10 Best Famous Towns Poems

Here is a collection of the top 10 all-time best famous Towns poems. This is a select list of the best famous Towns poetry. Reading, writing, and enjoying famous Towns poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of towns poems.

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Freedoms Plow

by Langston Hughes
 When a man starts out with nothing,
 When a man starts out with his hands
 Empty, but clean,
 When a man starts to build a world,
He starts first with himself
And the faith that is in his heart-
The strength there,
The will there to build.

First in the heart is the dream-
Then the mind starts seeking a way.
His eyes look out on the world,
On the great wooded world,
On the rich soil of the world,
On the rivers of the world.

The eyes see there materials for building,
See the difficulties, too, and the obstacles.
The mind seeks a way to overcome these obstacles.
The hand seeks tools to cut the wood,
To till the soil, and harness the power of the waters.
Then the hand seeks other hands to help,
A community of hands to help-
Thus the dream becomes not one man's dream alone,
But a community dream.
Not my dream alone, but our dream.
Not my world alone,
But your world and my world,
Belonging to all the hands who build.

A long time ago, but not too long ago,
Ships came from across the sea
Bringing the Pilgrims and prayer-makers,
Adventurers and booty seekers,
Free men and indentured servants,
Slave men and slave masters, all new-
To a new world, America!

With billowing sails the galleons came
Bringing men and dreams, women and dreams.
In little bands together,
Heart reaching out to heart,
Hand reaching out to hand,
They began to build our land.
Some were free hands
Seeking a greater freedom,
Some were indentured hands
Hoping to find their freedom,
Some were slave hands
Guarding in their hearts the seed of freedom,
But the word was there always:
 Freedom.

Down into the earth went the plow
In the free hands and the slave hands,
In indentured hands and adventurous hands,
Turning the rich soil went the plow in many hands
That planted and harvested the food that fed
And the cotton that clothed America.
Clang against the trees went the ax into many hands
That hewed and shaped the rooftops of America.
Splash into the rivers and the seas went the boat-hulls
That moved and transported America.
Crack went the whips that drove the horses
Across the plains of America.
Free hands and slave hands,
Indentured hands, adventurous hands,
White hands and black hands
Held the plow handles,
Ax handles, hammer handles,
Launched the boats and whipped the horses
That fed and housed and moved America.
Thus together through labor,
All these hands made America.

Labor! Out of labor came villages
And the towns that grew cities.
Labor! Out of labor came the rowboats
And the sailboats and the steamboats,
Came the wagons, and the coaches,
Covered wagons, stage coaches,
Out of labor came the factories,
Came the foundries, came the railroads.
Came the marts and markets, shops and stores,
Came the mighty products moulded, manufactured,
Sold in shops, piled in warehouses,
Shipped the wide world over:
Out of labor-white hands and black hands-
Came the dream, the strength, the will,
And the way to build America.
Now it is Me here, and You there.
Now it's Manhattan, Chicago,
Seattle, New Orleans,
Boston and El Paso-
Now it's the U.S.A.

A long time ago, but not too long ago, a man said:
 ALL MEN ARE CREATED EQUAL--
 ENDOWED BY THEIR CREATOR
 WITH CERTAIN UNALIENABLE RIGHTS--
 AMONG THESE LIFE, LIBERTY
 AND THE PURSUIT OF HAPPINESS.
His name was Jefferson. There were slaves then,
But in their hearts the slaves believed him, too,
And silently too for granted
That what he said was also meant for them.
It was a long time ago,
But not so long ago at that, Lincoln said:
 NO MAN IS GOOD ENOUGH
 TO GOVERN ANOTHER MAN
 WITHOUT THAT OTHER'S CONSENT.
There were slaves then, too,
But in their hearts the slaves knew
What he said must be meant for every human being-
Else it had no meaning for anyone.
Then a man said:
 BETTER TO DIE FREE
 THAN TO LIVE SLAVES
He was a colored man who had been a slave
But had run away to freedom.
And the slaves knew
What Frederick Douglass said was true.

With John Brown at Harper's Ferry, ******* died.
John Brown was hung.
Before the Civil War, days were dark,
And nobody knew for sure
When freedom would triumph
"Or if it would," thought some.
But others new it had to triumph.
In those dark days of slavery,
Guarding in their hearts the seed of freedom,
The slaves made up a song:
 Keep Your Hand On The Plow! Hold On!
That song meant just what it said: Hold On!
Freedom will come!
 Keep Your Hand On The Plow! Hold On!
Out of war it came, bloody and terrible!
But it came!
Some there were, as always,
Who doubted that the war would end right,
That the slaves would be free,
Or that the union would stand,
But now we know how it all came out.
Out of the darkest days for people and a nation,
We know now how it came out.
There was light when the battle clouds rolled away.
There was a great wooded land,
And men united as a nation.

America is a dream.
The poet says it was promises.
The people say it is promises-that will come true.
The people do not always say things out loud,
Nor write them down on paper.
The people often hold
Great thoughts in their deepest hearts
And sometimes only blunderingly express them,
Haltingly and stumblingly say them,
And faultily put them into practice.
The people do not always understand each other.
But there is, somewhere there,
Always the trying to understand,
And the trying to say,
"You are a man. Together we are building our land."

America!
Land created in common,
Dream nourished in common,
Keep your hand on the plow! Hold on!
If the house is not yet finished,
Don't be discouraged, builder!
If the fight is not yet won,
Don't be weary, soldier!
The plan and the pattern is here,
Woven from the beginning
Into the warp and woof of America:
 ALL MEN ARE CREATED EQUAL.
 NO MAN IS GOOD ENOUGH
 TO GOVERN ANOTHER MAN
 WITHOUT HIS CONSENT.
 BETTER DIE FREE,
 THAN TO LIVE SLAVES.
Who said those things? Americans!
Who owns those words? America!
Who is America? You, me!
We are America!
To the enemy who would conquer us from without,
We say, NO!
To the enemy who would divide
And conquer us from within,
We say, NO!
 FREEDOM!
 BROTHERHOOD!
 DEMOCRACY!
To all the enemies of these great words:
We say, NO!

A long time ago,
An enslaved people heading toward freedom
Made up a song:
 Keep Your Hand On The Plow! Hold On!
The plow plowed a new furrow
Across the field of history.
Into that furrow the freedom seed was dropped.
From that seed a tree grew, is growing, will ever grow.
That tree is for everybody,
For all America, for all the world.
May its branches spread and shelter grow
Until all races and all peoples know its shade.
 KEEP YOUR HAND ON THE PLOW! HOLD ON!

