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Best Famous Transplanted Poems

Here is a collection of the all-time best famous Transplanted poems. This is a select list of the best famous Transplanted poetry. Reading, writing, and enjoying famous Transplanted poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of transplanted poems.

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Written by Ralph Waldo Emerson | Create an image from this poem

Ode to Beauty

 EXULTING BEAUTY,­phantom of an hour, 
Whose magic spells enchain the heart, 
Ah ! what avails thy fascinating pow'r, 
Thy thrilling smile, thy witching art ? 
Thy lip, where balmy nectar glows; 
Thy cheek, where round the damask rose 
A thousand nameless Graces move, 
Thy mildly speaking azure eyes, 
Thy golden hair, where cunning Love 
In many a mazy ringlet lies? 
Soon as thy radiant form is seen, 
Thy native blush, thy timid mien, 
Thy hour is past ! thy charms are vain! 
ILL-NATURE haunts thee with her sallow train, 
Mean JEALOUSY deceives thy list'ning ear, 
And SLANDER stains thy cheek with many a bitter tear.
In calm retirement form'd to dwell, NATURE, thy handmaid fair and kind, For thee, a beauteous garland twin'd; The vale-nurs'd Lily's downcast bell Thy modest mien display'd, The snow-drop, April's meekest child, With myrtle blossoms undefil'd, Thy mild and spotless mind pourtray'd; Dear blushing maid, of cottage birth, 'Twas thine, o'er dewy meads to stray, While sparkling health, and frolic mirth Led on thy laughing Day.
Lur'd by the babbling tongue of FAME, Too soon, insidious FLATT'RY came; Flush'd VANITY her footsteps led, To charm thee from thy blest repose, While Fashion twin'd about thy head A wreath of wounding woes; See Dissipation smoothly glide, Cold Apathy, and puny Pride, Capricious Fortune, dull, and blind, O'er splendid Folly throws her veil, While Envy's meagre tribe assail Thy gentle form, and spotless mind.
Their spells prevail! no more those eyes Shoot undulating fires; On thy wan cheek, the young rose dies, Thy lip's deep tint expires; Dark Melancholy chills thy mind; Thy silent tear reveals thy woe; TIME strews with thorns thy mazy way, Where'er thy giddy footsteps stray, Thy thoughtless heart is doom'd to find An unrelenting foe.
'Tis thus, the infant Forest flow'r Bespangled o'er with glitt'ring dew, At breezy morn's refreshing hour, Glows with pure tints of varying hue, Beneath an aged oak's wide spreading shade, Where no rude winds, or beating storms invade.
Transplanted from its lonely bed, No more it scatters perfumes round, No more it rears its gentle head, Or brightly paints the mossy ground; For ah! the beauteous bud, too soon, Scorch'd by the burning eye of day; Shrinks from the sultry glare of noon, Droops its enamell'd brow, and blushing, dies away.


Written by Linda Pastan | Create an image from this poem

The Happiest Day

 It was early May, I think
a moment of lilac or dogwood
when so many promises are made
it hardly matters if a few are broken.
My mother and father still hovered in the background, part of the scenery like the houses I had grown up in, and if they would be torn down later that was something I knew but didn't believe.
Our children were asleep or playing, the youngest as new as the new smell of the lilacs, and how could I have guessed their roots were shallow and would be easily transplanted.
I didn't even guess that I was happy.
The small irritations that are like salt on melon were what I dwelt on, though in truth they simply made the fruit taste sweeter.
So we sat on the porch in the cool morning, sipping hot coffee.
Behind the news of the day-- strikes and small wars, a fire somewhere-- I could see the top of your dark head and thought not of public conflagrations but of how it would feel on my bare shoulder.
If someone could stop the camera then.
.
.
if someone could only stop the camera and ask me: are you happy? perhaps I would have noticed how the morning shone in the reflected color of lilac.
Yes, I might have said and offered a steaming cup of coffee.
Written by John Donne | Create an image from this poem

