Written by
Stanley Kunitz |
I have walked through many lives,
some of them my own,
and I am not who I was,
though some principle of being
abides, from which I struggle
not to stray.
When I look behind,
as I am compelled to look
before I can gather strength
to proceed on my journey,
I see the milestones dwindling
toward the horizon
and the slow fires trailing
from the abandoned camp-sites,
over which scavenger angels
wheel on heavy wings.
Oh, I have made myself a tribe
out of my true affections,
and my tribe is scattered!
How shall the heart be reconciled
to its feast of losses?
In a rising wind
the manic dust of my friends,
those who fell along the way,
bitterly stings my face.
Yet I turn, I turn,
exulting somewhat,
with my will intact to go
wherever I need to go,
and every stone on the road
precious to me.
In my darkest night,
when the moon was covered
and I roamed through wreckage,
a nimbus-clouded voice
directed me:
"Live in the layers,
not on the litter.
"
Though I lack the art
to decipher it,
no doubt the next chapter
in my book of transformations
is already written.
I am not done with my changes.
|
Written by
Howard Nemerov |
Before you can learn the trees, you have to learn
The language of the trees.
That's done indoors,
Out of a book, which now you think of it
Is one of the transformations of a tree.
The words themselves are a delight to learn,
You might be in a foreign land of terms
Like samara, capsule, drupe, legume and pome,
Where bark is papery, plated, warty or smooth.
But best of all are the words that shape the leaves –
Orbicular, cordate, cleft and reniform –
And their venation – palmate and parallel –
And tips – acute, truncate, auriculate.
Sufficiently provided, you may now
Go forth to the forests and the shady streets
To see how the chaos of experience
Answers to catalogue and category.
Confusedly.
The leaves of a single tree
May differ among themselves more than they do
From other species, so you have to find,
All blandly says the book, "an average leaf.
"
Example, the catalpa in the book
Sprays out its leaves in whorls of three
Around the stem; the one in front of you
But rarely does, or somewhat, or almost;
Maybe it's not catalpa? Dreadful doubt.
It may be weeks before you see an elm
Fanlike in form, a spruce that pyramids,
A sweetgum spiring up in steeple shape.
Still, pedetemtim as Lucretious says,
Little by little, you do start to learn;
And learn as well, maybe, what language does
And how it does it, cutting across the world
Not always at the joints, competing with
Experience while cooperating with
Experience, and keeping an obstinate
Intransigence, uncanny, of its own.
Think finally about the secret will
Pretending obedience to Nature, but
Invidiously distinguishing everywhere,
Dividing up the world to conquer it.
And think also how funny knowledge is:
You may succeed in learning many trees
And calling off their names as you go by,
But their comprehensive silence stays the same.
|
Written by
Marilyn Hacker |
for Audre Lorde and Sonny Wainwright
Twice in my quickly disappearing forties
someone called while someone I loved and I were
making love to tell me another woman had died of cancer.
Seven years apart, and two different lovers:
underneath the numbers, how lives are braided,
how those women's death and lives, lived and died, were
interleaved also.
Does lip touch on lip a memento mori?
Does the blood-thrust nipple against its eager
mate recall, through lust, a breast's transformations
sometimes are lethal?
Now or later, what's the enormous difference?
If one day is good, is a day sufficient?
Is it fear of death with which I'm so eager
to live my life out
now and in its possible permutations
with the one I love? (Only four days later,
she was on a plane headed west across the
Atlantic, work-bound.
)
Men and women, mortally wounded where we
love and nourish, dying at thirty, forty,
fifty, not on barricades, but in beds of
unfulfilled promise:
tell me, senators, what you call abnormal?
Each day's obits read as if there's a war on.
Fifty-eight-year-old poet dead of cancer:
warrior woman
laid down with the other warrior women.
Both times when the telephone rang, I answered,
wanting not to, knowing I had to answer,
go from two bodies'
infinite approach to a crest of pleasure
through the disembodied voice from a distance
saying one loved body was clay, one wave of
mind burst and broken.
Each time we went back to each other's hands and
mouths as to a requiem where the chorus
sings death with irrelevant and amazing
bodily music.
|
Written by
Rg Gregory |
(service resettlement courses at studio fronceri – west wales)
and the swords came in their varying degrees
of shininess and sharpness – some never
having lost their pristine feel – others with blunt
tips and broken blades – a few so steeped in blood
a dried rustiness still stained them - and those wilted
at the hilt (weary of the code that bred them)
they came at the end of their long days of death-
imagined drills and disciplined submissions
times of pride (trapped tongues and rank obedience)
seeking a balmier game-play for their fingers
they learned languages of metal wood and stone
translated scrubbed land to a fond oasis
built (at last) for themselves and not their service
sowed peace’s patchwork on their shot desires
maybe loosened what dreams had long since bolted
and dared to sigh like breezes (old storms’ goodbyes)
they came as swords (not keen on transformations)
and (landscapes reconditioned) left as ploughshares
|
Written by
Walt Whitman |
A MASK—a perpetual natural disguiser of herself,
Concealing her face, concealing her form,
Changes and transformations every hour, every moment,
Falling upon her even when she sleeps.
|
Written by
Thomas Hardy |
Portion of this yew
Is a man my grandsire knew,
Bosomed here at its foot:
This branch may be his wife,
A ruddy human life
Now turned to a green shoot.
