Written by
Mary Darby Robinson |
'Twas on a Mountain, near the Western Main
An ALIEN dwelt. A solitary Hut
Built on a jutting crag, o'erhung with weeds,
Mark'd the poor Exile's home. Full ten long years
The melancholy wretch had liv'd unseen
By all, save HENRY, a lov'd, little Son
The partner of his sorrows. On the day
When Persecution, in the sainted guise
Of Liberty, spread wide its venom'd pow'r,
The brave, Saint HUBERT, fled his Lordly home,
And, with his baby Son, the mountain sought.
Resolv'd to cherish in his bleeding breast
The secret of his birth, Ah! birth too high
For his now humbled state, from infancy
He taught him, labour's task: He bade him chear
The dreary day of cold adversity
By patience and by toil. The Summer morn
Shone on the pillow of his rushy bed;
The noontide, sultry hour, he fearless past
On the shagg'd eminence; while the young Kid
Skipp'd, to the cadence of his minstrelsy.
At night young HENRY trimm'd the ****** fire
While oft, Saint HUBERT, wove the ample net
To snare the finny victim. Oft they sang
And talk'd, while sullenly the waves would sound
Dashing the sandy shore. Saint HUBERT'S eyes
Would swim in tears of fondness, mix'd with joy,
When he observ'd the op'ning harvest rich
Of promis'd intellect, which HENRY'S soul,
Whate'er the subject of their talk, display'd.
Oft, the bold Youth, in question intricate,
Would seek to know the story of his birth;
Oft ask, who bore him: and with curious skill
Enquire, why he, and only one beside,
Peopled the desart mountain ? Still his Sire
Was slow of answer, and, in words obscure,
Varied the conversation. Still the mind
Of HENRY ponder'd; for, in their lone hut,
A daily journal would Saint HUBERT make
Of his long banishment: and sometimes speak
Of Friends forsaken, Kindred, massacred;--
Proud mansions, rich domains, and joyous scenes
For ever faded,--lost!
One winter time,
'Twas on the Eve of Christmas, the shrill blast
Swept o'er the stormy main. The boiling foam
Rose to an altitude so fierce and strong
That their low hovel totter'd. Oft they stole
To the rock's margin, and with fearful eyes
Mark'd the vex'd deep, as the slow rising moon
Gleam'd on the world of waters. 'Twas a scene
Would make a Stoic shudder! For, amid
The wavy mountains, they beheld, alone ,
A LITTLE BOAT, now scarcely visible;
And now not seen at all; or, like a buoy,
Bounding, and buffetting, to reach the shore!
Now the full Moon, in crimson lustre shone
Upon the outstretch'd Ocean. The black clouds
Flew stiffly on, the wild blast following,
And, as they flew, dimming the angry main
With shadows horrible ! Still, the small boat
Struggled amid the waves, a sombre speck
Upon the wide domain of howling Death!
Saint HUBERT sigh'd ! while HENRY'S speaking eye
Alternately the stormy scene survey'd
And his low hovel's safety. So past on
The hour of midnight,--and, since first they knew
The solitary scene, no midnight hour
E'er seem'd so long and weary.
While they stood,
Their hands fast link'd together, and their eyes
Fix'd on the troublous Ocean, suddenly
The breakers, bounding on the rocky shore,
Left the small wreck; and crawling on the side
Of the rude crag,--a HUMAN FORM was seen!
And now he climb'd the foam-wash'd precipice,
And now the slip'ry weeds gave way, while he
Descended to the sands: The moon rose high--
The wild blast paus'd, and the poor shipwreck'd Man
Look'd round aghast, when on the frowning steep
He marked the lonely exiles. Now he call'd
But he was feeble, and his voice was lost
Amid the din of mingling sounds that rose
From the wild scene of clamour.
Down the steep
Saint HUBRET hurried, boldly venturous,
Catching the slimy weeds, from point to point,
And unappall'd by peril. At the foot
Of the rude rock, the fainting mariner
Seiz'd on his outstretch'd arm; impatient, wild,
With transport exquisite ! But ere they heard
The blest exchange of sounds articulate,
A furious billow, rolling on the steep,
Engulph'd them in Oblivion!
On the rock
Young HENRY stood; with palpitating heart,
And fear-struck, e'en to madness ! Now he call'd,
Louder and louder, as the shrill blast blew;
But, mid the elemental strife of sounds,
No human voice gave answer ! The clear moon
No longer quiver'd on the curling main,
But, mist-encircled, shed a blunted light,
Enough to shew all things that mov'd around,
Dreadful, but indistinctly ! The black weeds
Wav'd, as the night-blast swept them; and along
The rocky shore the breakers, sounding low
Seem'd like the whisp'ring of a million souls
Beneath the green-deep mourning.