Elegy XVIII: Loves Progress

 Who ever loves, if he do not propose
The right true end of love, he's one that goes
To sea for nothing but to make him sick.
Love is a bear-whelp born: if we o'erlick Our love, and force it new strange shapes to take, We err, and of a lump a monster make.
Were not a calf a monster that were grown Faced like a man, though better than his own? Perfection is in unity: prefer One woman first, and then one thing in her.
I, when I value gold, may think upon The ductileness, the application, The wholsomeness, the ingenuity, From rust, from soil, from fire ever free; But if I love it, 'tis because 'tis made By our new nature (Use) the soul of trade.
All these in women we might think upon (If women had them) and yet love but one.
Can men more injure women than to say They love them for that by which they're not they? Makes virtue woman? Must I cool my blood Till I both be, and find one, wise and good? May barren angels love so! But if we Make love to woman, virtue is not she, As beauty's not, nor wealth.
He that strays thus From her to hers is more adulterous Than if he took her maid.
Search every sphere And firmament, our Cupid is not there; He's an infernal god, and under ground With Pluto dwells, where gold and fire abound: Men to such gods their sacrificing coals Did not in altars lay, but pits and holes.
Although we see celestial bodies move Above the earth, the earth we till and love: So we her airs contemplate, words and heart And virtues, but we love the centric part.
Nor is the soul more worthy, or more fit, For love than this, as infinite is it.
But in attaining this desired place How much they err that set out at the face.
The hair a forest is of ambushes, Of springs, snares, fetters and manacles; The brow becalms us when 'tis smooth and plain, And when 'tis wrinkled shipwrecks us again— Smooth, 'tis a paradise where we would have Immortal stay, and wrinkled 'tis our grave.
The nose (like to the first meridian) runs Not 'twixt an East and West, but 'twixt two suns; It leaves a cheek, a rosy hemisphere, On either side, and then directs us where Upon the Islands Fortunate we fall, (Not faint Canaries, but Ambrosial) Her swelling lips; to which when we are come, We anchor there, and think ourselves at home, For they seem all: there Sirens' songs, and there Wise Delphic oracles do fill the ear; There in a creek where chosen pearls do swell, The remora, her cleaving tongue doth dwell.
These, and the glorious promontory, her chin, O'erpassed, and the straight Hellespont between The Sestos and Abydos of her breasts, (Not of two lovers, but two loves the nests) Succeeds a boundless sea, but yet thine eye Some island moles may scattered there descry; And sailing towards her India, in that way Shall at her fair Atlantic navel stay; Though thence the current be thy pilot made, Yet ere thou be where thou wouldst be embayed Thou shalt upon another forest set, Where many shipwreck and no further get.
When thou art there, consider what this chase Misspent by thy beginning at the face.
Rather set out below; practise my art.
Some symetry the foot hath with that part Which thou dost seek, and is thy map for that, Lovely enough to stop, but not stay at; Least subject to disguise and change it is— Men say the devil never can change his.
It is the emblem that hath figured Firmness; 'tis the first part that comes to bed.
Civility we see refined; the kiss Which at the face began, transplanted is, Since to the hand, since to the imperial knee, Now at the papal foot delights to be: If kings think that the nearer way, and do Rise from the foot, lovers may do so too; For as free spheres move faster far than can Birds, whom the air resists, so may that man Which goes this empty and ethereal way, Than if at beauty's elements he stay.
Rich nature hath in women wisely made Two purses, and their mouths aversely laid: They then which to the lower tribute owe That way which that exchequer looks must go: He which doth not, his error is as great As who by clyster gave the stomach meat.
Written by Alfred Lord Tennyson | Create an image from this poem

In Memoriam 82: I Wage Not Any Feud With Death

 I wage not any feud with Death
For changes wrought on form and face;
No lower life that earth's embrace
May breed with him, can fright my faith.
Eternal process moving on, From state to state the spirit walks; And these are but the shatter'd stalks, Or ruin'd chrysalis of one.
Nor blame I Death, because he bare The use of virtue out of earth: I know transplanted human worth Will bloom to profit, otherwhere.
For this alone on Death I wreak The wrath that garners in my heart; He put our lives so far apart We cannot hear each other speak.
Written by Henry Wadsworth Longfellow | Create an image from this poem