Lines Composed a Few Miles above Tintern Abbey

by William Wordsworth
Five years have passed; five summers, with the length 
Of five long winters! and again I hear
These waters, rolling from their mountain-springs
With a soft inland murmur.  Once again
Do I behold these steep and lofty cliffs,
That on a wild secluded scene impress
Thoughts of more deep seclusion; and connect
The landscape with the quiet of the sky.
The day is come when I again repose
Here, under this dark sycamore, and view
These plots of cottage-ground, these orchard-tufts,
Which at this season, with their unripe fruits,
Are clad in one green hue, and lose themselves
'Mid groves and copses. Once again I see
These hedgerows, hardly hedgerows, little lines
Of sportive wood run wild; these pastoral farms,
Green to the very door; and wreaths of smoke
Sent up, in silence, from among the trees!
With some uncertain notice, as might seem
Of vagrant dwellers in the houseless woods,
Or of some Hermit's cave, where by his fire
The Hermit sits alone. 

                               These beauteous forms,
Through a long absence, have not been to me
As is a landscape to a blind man's eye;
But oft, in lonely rooms, and 'mid the din
Of towns and cities, I have owed to them,
In hours of weariness, sensations sweet,
Felt in the blood, and felt along the heart;
And passing even into my purer mind
With tranquil restoration—feelings too
Of unremembered pleasure; such, perhaps,
As have no slight or trivial influence
On that best portion of a good man's life,
His little, nameless, unremembered, acts
Of kindness and of love.  Nor less, I trust,
To them I may have owed another gift,
Of aspect more sublime; that blessed mood,
In which the burthen of the mystery,
In which the heavy and the weary weight
Of all this unintelligible world,
Is lightened—that serene and blessed mood,
In which the affections gently lead us on—
Until, the breath of this corporeal frame
And even the motion of our human blood
Almost suspended, we are laid asleep
In body, and become a living soul;
While with an eye made quiet by the power
Of harmony, and the deep power of joy,
We see into the life of things. 

                                           If this
Be but a vain belief, yet, oh! how oft—
In darkness and amid the many shapes
Of joyless daylight; when the fretful stir
Unprofitable, and the fever of the world,
Have hung upon the beatings of my heart—
How oft, in spirit, have I turned to thee,
O sylvan Wye! thou wanderer through the woods,
How often has my spirit turned to thee! 

  And now, with gleams of half-extinguished thought,
With many recognitions dim and faint,
And somewhat of a sad perplexity,
The picture of the mind revives again;
While here I stand, not only with the sense
Of present pleasure, but with pleasing thoughts
That in this moment there is life and food
For future years.  And so I dare to hope,
Though changed, no doubt, from what I was when first
I came among these hills; when like a roe
I bounded o'er the mountains, by the sides
Of the deep rivers, and the lonely streams,
Wherever nature led—more like a man
Flying from something that he dreads than one
Who sought the thing he loved.  For nature then
(The coarser pleasures of my boyish days
And their glad animal movements all gone by)
To me was all in all.—I cannot paint
What then I was. The sounding cataract
Haunted me like a passion; the tall rock,
The mountain, and the deep and gloomy wood,
Their colors and their forms, were then to me
An appetite; a feeling and a love,
That had no need of a remoter charm,
By thought supplied, not any interest
Unborrowed from the eye.—That time is past,
And all its aching joys are now no more,
And all its dizzy raptures. Not for this
Faint I, nor mourn nor murmur; other gifts
Have followed; for such loss, I would believe,
Abundant recompense.  For I have learned
To look on nature, not as in the hour
Of thoughtless youth; but hearing oftentimes
The still sad music of humanity,
Nor harsh nor grating, though of ample power
To chasten and subdue.  And I have felt
A presence that disturbs me with the joy
Of elevated thoughts; a sense sublime
Of something far more deeply interfused,
Whose dwelling is the light of setting suns,
And the round ocean and the living air, 
And the blue sky, and in the mind of man:
A motion and a spirit, that impels 
All thinking things, all objects of all thought,
And rolls through all things. Therefore am I still
A lover of the meadows and the woods,
And mountains; and of all that we behold
From this green earth; of all the mighty world
Of eye, and ear—both what they half create,
And what perceive; well pleased to recognize
In nature and the language of the sense
The anchor of my purest thoughts, the nurse, 
The guide, the guardian of my heart, and soul
Of all my moral being. 

                                   Nor perchance,
If I were not thus taught, should I the more
Suffer my genial spirits to decay:
For thou art with me here upon the banks
Of this fair river; thou my dearest Friend,
My dear, dear Friend; and in thy voice I catch
The language of my former heart, and read
My former pleasures in the shooting lights
Of thy wild eyes.  Oh! yet a little while
May I behold in thee what I was once,
My dear, dear Sister! and this prayer I make,
Knowing that Nature never did betray
The heart that loved her; 'tis her privilege,
Through all the years of this our life, to lead
From joy to joy: for she can so inform
The mind that is within us, so impress
With quietness and beauty, and so feed
With lofty thoughts, that neither evil tongues,
Rash judgments, nor the sneers of selfish men,
Nor greetings where no kindness is, nor all
The dreary intercourse of daily life,
Shall e'er prevail against us, or disturb
Our cheerful faith, that all which we behold
Is full of blessings.  Therefore let the moon
Shine on thee in thy solitary walk;
And let the misty mountain winds be free
To blow against thee: and, in after years,
When these wild ecstasies shall be matured
Into a sober pleasure; when thy mind
Shall be a mansion for all lovely forms,
Thy memory be as a dwelling place
For all sweet sounds and harmonies; oh! then,
If solitude, or fear, or pain, or grief,
Should be thy portion, with what healing thoughts
Of tender joy wilt thou remember me,
And these my exhortations! Nor, perchance—
If I should be where I no more can hear
Thy voice, nor catch from thy wild eyes these gleams
Of past existence—wilt thou then forget
That on the banks of this delightful stream
We stood together; and that I, so long
A worshipper of Nature, hither came
Unwearied in that service; rather say
With warmer love—oh! with far deeper zeal
Of holier love.  Nor wilt thou then forget,
That after many wanderings, many years
Of absence, these steep woods and lofty cliffs,
And this green pastoral landscape, were to me
More dear, both for themselves and for thy sake!

Ode on Solitude

by Alexander Pope
I. 
How happy he, who free from care 
The rage of courts, and noise of towns; 
Contented breathes his native air, 
In his own grounds. 

II. 
Whose herds with milk, whose fields with bread, 
Whose flocks supply him with attire, 
Whose trees in summer yield him shade, 
In winter fire. 

III. 
Blest! who can unconcern'dly find 
Hours, days, and years slide swift away, 
In health of body, peace of mind, 
Quiet by day, 

IV. 
Sound sleep by night; study and ease 
Together mix'd; sweet recreation, 
And innocence, which most does please, 
With meditation. 