Four long hours
The lorn Boy listen'd ! four long tedious hours
Pass'd wearily away, when, in the East
The grey beam coldly glimmer'd. All alone
Young HENRY stood aghast : his Eye wide fix'd;
While his dark locks, uplifted by the storm
Uncover'd met its fury. On his cheek
Despair sate terrible ! For, mid the woes,
Of poverty and toil, he had not known,
Till then, the horror-giving chearless hour
Of TOTAL SOLITUDE!
He spoke--he groan'd,
But no responsive voice, no kindred tone
Broke the dread pause: For now the storm had ceas'd,
And the bright Sun-beams glitter'd on the breast
Of the green placid Ocean. To his Hut
The lorn Boy hasten'd; there the rushy couch,
The pillow still indented, met his gaze
And fix'd his eye in madness.--From that hour
A maniac wild, the Alien Boy has been;
His garb with sea-weeds fring'd, and his wan cheek
The tablet of his mind, disorder'd, chang'd,
Fading, and worn with care. And if, by chance,
A Sea-beat wand'rer from the outstretch'd main
Views the lone Exile, and with gen'rous zeal
Hastes to the sandy beach, he suddenly
Darts 'mid the cavern'd cliffs, and leaves pursuit
To track him, where no footsteps but his own,
Have e'er been known to venture ! YET HE LIVES
A melancholy proof that Man may bear
All the rude storms of Fate, and still suspire
By the wide world forgotten!
|
Written by
Mary Darby Robinson |
O, let me seize thy pen sublime
That paints, in melting dulcet rhyme,
The glowing pow'r, the magic art,
Th' extatic raptures of the Heart;
Soft Beauty's timid smile serene,
The dimples of Love's sportive mien;
The sweet descriptive tale to trace;
To picture Nature's winning grace;
To steal the tear from Pity's eye;
To catch the sympathetic sigh;
O teach me, with swift light'nings force
To watch wild passion's varying course;
To mark th' enthusiast's vivid fire,
Or calmly touch thy golden lyre,
While gentle Reason mildly sings
Responsive to the trembling strings.
SWEET Nymph, enchanting Poetry!
I dedicate my mind to Thee.
Oh! from thy bright Parnassian bow'rs
Descend, to bless my sombre hours;
Bend to the earth thy eagle wing,
And on its glowing plumage bring
Blithe FANCY, from whose burning eye
The young ideas sparkling fly;
O, come, and let us fondly stray,
Where rosy Health shall lead the way,
And soft FAVONIUS lightly spread
A perfum'd carpet as we tread;
Ah! let us from the world remove,
The calm forgetfulness to prove,
Which at the still of evening's close,
Lulls the tir'd peasant to repose;
Repose, whose balmy joys o'er-pay
The sultry labours of the day.
And when the blue-ey'd dawn appears,
Just peeping thro' her veil of tears;
Or blushing opes her silver gate,
And on its threshold, stands elate,
And flings her rosy mantle far
O'er every loit'ring dewy star;
And calls the wanton breezes forth,
And sprinkles diamonds o'er the earth;
While in the green-wood's shade profound,
The insect race, with buzzing sound
Flit o'er the rill,a glitt'ring train,
Or swarm along the sultry plain.
Then in sweet converse let us rove,
Where in the thyme-embroider'd grove,
The musky air its fragrance pours
Upon the silv'ry scatter'd show'rs;
To hail soft Zephyr, as she goes
To fan the dew-drop from the rose;
To shelter from the scorching beam,
And muse beside the rippling stream.
Or when, at twilight's placid hour,
We stroll to some sequester'd bow'r;
And watch the haughty Sun retire
Beneath his canopy of fire;
While slow the dusky clouds enfold
Day's crimson curtains fring'd with gold;
And o'er the meadows faintly fly
Pale shadows of the purpling sky:
While softly o'er the pearl-deck'd plain,
Cold Dian leads the sylvan train;
In mazy dance and sportive glee,
SWEET MUSE, I'll fondly turn to thee;
And thou shalt deck my couch with flow'rs,
And wing with joy my silent hours.
When Sleep, with downy hand, shall spread
A wreath of poppies round my head;
Then, FANCY, on her wing sublime,
Shall waft me to the sacred clime
Where my enlighten'd sense shall view,
Thro' ether realms of azure hue,
That flame, where SHAKESPEARE us'd to fill,
With matchless fire, his "golden quill."
While, from its point bright Genius caught
The wit supreme, the glowing thought,
The magic tone, that sweetly hung
About the music of his tongue.
