested and, bringing Smokey home,
Was proud as Sherlock Holmes, and happier.
Above the spring, my sister’s cats, black Amy,
Grey Junior, down to meet us. The rose trees,
Domestic, Asiatic, my father’s favorites.
The bridge, marauding dragonflies, the bullfrog,
Camellias cracked and blackened by the freeze,
Bay tree, mimosa, mountain laurel, apple, 
Monkey pine twenty feet high, banana shrub,
The owls’ tall pine curved like a flattened S.
The pump house Mort and I built block by block,
Smooth concrete floor, roof pale aluminum
Half-covered by a clematis, the pump 
Thirty feet down the mountain’s granite foot. 

Mort was the hired man sent to us by Fortune,
Childlike enough to lead us. He brought home,
Although he could not even drive a tractor,
Cheated, a worthless car, which we returned.
When, at the trial to garnishee his wages,
Frank Guess, the judge, Grandmother’s longtime neighbor,
Whose children my mother taught in Cradle Roll,
Heard Mort’s examination, he broke in
As if in disbelief on the bank’s attorneys:
“Gentlemen, must we continue this charade?”
Finally, past the compost heap, the garden,
Tomatoes and sweet corn for succotash,
Okra for frying, Kentucky Wonders, limas,
Cucumbers, squashes, leeks heaped round with soil,
Lavender, dill, parsley, and rosemary,
Tithonia and zinnias between the rows;
The greenhouse by the rock wall, used for cuttings
In late spring, frames to grow them strong for planting
Through winter into summer. Early one morning
Mort called out, lying helpless by the bridge.
His ashes we let drift where the magnolia
We planted as a stem divides the path
The others lie, too young, at Silver Hill,
Except my mother. Ninety-five, she lives
Three thousand miles away, beside the bare
Pacific, in rooms that overlook the Mission,
The Riviera, and the silver range 
La Cumbre east. Magnolia grandiflora
And one druidic live oak guard the view. 
Proudly around the walls, she shows her paintings
Of twenty years ago: the great oak’s arm
Extended, Zeuslike, straight and strong, wisteria
Tangled among the branches, amaryllis
Around the base; her cat, UC, at ease
In marigolds; the weeping cherry, pink
And white arms like a blessing to the blue
Bird feeder Mort made; cabin, scarlet sweet gum
Superb when tribes migrated north and south.
Alert, still quick of speech, a little blind,
Active, ready for laughter, open to fear,
Pity, and wonder that such things may be,
Some Sundays, I think, she must walk the line,
Aunt Jennie, too, if she were still alive,
And Eleanor, whose story is untold,
Their presences like muses, prompting me
In my small study, all listening to the sea,
All of one mind, the true posterity.
Written by Walt Whitman | Create an image from this poem

A Riddle Song

 THAT which eludes this verse and any verse, 
Unheard by sharpest ear, unform’d in clearest eye or cunningest mind, 
Nor lore nor fame, nor happiness nor wealth, 
And yet the pulse of every heart and life throughout the world incessantly, 
Which you and I and all pursuing ever ever miss,
Open but still a secret, the real of the real, an illusion, 
Costless, vouchsafed to each, yet never man the owner, 
Which poets vainly seek to put in rhyme, historians in prose, 
Which sculptor never chisel’d yet, nor painter painted, 
Which vocalist never sung, nor orator nor actor ever utter’d,
Invoking here and now I challenge for my song. 

Indifferently, ’mid public, private haunts, in solitude, 
Behind the mountain and the wood, 
Companion of the city’s busiest streets, through the assemblage, 
It and its radiations constantly glide.

In looks of fair unconscious babes, 
Or strangely in the coffin’d dead, 
Or show of breaking dawn or stars by night, 
As some dissolving delicate film of dreams, 
Hiding yet lingering.

Two little breaths of words comprising it. 
Two words, yet all from first to last comprised in it. 

How ardently for it! 
How many ships have sail’d and sunk for it! 
How many travelers started from their homes and ne’er return’d!
How much of genius boldly staked and lost for it! 
What countless stores of beauty, love, ventur’d for it! 
How all superbest deeds since Time began are traceable to it—and shall be to the end!

How all heroic martyrdoms to it! 
How, justified by it, the horrors, evils, battles of the earth!
How the bright fascinating lambent flames of it, in every age and land, have drawn
 men’s
 eyes, 
Rich as a sunset on the Norway coast, the sky, the islands, and the cliffs, 
Or midnight’s silent glowing northern lights unreachable. 