V. 
Thus let me live, unheard, unknown; 
Thus unlamented let me die; 
Steal from the world, and not a stone 
Tell where I lie.

A Poets Voice XV

by Kahlil Gibran
 Part One


The power of charity sows deep in my heart, and I reap and gather the wheat in bundles and give them to the hungry. 

My soul gives life to the grapevine and I press its bunches and give the juice to the thirsty. 

Heaven fills my lamp with oil and I place it at my window to direct the stranger through the dark. 

I do all these things because I live in them; and if destiny should tie my hands and prevent me from so doing, then death would be my only desire. For I am a poet, and if I cannot give, I shall refuse to receive. 

Humanity rages like a tempest, but I sigh in silence for I know the storm must pass away while a sigh goes to God. 

Human kinds cling to earthly things, but I seek ever to embrace the torch of love so it will purify me by its fire and sear inhumanity from my heart. 

Substantial things deaden a man without suffering; love awakens him with enlivening pains. 

Humans are divided into different clans and tribes, and belong to countries and towns. But I find myself a stranger to all communities and belong to no settlement. The universe is my country and the human family is my tribe. 

Men are weak, and it is sad that they divide amongst themselves. The world is narrow and it is unwise to cleave it into kingdoms, empires, and provinces. 

Human kinds unite themselves one to destroy the temples of the soul, and they join hands to build edifices for earthly bodies. I stand alone listening to the voice of hope in my deep self saying, "As love enlivens a man's heart with pain, so ignorance teaches him the way of knowledge." Pain and ignorance lead to great joy and knowledge because the Supreme Being has created nothing vain under the sun. 



Part Two


I have a yearning for my beautiful country, and I love its people because of their misery. But if my people rose, stimulated by plunder and motivated by what they call "patriotic spirit" to murder, and invaded my neighbor's country, then upon the committing of any human atrocity I would hate my people and my country. 

I sing the praise of my birthplace and long to see the home of my children; but if the people in that home refused to shelter and feed the needy wayfarer, I would convert my praise into anger and my longing to forgetfulness. My inner voice would say, "The house that does not comfort the need is worthy of naught by destruction." 

I love my native village with some of my love for my country; and I love my country with part of my love for the earth, all of which is my country; and I love the earth will all of myself because it is the haven of humanity, the manifest spirit of God. 

Humanity is the spirit of the Supreme Being on earth, and that humanity is standing amidst ruins, hiding its nakedness behind tattered rags, shedding tears upon hollow cheeks, and calling for its children with pitiful voice. But the children are busy singing their clan's anthem; they are busy sharpening the swords and cannot hear the cry of their mothers. 

Humanity appeals to its people but they listen not. Were one to listen, and console a mother by wiping her tears, other would say, "He is weak, affected by sentiment." 

Humanity is the spirit of the Supreme Being on earth, and that Supreme Being preaches love and good-will. But the people ridicule such teachings. The Nazarene Jesus listened, and crucifixion was his lot; Socrates heard the voice and followed it, and he too fell victim in body. The followers of The Nazarene and Socrates are the followers of Deity, and since people will not kill them, they deride them, saying, "Ridicule is more bitter than killing." 

Jerusalem could not kill The Nazarene, nor Athens Socrates; they are living yet and shall live eternally. Ridicule cannot triumph over the followers of Deity. They live and grow forever. 



Part Three


Thou art my brother because you are a human, and we both are sons of one Holy Spirit; we are equal and made of the same earth. 

You are here as my companion along the path of life, and my aid in understanding the meaning of hidden Truth. You are a human, and, that fact sufficing, I love you as a brother. You may speak of me as you choose, for Tomorrow shall take you away and will use your talk as evidence for his judgment, and you shall receive justice. 

You may deprive me of whatever I possess, for my greed instigated the amassing of wealth and you are entitled to my lot if it will satisfy you. 

You may do unto me whatever you wish, but you shall not be able to touch my Truth. 

You may shed my blood and burn my body, but you cannot kill or hurt my spirit. 

You may tie my hands with chains and my feet with shackles, and put me in the dark prison, but who shall not enslave my thinking, for it is free, like the breeze in the spacious sky. 

You are my brother and I love you. I love you worshipping in your church, kneeling in your temple, and praying in your mosque. You and I and all are children of one religion, for the varied paths of religion are but the fingers of the loving hand of the Supreme Being, extended to all, offering completeness of spirit to all, anxious to receive all. 

I love you for your Truth, derived from your knowledge; that Truth which I cannot see because of my ignorance. But I respect it as a divine thing, for it is the deed of the spirit. Your Truth shall meet my Truth in the coming world and blend together like the fragrance of flowers and becoming one whole and eternal Truth, perpetuating and living in the eternity of Love and Beauty. 

I love you because you are weak before the strong oppressor, and poor before the greedy rich. For these reasons I shed tears and comfort you; and from behind my tears I see you embraced in the arms of Justice, smiling and forgiving your persecutors. You are my brother and I love you. 



Part Four


You are my brother, but why are you quarreling with me? Why do you invade my country and try to subjugate me for the sake of pleasing those who are seeking glory and authority? 

Why do you leave your wife and children and follow Death to the distant land for the sake of those who buy glory with your blood, and high honor with your mother's tears? 

Is it an honor for a man to kill his brother man? If you deem it an honor, let it be an act of worship, and erect a temple to Cain who slew his brother Abel. 

Is self-preservation the first law of Nature? Why, then, does Greed urge you to self-sacrifice in order only to achieve his aim in hurting your brothers? Beware, my brother, of the leader who says, "Love of existence obliges us to deprive the people of their rights!" I say unto you but this: protecting others' rights is the noblest and most beautiful human act; if my existence requires that I kill others, then death is more honorable to me, and if I cannot find someone to kill me for the protection of my honor, I will not hesitate to take my life by my own hands for the sake of Eternity before Eternity comes. 

Selfishness, my brother, is the cause of blind superiority, and superiority creates clanship, and clanship creates authority which leads to discord and subjugation. 

The soul believes in the power of knowledge and justice over dark ignorance; it denies the authority that supplies the swords to defend and strengthen ignorance and oppression - that authority which destroyed Babylon and shook the foundation of Jerusalem and left Rome in ruins. It is that which made people call criminals great mean; made writers respect their names; made historians relate the stories of their inhumanity in manner of praise. 

The only authority I obey is the knowledge of guarding and acquiescing in the Natural Law of Justice. 

What justice does authority display when it kills the killer? When it imprisons the robber? When it descends on a neighborhood country and slays its people? What does justice think of the authority under which a killer punishes the one who kills, and a thief sentences the one who steals? 