Then will I skim the floating air,
On a light couch of gossamer,
While with my wonder-aching eye,
I contemplate the spangled sky,
And hear the vaulted roof repeat
The song of Inspiration sweet;
While round the winged cherub train,
Shall iterate the aëry strain:
Swift, thro' my quiv'ring nerves shall float
The tremours of each thrilling note;
And every eager sense confess
Extatic transport's wild excess:
'Till, waking from the glorious dream,
I hail the morn's refulgent beam.
DEAR Maid! of ever-varying mien,
Exulting, pensive, gay, serene,
Now, in transcendent pathos drest,
Now, gentle as the turtle's breast;
Where'er thy feath'ry steps shall lead,
To side-long hill, or flow'ry mead;
To sorrow's coldest, darkest cell,
Or where, by Cynthia's glimm'ring ray,
The dapper fairies frisk and play
About some cowslip's golden bell;
And, in their wanton frolic mirth,
Pluck the young daisies from the earth,
To canopy their tiny heads,
And decorate their verdant beds;
While to the grass-hopper's shrill tune,
They quaff libations to the moon,
From acorn goblets, amply fill'd
With dew, from op'ning flow'rs distill'd.
Or when the lurid tempest pours,
From its dark urn, impetuous show'rs,
Or from its brow's terrific frown,
Hurls the pale murd'rous lightnings down;
To thy enchanting breast I'll spring,
And shield me with thy golden wing.
Or when amidst ethereal fire,
Thou strik'st thy DELLA CRUSCAN lyre,
While round, to catch the heavenly song,
Myriads of wond'ring seraphs throng:
Whether thy harp's empassioned strain
Pours forth an OVID's tender pain;
Or in PINDARIC flights sublime,
Re-echoes thro' the starry clime;
Thee I'll adore; transcendent guest,
And woe thee to my burning breast.
But, if thy magic pow'rs impart
One soft sensation to the heart,
If thy warm precepts can dispense
One thrilling transport o'er my sense;
Oh! keep thy gifts, and let me fly,
In APATHY's cold arms to die.
|
Written by
Phillis Wheatley |
To show the lab'ring bosom's deep intent,
And thought in living characters to paint,
When first thy pencil did those beauties give,
And breathing figures learnt from thee to live,
How did those prospects give my soul delight,
A new creation rushing on my sight?
Still, wond'rous youth! each noble path pursue,
On deathless glories fix thine ardent view:
Still may the painter's and the poet's fire
To aid thy pencil, and thy verse conspire!
And may the charms of each seraphic theme
Conduct thy footsteps to immortal fame!
High to the blissful wonders of the skies
Elate thy soul, and raise thy wishful eyes.
Thrice happy, when exalted to survey
That splendid city, crown'd with endless day,
Whose twice six gates on radiant hinges ring:
Celestial Salem blooms in endless spring.
Calm and serene thy moments glide along,
And may the muse inspire each future song!
Still, with the sweets of contemplation bless'd,
May peace with balmy wings your soul invest!
But when these shades of time are chas'd away,
And darkness ends in everlasting day,
On what seraphic pinions shall we move,
And view the landscapes in the realms above?
There shall thy tongue in heav'nly murmurs flow,
And there my muse with heav'nly transport glow:
No more to tell of Damon's tender sighs,
Or rising radiance of Aurora's eyes,
For nobler themes demand a nobler strain,
And purer language on th' ethereal plain.
Cease, gentle muse! the solemn gloom of night
Now seals the fair creation from my sight.
|
Written by
Thomas Gray |
Pindaric Ode
"Ruin seize thee, ruthless King!
Confusion on thy banners wait!
Tho' fanned by Conquest's crimson wing,
They mock the air with idle state.
Helm, nor hauberk's twisted mail,
Nor e'en thy virtues, Tyrant, shall avail
To save thy secret soul from nightly fears,
From Cambria's curse, from Cambria's tears!"
Such were the sounds that o'er the crested pride
Of the first Edward scattered wild dismay,
As down the steep of Snowdon's shaggy side
He wound with toilsome march his long array.
Stout Glo'ster stood aghast in speechless trance:
"To arms!" cried Mortimer, and couched his quiv'ring lance.
On a rock, whose haughty brow
Frowns o'er cold Conway's foaming flood,
Robed in the sable garb of woe
With haggard eyes the Poet stood;
(Loose his beard and hoary hair
Streamed like a meteor to the troubled air)
And with a master's hand, and prophet's fire,
Struck the deep sorrows of his lyre.
"Hark, how each giant-oak and desert-cave
Sighs to the torrent's awful voice beneath!
O'er thee, O King! their hundred arms they wave,
Revenge on thee in hoarser murmurs breathe;
Vocal no more, since Cambria's fatal day,
To high-born Hoel's harp, or soft Llewellyn's lay.
"Cold is Cadwallo's tongue,
That hushed the stormy main;
Brave Urien sleeps upon his craggy bed:
Mountains, ye mourn in vain
Modred, whose magic song
Made huge Plinlimmon bow his cloud-topt head.
