Written by
Dylan Thomas |
I
I, in my intricate image, stride on two levels,
Forged in man's minerals, the brassy orator
Laying my ghost in metal,
The scales of this twin world tread on the double,
My half ghost in armour hold hard in death's corridor,
To my man-iron sidle.
Beginning with doom in the bulb, the spring unravels,
Bright as her spinning-wheels, the colic season
Worked on a world of petals;
She threads off the sap and needles, blood and bubble
Casts to the pine roots, raising man like a mountain
Out of the naked entrail.
Beginning with doom in the ghost, and the springing marvels,
Image of images, my metal phantom
Forcing forth through the harebell,
My man of leaves and the bronze root, mortal, unmortal,
I, in my fusion of rose and male motion,
Create this twin miracle.
This is the fortune of manhood: the natural peril,
A steeplejack tower, bonerailed and masterless,
No death more natural;
Thus the shadowless man or ox, and the pictured devil,
In seizure of silence commit the dead nuisance.
The natural parallel.
My images stalk the trees and the slant sap's tunnel,
No tread more perilous, the green steps and spire
Mount on man's footfall,
I with the wooden insect in the tree of nettles,
In the glass bed of grapes with snail and flower,
Hearing the weather fall.
Intricate manhood of ending, the invalid rivals,
Voyaging clockwise off the symboled harbour,
Finding the water final,
On the consumptives' terrace taking their two farewells,
Sail on the level, the departing adventure,
To the sea-blown arrival.
II
They climb the country pinnacle,
Twelve winds encounter by the white host at pasture,
Corner the mounted meadows in the hill corral;
They see the squirrel stumble,
The haring snail go giddily round the flower,
A quarrel of weathers and trees in the windy spiral.
As they dive, the dust settles,
The cadaverous gravels, falls thick and steadily,
The highroad of water where the seabear and mackerel
Turn the long sea arterial
Turning a petrol face blind to the enemy
Turning the riderless dead by the channel wall.
(Death instrumental,
Splitting the long eye open, and the spiral turnkey,
Your corkscrew grave centred in navel and nipple,
The neck of the nostril,
Under the mask and the ether, they making bloody
The tray of knives, the antiseptic funeral;
Bring out the black patrol,
Your monstrous officers and the decaying army,
The sexton sentinel, garrisoned under thistles,
A cock-on-a-dunghill
Crowing to Lazarus the morning is vanity,
Dust be your saviour under the conjured soil.)
As they drown, the chime travels,
Sweetly the diver's bell in the steeple of spindrift
Rings out the Dead Sea scale;
And, clapped in water till the triton dangles,
Strung by the flaxen whale-weed, from the hangman's raft,
Hear they the salt glass breakers and the tongues of burial.
(Turn the sea-spindle lateral,
The grooved land rotating, that the stylus of lightning
Dazzle this face of voices on the moon-turned table,
Let the wax disk babble
Shames and the damp dishonours, the relic scraping.
These are your years' recorders. The circular world stands still.)
III
They suffer the undead water where the turtle nibbles,
Come unto sea-stuck towers, at the fibre scaling,
The flight of the carnal skull
And the cell-stepped thimble;
Suffer, my topsy-turvies, that a double angel
Sprout from the stony lockers like a tree on Aran.
Be by your one ghost pierced, his pointed ferrule,
Brass and the bodiless image, on a stick of folly
Star-set at Jacob's angle,
Smoke hill and hophead's valley,
And the five-fathomed Hamlet on his father's coral
Thrusting the tom-thumb vision up the iron mile.
Suffer the slash of vision by the fin-green stubble,
Be by the ships' sea broken at the manstring anchored
The stoved bones' voyage downward
In the shipwreck of muscle;
Give over, lovers, locking, and the seawax struggle,
Love like a mist or fire through the bed of eels.
And in the pincers of the boiling circle,
The sea and instrument, nicked in the locks of time,
My great blood's iron single
In the pouring town,
I, in a wind on fire, from green Adam's cradle,
No man more magical, clawed out the crocodile.
Man was the scales, the death birds on enamel,
Tail, Nile, and snout, a saddler of the rushes,
Time in the hourless houses
Shaking the sea-hatched skull,
And, as for oils and ointments on the flying grail,
All-hollowed man wept for his white apparel.
Man was Cadaver's masker, the harnessing mantle,
Windily master of man was the rotten fathom,
My ghost in his metal neptune
Forged in man's mineral.
This was the god of beginning in the intricate seawhirl,
And my images roared and rose on heaven's hill.
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Written by
George Meredith |
Pitch here the tent, while the old horse grazes:
By the old hedge-side we'll halt a stage.
It's nigh my last above the daisies:
My next leaf'll be man's blank page.
Yes, my old girl! and it's no use crying:
Juggler, constable, king, must bow.
One that outjuggles all's been spying
Long to have me, and he has me now.
We've travelled times to this old common:
Often we've hung our pots in the gorse.
We've had a stirring life, old woman!
You, and I, and the old grey horse.
