Written by
Ruth Padel |
(After Pushkin)
Look at the bare wood hand-waxed floor and long
White dressing-gown, the good child's writing-desk
And passionate cold feet
Summoning music of the night - tumbrils, gongs
And gamelans - with one neat pen, one candle
Puttering its life out hour by hour.
Is "Tell Him I love him" never a good idea? You can't wish this
Unlived - this world on fire, on storm
Alert, till the shepherd's song
Outside, some hyper-active yellowhammer, bulbul,
Wren, amplified in hills and woods, tell her to bestow
A spot of notice on the dawn.
*
"I'm writing to you. Well, that's it, that's everything.
You'll laugh, but you'll pity me too. I'm ashamed of this.
I meant to keep it quiet. You'd never have known, if -
I wish - I could have seen you once a week. To mull over, day
And night, the things you say, or what we say together.
But word is, you're misogynist. Laddish. A philanderer
Who says what he doesn't mean. (That's not how you come across
To me.) Who couldn't give a toss for domestic peace -
Only for celebrity and showing off -
And won't hang round in a provincial zone
Like this. We don't glitter. Though we do,
Warmly, truly, welcome you.
*
"Why did you come? I'd never have set eyes
On a star like you, or blundered up against
This crazed not-sleeping, hour after hour
In the dark. I might have got the better of
My clumsy fury with constraint, my fret
For things I lack all lexica and phrase-book art
To say. I might have been a faithful wife; a mother.
But that's all done with. This is Fate. God.
Sorted. Here I am - yours, to the last breath.
I couldn't give my heart to anyone else.
My life till now has been a theorem, to demonstrate
How right it is to love you. This love is love to death.
*
"I knew you anyway. I loved you, I'm afraid,
In my sleep. Your eyes, that denim-lapis, grey-sea-
Grey-green blue, that Chinese fold of skin
At the inner corner, that shot look
Bleeping "vulnerable" under the screensaver charm,
Kept me alive. Every cell, every last gold atom
Of your body, was engraved in me
Already. Don't tell me that was dream! When you came in,
Staring round in your stripey coat and brocade
Vest, I nearly died! I fainted, I was flame! I recognized
The you I'd always listened to alone, when I wrote
Or tried to wrestle my scatty soul into calm.
*
"Wasn't it you who slipped through the transparent
Darkness to my bed and whispered love? Aren't you
My guardian angel? Or is this arrant
Seeming, hallucination, thrown
Up by that fly engineering a novel does
So beguilingly, or poems? Is this mad?
Are there ways of dreaming I don't know?
Too bad. My soul has made its home
In you. I'm here and bare before you: shy,
In tears. But if I didn't heft my whole self up and hold it there -
A crack-free mirror - loving you, or if I couldn't share
It, set it out in words, I'd die.
*
"I'll wait to hear from you. I must. Please let me hope.
Give me one look, from eyes I hardly dare
To look back at. Or scupper my dream
By scolding me. I've given you rope
To hang me: tell me I'm mistaken. You're so much in
The world; while I just live here, bent on jam
And harvest, songs and books. That's not complaint.
We live such different lives. So - this is the end. It's taken
All night. I'm scared to read it back. I'm faint
With shame and fear. But this is what I am. My crumpled bed,
My words, my open self. All I can do is trust
The whole damn lot of it to you."
*
She sighs. The paper trembles as she presses down
The pink wax seal. Outside, a milk mist clears
From the shimmering valley. If I were her guardian
Angel, I'd divide myself. One half would holler
Don't! Stay on an even keel! Don't dollop over
All you are, to a man who'll go to town
On his next little fling. If he's entranced today
By the way you finger your silk throat inside your collar,
Tomorrow there'll be Olga, Sally, Jane. But then I'd whisper
Go for it, petal. Nothing's as real as what you write.
His funeral, if he's not up to it. What we feel
Is mortal, and won't come again.
*
So cut, weeks later, to an outside shot: the same girl
Taking cover ("Dear God, he's here, he's come!")
