Written by
Andrei Voznesensky |
My life, like a rocket, makes a parabola
flying in darkness, -- no rainbow for traveler.
There once lived an artist, red-haired Gauguin,
he was a bohemian, a former tradesman.
To get to the Louvre
from the lanes of Montmartre
he circled around
as far as Sumatra!
He had to abandon the madness of money,
the filth of the scholars, the snarl of his honey.
The man overcame the terrestrial gravity,
The priests, drinking beer, would laugh at his "vanity":
"A straight line is short, but it is much too simple,
He'd better depict beds of roses for people."
And yet, like a rocket, he flew off with ease
through winds penetrating his coat and his ears.
He didn't fetch up to the Louvre through the door
but, like a parabola,
pierced the floor!
Each gets to the truth with his own parameter
a worm finds a crack, man makes a parabola.
There once lived a girl in the neighboring house.
We studied together, through books we would browse.
Why did I leave,
moved by devilish powers
amidst the equivocal
Georgian stars!
I'm sorry for making that silly parabola,
The shivering shoulders in darkness, why trouble her?...
Your rings in the dark Universe were dramatic,
and like an antenna, straight and elastic.
Meanwhile I'm flying
to land here because
I hear your earthly and shivering calls.
It doesn't come easy with a parabola!..
For wiping prediction, tradition, preamble off
Art, History, Love and ?esthetics
Prefer
to take parabolical paths, as it were!
He leaves for Siberia now, on a visit.
.....................................
It isn't so long as parabola, is it?
© Copyright Alec Vagapov's translation
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Written by
Anne Sexton |
Frau Doktor,
Mama Brundig,
take out your contacts,
remove your wig.
I write for you.
I entertain.
But frogs come out
of the sky like rain.
Frogs arrive
With an ugly fury.
You are my judge.
You are my jury.
My guilts are what
we catalogue.
I'll take a knife
and chop up frog.
Frog has not nerves.
Frog is as old as a cockroach.
Frog is my father's genitals.
Frog is a malformed doorknob.
Frog is a soft bag of green.
The moon will not have him.
The sun wants to shut off
like a light bulb.
At the sight of him
the stone washes itself in a tub.
The crow thinks he's an apple
and drops a worm in.
At the feel of frog
the touch-me-nots explode
like electric slugs.
Slime will have him.
Slime has made him a house.
Mr. Poison
is at my bed.
He wants my sausage.
He wants my bread.
Mama Brundig,
he wants my beer.
He wants my Christ
for a souvenir.
Frog has boil disease
and a bellyful of parasites.
He says: Kiss me. Kiss me.
And the ground soils itself.
Why
should a certain
quite adorable princess
be walking in her garden
at such a time
and toss her golden ball
up like a bubble
and drop it into the well?
It was ordained.
Just as the fates deal out
the plague with a tarot card.
Just as the Supreme Being drills
holes in our skulls to let
the Boston Symphony through.
But I digress.
A loss has taken place.
The ball has sunk like a cast-iron pot
into the bottom of the well.
Lost, she said,
my moon, my butter calf,
my yellow moth, my Hindu hare.
Obviously it was more than a ball.
Balls such as these are not
for sale in Au Bon Marché.
I took the moon, she said,
between my teeth
and now it is gone
and I am lost forever.
A thief had robbed by day.
Suddenly the well grew
thick and boiling
and a frog appeared.
His eyes bulged like two peas
and his body was trussed into place.
Do not be afraid, Princess,
he said, I am not a vagabond,
a cattle farmer, a shepherd,
a doorkeeper, a postman
or a laborer.
I come to you as a tradesman.
I have something to sell.
Your ball, he said,
for just three things.
Let me eat from your plate.
Let me drink from your cup.
Let me sleep in your bed.
She thought, Old Waddler,
those three you will never do,
but she made the promises
with hopes for her ball once more.
He brought it up in his mouth
like a tricky old dog
and she ran back to the castle
leaving the frog quite alone.
That evening at dinner time
a knock was heard on the castle door
and a voice demanded:
King's youngest daughter,
let me in. You promised;
now open to me.
I have left the skunk cabbage
and the eels to live with you.
The kind then heard her promise
and forced her to comply.
The frog first sat on her lap.
He was as awful as an undertaker.
Next he was at her plate
looking over her bacon
and calves' liver.
We will eat in tandem,
he said gleefully.
Her fork trembled
as if a small machine
had entered her.
He sat upon the liver
and partook like a gourmet.