These grasses must be made
Of her who often prayed,
Last century, for repose;
And the fair girl long ago
Whom I often tried to know
May be entering this rose.
So, they are not underground,
But as nerves and veins abound
In the growths of upper air,
And they feel the sun and rain,
And the energy again
That made them what they were!
|
Written by
Edgar Lee Masters |
After you have enriched your soul
To the highest point,
With books, thought, suffering, the understanding of many personalities,
The power to interpret glances, silences,
The pauses in momentous transformations,
The genius of divination and prophecy;
So that you feel able at times to hold the world
In the hollow of your hand;
Then, if, by the crowding of so many powers
Into the compass of your soul,
Your soul takes fire,
And in the conflagration of your soul
The evil of the world is lighted up and made clear --
Be thankful if in that hour of supreme vision
Life does not fiddle.
|
Written by
Rg Gregory |
WHAT miracle was it that made this grey Rathgar
Seem holy earth, a leaping-place from star to star?
I know I strode along grey streets disconsolate,
Seeing nowhere a glimmer of the Glittering Gate,
My vision baffled amid many dreams, for still
The airy walls rose up in fabulous hill on hill.
The stars were fortresses upon the dizzy slope
And one and all were unassailable by hope.
And then I turned and looked beyond high Terenure
Where the last jewel breath of twilight floated pure,
As if god Angus there, with his enchanted lyre,
Sat swaying his bright body and hair of misty fire,
And smote the slumber-string within the heavenly house
That eve might lay upon the earth her tender brows,
Her moth-dim tresses, and lip’s invisible bloom,
And eye’s light shadowed under eyelids of the gloom,
Till all that dark divine pure being, breast to breast,
Lay cool upon the sleepy isle from east to west.
Then I took thought remembering many a famous tale
Told of those heavenly adventurers the Gael,
Ere to a far-brought alien worship they inclined,
And that its sorceries had left them shorn and blind,
Crownless and sceptreless, while yet their magic might
Could bow the lordly pillars of the day and night,
And topple in one golden wreckage stars and sun,
And mix their precious fires till heaven and earth were one.
Then god and hero mingled, and the veil was rent
That hid the fairy turrets in the firmament,
The lofty god-uplifted cities that flash on high
Dense with the silver-radiant deities of sky,
And the gay populace that under ocean bide
Unknowing of the flowing of the ponderous tide,
And worlds where Time is full, where all with one accord
Turn the flushed beauty of their faces to the Lord,
Where the last ecstasy lights up each hill and glade
And love is not remembered between man and maid,
For lips laugh there at beauty the heart imagineth,
And feet dance there at the holy Bridal of Love and Death.
And as, with heart upborne and speedier footsteps, I
Strode on my way, that twilight-burnished sky
Seemed to heave up as from a mystic fountain thrown.
And world on world those magic voyagers had known
Glowed in the vast with burning hill and glittering stream,
And all their shining folk, till earth was as a dream,
A memory fleeting moth-like in the light to be
Scorched by the fiery Dreamer of Eternity.
And the bright host swept by me like a blazing wind
O’er the dark churches where the blind mislead the blind.
|
Written by
D. H. Lawrence |
I
=The Town=
Oh you stiff shapes, swift transformation seethes
About you: only last night you were
A Sodom smouldering in the dense, soiled air;
To-day a thicket of sunshine with blue smoke-wreaths.
To-morrow swimming in evening's vague, dim vapour
Like a weeded city in shadow under the sea,
Beneath an ocean of shimmering light you will be:
Then a group of toadstools waiting the moon's white taper.
And when I awake in the morning, after rain,
To find the new houses a cluster of lilies glittering
In scarlet, alive with the birds' bright twittering,
I'll say your bond of ugliness is vain.
II
=The Earth=
Oh Earth, you spinning clod of earth,
And then you lamp, you lemon-coloured beauty;
Oh Earth, you rotten apple rolling downward,
Then brilliant Earth, from the burr of night in beauty
As a jewel-brown horse-chestnut newly issued:--
You are all these, and strange, it is my duty
To take you all, sordid or radiant tissued.
III
=Men=
Oh labourers, oh shuttles across the blue frame of morning,
You feet of the rainbow balancing the sky!
Oh you who flash your arms like rockets to heaven,
Who in lassitude lean as yachts on the sea-wind lie!
You who in crowds are rhododendrons in blossom,
Who stand alone in pride like lighted lamps;
Who grappling down with work or hate or passion,
Take strange lithe form of a beast that sweats and ramps:
You who are twisted in grief like crumpled beech-leaves,
Who curl in sleep like kittens, who kiss as a swarm
Of clustered, vibrating bees; who fall to earth
At last like a bean-pod: what are you, oh multiform?
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