The Reaper and the Flowers

 There is a Reaper, whose name is Death,
And, with his sickle keen,
He reaps the bearded grain at a breath,
And the flowers that grow between.
"Shall I have naught that is fair?" saith he; "Have naught but the bearded grain? Though the breath of these flowers is sweet to me, I will give them all back again.
" He gazed at the flowers with tearful eyes, He kissed their drooping leaves; It was for the Lord of Paradise He bound them in his sheaves.
"My Lord has need of these flowerets gay," The Reaper said, and smiled; "Dear tokens of the earth are they, Where he was once a child.
"They shall all bloom in fields of light, Transplanted by my care, And saints, upon their garments white, These sacred blossoms wear.
" And the mother gave, in tears and pain, The flowers she most did love; She knew she should find them all again In the fields of light above.
O, not in cruelty, not in wrath, The Reaper came that day; 'T was an angel visited the green earth, And took the flowers away.


Written by Walt Whitman | Create an image from this poem

Prayer of Columbus

 A BATTER’D, wreck’d old man, 
Thrown on this savage shore, far, far from home, 
Pent by the sea, and dark rebellious brows, twelve dreary months, 
Sore, stiff with many toils, sicken’d, and nigh to death, 
I take my way along the island’s edge,
Venting a heavy heart.
I am too full of woe! Haply, I may not live another day; I can not rest, O God—I can not eat or drink or sleep, Till I put forth myself, my prayer, once more to Thee, Breathe, bathe myself once more in Thee—commune with Thee, Report myself once more to Thee.
Thou knowest my years entire, my life, (My long and crowded life of active work—not adoration merely;) Thou knowest the prayers and vigils of my youth; Thou knowest my manhood’s solemn and visionary meditations; Thou knowest how, before I commenced, I devoted all to come to Thee; Thou knowest I have in age ratified all those vows, and strictly kept them; Thou knowest I have not once lost nor faith nor ecstasy in Thee; (In shackles, prison’d, in disgrace, repining not, Accepting all from Thee—as duly come from Thee.
) All my emprises have been fill’d with Thee, My speculations, plans, begun and carried on in thoughts of Thee, Sailing the deep, or journeying the land for Thee; Intentions, purports, aspirations mine—leaving results to Thee.
O I am sure they really come from Thee! The urge, the ardor, the unconquerable will, The potent, felt, interior command, stronger than words, A message from the Heavens, whispering to me even in sleep, These sped me on.
By me, and these, the work so far accomplish’d (for what has been, has been;) By me Earth’s elder, cloy’d and stifled lands, uncloy’d, unloos’d; By me the hemispheres rounded and tied—the unknown to the known.
The end I know not—it is all in Thee; Or small, or great, I know not—haply, what broad fields, what lands; Haply, the brutish, measureless human undergrowth I know, Transplanted there, may rise to stature, knowledge worthy Thee; Haply the swords I know may there indeed be turn’d to reaping-tools; Haply the lifeless cross I know—Europe’s dead cross—may bud and blossom there.
One effort more—my altar this bleak sand: That Thou, O God, my life hast lighted, With ray of light, steady, ineffable, vouchsafed of Thee, (Light rare, untellable—lighting the very light! Beyond all signs, descriptions, languages!) For that, O God—be it my latest word—here on my knees, Old, poor, and paralyzed—I thank Thee.
My terminus near, The clouds already closing in upon me, The voyage balk’d—the course disputed, lost, I yield my ships to Thee.
Steersman unseen! henceforth the helms are Thine; Take Thou command—(what to my petty skill Thy navigation?) My hands, my limbs grow nerveless; My brain feels rack’d, bewilder’d; Let the old timbers part—I will not part! I will cling fast to Thee, O God, though the waves buffet me; Thee, Thee, at least, I know.
Is it the prophet’s thought I speak, or am I raving? What do I know of life? what of myself? I know not even my own work, past or present; Dim, ever-shifting guesses of it spread before me, Of newer, better worlds, their mighty parturition, Mocking, perplexing me.
And these things I see suddenly—what mean they? As if some miracle, some hand divine unseal’d my eyes, Shadowy, vast shapes, smile through the air and sky, And on the distant waves sail countless ships, And anthems in new tongues I hear saluting me.
Written by Mark Doty | Create an image from this poem