The princess choked
as if she were eating a puppy.
From her cup he drank.
It wasn't exactly hygienic.
From her cup she drank
as if it were Socrates' hemlock.
Next came the bed.
The silky royal bed.
Ah! The penultimate hour!
There was the pillow
with the princess breathing
and there was the sinuous frog
riding up and down beside her.
I have been lost in a river
of shut doors, he said,
and I have made my way over
the wet stones to live with you.
She woke up aghast.
I suffer for birds and fireflies
but not frogs, she said,
and threw him across the room.
Kaboom!
Like a genie coming out of a samovar,
a handsome prince arose in the
corner of her bedroom.
He had kind eyes and hands
and was a friend of sorrow.
Thus they were married.
After all he had compromised her.
He hired a night watchman
so that no one could enter the chamber
and he had the well
boarded over so that
never again would she lose her ball,
that moon, that Krishna hair,
that blind poppy, that innocent globe,
that madonna womb.
|
Written by
Anne Sexton |
His awful skin
stretched out by some tradesman
is like my skin, here between my fingers,
a kind of webbing, a kind of frog.
Surely when first born my face was this tiny
and before I was born surely I could fly.
Not well, mind you, only a veil of skin
from my arms to my waist.
I flew at night, too. Not to be seen
for if I were I'd be taken down.
In August perhaps as the trees rose to the stars
I have flown from leaf to leaf in the thick dark.
If you had caught me with your flashlight
you would have seen a pink corpse with wings,
out, out, from her mother's belly, all furry
and hoarse skimming over the houses, the armies.
That's why the dogs of your house sniff me.
They know I'm something to be caught
somewhere in the cemetery hanging upside down
like a misshapen udder.
|
Written by
Henry Lawson |
So I sit and write and ponder, while the house is deaf and dumb,
Seeing visions "over yonder" of the war I know must come.
In the corner - not a vision - but a sign for coming days
Stand a box of ammunition and a rifle in green baize.
And in this, the living present, let the word go through the land,
Every tradesman, clerk and peasant should have these two things at hand.
No - no ranting song is needed, and no meeting, flag or fuss -
In the future, still unheeded, shall the spirit come to us!
Without feathers, drum or riot on the day that is to be,
We shall march down, very quiet, to our stations by the sea.
While the bitter parties stifle every voice that warns of war,
Every man should own a rifle and have cartridges in store!
|
Written by
Hermann Hesse |
Only on me, the lonely one,
The unending stars of the night shine,
The stone fountain whispers its magic song,
To me alone, to me the lonely one
The colorful shadows of the wandering clouds
Move like dreams over the open countryside.
Neither house nor farmland,
Neither forest nor hunting privilege is given to me,
What is mine belongs to no one,
The plunging brook behind the veil of the woods,
The frightening sea,
The bird whir of children at play,
The weeping and singing, lonely in the evening, of a man secretly in love.
The temples of the gods are mine also, and mine
the aristocratic groves of the past.
And no less, the luminous
Vault of heaven in the future is my home:
Often in full flight of longing my soul storms upward,
To gaze on the future of blessed men,
Love, overcoming the law, love from people to people.
I find them all again, nobly transformed:
Farmer, king, tradesman, busy sailors,
Shepherd and gardener, all of them
Gratefully celebrate the festival of the future world.
Only the poet is missing,
The lonely one who looks on,
The bearer of human longing, the pale image
Of whom the future, the fulfillment of the world
Has no further need. Many garlands
Wilt on his grave,
But no one remembers him.
|
Written by
Thomas Moore |
My banks are all furnished with rags,
So thick, even Freddy can't thin 'em;
I've torn up my old money-bags,
Having little or nought to put in 'em.
My tradesman are smashing by dozens,
But this is all nothing, they say;
For bankrupts, since Adam, are cousins,
So, it's all in the family way.
My Debt not a penny takes from me,
As sages the matter explain; --
Bob owes it to Tom and then Tommy
Just owes it to Bob back again.
Since all have thus taken to owing,
There's nobody left that can pay;
And this is the way to keep going, --
All quite in the family way.
My senators vote away millions,
To put in Prosperity's budget;
And though it were billions or trillions,
The generous rogues wouldn't grudge it.
'Tis all but a family hop,
'Twas Pitt began dancing the hay;
Hands round! -- why the deuce should we stop?
'Tis all in the family way.
My labourers used to eat mutton,
As any great man of the State does;
And now the poor devils are put on
Small rations of tea and potatoes.
