Written by
Geoffrey Chaucer |
THE PROLOGUE.
THE Cook of London, while the Reeve thus spake,
For joy he laugh'd and clapp'd him on the back:
"Aha!" quoth he, "for Christes passion,
This Miller had a sharp conclusion,
Upon this argument of herbergage.* *lodging
Well saide Solomon in his language,
Bring thou not every man into thine house,
For harbouring by night is perilous.
*Well ought a man avised for to be* *a man should take good heed*
Whom that he brought into his privity.
I pray to God to give me sorrow and care
If ever, since I highte* Hodge of Ware, *was called
Heard I a miller better *set a-work*; *handled
He had a jape* of malice in the derk. *trick
But God forbid that we should stinte* here, *stop
And therefore if ye will vouchsafe to hear
A tale of me, that am a poore man,
I will you tell as well as e'er I can
A little jape that fell in our city."
Our Host answer'd and said; "I grant it thee.
Roger, tell on; and look that it be good,
For many a pasty hast thou letten blood,
And many a Jack of Dover<1> hast thou sold,
That had been twice hot and twice cold.
Of many a pilgrim hast thou Christe's curse,
For of thy parsley yet fare they the worse.
That they have eaten in thy stubble goose:
For in thy shop doth many a fly go loose.
Now tell on, gentle Roger, by thy name,
But yet I pray thee be not *wroth for game*; *angry with my jesting*
A man may say full sooth in game and play."
"Thou sayst full sooth," quoth Roger, "by my fay;
But sooth play quad play,<2> as the Fleming saith,
And therefore, Harry Bailly, by thy faith,
Be thou not wroth, else we departe* here, *part company
Though that my tale be of an hostelere.* *innkeeper
But natheless, I will not tell it yet,
But ere we part, y-wis* thou shalt be quit."<3> *assuredly
And therewithal he laugh'd and made cheer,<4>
And told his tale, as ye shall after hear.
Notes to the Prologue to the Cook's Tale
1. Jack of Dover: an article of cookery. (Transcriber's note:
suggested by some commentators to be a kind of pie, and by
others to be a fish)
2. Sooth play quad play: true jest is no jest.
3. It may be remembered that each pilgrim was bound to tell
two stories; one on the way to Canterbury, the other returning.
4. Made cheer: French, "fit bonne mine;" put on a pleasant
countenance.
THE TALE.
A prentice whilom dwelt in our city,
And of a craft of victuallers was he:
Galliard* he was, as goldfinch in the shaw**, *lively **grove
Brown as a berry, a proper short fellaw:
With lockes black, combed full fetisly.* *daintily
And dance he could so well and jollily,
That he was called Perkin Revellour.
He was as full of love and paramour,
As is the honeycomb of honey sweet;
Well was the wenche that with him might meet.
At every bridal would he sing and hop;
He better lov'd the tavern than the shop.
For when there any riding was in Cheap,<1>
Out of the shoppe thither would he leap,
And, till that he had all the sight y-seen,
And danced well, he would not come again;
And gather'd him a meinie* of his sort, *company of fellows
To hop and sing, and make such disport:
And there they *sette steven* for to meet *made appointment*
To playen at the dice in such a street.
For in the towne was there no prentice
That fairer coulde cast a pair of dice
Than Perkin could; and thereto *he was free *he spent money liberally
Of his dispence, in place of privity.* where he would not be seen*
That found his master well in his chaffare,* *merchandise
For oftentime he found his box full bare.
For, soothely, a prentice revellour,
That haunteth dice, riot, and paramour,
His master shall it in his shop abie*, *suffer for
All* have he no part of the minstrelsy. *although
For theft and riot they be convertible,
All can they play on *gitern or ribible.* *guitar or rebeck*
Revel and truth, as in a low degree,
They be full wroth* all day, as men may see. *at variance
This jolly prentice with his master bode,
Till he was nigh out of his prenticehood,
All were he snubbed* both early and late, *rebuked
And sometimes led with revel to Newgate.