Dickeyville Grotto

 The priest never used blueprints, but worked all
the many designs out of his head.
Father Wilerus, transplanted Alsatian, built around this plain Wisconsin redbrick church a coral-reef en- crustation--meant, the brochure says, to glorify America and heaven simul- taneously.
Thus: Mary and Columbus and the Sacred Heart equally enthroned in a fantasia of quartz and seashells, broken dishes, stalactites and stick-shift knobs-- no separation of nature and art for Father Wilerus! He's built fabulous blooms --bristling mosaic tiles bunched into chipped, permanent roses--- and more glisteny stuff than I can catalogue, which seems to he the point: a spectacle, saints and Stars and Stripes billowing in hillocks of concrete.
Stubborn insistence on rendering invisibles solid.
What's more frankly actual than cement? Surfaced, here, in pure decor: even the railings curlicued with rows of identical whelks, even the lampposts and birdhouses, and big encrusted urns wagging with lunar flowers! A little dizzy, the world he's made, and completely unapologetic, high on a hill in Dickeyville so the wind whips around like crazy.
A bit pigheaded, yet full of love for glitter qua glitter, sheer materiality; a bit foolhardy and yet -- sly sparkle -- he's made matter giddy.
Exactly what he wanted, I'd guess: the very stones gone lacy and beaded, an airy intricacy of froth and glimmer.
For God? Country? Lucky man: his purpose pales beside the fizzy, weightless fact of rock.
Written by Henry Vaughan | Create an image from this poem

Son-Days

 1 

Bright shadows of true Rest! some shoots of bliss, 
Heaven once a week; 
The next world's gladness prepossest in this; 
A day to seek; 
Eternity in time; the steps by which 
We Climb above all ages; Lamps that light 
Man through his heap of dark days; and the rich, 
And full redemption of the whole week's flight.
2 The Pulleys unto headlong man; time's bower; The narrow way; Transplanted Paradise; God's walking hour; The Cool o'th' day; The Creatures' _Jubilee_; God's parle with dust; Heaven here; Man on the hills of Myrrh, and flowers; Angels descending; the Returns of Trust; A Gleam of glory, after six-days'-showers.
3 The Church's love-feasts; Time's Prerogative, And Interest Deducted from the whole; The Combs, and hive, And home of rest.
The milky way chalked out with suns; a clue That guides through erring hours; and in full story A taste of Heav'n on earth; the pledge, and cue Of a full feast: And the Out Courts of glory.
Written by Alfred Lord Tennyson | Create an image from this poem

In Memoriam A. H. H.: 82. I wage not any feud with death

 I wage not any feud with Death
For changes wrought on form and face;
No lower life that earth's embrace
May breed with him, can fright my faith.
Eternal process moving on, From state to state the spirit walks; And these are but the shatter'd stalks, Or ruin'd chrysalis of one.
Nor blame I Death, because he bare The use of virtue out of earth: I know transplanted human worth Will bloom to profit, otherwhere.
For this alone on Death I wreak The wrath that garners in my heart; He put our lives so far apart We cannot hear each other speak.
Written by Edgar Lee Masters | Create an image from this poem

Gustav Richter

 After a long day of work in my hot-houses
Sleep was sweet, but if you sleep on your left side
Your dreams may be abruptly ended.
I was among my flowers where some one Seemed to be raising them on trial, As if after-while to be transplanted To a larger garden of freer air.
And I was disembodied vision Amid a light, as it were the sun Had floated in and touched the roof of glass Like a toy balloon and softly bursted, And etherealized in golden air.
And all was silence, except the splendor Was immanent with thought as clear As a speaking voice, and I, as thought, Could hear a Presence think as he walked Between the boxes pinching off leaves, Looking for bugs and noting values, With an eye that saw it all: -- "Homer, oh yes! Pericles, good.
Caesar Borgia, what shall be done with it? Dante, too much manure, perhaps.
Napoleon, leave him awhile as yet.
Shelley, more soil.
Shakespeare, needs spraying --" Clouds, eh! --

Book: Shattered Sighs