But cheer up John, Sawney and Paddy,
The King is your father, they say;
So ev'n if you starve for your Daddy,
'Tis all in the family way.
My rich manufacturers tumble,
My poor ones have nothing to chew;
And, even if themselves do not grumble,
Their stomachs undoubtedly do.
But coolly to fast en famille,
Is as good for the soul as to pray;
And famine itself is genteel,
When one starves in a family way.
I have found out a secret for Freddy,
A secret for next Budget day;
Though, perhaps he may know it already,
As he, too, 's a sage in his way.
When next for the Treasury scene he
Announces "the Devil to pay",
Let him write on the bills, "Nota bene,
'Tis all in the family way."
|
Written by
Arthur Hugh Clough |
"There is no God," the wicked saith,
"And truly it's a blessing,
For what He might have done with us
It's better only guessing."
"There is no God," a youngster thinks,
"or really, if there may be,
He surely did not mean a man
Always to be a baby."
"There is no God, or if there is,"
The tradesman thinks, "'twere funny
If He should take it ill in me
To make a little money."
"Whether there be," the rich man says,
"It matters very little,
For I and mine, thank somebody,
Are not in want of victual."
Some others, also, to themselves,
Who scarce so much as doubt it,
Think there is none, when they are well,
And do not think about it.
But country folks who live beneath
The shadow of the steeple;
The parson and the parson's wife,
And mostly married people;
Youths green and happy in first love,
So thankful for illusion;
And men caught out in what the world
Calls guilt, in first confusion;
And almost everyone when age,
Disease, or sorrows strike him,
Inclines to think there is a God,
Or something very like Him.
|
Written by
Andrew Barton Paterson |
Him goin' to ride for us! Him -- with the pants and the eyeglass and all.
Amateur! don't he just look it -- it's twenty to one on a fall.
Boss must be gone off his head to be sending out steeplechase crack
Out over fences like these with an object like that on his back.
Ride! Don't tell me he can ride. With his pants just as loose as balloons,
How can he sit on a horse? and his spurs like a pair of harpoons;
Ought to be under the Dog Act, he ought, and be kept off the course.
Fall! why, he'd fall off a cart, let alone off a steeplechase horse.
* *
Yessir! the 'orse is all ready -- I wish you'd have rode him before;
Nothing like knowing your 'orse, sir, and this chap's a terror to bore;
Battleaxe always could pull, and he rushes his fences like fun --
Stands off his jump twenty feet, and then springs like a shot from a gun.
Oh, he can jump 'em all right, sir, you make no mistake, 'e's a toff --
Clouts 'em in earnest, too, sometimes; you mind that he don't clout you off --
Don't seem to mind how he hits 'em, his shins is as hard as a nail,
Sometimes you'll see the fence shake and the splinters fly up from the rail.
All you can do is to hold him and just let him jump as he likes,
Give him his head at the fences, and hang on like death if he strikes;
Don't let him run himself out -- you can lie third or fourth in the race --
Until you clear the stone wall, and from that you can put on the pace.
Fell at that wall once, he did, and it gave him a regular spread,
Ever since that time he flies it -- he'll stop if you pull at his head,
Just let him race -- you can trust him -- he'll take first-class care he don't fall,
And I think that's the lot -- but remember, he must have his head at the wall.
* *
Well, he's down safe as far as the start, and he seems to sit on pretty neat,
Only his baggified breeches would ruinate anyone's seat --
They're away -- here they come -- the first fence, and he's head over heels for a crown!
Good for the new chum! he's over, and two of the others are down!
Now for the treble, my hearty -- By Jove, he can ride, after all;
Whoop, that's your sort -- let him fly them! He hasn't much fear of a fall.
Who in the world would have thought it? And aren't they just going a pace?
Little Recruit in the lead there will make it a stoutly-run race.
Lord! but they're racing in earnest -- and down goes Recruit on his head,
Rolling clean over his boy -- it's a miracle if he ain't dead.
Battleaxe, Battleaxe, yet! By the Lord, he's got most of 'em beat --
Ho! did you see how he struck, and the swell never moved in his seat?
Second time round, and, by Jingo! he's holding his lead of 'em well;
Hark to him clouting the timber! It don't seem to trouble the swell.
Now for the wall -- let him rush it. A thirty-foot leap, I declare --
Never a shift in his seat, and he's racing for home like a hare.
What's that that's chasing him -- Rataplan -- regular demon to stay!