But at the last his master him bethought,
Upon a day when he his paper<2> sought,
Of a proverb, that saith this same word;
Better is rotten apple out of hoard,
Than that it should rot all the remenant:
So fares it by a riotous servant;
It is well lesse harm to let him pace*, *pass, go
Than he shend* all the servants in the place. *corrupt
Therefore his master gave him a quittance,
And bade him go, with sorrow and mischance.
And thus this jolly prentice had his leve*: *desire
Now let him riot all the night, or leave*. *refrain
And, for there is no thief without a louke,<3>
That helpeth him to wasten and to souk* *spend
Of that he bribe* can, or borrow may, *steal
Anon he sent his bed and his array
Unto a compere* of his owen sort, *comrade
That loved dice, and riot, and disport;
And had a wife, that held *for countenance* *for appearances*
A shop, and swived* for her sustenance. *prostituted herself
. . . . . . . <4>
Notes to the Cook's Tale
1. Cheapside, where jousts were sometimes held, and which
was the great scene of city revels and processions.
2. His paper: his certificate of completion of his apprenticeship.
3. Louke: The precise meaning of the word is unknown, but it
is doubtless included in the cant term "pal".
4. The Cook's Tale is unfinished in all the manuscripts; but in
some, of minor authority, the Cook is made to break off his
tale, because "it is so foul," and to tell the story of Gamelyn, on
which Shakespeare's "As You Like It" is founded. The story is
not Chaucer's, and is different in metre, and inferior in
composition to the Tales. It is supposed that Chaucer expunged
the Cook's Tale for the same reason that made him on his death-
bed lament that he had written so much "ribaldry."
|
Written by
John Wilmot |
Well Sir, 'tis granted, I said Dryden's Rhimes,
Were stoln, unequal, nay dull many times:
What foolish Patron, is there found of his,
So blindly partial, to deny me this?
But that his Plays, Embroider'd up and downe,
With Witt, and Learning, justly pleas'd the Towne,
In the same paper, I as freely owne:
Yet haveing this allow'd, the heavy Masse,
That stuffs up his loose Volumes must not passe:
For by that Rule, I might as well admit,
Crownes tedious Scenes, for Poetry, and Witt.
'Tis therefore not enough, when your false Sense
Hits the false Judgment of an Audience
Of Clapping-Fooles, assembling a vast Crowd
'Till the throng'd Play-House, crack with the dull Load;
Tho' ev'n that Tallent, merrits in some sort,
That can divert the Rabble and the Court:
Which blundring Settle, never cou'd attaine,
And puzling Otway, labours at in vaine.
But within due proportions, circumscribe
What e're you write; that with a flowing Tyde,
The Stile, may rise, yet in its rise forbeare,
With uselesse Words, t'oppresse the wearyed Eare:
Here be your Language lofty, there more light,
Your Rethorick, with your Poetry, unite:
For Elegance sake, sometimes alay the force
Of Epethets; 'twill soften the discourse;
A Jeast in Scorne, poynts out, and hits the thing,
More home, than the Morosest Satyrs Sting.
Shakespeare, and Johnson, did herein excell,
And might in this be Immitated well;
Whom refin'd Etheridge, Coppys not at all,
But is himself a Sheere Originall:
Nor that Slow Drudge, in swift Pindarique straines,
Flatman, who Cowley imitates with paines,
And rides a Jaded Muse, whipt with loose Raines.
When Lee, makes temp'rate Scipio, fret and Rave,
And Haniball, a whineing Am'rous Slave;
I laugh, and wish the hot-brain'd Fustian Foole,
In Busbys hands, to be well lasht at Schoole.
Of all our Moderne Witts, none seemes to me,
Once to have toucht upon true Comedy,
But hasty Shadwell, and slow Witcherley.
Shadwells unfinisht workes doe yet impart,
Great proofes of force of Nature, none of Art.
With just bold Stroakes, he dashes here and there,
Shewing great Mastery with little care;
And scornes to varnish his good touches o're,
To make the Fooles, and Women, praise 'em more.
But Witcherley, earnes hard, what e're he gaines,
He wants noe Judgment, nor he spares noe paines;
He frequently excells, and at the least,
Makes fewer faults, than any of the best.