Under fat red gooseberries, glimmering hairy stars:
The old, rude bushes she has hide-and-seeked in all
Her life, where mother commands the serfs to sing
While picking, so they can't hurl
The odd gog into their mouths. No one could spy
Her here, not even the sun in its burn-time. Her cheeks
Are simmering fire.
We're talking iridescence, a Red Admiral's last tremble
Before the avid schoolboy plunks his net.
Or imagine
*
A leveret - like the hare you shot, remember?
Which ran round screaming like a baby?
Only mine is shivering in papery winter corn,
While the hunter (as it might be, you) stomps his Hush
Puppies through dead brush. Everything's quiet.
She's waited - how long? - ages: stoking pebbly embers
Under the evening samovar, filling
The Chinese teapot, sending coils of Lapsang Suchong
Floating to the ceiling in the shadows, tracing O and E
In the window's black reflection, one finger
Tendrilling her own breath on the glass.
Like putting a shell to your ear to hear the sea
*
When it's really your own red little sparkle, the echo
Of marching blood. She's asking a phantom
World of pearled-up mist for proof
That her man exists: that gamelans and tumbrils
Won't evade her. But now, among
The kitchen garden's rose-haws, mallow, Pernod-
Coloured pears, she unhooks herself thorn by thorn
For the exit aria. For fade-out. Suddenly there he is
In the avenue, the man she's written to - Charon
Gazing at her with blazing eyes! Darth Vader
From Star Wars. She's trapped, in a house she didn't realize
Was burning. Her letter was a gate to the inferno.
........
(This poem appeared in Pushkin: An Anthology, ed. E. Feinstein, Carcanet 1999)
|
Written by
Judith Sargent Murray |
That minds are not alike, full well I know,
This truth each day's experience will show.
To heights surprising some great spirits soar,
With inborn strength mysterious depths explore;
Their eager gaze surveys the path of light,
Confessed it stood to Newton's piercing sight,
Deep science, like a bashful maid retires,
And but the ardent breast her worth inspires;
By perseverance the coy fair is won,
And Genius, led by Study, wears the crown.
But some there are who wish not to improve,
Who never can the path of knowledge love,
Whose souls almost with the dull body one,
With anxious care each mental pleasure shun.
Weak is the leveled, enervated mind,
And but while here to vegetate designed.
The torpid spirit mingling with its clod
Can scarcely boast its origin from God.
Stupidly dull—they move progressing on—
They eat, and drink, and all their work is done,
While others, emulous of sweet applause,
Industrious seek for each event a cause,
Tracing the hidden springs whence knowledge flows,
Which nature all in beauteous order shows.
Yet cannot I their sentiments imbibe
Who this distinction to the sex ascribe,
As if a woman's form must needs enroll
A weak, a servile, an inferior soul;
And that the guise of man must still proclaim
Greatness of mind, and him, to be the same.
Yet as the hours revolve fair proofs arise
Which the bright wreath of growing fame supplies,
And in past times some men have sunk so low,
That female records nothing less can show.
But imbecility is still confined,
And by the lordly sex to us consigned.
They rob us of the power t'improve,
And then declare we only trifles love.
Yet haste the era when the world shall know
That such distinctions only dwell below.
The soul unfettered to no sex confined,
Was for the abodes of cloudless day designed.
Meantime we emulate their manly fires,
Though erudition all their thoughts inspires,
Yet nature with equality imparts,
And noble passions, swell e'en female hearts.
|
Written by
Margaret Atwood |
Cruising these residential Sunday
streets in dry August sunlight:
what offends us is
the sanities:
the houses in pedantic rows, the planted
sanitary trees, assert
levelness of surface like a rebuke
to the dent in our car door.
No shouting here, or
shatter of glass; nothing more abrupt
than the rational whine of a power mower
cutting a straight swath in the discouraged grass.
But though the driveways neatly
sidestep hysteria
by being even, the roofs all display
the same slant of avoidance to the hot sky,
certain things:
the smell of spilled oil a faint
sickness lingering in the garages,
a splash of paint on brick surprising as a bruise,
a plastic hose poised in a vicious
coil; even the too-fixed stare of the wide windows
give momentary access to
the landscape behind or under
the future cracks in the plaster
when the houses, capsized, will slide
obliquely into the clay seas, gradual as glaciers
that right now nobody notices.