Sit down and ride for your life now! Oh, good, that's the style -- come away!
Rataplan's certain to beat you, unless you can give him the slip,
Sit down and rub in the whalebone -- now give him the spurs and the whip!
Battleaxe, Battleaxe, yet -- and it's Battleaxe wins for a crown;
Look at him rushing the fences, he wants to bring t'other chap down.
Rataplan never will catch him if only he keeps on his pins;
Now! the last fence, and he's over it! Battleaxe, Battleaxe wins!
* *
Well, sir, you rode him just perfect -- I knew from the fust you could ride.
Some of the chaps said you couldn't, an' I says just like this a' one side:
Mark me, I says, that's a tradesman -- the saddle is where he was bred.
Weight! you're all right, sir, and thank you; and them was the words that I said.
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Written by
Anne Kingsmill Finch |
A Citizen of mighty Pelf,
But much a Blockhead, in himself
Disdain'd a Man of shining Parts,
Master of Sciences and Arts,
Who left his Book scarce once a day
For sober Coffee, Smoak, or Tea;
Nor spent more Money in the Town
Than bought, when need requir'd, a Gown;
Which way of Living much offends
The Alderman, who gets and spends,
And grudges him the Vital Air,
Who drives no Trade, and takes no Care.
Why Bookworm! to him once he cry'd,
Why, setting thus the World aside,
Dost thou thy useless Time consume,
Enclos'd within a lonely Room,
And poring damnify thy Wit,
'Till not for Men, or Manners fit ?
Hop'st thou, with urging of thy Vein,
To spin a Fortune from thy Brain?
Or gain a Patron, that shall raise
Thy solid State, for empty Praise?
No; trust not to your Soothings vile,
Receiv'd per me's the only Stile.
Your Book's but frown'd on by My Lord;
If Mine's uncross'd, I reach his Board.
In slighting Yours, he shuts his Hand;
Protracting Mine, devolves the Land.
Then let Advantage be the Test,
Which of us Two ev'n Writes the best.
Besides, I often Scarlet wear,
And strut to Church, just next the Mayor.
Whilst rusty Black, with Inch of Band,
Is all the Dress you understand;
Who in the Pulpit thresh to Please,
Whilst I below can snore at Ease.
Yet, if you prove me there a Sinner,
I let you go without a Dinner.
This Prate was so beneath the Sence
Of One, who Wisdom cou'd dispense,
Unheard, or unreturn'd it past:
But War now lays the City waste,
And plunder'd Goods profusely fell
By length of Pike, not length of Ell.
Abroad th' Inhabitants are forc'd,
From Shops, and Trade, and Wealth divorc'd.
The Student leaving but his Book,
The Tumult of the Place forsook.
In Foreign Parts, One tells his Tale,
How Rich he'd been, how quick his Sale,
Which do's for scanty Alms prevail.
The Chance of War whilst he deplores,
And dines at Charitable Doors;
The Man of Letters, known by Fame,
Was welcom'd, wheresoe'er he came.
Still, Potentates entreat his Stay,
Whose Coaches meet him on the Way:
And Universities contest
Which shall exceed, or use him best.
Amaz'd the Burgomaster sees
On Foot, and scorn'd such Turns as these;
And sighing, now deplores too late
His cumb'rous Trash, and shallow Pate:
Since loaded but with double Chest
Of learned Head, and honest Breast,
The Scholar moves from Place to Place,
And finds in every Climate Grace.
Wit and the Arts, on that Foundation rais'd,
(Howe'er the Vulgar are with Shows amaz'd)
Is all that recommends, or can be justly prais'd.
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Written by
Johann Wolfgang von Goethe |
ONE day a shameless and impudent wight
Went into a shop full of steel wares bright,
Arranged with art upon ev'ry shelf.
He fancied they were all meant for himself;
And so, while the patient owner stood by,
The shining goods needs must handle and try,
And valued,--for how should a fool better know?--
The bad things high, and the good ones low,
And all with an easy self-satisfied face;
Then, having bought nothing, he left the place.
The tradesman now felt sorely vex'd,
So when the fellow went there next,
A lock of steel made quite red hot.
The other cried upon the spot:
"Such wares as these, who'd ever buy?
the steel is tarnish'd shamefully,"--
Then pull'd it, like a fool about,
But soon set up a piteous shout.
"Pray what's the matter?" the shopman spoke;
The other scream'd: "Faith, a very cool joke!"
1815.*
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