Waller, by Nature for the Bayes design'd,
With force, and fire, and fancy unconfin'd,
In Panigericks does Excell Mankind:
He best can turne, enforce, and soften things,
To praise great Conqu'rours, or to flatter Kings.
For poynted Satyrs, I wou'd Buckhurst choose,
The best good Man, with the worst Natur'd Muse:
For Songs, and Verses, Mannerly Obscene,
That can stirr Nature up, by Springs unseene,
And without forceing blushes, warme the Queene:
Sidley, has that prevailing gentle Art,
That can with a resistlesse Charme impart,
The loosest wishes to the Chastest Heart,
Raise such a Conflict, kindle such a ffire
Betwixt declineing Virtue, and desire,
Till the poor Vanquisht Maid, dissolves away,
In Dreames all Night, in Sighs, and Teares, all Day.
Dryden, in vaine, try'd this nice way of Witt,
For he, to be a tearing Blade thought fit,
But when he wou'd be sharp, he still was blunt,
To friske his frollique fancy, hed cry ****;
Wou'd give the Ladyes, a dry Bawdy bob,
And thus he got the name of Poet Squab:
But to be just, twill to his praise be found,
His Excellencies, more than faults abound.
Nor dare I from his Sacred Temples teare,
That Lawrell, which he best deserves to weare.
But does not Dryden find ev'n Johnson dull?
Fletcher, and Beaumont, uncorrect, and full
Of Lewd lines as he calls em? Shakespeares Stile
Stiffe, and Affected? To his owne the while
Allowing all the justnesse that his Pride,
Soe Arrogantly, had to these denyd?
And may not I, have leave Impartially
To search, and Censure, Drydens workes, and try,
If those grosse faults, his Choyce Pen does Commit
Proceed from want of Judgment, or of Witt.
Of if his lumpish fancy does refuse,
Spirit, and grace to his loose slatterne Muse?
Five Hundred Verses, ev'ry Morning writ,
Proves you noe more a Poet, than a Witt.
Such scribling Authors, have beene seene before,
Mustapha, the English Princesse, Forty more,
Were things perhaps compos'd in Half an Houre.
To write what may securely stand the test
Of being well read over Thrice oat least
Compare each Phrase, examin ev'ry Line,
Weigh ev'ry word, and ev'ry thought refine;
Scorne all Applause the Vile Rout can bestow,
And be content to please those few, who know.
Canst thou be such a vaine mistaken thing
To wish thy Workes might make a Play-house ring,
With the unthinking Laughter, and poor praise
Of Fopps, and Ladys, factious for thy Plays?
Then send a cunning Friend to learne thy doome,
From the shrew'd Judges in the Drawing-Roome.
I've noe Ambition on that idle score,
But say with Betty Morice, heretofore
When a Court-Lady, call'd her Buckleys Whore,
I please one Man of Witt, am proud on't too,
Let all the Coxcombs, dance to bed to you.
Shou'd I be troubled when the Purblind Knight
Who squints more in his Judgment, than his sight,
Picks silly faults, and Censures what I write?
Or when the poor-fed Poets of the Towne
For Scrapps, and Coach roome cry my Verses downe?
I loath the Rabble, 'tis enough for me,
If Sidley, Shadwell, Shepherd, Witcherley,
Godolphin, Buttler, Buckhurst, Buckingham,
And some few more, whom I omit to name
Approve my Sense, I count their Censure Fame.
|
Written by
William Dunbar |
LONDON, thou art of townes A per se.
Soveraign of cities, seemliest in sight,
Of high renoun, riches and royaltie;
Of lordis, barons, and many a goodly knyght;
Of most delectable lusty ladies bright;
Of famous prelatis, in habitis clericall;
Of merchauntis full of substaunce and of myght:
London, thou art the flour of Cities all.
Gladdith anon, thou lusty Troynovaunt,
Citie that some tyme cleped was New Troy;
In all the erth, imperiall as thou stant,
Pryncesse of townes, of pleasure and of joy,
A richer restith under no Christen roy;
For manly power, with craftis naturall,
Fourmeth none fairer sith the flode of Noy:
London, thou art the flour of Cities all.