That is where the City Planners
with the insane faces of political conspirators
are scattered over unsurveyed
territories, concealed from each other,
each in his own private blizzard;
guessing directions, they sketch
transitory lines rigid as wooden borders
on a wall in the white vanishing air
tracing the panic of suburb
order in a bland madness of snows
|
Written by
Aleister Crowley |
[Dedicated to General J.C.F. Fuller]
Velvet soft the night-star glowed
Over the untrodden road,
Through the giant glades of yew
Where its ray fell light as dew
Lighting up the shimmering veil
Maiden pure and aery frail
That the spiders wove to hide
Blushes of the sylvan bride
Earth, that trembled with delight
At the male caress of Night.
Velvet soft the wizard trod
To the Sabbath of his God.
With his naked feet he made
Starry blossoms in the glade,
Softly, softly, as he went
To the sombre sacrament,
Stealthy stepping to the tryst
In his gown of amethyst.
Earlier yet his soul had come
To the Hill of Martyrdom,
Where the charred and crooked stake
Like a black envenomed snake
By the hangman's hands is thrust
Through the wet and writhing dust,
Never black and never dried
Heart's blood of a suicide.
He had plucked the hazel rod
From the rude and goatish god,
Even as the curved moon's waning ray
Stolen from the King of Day.
He had learnt the elvish sign;
Given the Token of the Nine:
Once to rave, and once to revel,
Once to bow before the devil,
Once to swing the thurible,
Once to kiss the goat of hell,
Once to dance the aspen spring,
Once to croak, and once to sing,
Once to oil the savoury thighs
Of the witch with sea-green eyes
With the unguents magical.
Oh the honey and the gall
Of that black enchanter's lips
As he croons to the eclipse
Mingling that most puissant spell
Of the giant gods of hell
With the four ingredients
Of the evil elements;
Ambergris from golden spar,
Musk of ox from Mongol jar,
Civet from a box of jade,
Mixed with fat of many a maid
Slain by the inchauntments cold
Of the witches wild and old.
He had crucified a toad
In the basilisk abode,
Muttering the Runes averse
Mad with many a mocking curse.
He had traced the serpent sigil
In his ghastly virgin vigil.
Sursum cor! the elfin hill,
Where the wind blows deadly chill
From the world that wails beneath
Death's black throat and lipless teeth.
There he had stood - his bosom bare -
Tracing Life upon the Air
With the crook and with the flail
Lashing forward on the gale,
Till its blade that wavereth
Like the flickering of Death
Sank before his subtle fence
To the starless sea of sense.
Now at last the man is come
Haply to his halidom.
Surely as he waves his rod
In a circle on the sod
Springs the emerald chaste and clean
From the duller paler green.
Surely in the circle millions
Of immaculate pavilions
Flash upon the trembling turf
Like the sea-stars in the surf -
Millions of bejewelled tents
For the warrior sacraments.
Vaster, vaster, vaster, vaster,
Grows the stature of the master;
All the ringed encampment vies
With the infinite galaxies.
In the midst a cubic stone
With the Devil set thereon;
Hath a lamb's virginal throat;
Hath the body of a stoat;
Hath the buttocks of a goat;
Hath the sanguine face and rod
Of a goddess and a god!
Spell by spell and pace by pace!
Mystic flashes swing and trace
Velvet soft the sigils stepped
By the silver-starred adept.
Back and front, and to and fro,
Soul and body sway and flow
In vertiginous caresses
To imponderable recesses,
Till at last the spell is woven,
And the faery veil is cloven
That was Sequence, Space, and Stress
Of the soul-sick consciousness.
"Give thy body to the beasts!
Give thy spirit to the priests!
Break in twain the hazel rod
On the virgin lips of God!
Tear the Rosy Cross asunder!
Shatter the black bolt of thunder!
Suck the swart ensanguine kiss
Of the resolute abyss!"