You are my brother, and I love you; and Love is justice with its full intensity and dignity. If justice did not support my love for you, regardless of your tribe and community, I would be a deceiver concealing the ugliness of selfishness behind the outer garment of pure love. 



Conclusion


My soul is my friend who consoles me in misery and distress of life. He who does not befriend his soul is an enemy of humanity, and he who does not find human guidance within himself will perish desperately. Life emerges from within, and derives not from environs. 

I came to say a word and I shall say it now. But if death prevents its uttering, it will be said tomorrow, for tomorrow never leaves a secret in the book of eternity.

I came to live in the glory of love and the light of beauty, which are the reflections of God. I am here living, and the people are unable to exile me from the domain of life for they know I will live in death. If they pluck my eyes I will hearken to the murmers of love and the songs of beauty.

If they close my ears I will enjoy the touch of the breeze mixed with the incebse of love and the fragrance of beauty.

If they place me in a vacuum, I will live together with my soul, the child of love and beauty.

I came here to be for all and with all, and what I do today in my solitude will be echoed by tomorrow to the people.

What I say now with one heart will be said tomorrow by many hearts

In the Home Stretch

by Robert Frost
 SHE stood against the kitchen sink, and looked
Over the sink out through a dusty window
At weeds the water from the sink made tall.
She wore her cape; her hat was in her hand.
Behind her was confusion in the room,
Of chairs turned upside down to sit like people
In other chairs, and something, come to look,
For every room a house has—parlor, bed-room,
And dining-room—thrown pell-mell in the kitchen.
And now and then a smudged, infernal face
Looked in a door behind her and addressed
Her back. She always answered without turning.

“Where will I put this walnut bureau, lady?”
“Put it on top of something that’s on top
Of something else,” she laughed. “Oh, put it where
You can to-night, and go. It’s almost dark;
You must be getting started back to town.”
Another blackened face thrust in and looked
And smiled, and when she did not turn, spoke gently,
“What are you seeing out the window, lady?”

“Never was I beladied so before.
Would evidence of having been called lady
More than so many times make me a lady
In common law, I wonder.”

“But I ask,
What are you seeing out the window, lady?”

“What I’ll be seeing more of in the years
To come as here I stand and go the round
Of many plates with towels many times.”

“And what is that? You only put me off.”

“Rank weeds that love the water from the dish-pan
More than some women like the dish-pan, Joe;
A little stretch of mowing-field for you;
Not much of that until I come to woods
That end all. And it’s scarce enough to call
A view.”

“And yet you think you like it, dear?”

“That’s what you’re so concerned to know! You hope
I like it. Bang goes something big away
Off there upstairs. The very tread of men
As great as those is shattering to the frame
Of such a little house. Once left alone,
You and I, dear, will go with softer steps
Up and down stairs and through the rooms, and none
But sudden winds that snatch them from our hands
Will ever slam the doors.”

“I think you see
More than you like to own to out that window.”

“No; for besides the things I tell you of,
I only see the years. They come and go
In alternation with the weeds, the field,
The wood.”

“What kind of years?”
“Why, latter years—
Different from early years.”
“I see them, too.
You didn’t count them?”
“No, the further off
So ran together that I didn’t try to.
It can scarce be that they would be in number
We’d care to know, for we are not young now.
And bang goes something else away off there.
It sounds as if it were the men went down,
And every crash meant one less to return
To lighted city streets we, too, have known,
But now are giving up for country darkness.”

“Come from that window where you see too much for me,
And take a livelier view of things from here.
They’re going. Watch this husky swarming up
Over the wheel into the sky-high seat,
Lighting his pipe now, squinting down his nose
At the flame burning downward as he sucks it.”

“See how it makes his nose-side bright, a proof
How dark it’s getting. Can you tell what time
It is by that? Or by the moon? The new moon!
What shoulder did I see her over? Neither.
A wire she is of silver, as new as we
To everything. Her light won’t last us long.
It’s something, though, to know we’re going to have her
Night after night and stronger every night
To see us through our first two weeks. But, Joe,
The stove! Before they go! Knock on the window;
Ask them to help you get it on its feet.
We stand here dreaming. Hurry! Call them back!”

“They’re not gone yet.”

“We’ve got to have the stove,
Whatever else we want for. And a light.
Have we a piece of candle if the lamp
And oil are buried out of reach?”
Again
The house was full of tramping, and the dark,
Door-filling men burst in and seized the stove.
A cannon-mouth-like hole was in the wall,
To which they set it true by eye; and then
Came up the jointed stovepipe in their hands,
So much too light and airy for their strength
It almost seemed to come ballooning up,
Slipping from clumsy clutches toward the ceiling.
“A fit!” said one, and banged a stovepipe shoulder.
“It’s good luck when you move in to begin
With good luck with your stovepipe. Never mind,
It’s not so bad in the country, settled down,
When people ’re getting on in life, You’ll like it.”
Joe said: “You big boys ought to find a farm,
And make good farmers, and leave other fellows
The city work to do. There’s not enough
For everybody as it is in there.”
“God!” one said wildly, and, when no one spoke:
“Say that to Jimmy here. He needs a farm.”
But Jimmy only made his jaw recede
Fool-like, and rolled his eyes as if to say
He saw himself a farmer. Then there was a French boy
Who said with seriousness that made them laugh,
“Ma friend, you ain’t know what it is you’re ask.”
He doffed his cap and held it with both hands
Across his chest to make as ’twere a bow:
“We’re giving you our chances on de farm.”
And then they all turned to with deafening boots
And put each other bodily out of the house.
“Goodby to them! We puzzle them. They think—
I don’t know what they think we see in what
They leave us to: that pasture slope that seems
The back some farm presents us; and your woods
To northward from your window at the sink,
Waiting to steal a step on us whenever
We drop our eyes or turn to other things,
As in the game ‘Ten-step’ the children play.”

“Good boys they seemed, and let them love the city.
All they could say was ‘God!’ when you proposed
Their coming out and making useful farmers.”

“Did they make something lonesome go through you?
It would take more than them to sicken you—
Us of our bargain. But they left us so
As to our fate, like fools past reasoning with.
They almost shook me.”

“It’s all so much
What we have always wanted, I confess
It’s seeming bad for a moment makes it seem
Even worse still, and so on down, down, down.
It’s nothing; it’s their leaving us at dusk.
I never bore it well when people went.
The first night after guests have gone, the house
Seems haunted or exposed. I always take
A personal interest in the locking up
At bedtime; but the strangeness soon wears off.”
He fetched a dingy lantern from behind
A door. “There’s that we didn’t lose! And these!”—
Some matches he unpocketed. “For food—
The meals we’ve had no one can take from us.
I wish that everything on earth were just
As certain as the meals we’ve had. I wish
The meals we haven’t had were, anyway.
What have you you know where to lay your hands on?”