Gemme of all joy, jasper of jocunditie,
Most myghty carbuncle of vertue and valour;
Strong Troy in vigour and in strenuytie;
Of royall cities rose and geraflour;
Empress of townes, exalt in honour;
In beawtie beryng the crone imperiall;
Swete paradise precelling in pleasure;
London, thou art the flour of Cities all.
Above all ryvers thy Ryver hath renowne,
Whose beryall stremys, pleasaunt and preclare,
Under thy lusty wallys renneth down,
Where many a swan doth swymme with wyngis fair;
Where many a barge doth saile and row with are;
Where many a ship doth rest with top-royall.
O, towne of townes! patrone and not compare,
London, thou art the flour of Cities all.
Upon thy lusty Brigge of pylers white
Been merchauntis full royall to behold;
Upon thy stretis goeth many a semely knyght
In velvet gownes and in cheynes of gold.
By Julyus Cesar thy Tour founded of old
May be the hous of Mars victoryall,
Whose artillary with tonge may not be told:
London, thou art the flour of Cities all.
Strong be thy wallis that about thee standis;
Wise be the people that within thee dwellis;
Fresh is thy ryver with his lusty strandis;
Blith be thy chirches, wele sownyng be thy bellis;
Rich be thy merchauntis in substaunce that excellis;
Fair be their wives, right lovesom, white and small;
Clere be thy virgyns, lusty under kellis:
London, thou art the flour of Cities all.
Thy famous Maire, by pryncely governaunce,
With sword of justice thee ruleth prudently.
No Lord of Parys, Venyce, or Floraunce
In dignitye or honour goeth to hym nigh.
He is exampler, loode-ster, and guye;
Principall patrone and rose orygynalle,
Above all Maires as maister most worthy:
London, thou art the flour of Cities all.
|
Written by
Eugene Field |
When I am in New York, I like to drop around at night,
To visit with my honest, genial friends, the Stoddards hight;
Their home in Fifteenth street is all so snug, and furnished so,
That, when I once get planted there, I don't know when to go;
A cosy cheerful refuge for the weary homesick guest,
Combining Yankee comforts with the freedom of the west.
The first thing you discover, as you maunder through the hall,
Is a curious little clock upon a bracket on the wall;
'T was made by Stoddard's father, and it's very, very old--
The connoisseurs assure me it is worth its weight in gold;
And I, who've bought all kinds of clocks, 'twixt Denver and the Rhine,
Cast envious eyes upon that clock, and wish that it were mine.
But in the parlor. Oh, the gems on tables, walls, and floor--
Rare first editions, etchings, and old crockery galore.
Why, talk about the Indies and the wealth of Orient things--
They couldn't hold a candle to these quaint and sumptuous things;
In such profusion, too--Ah me! how dearly I recall
How I have sat and watched 'em and wished I had 'em all.
Now, Mr. Stoddard's study is on the second floor,
A wee blind dog barks at me as I enter through the door;
The Cerberus would fain begrudge what sights it cannot see,
The rapture of that visual feast it cannot share with me;
A miniature edition this--this most absurd of hounds--
A genuine unique, I'm sure, and one unknown to Lowndes.
Books--always books--are piled around; some musty, and all old;
Tall, solemn folios such as Lamb declared he loved to hold;
Large paper copies with their virgin margins white and wide,
And presentation volumes with the author's comps. inside;
I break the tenth commandment with a wild impassioned cry:
Oh, how came Stoddard by these things? Why Stoddard, and not I?
From yonder wall looks Thackeray upon his poet friend,
And underneath the genial face appear the lines he penned;
And here, gadzooks, ben honge ye prynte of marvaillous renowne
Yt shameth Chaucers gallaunt knyghtes in Canterbury towne;
And still more books and pictures. I'm dazed, bewildered, vexed;
Since I've broke the tenth commandment, why not break the eighth one next?
And, furthermore, in confidence inviolate be it said
Friend Stoddard owns a lock of hair that grew on Milton's head;
Now I have Gladstone axes and a lot of curious things,
Such as pimply Dresden teacups and old German wedding-rings;
But nothing like that saintly lock have I on wall or shelf,
And, being somewhat short of hair, I should like that lock myself.