Wonder-weft the wizard heard
This intolerable word.
Smote the blasting hazel rod
On the scarlet lips of God;
Trampled Cross and rosy core;
Brake the thunder-tool of Thor;
Meek and holy acolyte
Of the priestly hells of spite,
Sleek and shameless catamite
Of the beasts that prowl the night!
Like a star that streams from heaven
Through the virgin airs light-riven,
From the lift there shot and fell
An admirable miracle.
Carved minute and clean, a key
Of purest lapis-lazuli
More blue than the blind sky that aches
(Wreathed with the stars, her torturing snakes),
For the dead god's kiss that never wakes;
Shot with golden specks of fire
Like a virgin with desire.
Look, the levers! fern-frail fronds
Of fantastic diamonds,
Glimmering with ethereal azure
In each exquisite embrasure.
On the shaft the letters laced,
As if dryads lunar-chaste
With the satyrs were embraced,
Spelled the secret of the key:
Sic pervenias. And he
Went his wizard way, inweaving
Dreams of things beyond believing.
When he will, the weary world
Of the senses closely curled
Like a serpent round his heart
Shakes herself and stands apart.
So the heart's blood flames, expanding,
Strenuous, urgent, and commanding;
And the key unlocks the door
Where his love lives evermore.
She is of the faery blood;
All smaragdine flows its flood.
Glowing in the amber sky
To ensorcelled porphyry
She hath eyes of glittering flake
Like a cold grey water-snake.
She hath naked breasts of amber
Jetting wine in her bed-chamber,
Whereof whoso stoops and drinks
Rees the riddle of the Sphinx.
She hath naked limbs of amber
Whereupon her children clamber.
She hath five navels rosy-red
From the five wounds of God that bled;
Each wound that mothered her still bleeding,
And on that blood her babes are feeding.
Oh! like a rose-winged pelican
She hath bred blessed babes to Pan!
Oh! like a lion-hued nightingale
She hath torn her breast on thorns to avail
The barren rose-tree to renew
Her life with that disastrous dew,
Building the rose o' the world alight
With music out of the pale moonlight!
O She is like the river of blood
That broke from the lips of the bastard god,
When he saw the sacred mother smile
On the ibis that flew up the foam of Nile
Bearing the limbs unblessed, unborn,
That the lurking beast of Nile had torn!
So (for the world is weary) I
These dreadful souls of sense lay by.
I sacrifice these impure shoon
To the cold ray of the waning moon.
I take the forked hazel staff,
And the rose of no terrene graff,
And the lamp of no olive oil
With heart's blood that alone may boil.
With naked breast and feet unshod
I follow the wizard way to God.
Wherever he leads my foot shall follow;
Over the height, into the hollow,
Up to the caves of pure cold breath,
Down to the deeps of foul hot death,
Across the seas, through the fires,
Past the palace of desires;
Where he will, whether he will or no,
If I go, I care not whither I go.
For in me is the taint of the faery blood.
Fast, fast its emerald flood
Leaps within me, violent rude
Like a bestial faun's beatitude.
In me the faery blood runs hard:
My sires were a druid, a devil, a bard,
A beast, a wizard, a snake and a satyr;
For - as my mother said - what does it matter?
She was a fay, pure of the faery;
Queen Morgan's daughter by an aery
Demon that came to Orkney once
To pay the Beetle his orisons.
So, it is I that writhe with the twitch
Of the faery blood, and the wizard itch
To attain a matter one may not utter
Rather than sink in the greasy splutter
Of Britons munching their bread and butter;
Ailing boys and coarse-grained girls
Grown to sloppy women and brutal churls.
So, I am off with staff in hand
To the endless light of the nameless land.
Darkness spreads its sombre streams,
Blotting out the elfin dreams.
I might haply be afraid,
Were it not the Feather-maid
Leads me softly by the hand,
Whispers me to understand.
Now (when through the world of weeping
Light at last starrily creeping
Steals upon my babe-new sight,
Light - O light that is not light!)