“The bread we bought in passing at the store.
There’s butter somewhere, too.”

“Let’s rend the bread.
I’ll light the fire for company for you;
You’ll not have any other company
Till Ed begins to get out on a Sunday
To look us over and give us his idea
Of what wants pruning, shingling, breaking up.
He’ll know what he would do if he were we,
And all at once. He’ll plan for us and plan
To help us, but he’ll take it out in planning.
Well, you can set the table with the loaf.
Let’s see you find your loaf. I’ll light the fire.
I like chairs occupying other chairs
Not offering a lady—”

“There again, Joe!
You’re tired.”

“I’m drunk-nonsensical tired out;
Don’t mind a word I say. It’s a day’s work
To empty one house of all household goods
And fill another with ’em fifteen miles away,
Although you do no more than dump them down.”

“Dumped down in paradise we are and happy.”

“It’s all so much what I have always wanted,
I can’t believe it’s what you wanted, too.”

“Shouldn’t you like to know?”

“I’d like to know
If it is what you wanted, then how much
You wanted it for me.”

“A troubled conscience!
You don’t want me to tell if I don’t know.”

“I don’t want to find out what can’t be known.

But who first said the word to come?”

“My dear,
It’s who first thought the thought. You’re searching, Joe,
For things that don’t exist; I mean beginnings.
Ends and beginnings—there are no such things.
There are only middles.”

“What is this?”
“This life?
Our sitting here by lantern-light together
Amid the wreckage of a former home?
You won’t deny the lantern isn’t new.
The stove is not, and you are not to me,
Nor I to you.”

“Perhaps you never were?”

“It would take me forever to recite
All that’s not new in where we find ourselves.
New is a word for fools in towns who think
Style upon style in dress and thought at last
Must get somewhere. I’ve heard you say as much.
No, this is no beginning.”

“Then an end?”

“End is a gloomy word.”
“Is it too late
To drag you out for just a good-night call
On the old peach trees on the knoll to grope
By starlight in the grass for a last peach
The neighbors may not have taken as their right
When the house wasn’t lived in? I’ve been looking:
I doubt if they have left us many grapes.
Before we set ourselves to right the house,
The first thing in the morning, out we go
To go the round of apple, cherry, peach,
Pine, alder, pasture, mowing, well, and brook.
All of a farm it is.”

“I know this much:
I’m going to put you in your bed, if first
I have to make you build it. Come, the light.”

When there was no more lantern in the kitchen,
The fire got out through crannies in the stove
And danced in yellow wrigglers on the ceiling,
As much at home as if they’d always danced there.

Poem On His Birthday

by Dylan Thomas
 In the mustardseed sun,
By full tilt river and switchback sea
 Where the cormorants scud,
In his house on stilts high among beaks
 And palavers of birds
This sandgrain day in the bent bay's grave
 He celebrates and spurns
His driftwood thirty-fifth wind turned age;
 Herons spire and spear.

 Under and round him go
Flounders, gulls, on their cold, dying trails,
 Doing what they are told,
Curlews aloud in the congered waves
 Work at their ways to death,
And the rhymer in the long tongued room,
 Who tolls his birthday bell,
Toils towards the ambush of his wounds;
 Herons, steeple stemmed, bless.

 In the thistledown fall,
He sings towards anguish; finches fly
 In the claw tracks of hawks
On a seizing sky; small fishes glide
 Through wynds and shells of drowned
Ship towns to pastures of otters. He
 In his slant, racking house
And the hewn coils of his trade perceives
 Herons walk in their shroud,

 The livelong river's robe
Of minnows wreathing around their prayer;
 And far at sea he knows,
Who slaves to his crouched, eternal end
 Under a serpent cloud,
Dolphins dive in their turnturtle dust,
 The rippled seals streak down
To kill and their own tide daubing blood
 Slides good in the sleek mouth.

 In a cavernous, swung
Wave's silence, wept white angelus knells.
 Thirty-five bells sing struck
On skull and scar where his loves lie wrecked,
 Steered by the falling stars.
And to-morrow weeps in a blind cage
 Terror will rage apart
Before chains break to a hammer flame
 And love unbolts the dark

 And freely he goes lost
In the unknown, famous light of great
 And fabulous, dear God.
Dark is a way and light is a place,
 Heaven that never was
Nor will be ever is always true,
 And, in that brambled void,
Plenty as blackberries in the woods
 The dead grow for His joy.

 There he might wander bare
With the spirits of the horseshoe bay
 Or the stars' seashore dead,
Marrow of eagles, the roots of whales
 And wishbones of wild geese,
With blessed, unborn God and His Ghost,
 And every soul His priest,
Gulled and chanter in young Heaven's fold
 Be at cloud quaking peace,

 But dark is a long way.
He, on the earth of the night, alone
 With all the living, prays,
Who knows the rocketing wind will blow
 The bones out of the hills,
And the scythed boulders bleed, and the last
 Rage shattered waters kick
Masts and fishes to the still quick starts,
 Faithlessly unto Him

 Who is the light of old
And air shaped Heaven where souls grow wild
 As horses in the foam:
Oh, let me midlife mourn by the shrined
 And druid herons' vows
The voyage to ruin I must run,
 Dawn ships clouted aground,
Yet, though I cry with tumbledown tongue,
 Count my blessings aloud:

 Four elements and five
Senses, and man a spirit in love
 Tangling through this spun slime
To his nimbus bell cool kingdom come
 And the lost, moonshine domes,
And the sea that hides his secret selves
 Deep in its black, base bones,
Lulling of spheres in the seashell flesh,
 And this last blessing most,

 That the closer I move
To death, one man through his sundered hulks,
 The louder the sun blooms
And the tusked, ramshackling sea exults;
 And every wave of the way
And gale I tackle, the whole world then,
 With more triumphant faith
That ever was since the world was said,
 Spins its morning of praise,

 I hear the bouncing hills
Grow larked and greener at berry brown
 Fall and the dew larks sing
Taller this thunderclap spring, and how
 More spanned with angles ride
The mansouled fiery islands! Oh,
 Holier then their eyes,
And my shining men no more alone
 As I sail out to die.

Frances

by Charlotte Bronte
 SHE will not sleep, for fear of dreams, 
But, rising, quits her restless bed, 
And walks where some beclouded beams 
Of moonlight through the hall are shed.

Obedient to the goad of grief, 
Her steps, now fast, now lingering slow, 
In varying motion seek relief 
From the Eumenides of woe.