But Stoddard has a soothing way, as though he grieved to see
Invidious torments prey upon a nice young chap like me.
He waves me to an easy chair and hands me out a weed
And pumps me full of that advice he seems to know I need;
So sweet the tap of his philosophy and knowledge flows
That I can't help wishing that I knew a half what Stoddard knows.
And so we sit for hours and hours, praising without restraint
The people who are thoroughbreds, and roasting the ones that ain't;
Happy, thrice happy, is the man we happen to admire,
But wretched, oh, how wretched he that hath provoked our ire;
For I speak emphatic English when I once get fairly r'iled,
And Stoddard's wrath's an Ossa upon a Pelion piled.
Out yonder, in the alcove, a lady sits and darns,
And interjects remarks that always serve to spice our yarns;
She's Mrs. Stoddard; there's a dame that's truly to my heart:
A tiny little woman, but so quaint, and good, and smart
That, if you asked me to suggest which one I should prefer
Of all the Stoddard treasures, I should promptly mention her.
O dear old man, how I should like to be with you this night,
Down in your home in Fifteenth street, where all is snug and bright;
Where the shaggy little Cerberus dreams in its cushioned place,
And the books and pictures all around smile in their old friend's face;
Where the dainty little sweetheart, whom you still were proud to woo,
Charms back the tender memories so dear to her and you.
|
Written by
William Dunbar |
London, thou art of town{.e}s A per se.
Soveraign of cities, semeliest in sight,
Of high renoun, riches, and royaltie;
Of lordis, barons, and many goodly knyght;
Of most delectable lusty ladies bright;
Of famous prelatis in habitis clericall;
Of merchauntis full of substaunce and myght:
London, thou art the flour of Cities all.
Gladdith anon, thou lusty Troy Novaunt,
Citie that some tyme cleped was New Troy,
In all the erth, imperiall as thou stant,
Pryncesse of townes, of pleasure, and of joy,
A richer restith under no Christen roy;
For manly power, with craftis naturall,
Fourmeth none fairer sith the flode of Noy:
London, thou art the flour of Cities all.
Gemme of all joy, jasper of jocunditie,
Most myghty carbuncle of vertue and valour;
Strong Troy in vigour and in strenuytie;
Of royall cities rose and geraflour;
Empresse of town{.e}s, exalt in honour;
In beawtie beryng the crone imperiall;
Swete paradise precelling in pleasure:
London, thow art the floure of Cities all.
Above all ryvers thy Ryver hath renowne,
Whose beryall stremys, pleasaunt and preclare,
Under thy lusty wallys renneth down,
Where many a swanne doth swymme with wyngis fare;
Where many a barge doth saile, and row with are,
Where many a ship doth rest with toppe-royall.
O! towne of townes, patrone and not-compare:
London, thou art the floure of Cities all.
Upon thy lusty Brigge of pylers white
Been merchauntis full royall to behold;
Upon thy stretis goth many a semely knyght
In velvet gownes and cheyn{.e}s of fyne gold.
By Julyus Cesar thy Tour founded of old
May be the hous of Mars victoryall,
Whos artillary with tonge may not be told:
London, thou art the flour of Cities all.
Strong be thy wallis that about the standis;
Wise be the people that within the dwellis;
Fresh is thy ryver with his lusty strandis;
Blith be thy chirches, wele sownyng be thy bellis;
Riche be thy merchauntis in substaunce that excellis;
Fair be thy wives, right lovesom, white and small;
Clere be thy virgyns, lusty under kellis:
London, thow art the flour of Cities all.
Thy famous Maire, by pryncely governaunce,
With swerd of justice the rulith prudently.
No Lord of Parys, Venyce, or Floraunce
In dignytie or honoure goeth to hym nye.
He is exampler, lood{.e}-ster, and guye;
Principall patrone and roose orygynalle,
Above all Maires as maister moost worthy:
London, thou art the flour of Cities all.
|
Written by
John Wilmot |
Deare Friend.