Haply God’s riddle it, so vague and yet so certain, 
The soul for it, and all the visible universe for it,
And heaven at last for it.
Written by Mark Doty | Create an image from this poem

Turtle Swan

 Because the road to our house
is a back road, meadowlands punctuated
by gravel quarry and lumberyard,
there are unexpected travelers
some nights on our way home from work.
Once, on the lawn of the Tool

and Die Company, a swan;
the word doesn't convey the shock
of the thing, white architecture
rippling like a pond's rain-pocked skin,
beak lifting to hiss at my approach.
Magisterial, set down in elegant authority,

he let us know exactly how close we might come.
After a week of long rains
that filled the marsh until it poured
across the road to make in low woods
a new heaven for toads,
a snapping turtle lumbered down the center

of the asphalt like an ambulatory helmet.
His long tail dragged, blunt head jutting out
of the lapidary prehistoric sleep of shell.
We'd have lifted him from the road
but thought he might bend his long neck back
to snap. I tried herding him; he rushed,

though we didn't think those blocky legs
could hurry-- then ambled back
to the center of the road, a target
for kids who'd delight in the crush
of something slow with the look
of primeval invulnerability. He turned

the blunt spear point of his jaws,
puffing his undermouth like a bullfrog,
and snapped at your shoe,
vising a beakful of-- thank God--
leather. You had to shake him loose. We left him
to his own devices, talked on the way home

of what must lead him to new marsh
or old home ground. The next day you saw,
one town over, remains of shell
in front of the little liquor store. I argued
it was too far from where we'd seen him,
too small to be his... though who could tell

what the day's heat might have taken
from his body. For days he became a stain,
a blotch that could have been merely
oil. I did not want to believe that
was what we saw alive in the firm center
of his authority and right

to walk the center of the road,
head up like a missionary moving certainly
into the country of his hopes.
In the movies in this small town
I stopped for popcorn while you went ahead
to claim seats. When I entered the cool dark

I saw straight couples everywhere,
no single silhouette who might be you.
I walked those two aisles too small
to lose anyone and thought of a book
I read in seventh grade, "Stranger Than Science,"
in which a man simply walked away,

at a picnic, and was,
in the act of striding forward
to examine a flower, gone.
By the time the previews ended
I was nearly in tears-- then realized
the head of one-half the couple in the first row

was only your leather jacket propped in the seat
that would be mine. I don't think I remember
anything of the first half of the movie.
I don't know what happened to the swan. I read
every week of some man's lover showing
the first symptoms, the night sweat

or casual flu, and then the wasting begins
and the disappearance a day at a time.
I don't know what happened to the swan;
I don't know if the stain on the street
was our turtle or some other. I don't know
where these things we meet and know briefly,

as well as we can or they will let us,
go. I only know that I do not want you
--you with your white and muscular wings
that rise and ripple beneath or above me,
your magnificent neck, eyes the deep mottled autumnal colors
of polished tortoise-- I do not want you ever to die.


Written by Wystan Hugh (W H) Auden | Create an image from this poem

On the Circuit

Among pelagian travelers,Lost on their lewd conceited wayTo Massachusetts, Michigan,Miami or L.A., An airborne instrument I sit,Predestined nightly to fulfillColumbia-Giesen-Management'sUnfathomable will, By whose election justified,I bring my gospel of the MuseTo fundamentalists, to nuns,to Gentiles and to Jews, And daily, seven days a week,Before a local sense has jelled,From talking-site to talking-siteAm jet-or-prop-propelled. Though warm my welcome everywhere,I shift so frequently, so fast,I cannot now say where I wasThe evening before last, Unless some singular eventShould intervene to save the place,A truly asinine remark,A soul-bewitching face, Or blessed encounter, full of joy,Unscheduled on the Giesen Plan,With, here, an addict of Tolkien,There, a Charles Williams fan. Since Merit but a dunghill is,I mount the rostrum unafraid:Indeed, 'twere damnable to askIf I am overpaid. Spirit is willing to repeatWithout a qualm the same old talk,But Flesh is homesick for our snugApartment in New York. A sulky fifty-six, he findsA change of mealtime utter hell,Grown far too crotchety to likeA luxury hotel. The Bible is a goodly bookI always can peruse with zest,But really cannot say the sameFor Hilton's Be My Guest. Nor bear with equanimityThe radio in students' cars,Muzak at breakfast, or--dear God!--Girl-organists in bars. Then, worst of all, the anxious thought,Each time my plane begins to sinkAnd the No Smoking sign comes on:What will there be to drink?Is this a milieu where I mustHow grahamgreeneish! How infra dig!Snatch from the bottle in my bagAn analeptic swig? Another morning comes: I see,Dwindling below me on the plane,The roofs of one more audienceI shall not see again. God bless the lot of them, althoughI don't remember which was which:God bless the U.S.A., so large,So friendly, and so rich.
Written by William Bronk | Create an image from this poem

Metonymy as an Approach to a Real World

 Whether what we sense of this world
is the what of this world only, or the what 
of which of several possible worlds
--which what?--something of what we sense 
may be true, may be the world, what it is, what we sense.
For the rest, a truce is possible, the tolerance
of travelers, eating foreign foods, trying words
that twist the tongue, to feel that time and place,
not thinking that this is the real world.