On dreary Arvon's shore they lie,
Smeared with gore, and ghastly pale:
Far, far aloof th' affrighted ravens sail;
The famished eagle screams, and passes by.
Dear lost companions of my tuneful art,
Dear as the light that visits these sad eyes,
Dear as the ruddy drops that warm my heart,
Ye died amidst your dying country's cries—
No more I weep. They do not sleep.
On yonder cliffs, a grisly band,
I see them sit; they linger yet,
Avengers of their native land:
With me in dreadful harmony they join,
And weave with bloody hands the tissue of thy line.
"Weave, the warp! and weave, the woof!
The winding sheet of Edward's race:
Give ample room and verge enough
The characters of hell to trace.
Mark the year and mark the night
When Severn shall re-echo with affright
The shrieks of death, thro' Berkley's roof that ring,
Shrieks of an agonizing king!
She-wolf of France, with unrelenting fangs,
That tear'st the bowels of thy mangled mate,
From thee be born, who o'er thy country hangs
The scourge of Heaven! What terrors round him wait!
Amazement in his van, with Flight combined,
And Sorrow's faded form, and Solitude behind.
"Mighty victor, mighty lord!
Low on his funeral couch he lies!
No pitying heart, no eye, afford
A tear to grace his obsequies.
Is the sable warrior fled?
Thy son is gone. He rests among the dead.
The swarm that in thy noon-tide beam were born?
Gone to salute the rising morn.
Fair laughs the morn, and soft the zephyr blows,
While proudly riding o'er the azure realm
In gallant trim the gilded vessel goes:
Youth on the prow, and Pleasure at the helm:
Regardless of the sweeping whirlwind's sway,
That, hushed in grim repose, expects his ev'ning prey.
"Fill high the sparkling bowl,
The rich repast prepare;
Reft of a crown, he yet may share the feast:
Close by the regal chair
Fell Thirst and Famine scowl
A baleful smile upon their baffled guest.
Heard ye the din of battle bray,
Lance to lance, and horse to horse?
Long years of havoc urge their destined course,
And thro' the kindred squadrons mow their way.
Ye towers of Julius, London's lasting shame,
With many a foul and midnight murder fed,
Revere his consort's faith, his father's fame,
And spare the meek usurper's holy head.
Above, below, the rose of snow,
Twined with her blushing foe, we spread:
The bristled Boar in infant-gore
Wallows beneath the thorny shade.
Now, brothers, bending o'er the accursed loom,
Stamp we our vengeance deep, and ratify his doom.
"Edward, lo! to sudden fate
(Weave we the woof. The thread is spun.)
Half of thy heart we consecrate.
(The web is wove. The work is done.)
Stay, oh stay! nor thus forlorn
Leave me unblessed, unpitied, here to mourn:
In yon bright track that fires the western skies
They melt, they vanish from my eyes.
But oh! what solemn scenes on Snowdon's height
Descending slow their glittering skirts unroll?
Visions of glory, spare my aching sight,
Ye unborn ages, crowd not on my soul!
No more our long-lost Arthur we bewail.
All hail, ye genuine kings! Britannia's issue, hail!
"Girt with many a baron bold
Sublime their starry fronts they rear;
And gorgeous dames, and statesmen old
In bearded majesty, appear.
In the midst a form divine!
Her eye proclaims her of the Briton-line:
Her lion-port, her awe-commanding face,
Attempered sweet to virgin grace.
What strings symphonious tremble in the air,
What strains of vocal transport round her play!
Hear from the grave, great Taliessin, hear;
They breathe a soul to animate thy clay.
Bright Rapture calls, and soaring as she sings,
Waves in the eye of heav'n her many-coloured wings.
"The verse adorn again
Fierce War, and faithful Love,
And Truth severe, by fairy Fiction drest.
In buskined measures move
Pale Grief, and pleasing Pain,
With Horror, tyrant of the throbbing breast.
A voice, as of the cherub-choir,
Gales from blooming Eden bear;
And distant warblings lessen on my ear,
That lost in long futurity expire.
Fond impious man, think'st thou yon sanguine cloud,
Raised by thy breath, has quenched the orb of day?
Tomorrow he repairs the golden flood,
And warms the nations with redoubled ray.
Enough for me: with joy I see
The diff'rent doom our fates assign.
Be thine Despair and sceptred Care;
To triumph and to die are mine."
He spoke, and headlong from the mountain's height
Deep in the roaring tide he plunged to endless night.
|
Written by
John Betjeman |
I am a young executive. No cuffs than mine are cleaner;
I have a Slimline brief-case and I use the firm's Cortina.
In every roadside hostelry from here to Burgess Hill
The ma?tres d'h?tel all know me well, and let me sign the bill.
