Written by
Anne Sexton |
I stand before the sea
and it rolls and rolls in its green blood
saying, "Do not give up one god
for I have a handful.
"
The trade winds blew
in their twelve-fingered reversal
and I simply stood on the beach
while the ocean made a cross of salt
and hung up its drowned
and they cried Deo Deo.
The ocean offered them up in the vein of its might.
I wanted to share this
but I stood alone like a pink scarecrow.
The ocean steamed in and out,
the ocean gasped upon the shore
but I could not define her,
I could not name her mood, her locked-up faces.
Far off she rolled and rolled
like a woman in labor
and I thought of those who had crossed her,
in antiquity, in nautical trade, in slavery, in war.
I wondered how she had borne those bulwarks.
She should be entered skin to skin,
and put on like one's first or last cloth,
envered like kneeling your way into church,
descending into that ascension,
though she be slick as olive oil,
as she climbs each wave like an embezzler of white.
The big deep knows the law as it wears its gray hat,
though the ocean comes in its destiny,
with its one hundred lips,
and in moonlight she comes in her nudity,
flashing breasts made of milk-water,
flashing buttocks made of unkillable lust,
and at night when you enter her
you shine like a neon soprano.
I am that clumsy human
on the shore
loving you, coming, coming,
going,
and wish to put my thumb on you
like The Song of Solomon.
|
Written by
Anne Kingsmill Finch |
Silvia, let's from the Crowd retire;
For, What to you and me
(Who but each other do desire)
Is all that here we see?
Apart we'll live, tho' not alone;
For, who alone can call
Those, who in Desarts live with One,
If in that One they've All?
The World a vast Meander is,
Where Hearts confus'dly stray;
Where Few do hit, whilst Thousands miss
The happy mutual Way:
Where Hands are by stern Parents ty'd,
Who oft, in Cupid's Scorn,
Do for the widow'd State provide,
Before that Love is born:
Where some too soon themselves misplace;
Then in Another find
The only Temper, Wit, or Face,
That cou'd affect their Mind.
Others (but oh! avert that Fate!)
A well-chose Object change:
Fly, Silvia, fly, ere 'tis too late;
Fall'n Nature's prone to range.
And, tho' in heat of Love we swear
More than perform we can;
No Goddess, You, but Woman are,
And I no more than Man.
Th' impatient Silvia heard thus long;
Then with a Smile reply'd;
Those Bands cou'd ne'er be very strong,
Which Accidents divide.
Who e'er was mov'd yet to go down,
By such o'er-cautious Fear;
Or for one Lover left the Town,
Who might have Numbers here?
Your Heart, 'tis true, is worth them all,
And still preferr'd the first;
But since confess'd so apt to fall,
'Tis good to fear the worst.
In ancient History we meet
A flying Nymph betray'd;
Who, had she kept in fruitful Crete,
New Conquest might have made.
And sure, as on the Beach she stood,
To view the parting Sails;
She curs'd her self, more than the Flood,
Or the conspiring Gales.
False Theseus, since thy Vows are broke,
May following Nymphs beware:
Methinks I hear how thus she spoke,
And will not trust too far.
In Love, in Play, in Trade, in War
They best themselves acquit,
Who, tho' their Int'rests shipwreckt are,
Keep unreprov'd their Wit.
|
Written by
Robert Browning |
ANCIEN REGIME
I
Now that I, tying thy glass mask tightly,
May gaze through these faint smokes curling whitely,
As thou pliest thy trade in this devil's-smithy—
Which is the poison to poison her, prithee?
II
He is with her; and they know that I know
Where they are, what they do: they believe my tears flow
While they laugh, laugh at me, at me fled to the drear
Empty church, to pray God in, for them!—I am here.
III
Grind away, moisten and mash up thy paste,
Pound at thy powder,—I am not in haste!
Better sit thus, and observe thy strange things,
Than go where men wait me and dance at the King's.
IV
That in the mortar—you call it a gum?
Ah, the brave tree whence such gold oozings come!
And yonder soft phial, the exquisite blue,
Sure to taste sweetly,—is that poison too?
V
Had I but all of them, thee and thy treasures,
What a wild crowd of invisible pleasures!
To carry pure death in an earring, a casket,
A signet, a fan-mount, a filigree-basket!
VI
Soon, at the King's, a mere lozenge to give,
And Pauline should have just thirty minutes to live!
But to light a pastille, and Elise, with her head,
And her breast, and her arms, and her hands, should drop dead!
VII
Quick—is it finished? The colour's too grim!
Why not soft like the phial's, enticing and dim?
Let it brighten her drink, let her turn it and stir,
And try it and taste, ere she fix and prefer!
VIII
What a drop! She's not little, no minion like me—
That's why she ensnared him: this never will free
The soul from those strong, great eyes,—say, "No!"
To that pulse's magnificent come-and-go.
IX
For only last night, as they whispered, I brought
My own eyes to bear on her so, that I thought
Could I keep them one-half minute fixed, she would fall,
Shrivelled; she fell not; yet this does it all!
X
Not that I bid you spare her the pain!
Let death be felt and the proof remain;
Brand, burn up, bite into its grace—
He is sure to remember her dying face!
XI
Is it done? Take my mask off! Nay, be not morose,
It kills her, and this prevents seeing it close:
The delicate droplet, my whole fortune's fee—
If it hurts her, beside, can it ever hurt me?
XII
Now, take all my jewels, gorge gold to your fill,
You may kiss me, old man, on my mouth if you will!
But brush this dust off me, lest horror it brings
Ere I know it—next moment I dance at the King's!
|