Wringing her hands, at intervals­ 
But long as mute as phantom dim­ 
She glides along the dusky walls, 
Under the black oak rafters, grim.

The close air of the grated tower 
Stifles a heart that scarce can beat, 
And, though so late and lone the hour, 
Forth pass her wandering, faltering feet;

And on the pavement, spread before 
The long front of the mansion grey, 
Her steps imprint the night-frost hoar, 
Which pale on grass and granite lay.

Not long she stayed where misty moon 
And shimmering stars could on her look, 
But through the garden arch-way, soon 
Her strange and gloomy path she took.

Some firs, coeval with the tower, 
Their straight black boughs stretched o'er her head, 
Unseen, beneath this sable bower, 
Rustled her dress and rapid tread. 

There was an alcove in that shade, 
Screening a rustic-seat and stand; 
Weary she sat her down and laid 
Her hot brow on her burning hand.

To solitude and to the night, 
Some words she now, in murmurs, said; 
And, trickling through her fingers white, 
Some tears of misery she shed.

' God help me, in my grievous need, 
God help me, in my inward pain; 
Which cannot ask for pity's meed, 
Which has no license to complain;

Which must be borne, yet who can bear, 
Hours long, days long, a constant weight­ 
The yoke of absolute despair, 
A suffering wholly desolate ?

Who can for ever crush the heart, 
Restrain its throbbing, curb its life ? 
Dissemble truth with ceaseless art, 
With outward calm, mask inward strife ?'

She waited­as for some reply;
The still and cloudy night gave none; 
Erelong, with deep-drawn, trembling sigh, 
Her heavy plaint again begun. 

' Unloved­I love; unwept­I weep; 
Grief I restrain­hope I repress: 
Vain is this anguish­fixed and deep; 
Vainer, desires and dreams of bliss.

My love awakes no love again, 
My tears collect, and fall unfelt; 
My sorrow touches none with pain, 
My humble hopes to nothing melt.

For me the universe is dumb, 
Stone-deaf, and blank, and wholly blind; 
Life I must bound, existence sum 
In the strait limits of one mind;

That mind my own. Oh ! narrow cell; 
Dark­imageless­a living tomb ! 
There must I sleep, there wake and dwell 
Content, with palsy, pain, and gloom.'

Again she paused; a moan of pain, 
A stifled sob, alone was heard; 
Long silence followed­then again, 
Her voice the stagnant midnight stirred.

' Must it be so ? Is this my fate ?
Can I nor struggle, nor contend ?
And am I doomed for years to wait,
Watching death's lingering axe descend ? 

And when it falls, and when I die, 
What follows ? Vacant nothingness ? 
The blank of lost identity ? 
Erasure both of pain and bliss ?

I've heard of heaven­I would believe; 
For if this earth indeed be all, 
Who longest lives may deepest grieve, 
Most blest, whom sorrows soonest call.

Oh ! leaving disappointment here, 
Will man find hope on yonder coast ? 
Hope, which, on earth, shines never clear, 
And oft in clouds is wholly lost.

Will he hope's source of light behold, 
Fruition's spring, where doubts expire, 
And drink, in waves of living gold, 
Contentment, full, for long desire ?

Will he find bliss, which here he dreamed ? 
Rest, which was weariness on earth ? 
Knowledge, which, if o'er life it beamed, 
Served but to prove it void of worth ?

Will he find love without lust's leaven, 
Love fearless, tearless, perfect, pure, 
To all with equal bounty given, 
In all, unfeigned, unfailing, sure ? 

Will he, from penal sufferings free, 
Released from shroud and wormy clod, 
All calm and glorious, rise and see 
Creation's Sire­Existence' God ?

Then, glancing back on Time's brief woes, 
Will he behold them, fading, fly; 
Swept from Eternity's repose, 
Like sullying cloud, from pure blue sky ?

If so­endure, my weary frame; 
And when thy anguish strikes too deep, 
And when all troubled burns life's flame,
Think of the quiet, final sleep;

Think of the glorious waking-hour, 
Which will not dawn on grief and tears, 
But on a ransomed spirit's power, 
Certain, and free from mortal fears.

Seek now thy couch, and lie till morn, 
Then from thy chamber, calm, descend, 
With mind nor tossed, nor anguish-torn, 
But tranquil, fixed, to wait the end.

And when thy opening eyes shall see
Mementos, on the chamber wall,
Of one who has forgotten thee,
Shed not the tear of acrid gall. 

The tear which, welling from the heart, 
Burns where its drop corrosive falls, 
And makes each nerve, in torture, start, 
At feelings it too well recalls:

When the sweet hope of being loved, 
Threw Eden sunshine on life's way; 
When every sense and feeling proved 
Expectancy of brightest day.

When the hand trembled to receive 
A thrilling clasp, which seemed so near, 
And the heart ventured to believe,
Another heart esteemed it dear.

When words, half love, all tenderness, 
Were hourly heard, as hourly spoken, 
When the long, sunny days of bliss, 
Only by moonlight nights were broken.

Till drop by drop, the cup of joy 
Filled full, with purple light, was glowing, 
And Faith, which watched it, sparkling high, 
Still never dreamt the overflowing.

It fell not with a sudden crashing, 
It poured not out like open sluice; 
No, sparkling still, and redly flashing, 
Drained, drop by drop, the generous juice. 

I saw it sink, and strove to taste it, 
My eager lips approached the brim; 
The movement only seemed to waste it, 
It sank to dregs, all harsh and dim.

These I have drank, and they for ever 
Have poisoned life and love for me; 
A draught from Sodom's lake could never 
More fiery, salt, and bitter, be.

Oh ! Love was all a thin illusion; 
Joy, but the desert's flying stream; 
And, glancing back on long delusion,
My memory grasps a hollow dream.

Yet, whence that wondrous change of feeling, 
I never knew, and cannot learn, 
Nor why my lover's eye, congealing, 
Grew cold, and clouded, proud, and stern.

Nor wherefore, friendship's forms forgetting, 
He careless left, and cool withdrew; 
Nor spoke of grief, nor fond regretting, 
Nor even one glance of comfort threw.

And neither word nor token sending,
Of kindness, since the parting day,
His course, for distant regions bending,
Went, self-contained and calm, away. 

Oh, bitter, blighting, keen sensation, 
Which will not weaken, cannot die, 
Hasten thy work of desolation, 
And let my tortured spirit fly !

Vain as the passing gale, my crying; 
Though lightning-struck, I must live on; 
I know, at heart, there is no dying 
Of love, and ruined hope, alone.

Still strong, and young, and warm with vigour, 
Though scathed, I long shall greenly grow, 
And many a storm of wildest rigour 
Shall yet break o'er my shivered bough.