On my mouth the lips of her
Like a stone on my sepulchre
Seal my speech with ecstasy,
Till a babe is born of me
That is silent more than I;
For its inarticulate cry
Hushes as its mouth is pressed
To the pearl, her honey breast;
While its breath divinely ripples
The rose-petals of her nipples,
And the jetted milk he laps
From the soft delicious paps,
Sweeter than the bee-sweet showers
In the chalice of the flowers,
More intoxicating than
All the purple grapes of Pan.
Ah! my proper lips are stilled.
Only, all the world is filled
With the Echo, that drips over
Like the honey from the clover.
Passion, penitence, and pain
Seek their mother's womb again,
And are born the triple treasure,
Peace and purity and pleasure.
- Hush, my child, and come aloft
Where the stars are velvet soft!
|
Written by
George Eliot |
Oh, may I join the choir invisible
Of those immortal dead who live again
In minds made better by their presence; live
In pulses stirred to generosity,
In deeds of daring rectitude, in scorn
For miserable aims that end with self,
In thoughts sublime that pierce the night like stars,
And with their mild persistence urge men's search
To vaster issues. So to live is heaven:
To make undying music in the world,
Breathing a beauteous order that controls
With growing sway the growing life of man.
So we inherit that sweet purity
For which we struggled, failed, and agonized
With widening retrospect that bred despair.
Rebellious flesh that would not be subdued,
A vicious parent shaming still its child,
Poor anxious penitence, is quick dissolved;
Its discords, quenched by meeting harmonies,
Die in the large and charitable air,
And all our rarer, better, truer self
That sobbed religiously in yearning song,
That watched to ease the burden of the world,
Laboriously tracing what must be,
And what may yet be better, -- saw within
A worthier image for the sanctuary,
And shaped it forth before the multitude,
Divinely human, raising worship so
To higher reverence more mixed with love, --
That better self shall live till human Time
Shall fold its eyelids, and the human sky
Be gathered like a scroll within the tomb
Unread forever. This is life to come, --
Which martyred men have made more glorious
For us who strive to follow. May I reach
That purest heaven, -- be to other souls
The cup of strength in some great agony,
Enkindle generous ardor, feed pure love,
Beget the smiles that have no cruelty,
Be the sweet presence of a good diffused,
And in diffusion ever more intense!
So shall I join the choir invisible
Whose music is the gladness of the world.