I heare this Towne does soe abound,
With sawcy Censurers, that faults are found,
With what of late wee (in Poetique Rage)
Bestowing, threw away on the dull Age;
But (howsoe're Envy, their Spleen may raise,
To Robb my Brow, of the deserved Bays)
Their thanks at least I merit since through me,
They are Partakers of your Poetry;
And this is all, I'll say in my defence,
T'obtaine one Line, of your well worded Sense
I'd be content t'have writ the Brittish Prince.
I'm none of those who thinke themselves inspir'd,
Nor write with the vaine hopes to be admir'd;
But from a Rule (I have upon long tryall)
T'avoyd with care, all sort of self denyall.
Which way soe're desire and fancy leade
(Contemning Fame) that Path I boldly tread;
And if exposeing what I take for Witt,
To my deare self, a Pleasure I beget,
Noe matter tho' the Censring Crittique fret.
Those whom my Muse displeases, are at strife
With equall Spleene, against my Course of life,
The least delight of which, I'd not forgoe,
For all the flatt'ring Praise, Man can bestow.
If I designd to please the way were then,
To mend my Manners, rather than my Pen;
The first's unnaturall, therefore unfit,
And for the Second, I despair of it,
Since Grace, is not soe hard to get as Witt.
Perhaps ill Verses, ought to be confin'd,
In meere good Breeding, like unsav'ry Wind;
Were Reading forc'd, I shou'd be apt to thinke
Men might noe more write scurvily, than stinke:
But 'tis your choyce, whether you'll Read, or noe,
If likewise of your smelling it were soe,
I'd Fart just as I write, for my owne ease,
Nor shou'd you be concern'd, unlesse you please:
I'll owne, that you write better than I doe,
But I have as much need to write, as you.
What though the Excrement of my dull Braine,
Runns in a harsh, insipid Straine,
Whilst your rich Head, eases it self of Witt?
Must none but Civet-Catts, have leave to ****?
In all I write, shou'd Sense, and Witt, and Rhyme
Faile me at once, yet something soe Sublime,
Shall stamp my Poem, that the World may see,
It cou'd have beene produc'd, by none but me.
And that's my end, for Man, can wish noe more,
Then soe to write, as none ere writ before.
Yet why am I noe Poet, of the tymes?
I have Allusions, Similies and Rhymes,
And Witt, or else 'tis hard that I alone,
Of the whole Race of Mankind, shou'd have none.
Unequally, the Partiall Hand of Heav'n,
Has all but this one only Blessing giv'n;
The World appeares like a great Family,
Whose Lord opprest with Pride, and Poverty,
(That to a few, great Plenty he may show)
Is faine to starve the Num'rous Traine below:
Just soe seemes Providence, as poor and vaine,
Keeping more Creatures, than it can maintaine.
Here 'tis profuse, and there it meanly saves,
And for One Prince, it makes Ten Thousand Slaves:
In Witt alone, it has beene Magnificent,
Of which, soe just a share, to each is sent
That the most Avaricious are content.
For none e're thought, (the due Division's such),
His owne too little, or his Friends too much.
Yet most Men shew, or find great want of Witt,
Writeing themselves, or Judging what is writ:
But I, who am of sprightly Vigour full
Looke on Mankind, as Envious, and dull.
Borne to my self, my self I like alone,
And must conclude my Judgment good, or none.
(For shou'd my Sense be nought, how cou'd I know,
Whether another Man's, were good, or noe?)
Thus, I resolve of my owne Poetry,
That 'tis the best, and there's a Fame for me.
If then I'm happy, what does it advance,
Whether to merit due, or Arrogance?
Oh! but the World will take offence thereby,
Why then the World, shall suffer for't, not I.
Did e're this sawcy World, and I agree?
To let it have its Beastly will on me?
Why shou'd my Prostituted Sense, be drawne,
To ev'ry Rule, their musty Customes spawne?
But Men, will Censure you; Tis Two to one
When e're they Censure, they'll be in the wrong.
There's not a thing on Earth, that I can name
Soe foolish, and soe false, as Common Fame.
It calls the Courtier Knave, the plaine Man rude,
Haughty the grave, and the delightfull Lewd.