You ask me what it is I do. Well, actually, you know,
I'm partly a liaison man, and partly P.R.O.
Essentially, I integrate the current export drive
And basically I'm viable from ten o'clock till five.
For vital off-the-record work - that's talking transport-wise -
I've a scarlet Aston-Martin - and does she go? She flies!
Pedestrians and dogs and cats, we mark them down for slaughter.
I also own a speedboat which has never touched the water.
She's built of fibre-glass, of course. I call her 'Mandy Jane'
After a bird I used to know - No soda, please, just plain -
And how did I acquire her? Well, to tell you about that
And to put you in the picture, I must wear my other hat.
I do some mild developing. The sort of place I need
Is a quiet country market town that's rather run to seed
A luncheon and a drink or two, a little savoir faire -
I fix the Planning Officer, the Town Clerk and the Mayor.
And if some Preservationist attempts to interfere
A 'dangerous structure' notice from the Borough Engineer
Will settle any buildings that are standing in our way -
The modern style, sir, with respect, has really come to stay.
|
Written by
David Lehman |
Can't swim; uses credit cards and pills to combat
intolerable feelings of inadequacy;
Won't admit his dread of boredom, chief impulse behind
numerous marital infidelities;
Looks fat in jeans, mouths clichés with confidence,
breaks mother's plates in fights;
Buys when the market is too high, and panics during
the inevitable descent;
Still, Pop can always tell the subtle difference
between Pepsi and Coke,
Has defined the darkness of red at dawn, memorized
the splash of poppies along
Deserted railway tracks, and opposed the war in Vietnam
months before the students,
Years before the politicians and press; give him
a minute with a road map
And he will solve the mystery of bloodshot eyes;
transport him to mountaintop
And watch him calculate the heaviness and height
of the local heavens;
Needs no prompting to give money to his kids; speaks
French fluently, and tourist German;
Sings Schubert in the shower; plays pinball in Paris;
knows the new maid steals, and forgives her.
|
Written by
Barry Tebb |
THE KINGDOM OF MY HEART
1
The halcyon settled on the Aire of our days
Kingfisher-blue it broke my heart in two
Shall I forget you? Shall I forget you?
I am the mad poet first love
You never got over
You are my blue-eyed
Madonna virgin bride
I shall carve ‘MG loves BT’
On the bark of every
Wind-bent tree in
East End Park
2
The park itself will blossom
And grow in chiaroscuro
The Victorian postcard’s view
Of avenue upon avenue
With palms and pagodas
Lakes and waterfalls and
A fountain from Versailles.
3
You shall be my queen
In the Kingdom of Deira
Land of many rivers
Aire the greatest
Isara the strong one
Robed in stillness
Wide, deep and dark.
4
In Middleton Woods
Margaret and I played
Truth or dare
She bared her breasts
To the watching stars.
5
“Milk, milk,
Lemonade, round
The corner
Chocolate spread”
Nancy chanted at
Ten in the binyard
Touching her ****,
Her ****, her bum,
Margaret joined in
Chanting in unison.
6
The skipping rope
Turned faster
And faster, slapping
The hot pavement,
Margaret skipped
In rhythm, never
Missing a beat,
Lifting the pleat
Of her skirt
Whirling and twirling.
7
Giggling and red
Margaret said
In a whisper
“When we were
Playing at Nancy’s
She pushed a spill
Of paper up her
You-know-what
She said she’d
Let you watch
If you wanted.”
8
Margaret, this Saturday morning in June
There is a queue at the ‘Princess’ for
The matin?e, down the alley by the blank
Concrete of the cinema’s side I hide
With you, we are counting our picture
Money, I am counting the stars in your
Hair, bound with a cheap plastic comb.
9
You have no idea of my need for you
A lifetime long, every wrong decision
I made betrayed my need; forty years on
Hear my song and take my hand and move
Us to the house of love where we belong.
10
Margaret we sat in the cinema dark
Warm with the promise of a secret kiss
The wall lights glowed amber on the
Crumbling plaster, we looked with longing
At the love seats empty in the circle,
Vowing we would share one.
11
There is shouting and echoes
Of wild splashing from York
Road baths; forty years on
It stirs my memory and
Will not be gone.
12
The ghosts of tramtracks
Light up lanes
To nowhere
In Leeds Ten.
Every road
Leads nowhere
In Leeds Nine.
Motorways have cut
The city’s heart
In two; Margaret,
Our home lies buried
Under sixteen feet
Of stone.
13
Our families moved
And we were lost
I was not there to hear
The whispered secret
Of your first period.
14
God is courage’s infinite ground
Tillich said; God, give me enough
To stand another week without her
Every day gets longer, every sleep
Less deep.