|
Written by
Wallace Stevens |
I
1 Just as my fingers on these keys
2 Make music, so the self-same sounds
3 On my spirit make a music, too.
4 Music is feeling, then, not sound;
5 And thus it is that what I feel,
6 Here in this room, desiring you,
7 Thinking of your blue-shadowed silk,
8 Is music. It is like the strain
9 Waked in the elders by Susanna;
10 Of a green evening, clear and warm,
11 She bathed in her still garden, while
12 The red-eyed elders, watching, felt
13 The basses of their beings throb
14 In witching chords, and their thin blood
15 Pulse pizzicati of Hosanna.
II
16 In the green water, clear and warm,
17 Susanna lay.
18 She searched
19 The touch of springs,
20 And found
21 Concealed imaginings.
22 She sighed,
23 For so much melody.
24 Upon the bank, she stood
25 In the cool
26 Of spent emotions.
27 She felt, among the leaves,
28 The dew
29 Of old devotions.
30 She walked upon the grass,
31 Still quavering.
32 The winds were like her maids,
33 On timid feet,
34 Fetching her woven scarves,
35 Yet wavering.
36 A breath upon her hand
37 Muted the night.
38 She turned --
39 A cymbal crashed,
40 Amid roaring horns.
III
41 Soon, with a noise like tambourines,
42 Came her attendant Byzantines.
43 They wondered why Susanna cried
44 Against the elders by her side;
45 And as they whispered, the refrain
46 Was like a willow swept by rain.
47 Anon, their lamps' uplifted flame
48 Revealed Susanna and her shame.
49 And then, the simpering Byzantines
50 Fled, with a noise like tambourines.
IV
51 Beauty is momentary in the mind --
52 The fitful tracing of a portal;
53 But in the flesh it is immortal.
54 The body dies; the body's beauty lives.
55 So evenings die, in their green going,
56 A wave, interminably flowing.
57 So gardens die, their meek breath scenting
58 The cowl of winter, done repenting.
59 So maidens die, to the auroral
60 Celebration of a maiden's choral.
61 Susanna's music touched the bawdy strings
62 Of those white elders; but, escaping,
63 Left only Death's ironic scraping.
64 Now, in its immortality, it plays
65 On the clear viol of her memory,
66 And makes a constant sacrament of praise.
|
Written by
Sidney Godolphin |
LORD when the wise men came from farr
Ledd to thy Cradle by A Starr,
Then did the shepheards too rejoyce,
Instructed by thy Angells voyce,
Blest were the wisemen in their skill, 5
And shepheards in their harmelesse will.
Wisemen in tracing natures lawes
Ascend unto the highest cause,
Shepheards with humble fearefulnesse
Walke safely, though their light be lesse: 10
Though wisemen better know the way
It seemes noe honest heart can stray.
Ther is noe merrit in the wise
But love, (the shepheards sacrifice).
Wisemen all wayes of knowledge past, 15
To th' shepheards wonder come at last,
To know, can only wonder breede,
And not to know, is wonders seede.
A wiseman at the Alter bowes
And offers up his studied vowes 20
And is received; may not the teares,
Which spring too from a shepheards feares,
And sighs upon his fraylty spent,
Though not distinct, be eloquent?
Tis true, the object sanctifies 25
All passions which within us rise,
But since noe creature comprehends
The cause of causes, end of ends,
Hee who himselfe vouchsafes to know
Best pleases his creator soe. 30
When then our sorrowes we applye
To our owne wantes and poverty,
When wee looke up in all distresse
And our owne misery confesse
Sending both thankes and prayers above, 35
Then though wee do not know, we love.
|
Written by
Vachel Lindsay |
A little colt — broncho, loaned to the farm
To be broken in time without fury or harm,
Yet black crows flew past you, shouting alarm,
Calling "Beware," with lugubrious singing...
The butterflies there in the bush were romancing,
The smell of the grass caught your soul in a trance,
So why be a-fearing the spurs and the traces,
O broncho that would not be broken of dancing?
You were born with the pride of the lords great and olden
Who danced, through the ages, in corridors golden.
In all the wide farm-place the person most human.
You spoke out so plainly with squealing and capering,
With whinnying, snorting, contorting and prancing,
As you dodged your pursuers, looking askance,
With Greek-footed figures, and Parthenon paces,
O broncho that would not be broken of dancing.
The grasshoppers cheered. "Keep whirling," they said.
The insolent sparrows called from the shed
"If men will not laugh, make them wish they were dead."
But arch were your thoughts, all malice displacing,
Though the horse-killers came, with snake-whips advancing.
You bantered and cantered away your last chance.
And they scourged you, with Hell in their speech and their faces,
O broncho that would not be broken of dancing.
"Nobody cares for you," rattled the crows,
As you dragged the whole reaper, next day, down the rows.
The three mules held back, yet you danced on your toes.
You pulled like a racer, and kept the mules chasing.
You tangled the harness with bright eyes side-glancing,
While the drunk driver bled you — a pole for a lance —
And the giant mules bit at you — keeping their places.
O broncho that would not be broken of dancing.
In that last afternoon your boyish heart broke.
The hot wind came down like a sledge-hammer stroke.
The blood-sucking flies to a rare feast awoke.
And they searched out your wounds, your death-warrant tracing.
And the merciful men, their religion enhancing,
Stopped the red reaper, to give you a chance.
Then you died on the prairie, and scorned all disgraces,
O broncho that would not be broken of dancing.
|
Written by
William Lisle Bowles |
O NORTH! as thy romantic vales I leave,
And bid farewell to each retiring hill,
Where thoughtful fancy seems to linger still,
Tracing the broad bright landscape; much I grieve
That mingled with the toiling croud, no more
I shall return, your varied views to mark,
Of rocks winding wild, and mountains hoar,
Or castle gleaming on the distant steep.