Impertinent the briske, Morosse the sad,
Meane the Familiar, the Reserv'd one Mad.
Poor helplesse Woman, is not favour'd more
She's a slye Hipocryte, or Publique Whore.
Then who the Devill, wou'd give this -- to be free
From th'Innocent Reproach of Infamy?
These things consider'd, make me (in despight
Of idle Rumour,) keepe at home, and write.
|
Written by
William Strode |
Hath Christmas furr'd your Chimneys,
Or have the maides neglected,
Doe Fire-balls droppe from your Chimney's toppe,
The Pidgin is respected,
Looke up with feare and horror,
O how my mistresse wonders!
The streete doth crie, the newes doth flie,
The boyes they thinke it thunders.
Then up I rush with my pole and brush,
I scowre the chimney's Jacket,
I make it shine as bright as mine,
When I have rub'd and rak'd it.
Take heed, ten groates you'le forfeit,
The Maior will not have under,
In vain is dung, so is your gun
When brickes doe flie asunder:
Let not each ****** fright ye,
When threepence will me call in,
The Bishopps foote is not worse than soote
If ever it should fall in.
Up will I rush, etc.
The sent, the smoake ne're hurts me,
The dust is never minded,
Mine Eyes are glasse men sweare as I passe
Or else I had bin blinded,
For in the midst of Chimneys
I laugh, I sing, I hollow,
I chant my layes in Vulcan's praise
As merry as the swallow.
Still up I rush, etc.
With Engines and devices
I scale the proudest chimney,
The Prince's throne to mine alone
Gives place, the Starrs I climb ny.
I scorne all men beneath me
While there I stand a scowring,
All they below looke like a Crow,
Or men on Paules a tow'ring.
Then downe I rush, etc.
And as I downeward rumble
What thinke you is my lott then?
A good neat's tongue in the inside hung,
The maide hath it forgotten:
If e're the wanton mingled
My inke with soote I wist not,
Howere the neate and harmless cheate
Is worth a penny, is't not?
Still doe I rush, etc.
Then cloth'd in soote and ashes
I catch the maides that hast out,
Whos'ere I meete with smutt I greete,
And pounse their lipps and wastcote:
But on the Sunday morning
I looke not like a widgin,
Soe brave I stand with a point in my bande
Men ask if I be Pidgin.
Yet will I rush, etc.
Mulsacke I dare encounter
For all his horne and feather,
Ile lay him a crowne Ile roare him downe,
I thinke heale ne'er come hether.
The Boyes that climbe like Crickets
And steale my trade, Ile strippe them,
By priviledge I, growne Chimney hy,
Soone out of towne will whippe them.
Then will I rush, etc.
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Written by
Edmund Spenser |
RIng ye the bels, ye yong men of the towne,
And leaue your wonted labors for this day:
This day is holy; doe ye write it dovvne,
that ye for euer it remember may.
This day the sunne is in his chiefest hight,
With Barnaby the bright,
>From whence declining daily by degrees,
He somewhat loseth of his heat and light,
When once the Crab behind his back he sees.
But for this time it ill ordained was,
To chose the longest day in all the yeare,
And shortest night, when longest fitter weare.
Yet neuer day so long, but late would passe.
Ring ye the bels, to make it weare away,
And bonefiers make all day,
And daunce about them, and about them sing:
that all the woods may answer, and your eccho ring.
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Written by
Edmund Spenser |
TEll me ye merchants daughters did ye see
So fayre a creature in your towne before,
So sweet, so louely, and so mild as she,
Adornd with beautyes grace and vertues store,
Her goodly eyes lyke Saphyres shining bright,
Her forehead yuory white,
Her cheekes lyke apples which the sun hath rudded,
Her lips lyke cherryes charming men to byte,
Her brest like to a bowle of creame vncrudded,
Her paps lyke lyllies budded,
Her snowie necke lyke to a marble towre,
And allher body like a pallace fayre,
Ascending vppe with many a stately stayre,
To honors seat and chastities sweet bowre.
Why stand ye still ye virgins in amaze,
Vpon her so to gaze,
Whiles ye forget your former lay to sing,
To which the woods did answer and your eccho ring
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