15
Why can’t I find you,
Touch you,
Bind your straw-gold hair
The colour of lank
February grass?
16
Under the stone canopy
Of the Grand Arcade
I pass Europa Nightclub;
In black designer glass
I watch the faces pass
But none is like your’s,
No voice, no eyes,
No smile at all
Like your’s.
17
From Kirkstall Lock
The rhubarb crop
To Knostrop’s forcing sheds
The roots ploughed up
Arranged in beds
Of perfect darkness
Where the buds burst
With a pip, rich pink
Stalks and yellow leaves
Hand-picked by
Candle-light to
Keep the colour right
So every night the
Rhubarb train
Could go from Leeds
To Covent Garden.
18
The smell of Saturday morning
Is the smell of freedom
How the bounds may grow
Slowly slowly as I go.
“Rag-bone rag-bone
White donkey stone”
Auntie Nellie scoured
Her door step, polished
The brass knocker
Till I saw my face
Bunched like a fist
Complete with goggles
Grinning like a monkey
In a mile of mirrors.
19
Every door step had a stop
A half-stone iron weight
To hold it back and every
Step was edged with donkey
Stone in yellow or white
From the ragman or the potman
With his covered cart jingling
Jangling as it jerked hundreds
Of cups on hooks pint and
Half pint mugs and stacks of
Willow-patterned plates
From Burmantofts.
20
We heard him a mile off
Nights in summer when
He trundled round the
Corner over the cobbles
Jamming the wood brake
Blocks whoaing the horses
With their gleaming brasses
And our mams were always
Waiting where he stopped.
21
Double summer-time made
The nights go on for ever
And no-one cared any more
How long we played what
Or where and we were left
Alone and that’s all I wanted
Then or now to be left alone
Never to be called in from
The Hollows never to be
Called from Margaret.
22
City of back-to-backs
From Armley Heights
Laid out in rows
Like trees or grass
I watch you pass.
23
The Aire is slow and almost
Still
In the Bridgefield
The Joshua Tetley clock
Over the Atkinson Grimshaw
Print
Is stopped at nineteen fifty
Four
The year I left.
24
Grimshaw’s home was
Half a mile away
In Knostrop Hall
Margaret and I
Climbed the ruined
Walls her hair was
Blowing in the wind
Her eyes were stars
In the green night
Her hands were holding
My hands.
25
Half a century later
I look out over Leeds Nine
What little’s left is broken
Or changed Saturday night
Is silent and empty
The paths over the Hollows
Deserted the bell
Of St. Hilda’s still.
26
On a single bush
The yellow roses blush
Pink in the amber light
Night settles on the
Fewstons and the Copperfields
No mothers’ voices calling us.
Lilac and velvet clover
Grew all over the Hollows
It was all the luck
We knew and when we left
Our luck went too.
27
Solid black
Velvet basalt
Polished jet
Millstone grit
Leeds Town Hall
Built with it
Soaks up the fog
Is sealed with smog
Battered buttressed
Blackened plinths
White lions’ paws
Were soft their
Smiles like your’s.
28
Narrow lanes, steep inclines,
Steps, blank walls, tight
And secret openings’
The lanes are your hips
The inclines the lines
Of your thighs, the steps
Your breasts, blank walls
Your buttocks, tight and
Secret openings your
Taut vagina’s lips.
29
There is a keening and a honing
And a winnowing in the wind
I am the surge and flow
In Winwaed’s water the last breath
Of Elmete’s King.
I am Penda crossing the Aire
Camping at Killingbeck
Conquered by Aethalwald
Ruler of Deira.
30
Life is a bird hovering
In the Hall of the King
Between darkness and darkness flickering
The stone of Scone at last lifted
And borne on the wind, Dunedin, take it
Hold it hard and fast its light
Is leaping it is freedom’s
Touchstone and firestone.
31
Eir, Ayer or Aire
I’ll still be there
Your wanderings off course
Old Ea, Old Eye, Dead Eye
Make no difference to me.
Eg-an island - is Aire’s
True source, names
Not places matter
With the risings
Of a river
Ea land-by-water
I’ll make my own way
Free, going down river
To the far-off sea.
32
Poetry is my business, my affair.
My cri-de-coeur, jongleur
Of Mercia and Elmete, Margaret,
Open your door I am heaping
Imbroglios of stars on the floor
Meet me by the Office Lock
At midnight or by the Town Hall Clock.
33
Nennius nine times have I knocked
On the door of your grave, nine times
More have I made Pilgrimage to Elmete’s
Wood where long I lay by beck and bank
Waiting for your tongue to flame
With Pentecostal fire.
34
Margaret you rode in the hollow of my hand
In the harp of my heart, searching for you
I wandered in Kirkgate Market’s midnight
Down avenues of shuttered stalls, our secrets
Kept through all the years.