Yet not the less I pray your charms may last,
And many a soften'd image of the past
Pensive combine; and bid remembrance keep
To cheer me with the thought of pleasure flown,
When I am wand'ring on my way alone.
|
Written by
John Greenleaf Whittier |
O Mother Earth! upon thy lap
Thy weary ones receiving,
And o'er them, silent as a dream,
Thy grassy mantle weaving,
Fold softly in thy long embrace
That heart so worn and broken,
And cool its pulse of fire beneath
Thy shadows old and oaken.
Shut out from him the bitter word
And serpent hiss of scorning;
Nor let the storms of yesterday
Disturb his quiet morning.
Breathe over him forgetfulness
Of all save deeds of kindness,
And, save to smiles of grateful eyes,
Press down his lids in blindness.
There, where with living ear and eye
He heard Potomac's flowing,
And, through his tall ancestral trees,
Saw autumn's sunset glowing,
He sleeps, still looking to the west,
Beneath the dark wood shadow,
As if he still would see the sun
Sink down on wave and meadow.
Bard, Sage, and Tribune! in himself
All moods of mind contrasting, -
The tenderest wail of human woe,
The scorn like lightning blasting;
The pathos which from rival eyes
Unwilling tears could summon,
The stinging taunt, the fiery burst
Of hatred scarcely human!
Mirth, sparkling like a diamond shower,
From lips of life-long sadness;
Clear picturings of majestic thought
Upon a ground of madness;
And over all Romance and Song
A classic beauty throwing,
And laurelled Clio at his side
Her storied pages showing.
All parties feared him: each in turn
Beheld its schemes disjointed,
As right or left his fatal glance
And spectral finger pointed.
Sworn foe of Cant, he smote it down
With trenchant wit unsparing,
And, mocking, rent with ruthless hand
The robe Pretence was wearing.
Too honest or too proud to feign
A love he never cherished,
Beyond Virginia's border line
His patriotism perished.
While others hailed in distant skies
Our eagle's dusky pinion,
He only saw the mountain bird
Stoop o'er his Old Dominion!
Still through each change of fortune strange
Racked nerve, and brain all burning,
His loving faith in Mother-land
Knew never shade of turning;
By Britain's lakes, by Neva's tide,
Whatever sky was o'er him,
He heard her rivers' rushing sound,
Her blue peaks rose before him.
He held his slaves, yet made withal
No false and vain pretences,
Nor paid a lying priest to seek
For Scriptural defences.
His harshest words of proud rebuke,
His bitterest taunt and scorning,
Fell fire-like on the Northern brow
That bent to him in fawning.
He held his slaves; yet kept the while
His reverence for the Human;
In the dark vassals of his will
He saw but Man and Woman!
No hunter of God's outraged poor
His Roanoke valley entered;
No trader in the souls of men
Across his threshold ventured.
And when the old and wearied man
Lay down for his last sleeping,
And at his side, a slave no more,
His brother-man stood weeping,
His latest thought, his latest breath,
To Freedom's duty giving,
With failing tongue and trembling hand
The dying blest the living.
Oh, never bore his ancient State
A truer son or braver!
None trampling with a calmer scorn
On foreign hate or favor.
He knew her faults, yet never stooped
His proud and manly feeling
To poor excuses of the wrong
Or meanness of concealing.
But none beheld with clearer eye
The plague-spot o'er her spreading
None heard more sure the steps of Doom
Along her future treading.
For her as for himself he spake,
When, his gaunt frame upbracing,
He traced with dying hand 'Remorse!'
And perished in the tracing.
As from the grave where Henry sleeps,
From Vernon's weeping willow,
And from the grassy pall which hides
The Sage of Monticello,
So from the leaf-strewn burial-stone
Of Randolph's lowly dwelling,
Virginia! o'er thy land of slaves
A warning voice is swelling!
And hark! from thy deserted fields
Are sadder warnings spoken,
From quenched hearths, where thy exiled sons
Their household gods have broken.
The curse is on thee, - wolves for men,
And briers for corn-sheaves giving!
Oh, more than all thy dead renown
Were now one hero living!
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