Rebellious now to blank inertion, 
My unused strength demands a task; 
Travel, and toil, and full exertion, 
Are the last, only boon I ask.

Whence, then, this vain and barren dreaming 
Of death, and dubious life to come ? 
I see a nearer beacon gleaming 
Over dejection's sea of gloom.

The very wildness of my sorrow 
Tells me I yet have innate force; 
My track of life has been too narrow, 
Effort shall trace a broader course. 

The world is not in yonder tower, 
Earth is not prisoned in that room, 
'Mid whose dark pannels, hour by hour, 
I've sat, the slave and prey of gloom.

One feeling­turned to utter anguish, 
Is not my being's only aim; 
When, lorn and loveless, life will languish, 
But courage can revive the flame.

He, when he left me, went a roving
To sunny climes, beyond the sea; 
And I, the weight of woe removing, 
Am free and fetterless as he.

New scenes, new language, skies less clouded,
May once more wake the wish to live; 
Strange, foreign towns, astir, and crowded, 
New pictures to the mind may give.

New forms and faces, passing ever, 
May hide the one I still retain, 
Defined, and fixed, and fading never, 
Stamped deep on vision, heart, and brain.

And we might meet­time may have changed him;
Chance may reveal the mystery,
The secret influence which estranged him;
Love may restore him yet to me. 

False thought­false hope­in scorn be banished ! 
I am not loved­nor loved have been; 
Recall not, then, the dreams scarce vanished, 
Traitors ! mislead me not again !

To words like yours I bid defiance, 
'Tis such my mental wreck have made; 
Of God alone, and self-reliance, 
I ask for solace­hope for aid.

Morn comes­and ere meridian glory
O'er these, my natal woods, shall smile, 
Both lonely wood and mansion hoary 
I'll leave behind, full many a mile.

The Wanderer

by Alan Seeger
 To see the clouds his spirit yearned toward so 
Over new mountains piled and unploughed waves, 
Back of old-storied spires and architraves 
To watch Arcturus rise or Fomalhaut,

And roused by street-cries in strange tongues when day 
Flooded with gold some domed metropolis, 
Between new towers to waken and new bliss 
Spread on his pillow in a wondrous way:

These were his joys. Oft under bulging crates, 
Coming to market with his morning load, 
The peasant found him early on his road 
To greet the sunrise at the city-gates,---

There where the meadows waken in its rays, 
Golden with mist, and the great roads commence, 
And backward, where the chimney-tops are dense, 
Cathedral-arches glimmer through the haze.

White dunes that breaking show a strip of sea, 
A plowman and his team against the blue 
Swiss pastures musical with cowbells, too, 
And poplar-lined canals in Picardie,

And coast-towns where the vultures back and forth
Sail in the clear depths of the tropic sky,
And swallows in the sunset where they fly
Over gray Gothic cities in the north,

And the wine-cellar and the chorus there,
The dance-hall and a face among the crowd,---
Were all delights that made him sing aloud 
For joy to sojourn in a world so fair.

Back of his footsteps as he journeyed fell 
Range after range; ahead blue hills emerged. 
Before him tireless to applaud it surged 
The sweet interminable spectacle.

And like the west behind a sundown sea 
Shone the past joys his memory retraced, 
And bright as the blue east he always faced 
Beckoned the loves and joys that were to be.

From every branch a blossom for his brow 
He gathered, singing down Life's flower-lined road, 
And youth impelled his spirit as he strode 
Like winged Victory on the galley's prow.

That Loveliness whose being sun and star,
Green Earth and dawn and amber evening robe,
That lamp whereof the opalescent globe
The season's emulative splendors are,

That veiled divinity whose beams transpire 
From every pore of universal space,
As the fair soul illumes the lovely face---
That was his guest, his passion, his desire.

His heart the love of Beauty held as hides 
One gem most pure a casket of pure gold. 
It was too rich a lesser thing to bold;
It was not large enough for aught besides.

Journey Of The Magi

by T S (Thomas Stearns) Eliot
 'A cold coming we had of it,
Just the worst time of the year
For a journey, and such a journey:
The ways deep and the weather sharp,
The very dead of winter.'
And the camels galled, sore-footed, 
 refractory,
Lying down in the melting snow.
There were times we regretted
The summer palaces on slopes, the 
 terraces,
And the silken girls bringing sherbet.

Then the camel men cursing and 
 grumbling
And running away, and wanting their
 liquor and women, 
And the night-fires going out, and the 
 lack of shelters, 
And the cities hostile and the towns 
 unfriendly
And the villages dirty and charging high
 prices:
A hard time we had of it.
At the end we preferred to travel all 
 night,
Sleeping in snatches,
With the voices singing in our ears, 
 saying
That this was all folly.

Then at dawn we came down to a 
 temperate valley,
Wet, below the snow line, smelling of 
 vegetation;
With a running stream and a water-mill
 beating the darkness,
And three trees on the low sky,
And an old white horse galloped in 
 away in the meadow.
Then we came to a tavern with 
 vine-leaves over the lintel,
Six hands at an open door dicing for 
 pieces of silver,
And feet kicking the empty wine-skins.
But there was no imformation, and so
 we continued
And arrived at evening, not a moment
 too soon
Finding the place; it was (you may say)
 satisfactory.

All this was a long time ago, I 
 remember,
And I would do it again, but set down
This set down
This: were we led all that way for
Birth or Death? There was a Birth, 
 certainly, 
We had evidence and no doubt. I had 
 seen birth and death,
But had thought they were different; 
 this Birth was 
Hard and bitter agony for us, like 
 Death, our death.
We returned to our places, these
 Kingdoms, 
But no longer at ease here, in the old 
 dispensation,
With an alien people clutching their 
 gods.
I should be glad of another death.

Ballad Of The Long-Legged Bait

by Dylan Thomas
 The bows glided down, and the coast
Blackened with birds took a last look
At his thrashing hair and whale-blue eye;
The trodden town rang its cobbles for luck.

Then good-bye to the fishermanned
Boat with its anchor free and fast
As a bird hooking over the sea,
High and dry by the top of the mast,

Whispered the affectionate sand
And the bulwarks of the dazzled quay.
For my sake sail, and never look back,
Said the looking land.

Sails drank the wind, and white as milk
He sped into the drinking dark;
The sun shipwrecked west on a pearl
And the moon swam out of its hulk.

Funnels and masts went by in a whirl.
Good-bye to the man on the sea-legged deck
To the gold gut that sings on his reel
To the bait that stalked out of the sack,

For we saw him throw to the swift flood
A girl alive with his hooks through her lips;
All the fishes were rayed in blood,
Said the dwindling ships.