From the Imperial on Beeston Hill
I watch the city spill glass towers
Of light over the horizon’s rim.
35
The railyard’s straights
Are buckled plates
Red bricks for aggregate
All lost like me
Ledsham and Ledston
Both belong to Leeds
But Ledston Luck
Is where Aire leads.
36
Held of the Crown
By seven thanes
In Saxon times
‘In regione Loidis’
Baeda scripsit
Leeds, Leeds,
You answer
All my needs.
37
A horse shoe stuck for luck
Behind a basement window:
Margaret, now we’ll see
What truth there is
In dreams and poetry!
I am at one with everyone
There is poetry
Falling from the air
And you have put it there.
38
The sign for John Eaton Street
Is planted in the back garden
Of the transport caf? between
The strands of a wire mesh fence
Straddling the cobbles of a street
That is no more, a washing line
And an abandoned caravan.
39
‘This open land to let’
Is what you get on the Hollows
Thousands of half-burned tyres
The rusty barrel of a Trumix lorry
Concrete slabs, foxgloves and condoms,
The Go-Kart Arena’s signboards,
Half the wall of Ellerby Lane School.
40
There is a mermaid singing
On East Street on an IBM poster
Her hair is lack-lustre
Her breasts are facing the camera
Her tail is like a worn-out brush.
Chimney stacks
Blind black walls
Of factories
Grimy glass
Flickering firelight
In black-leaded grates.
41
Hunslet de Ledes
Hop-scotch, hide and seek,
Bogies-on-wheels
Not one tree in Hunslet
Except in the cemetery
The lake filled in
For fifty years,
The bluebell has rung
Its last perfumed peal.
42
I couldn’t play out on Sunday
Mam and dad thought us a cut
Above the rest, it was another
Test I failed, keeping me and
Margaret apart was like the Aztecs
Tearing the heart from the living flesh.
43
Father, your office job
Didn’t save you
From the drugs
They never gave you.
44
Isaiah, my son,
You made it back
From Balliol to Beeston
At a run via the
Playing fields of Eton.
There is a keening and a honing
And a winnowing in the wind
Winwaed’s water with red bluid blent.
|
Written by
Victor Hugo |
MOSES ON THE NILE.
("Mes soeurs, l'onde est plus fraiche.")
{TO THE FLORAL GAMES, Toulouse, Feb. 10, 1820.}
"Sisters! the wave is freshest in the ray
Of the young morning; the reapers are asleep;
The river bank is lonely: come away!
The early murmurs of old Memphis creep
Faint on my ear; and here unseen we stray,—
Deep in the covert of the grove withdrawn,
Save by the dewy eye-glance of the dawn.
"Within my father's palace, fair to see,
Shine all the Arts, but oh! this river side,
Pranked with gay flowers, is dearer far to me
Than gold and porphyry vases bright and wide;
How glad in heaven the song-bird carols free!
Sweeter these zephyrs float than all the showers
Of costly odors in our royal bowers.
"The sky is pure, the sparkling stream is clear:
Unloose your zones, my maidens! and fling down
To float awhile upon these bushes near
Your blue transparent robes: take off my crown,
And take away my jealous veil; for here
To-day we shall be joyous while we lave
Our limbs amid the murmur of the wave.
"Hasten; but through the fleecy mists of morn,
What do I see? Look ye along the stream!
Nay, timid maidens—we must not return!
Coursing along the current, it would seem
An ancient palm-tree to the deep sea borne,
That from the distant wilderness proceeds,
Downwards, to view our wondrous Pyramids.
"But stay! if I may surely trust mine eye,—
It is the bark of Hermes, or the shell
Of Iris, wafted gently to the sighs
Of the light breeze along the rippling swell;
But no: it is a skiff where sweetly lies
An infant slumbering, and his peaceful rest
Looks as if pillowed on his mother's breast.
"He sleeps—oh, see! his little floating bed
Swims on the mighty river's fickle flow,
A white dove's nest; and there at hazard led
By the faint winds, and wandering to and fro,
The cot comes down; beneath his quiet head
The gulfs are moving, and each threatening wave
Appears to rock the child upon a grave.
"He wakes—ah, maids of Memphis! haste, oh, haste!
He cries! alas!—What mother could confide
Her offspring to the wild and watery waste?
He stretches out his arms, the rippling tide
Murmurs around him, where all rudely placed,
He rests but with a few frail reeds beneath,
Between such helpless innocence and death.
"Oh! take him up! Perchance he is of those
Dark sons of Israel whom my sire proscribes;
Ah! cruel was the mandate that arose
Against most guiltless of the stranger tribes!
Poor child! my heart is yearning for his woes,
I would I were his mother; but I'll give
If not his birth, at least the claim to live."