Races, and fairs, and royal occasions,
Found us coming to their call:
Now they'll miss us at our stations:
There's a Juggler outjuggles all!
Up goes the lark, as if all were jolly!
Over the duck-pond the willow shakes.
Easy to think that grieving's folly,
When the hand's firm as driven stakes!
Ay, when we're strong, and braced, and manful,
Life's a sweet fiddle: but we're a batch
Born to become the Great Juggler's han'ful:
Balls he shies up, and is safe to catch.
Here's where the lads of the village cricket:
I was a lad not wide from here:
Couldn't I whip off the bale from the wicket?
Like an old world those days appear!
Donkey, sheep, geese, and thatch'd ale-house--I know them!
They are old friends of my halts, and seem,
Somehow, as if kind thanks I owe them:
Juggling don't hinder the heart's esteem.
Juggling's no sin, for we must have victual:
Nature allows us to bait for the fool.
Holding one's own makes us juggle no little;
But, to increase it, hard juggling's the rule.
You that are sneering at my profession,
Haven't you juggled a vast amount?
There's the Prime Minister, in one Session,
Juggles more games than my sins'll count.
I've murdered insects with mock thunder:
Conscience, for that, in men don't quail.
I've made bread from the bump of wonder:
That's my business, and there's my tale.
Fashion and rank all praised the professor:
Ay! and I've had my smile from the Queen:
Bravo, Jerry! she meant: God bless her!
Ain't this a sermon on that scene?
I've studied men from my topsy-turvy
Close, and, I reckon, rather true.
Some are fine fellows: some, right scurvy:
Most, a dash between the two.
But it's a woman, old girl, that makes me
Think more kindly of the race:
And it's a woman, old girl, that shakes me
When the Great Juggler I must face.
We two were married, due and legal:
Honest we've lived since we've been one.
Lord! I could then jump like an eagle:
You danced bright as a bit o' the sun.
Birds in a May-bush we were! right merry!
All night we kiss'd, we juggled all day.
Joy was the heart of Juggling Jerry!
Now from his old girl he's juggled away.
It's past parsons to console us:
No, nor no doctor fetch for me:
I can die without my bolus;
Two of a trade, lass, never agree!
Parson and Doctor!--don't they love rarely
Fighting the devil in other men's fields!
Stand up yourself and match him fairly:
Then see how the rascal yields!
I, lass, have lived no gipsy, flaunting
Finery while his poor helpmate grubs:
Coin I've stored, and you won't be wanting:
You shan't beg from the troughs and tubs.
Nobly you've stuck to me, though in his kitchen
Many a Marquis would hail you Cook!
Palaces you could have ruled and grown rich in,
But your old Jerry you never forsook.
Hand up the chirper! ripe ale winks in it;
Let's have comfort and be at peace.
Once a stout draught made me light as a linnet.
Cheer up! the Lord must have his lease.
May be--for none see in that black hollow--
It's just a place where we're held in pawn,
And, when the Great Juggler makes as to swallow,
It's just the sword-trick--I ain't quite gone!
Yonder came smells of the gorse, so nutty,
Gold-like and warm: it's the prime of May.
Better than mortar, brick and putty
Is God's house on a blowing day.
Lean me more up the mound; now I feel it:
All the old heath-smells! Ain't it strange?
There's the world laughing, as if to conceal it,
But He's by us, juggling the change.
I mind it well, by the sea-beach lying,
Once--it's long gone--when two gulls we beheld,
Which, as the moon got up, were flying
Down a big wave that sparked and swell'd.
Crack, went a gun: one fell: the second
Wheeled round him twice, and was off for new luck:
There in the dark her white wing beckon'd:--
Drop me a kiss--I'm the bird dead-struck!
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Written by
Robert Graves |
What could be dafter
Than John Skelton’s laughter?
What sound more tenderly
Than his pretty poetry?
So where to rank old Skelton?
He was no monstrous Milton,
Nor wrote no “Paradise Lost,”
So wondered at by most,
Phrased so disdainfully,
Composed so painfully.
He struck what Milton missed,
Milling an English grist
With homely turn and twist.
He was English through and through,
Not Greek, nor French, nor Jew,
Though well their tongues he knew,
The living and the dead:
Learned Erasmus said,
Hic ’unum Britannicarum
Lumen et decus literarum.
But oh, Colin Clout!
How his pen flies about,
Twiddling and turning,
Scorching and burning,
Thrusting and thrumming!
How it hurries with humming,
Leaping and running,
At the tipsy-topsy Tunning
Of Mistress Eleanor Rumming!
How for poor Philip Sparrow
Was murdered at Carow,
How our hearts he does harrow
Jest and grief mingle
In this jangle-jingle,
For he will not stop
To sweep nor mop,
To prune nor prop,
To cut each phrase up
Like beef when we sup,
Nor sip at each line
As at brandy-wine,
Or port when we dine.
But angrily, wittily,
Tenderly, prettily,
Laughingly, learnedly,
Sadly, madly,
Helter-skelter John
Rhymes serenely on,
As English poets should.
Old John, you do me good!
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