Conceded, that all the clocks tell local time; 
conceded, that "here" is anywhere we bound
and fill a space; conceded, we make a world:
is something caught there, contained there,
something real, something which we can sense?
Once in a city blocked and filled, I saw
the light lie in the deep chasm of a street,
palpable and blue, as though it had drifted in 
from say, the sea, a purity of space.
Written by Archibald MacLeish | Create an image from this poem

You Andrew Marvell

 And here face down beneath the sun
And here upon earth's noonward height
To feel the always coming on
The always rising of the night

To feel creep up the curving east
The earthy chill of dusk and slow
Upon those under lands the vast
And ever climbing shadow grow

And strange at Ecbatan the trees
Take leaf by leaf the evening strange
The flooding dark about their knees
The mountains over Persia change

And now at Kermanshah the gate
Dark empty and the withered grass
And through the twilight now the late
Few travelers in the westward pass

And Baghdad darken and the bridge
Across the silent river gone
And through Arabia the edge
Of evening widen and steal on

And deepen on Palmyra's street
The wheel rut in the ruined stone
And Lebanon fade out and Crete
High through the clouds and overblown

And over Sicily the air
Still flashing with the landward gulls
And loom and slowly disappear
The sails above the shadowy hulls

And Spain go under the the shore
Of Africa the gilded sand
And evening vanish and no more
The low pale light across that land

Nor now the long light on the sea

And here face downward in the sun
To feel how swift how secretly
The shadow of the night comes on...
Written by Charles Baudelaire | Create an image from this poem

Travelling Bohemians

 The prophetic tribe of the ardent eyes
Yesterday they took the road, holding their babies
On their backs, delivering to fierce appetites
The always ready treasure of pendulous breasts.

The men stick their feet out, waving their guns
Alongside the caravan where they tremble together,
Scanning the sky their eyes are weighted down
In mourning for absent chimeras.

At the bottom of his sandy retreat, a cricket
Watched passing, redoubles his song,
Cybele, who loves, adds more flower,

Makes fountains out of rock and blossoms from desert
Opening up before these travelers in a yawn—
A familiar empire, the inscrutable future.
Written by Fannie Isabelle Sherrick | Create an image from this poem

Beatrice Cenci

O beautiful woman, too well we know
The terrible weight of thy woman's woe,
So great that the world, in its careless way,
Remembered thy beauty for more than a day.
In the name of the truth from thy brow is torn
The crown of redemption thou long hast worn,
And into the valley of sin thou art hurled
To be trampled anew by the feet of the world.
The beautiful picture is thine no more
That hangs in the palace on Italy's shore;
The tear-stained eyes where the shadow lies,
Like a darksome cloud in the summer skies,
Will tell thy story to men no more,
For all untrue is the tale of yore;
And the far-famed picture that hangs on the wall
Is a painter's fancy—that is all.
Italia's shore is a land of light
Where the sunlight of day drowns the shadows of night;
And the great warm sun with his golden rays
Imprisons the light of eternal days;
But the tale of thy woes is a shadow there
That fills with its horror the perfumed air.
By day and by night in the palace there,
Thy picture has hung with its face so fair;
Beguiling the travelers come from afar
With its sad, sweet grace, like some voiceless star,
Till the hears that shuddered before thy sin
Recalled not the shadow that lay within,
But remembered only with pitying grace
The hopeless grief on the child-like face.
The rosy dawn with its misty light,
Shone fair on thy brow in the morning bright;
And the glittering noon with its rays of gold
Imprisoned thy soul in its jeweled hold.
Oh, fair was the picture at early dawn,
With the matchless beauty that Guido had drawn;
And fair was the face in the noon of gold,
Touched with a glory that never grew old.
But lovelier still in the shadowed eyes
Lay the burning sunset of Italy's skies;
And the beautiful face with its voiceless woe
Grew fair as a saint's in the crimson glow.
No wonder the poets grew wild at the sight,
And sung of thy beauty with mad delight,
Till the fame of the picture spread over the land,
Revealing the touch of its master-hand.
The fair Madonna with saint-like face,
Creation of Raphael's exquisite grace,
Is scarcely more famed than the child-like head
Of thou to whom sorrow forever is wed.
O beautiful woman, the world with its scorn
Will mock at the glory thou long hast worn,
And rend aside in the name of the truth
The veil of mercy that hides thy youth.
But the romance that clings to the wondrous face
Will fall on our hearts with a softened grace,
And the fair young sinner on Italy's shore
Will be loved and pitied forevermore.

Book: Radiant Verses: A Journey Through Inspiring Poetry