Thus Iphis spoke; the royal hope and pride
Of a great monarch; while her damsels nigh,
Wandered along the Nile's meandering side;
And these diminished beauties, standing by
The trembling mother; watching with eyes wide
Their graceful mistress, admired her as stood,
More lovely than the genius of the flood!
The waters broken by her delicate feet
Receive the eager wader, as alone
By gentlest pity led, she strives to meet
The wakened babe; and, see, the prize is won!
She holds the weeping burden with a sweet
And virgin glow of pride upon her brow,
That knew no flush save modesty's till now.
Opening with cautious hands the reedy couch,
She brought the rescued infant slowly out
Beyond the humid sands; at her approach
Her curious maidens hurried round about
To kiss the new-born brow with gentlest touch;
Greeting the child with smiles, and bending nigh
Their faces o'er his large, astonished eye!
Haste thou who, from afar, in doubt and fear,
Dost watch, with straining eyes, the fated boy—
The loved of heaven! come like a stranger near,
And clasp young Moses with maternal joy;
Nor fear the speechless transport and the tear
Will e'er betray thy fond and hidden claim,
For Iphis knows not yet a mother's name!
With a glad heart, and a triumphal face,
The princess to the haughty Pharaoh led
The humble infant of a hated race,
Bathed with the bitter tears a parent shed;
While loudly pealing round the holy place
Of Heaven's white Throne, the voice of angel choirs
Intoned the theme of their undying lyres!
"No longer mourn thy pilgrimage below—
O Jacob! let thy tears no longer swell
The torrent of the Egyptian river: Lo!
Soon on the Jordan's banks thy tents shall dwell;
And Goshen shall behold thy people go
Despite the power of Egypt's law and brand,
From their sad thrall to Canaan's promised land.
"The King of Plagues, the Chosen of Sinai,
Is he that, o'er the rushing waters driven,
A vigorous hand hath rescued for the sky;
Ye whose proud hearts disown the ways of heaven!
Attend, be humble! for its power is nigh
Israel! a cradle shall redeem thy worth—
A Cradle yet shall save the widespread earth!"
Dublin University Magazine, 1839
|
Written by
Thomas Moore |
In the morning of life, when its cares are unknown,
And its pleasures in all their new lustre begin,
When we live in a bright-beaming world of our own,
And the light that surrounds us is all from within;
Oh 'tis not, believe me, in that happy time
We can love, as in hours of less transport we may; --
Of our smiles, of our hopes, 'tis the gay sunny prime,
But affection is truest when these fade away.
When we see the first glory of youth pass us by,
Like a leaf on the stream that will never return,
When our cup, which had sparkled with pleasure so high,
First tastes of the other, the dark-flowing urn;
Then, then in the time when affection holds sway
With a depth and a tenderness joy never knew;
Love, nursed among pleasures, is faithless as they,
But the love born of Sorrow, like Sorrow, is true.
In climes full of sunshine, though splendid the flowers,
Their sighs have no freshness, their odour no worth;
'Tis the cloud and the mist of our own Isle of showers
That call the rich spirit of fragrancy forth.
So it is not 'mid splendour, prosperity, mirth,
That the depth of Love's generous spirit appears;
To the sunshine of smiles it may first owe its birth,
But the soul of its sweetness is drawn out by tears.
|
Written by
Phillis Wheatley |
O show the lab'ring bosom's deep intent,
And thought in living characters to paint,
When first thy pencil did those beauties give,
And breathing figures learnt from thee to live,
How did those prospects give my soul delight,
A new creation rushing on my sight?
Still, wond'rous youth! each noble path pursue,
On deathless glories fix thine ardent view:
Still may the painter's and the poet's fire
To aid thy pencil, and thy verse conspire!
And may the charms of each seraphic theme
Conduct thy footsteps to immortal fame!
High to the blissful wonders of the skies
Elate thy soul, and raise thy wishful eyes.
Thrice happy, when exalted to survey
That splendid city, crown'd with endless day,
Whose twice six gates on radiant hinges ring:
Celestial Salem blooms in endless spring.
Calm and serene thy moments glide along,
And may the muse inspire each future song!
Still, with the sweets of contemplation bless'd,
May peace with balmy wings your soul invest!
But when these shades of time are chas'd away,
And darkness ends in everlasting day,
On what seraphic pinions shall we move,
And view the landscapes in the realms above?
There shall thy tongue in heav'nly murmurs flow,
And there my muse with heav'nly transport glow:
No more to tell of Damon's tender sighs,
Or rising radiance of Aurora's eyes,
For nobler themes demand a nobler strain,
And purer language on th' ethereal plain.
Cease, gentle muse! the solemn gloom of night
Now seals the fair creation from my sight.
|