Good-bye to chimneys and funnels,
Old wives that spin in the smoke,
He was blind to the eyes of candles
In the praying windows of waves

But heard his bait buck in the wake
And tussle in a shoal of loves.
Now cast down your rod, for the whole
Of the sea is hilly with whales,

She longs among horses and angels,
The rainbow-fish bend in her joys,
Floated the lost cathedral
Chimes of the rocked buoys.

Where the anchor rode like a gull
Miles over the moonstruck boat
A squall of birds bellowed and fell,
A cloud blew the rain from its throat;

He saw the storm smoke out to kill
With fuming bows and ram of ice,
Fire on starlight, rake Jesu's stream;
And nothing shone on the water's face

But the oil and bubble of the moon,
Plunging and piercing in his course
The lured fish under the foam
Witnessed with a kiss.

Whales in the wake like capes and Alps
Quaked the sick sea and snouted deep,
Deep the great bushed bait with raining lips
Slipped the fins of those humpbacked tons

And fled their love in a weaving dip.
Oh, Jericho was falling in their lungs!
She nipped and dived in the nick of love,
Spun on a spout like a long-legged ball

Till every beast blared down in a swerve
Till every turtle crushed from his shell
Till every bone in the rushing grave
Rose and crowed and fell!

Good luck to the hand on the rod,
There is thunder under its thumbs;
Gold gut is a lightning thread,
His fiery reel sings off its flames,

The whirled boat in the burn of his blood
Is crying from nets to knives,
Oh the shearwater birds and their boatsized brood
Oh the bulls of Biscay and their calves

Are making under the green, laid veil
The long-legged beautiful bait their wives.
Break the black news and paint on a sail
Huge weddings in the waves,

Over the wakeward-flashing spray
Over the gardens of the floor
Clash out the mounting dolphin's day,
My mast is a bell-spire,

Strike and smoothe, for my decks are drums,
Sing through the water-spoken prow
The octopus walking into her limbs
The polar eagle with his tread of snow.

From salt-lipped beak to the kick of the stern
Sing how the seal has kissed her dead!
The long, laid minute's bride drifts on
Old in her cruel bed.

Over the graveyard in the water
Mountains and galleries beneath
Nightingale and hyena
Rejoicing for that drifting death

Sing and howl through sand and anemone
Valley and sahara in a shell,
Oh all the wanting flesh his enemy
Thrown to the sea in the shell of a girl


Is old as water and plain as an eel;
Always good-bye to the long-legged bread
Scattered in the paths of his heels
For the salty birds fluttered and fed

And the tall grains foamed in their bills;
Always good-bye to the fires of the face,
For the crab-backed dead on the sea-bed rose
And scuttled over her eyes,

The blind, clawed stare is cold as sleet.
The tempter under the eyelid
Who shows to the selves asleep
Mast-high moon-white women naked

Walking in wishes and lovely for shame
Is dumb and gone with his flame of brides.
Susannah's drowned in the bearded stream
And no-one stirs at Sheba's side

But the hungry kings of the tides;
Sin who had a woman's shape
Sleeps till Silence blows on a cloud
And all the lifted waters walk and leap.

Lucifer that bird's dropping
Out of the sides of the north
Has melted away and is lost
Is always lost in her vaulted breath,

Venus lies star-struck in her wound
And the sensual ruins make
Seasons over the liquid world,
White springs in the dark.

Always good-bye, cried the voices through the shell,
Good-bye always, for the flesh is cast
And the fisherman winds his reel
With no more desire than a ghost.

Always good luck, praised the finned in the feather
Bird after dark and the laughing fish
As the sails drank up the hail of thunder
And the long-tailed lightning lit his catch.

The boat swims into the six-year weather,
A wind throws a shadow and it freezes fast.
See what the gold gut drags from under
Mountains and galleries to the crest!

See what clings to hair and skull
As the boat skims on with drinking wings!
The statues of great rain stand still,
And the flakes fall like hills.

Sing and strike his heavy haul
Toppling up the boatside in a snow of light!
His decks are drenched with miracles.
Oh miracle of fishes! The long dead bite!

Out of the urn a size of a man
Out of the room the weight of his trouble
Out of the house that holds a town
In the continent of a fossil

One by one in dust and shawl,
Dry as echoes and insect-faced,
His fathers cling to the hand of the girl
And the dead hand leads the past,

Leads them as children and as air
On to the blindly tossing tops;
The centuries throw back their hair
And the old men sing from newborn lips:

Time is bearing another son.
Kill Time! She turns in her pain!
The oak is felled in the acorn
And the hawk in the egg kills the wren.

He who blew the great fire in
And died on a hiss of flames
Or walked the earth in the evening
Counting the denials of the grains

Clings to her drifting hair, and climbs;
And he who taught their lips to sing
Weeps like the risen sun among
The liquid choirs of his tribes.

The rod bends low, divining land,
And through the sundered water crawls
A garden holding to her hand
With birds and animals

With men and women and waterfalls
Trees cool and dry in the whirlpool of ships
And stunned and still on the green, laid veil
Sand with legends in its virgin laps

And prophets loud on the burned dunes;
Insects and valleys hold her thighs hard,
Times and places grip her breast bone,
She is breaking with seasons and clouds;

Round her trailed wrist fresh water weaves,
with moving fish and rounded stones
Up and down the greater waves
A separate river breathes and runs;

Strike and sing his catch of fields
For the surge is sown with barley,
The cattle graze on the covered foam,
The hills have footed the waves away,

With wild sea fillies and soaking bridles
With salty colts and gales in their limbs
All the horses of his haul of miracles
Gallop through the arched, green farms,

Trot and gallop with gulls upon them
And thunderbolts in their manes.
O Rome and Sodom To-morrow and London
The country tide is cobbled with towns

And steeples pierce the cloud on her shoulder
And the streets that the fisherman combed
When his long-legged flesh was a wind on fire
And his loin was a hunting flame

Coil from the thoroughfares of her hair
And terribly lead him home alive
Lead her prodigal home to his terror,
The furious ox-killing house of love.

Down, down, down, under the ground,
Under the floating villages,
Turns the moon-chained and water-wound
Metropolis of fishes,

There is nothing left of the sea but its sound,
Under the earth the loud sea walks,
In deathbeds of orchards the boat dies down
And the bait is drowned among hayricks,

Land, land, land, nothing remains
Of the pacing, famous sea but its speech,
And into its talkative seven tombs
The anchor dives through the floors of a church.

Good-bye, good luck, struck the sun and the moon,
To the fisherman lost on the land.
He stands alone in the door of his home,
With his long-legged heart in his hand.
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Book: Diverse Voices: The Poetry of Human Rights and the Pursuit of Peace