Written by
William Carlos (WCW) Williams |
A middle-northern March, now as always—
gusts from the South broken against cold winds—
but from under, as if a slow hand lifted a tide,
it moves—not into April—into a second March,
the old skin of wind-clear scales dropping
upon the mold: this is the shadow projects the tree
upward causing the sun to shine in his sphere.
So we will put on our pink felt hat—new last year!
—newer this by virtue of brown eyes turning back
the seasons—and let us walk to the orchid-house,
see the flowers will take the prize tomorrow
at the Palace.
Stop here, these are our oleanders.
When they are in bloom—
You would waste words
It is clearer to me than if the pink
were on the branch.
It would be a searching in
a colored cloud to reveal that which now, huskless,
shows the very reason for their being.
And these the orange-trees, in blossom—no need
to tell with this weight of perfume in the air.
If it were not so dark in this shed one could better
see the white.
It is that very perfume
has drawn the darkness down among the leaves.
Do I speak clearly enough?
It is this darkness reveals that which darkness alone
loosens and sets spinning on waxen wings—
not the touch of a finger-tip, not the motion
of a sigh.
A too heavy sweetness proves
its own caretaker.
And here are the orchids!
Never having seen
such gaiety I will read these flowers for you:
This is an odd January, died—in Villon's time.
Snow, this is and this the stain of a violet
grew in that place the spring that foresaw its own doom.
And this, a certain July from Iceland:
a young woman of that place
breathed it toward the South.
It took root there.
The color ran true but the plant is small.
This falling spray of snow-flakes is
a handful of dead Februaries
prayed into flower by Rafael Arevalo Martinez
of Guatemala.
Here's that old friend who
went by my side so many years: this full, fragile
head of veined lavender.
Oh that April
that we first went with our stiff lusts
leaving the city behind, out to the green hill—
May, they said she was.
A hand for all of us:
this branch of blue butterflies tied to this stem.
June is a yellow cup I'll not name; August
the over-heavy one.
And here are—
russet and shiny, all but March.
And March?
Ah, March—
Flowers are a tiresome pastime.
One has a wish to shake them from their pots
root and stem, for the sun to gnaw.
Walk out again into the cold and saunter home
to the fire.
This day has blossomed long enough.
I have wiped out the red night and lit a blaze
instead which will at least warm our hands
and stir up the talk.
I think we have kept fair time.
Time is a green orchard.
|
Written by
Weldon Kees |
To Ernest Brace
"And when the seven thunders had uttered their voices, I was
about to write: and I heard a voice from heaven saying unto
me, Seal up those things which the seven thunders uttered, and
write them not.
" --REVELATIONS, x, 4.
That raft we rigged up, under the water,
Was just the item: when he walked,
With his robes blowing, dark against the sky,
It was as though the unsubstantial waves held up
His slender and inviolate feet.
The gulls flew over,
Dropping, crying alone; thin ragged lengths of cloud
Drifted in bars across the sun.
There on the shore
The crowd's response was instantaneous.
He
Handled it well, I thought--the gait, the tilt of the head, just right.
Long streaks of light were blinding on the waves.
And then we knew our work well worth the time:
The days of sawing, fitting, all those nails,
The tiresome rehearsals, considerations of execution.
But if you want a miracle, you have to work for it,
Lay your plans carefully and keep one jump
Ahead of the crowd.
To report a miracle
Is a pleasure unalloyed; but staging one requires
Tact, imagination, a special knack for the job
Not everyone possesses.
A miracle, in fact, means work.
--And now there are those who have come saying
That miracles were not what we were after.
But what else
Is there? What other hope does life hold out
But the miraculous, the skilled and patient
Execution, the teamwork, all the pain and worry every miracle involves?
Visionaries tossing in their beds, haunted and racked
By questions of Messiahship and eschatology,
Are like the mist rising at nightfall, and come,
Perhaps to even less.
Grave supernaturalists, devoted worshippers
Experience the ecstasy (such as it is), but not
Our ecstasy.
It was our making.
Yet sometimes
When the torrent of that time
Comes pouring back, I wonder at our courage
And our enterprise.
It was as though the world
Had been one darkening, abandoned hall
Where rows of unlit candles stood; and we
Not out of love, so much, or hope, or even worship, but
Out of the fear of death, came with our lights
And watched the candles, one by one, take fire, flames
Against the long night of our fear.
We thought
That we could never die.
Now I am less convinced.
--The traveller on the plain makes out the mountains
At a distance; then he loses sight.
His way
Winds through the valleys; then, at a sudden turning of a path,
The peaks stand nakedly before him: they are something else
Than what he saw below.
I think now of the raft
(For me, somehow, the summit of the whole experience)
And all the expectations of that day, but also of the cave
We stocked with bread, the secret meetings
In the hills, the fake assassins hired for the last pursuit,
The careful staging of the cures, the bribed officials,
The angels' garments, tailored faultlessly,
The medicines administered behind the stone,
That ultimate cloud, so perfect, and so opportune.
Who managed all that blood I never knew.
The days get longer.
It was a long time ago.
And I have come to that point in the turning of the path
Where peaks are infinite--horn-shaped and scaly, choked with
thorns.
But even here, I know our work was worth the cost.
What we have brought to pass, no one can take away.
Life offers up no miracles, unfortunately, and needs assistance.
Nothing will be the same as once it was,
I tell myself.
--It's dark here on the peak, and keeps on getting
darker.
It seems I am experiencing a kind of ecstasy.
Was it sunlight on the waves that day? The night comes down.
And now the water seems remote, unreal, and perhaps it is.
|
Written by
Walt Whitman |
AN old man’s thought of School;
An old man, gathering youthful memories and blooms, that youth itself cannot.
Now only do I know you!
O fair auroral skies! O morning dew upon the grass!
And these I see—these sparkling eyes,
These stores of mystic meaning—these young lives,
Building, equipping, like a fleet of ships—immortal ships!
Soon to sail out over the measureless seas,
On the Soul’s voyage.
Only a lot of boys and girls?
Only the tiresome spelling, writing, ciphering classes?
Only a Public School?
Ah more—infinitely more;
(As George Fox rais’d his warning cry, “Is it this pile of brick and
mortar—these dead floors, windows, rails—you call the church?
Why this is not the church at all—the Church is living, ever living Souls.
”)
And you, America,
Cast you the real reckoning for your present?
The lights and shadows of your future—good or evil?
To girlhood, boyhood look—the Teacher and the School.
|
Written by
Robert Browning |
(As Distinguished by an Italian Person of Quality)
I
Had I but plenty of money, money enough and to spare,
The house for me, no doubt, were a house in the city-square;
Ah, such a life, such a life, as one leads at the window there!
II
Something to see, by Bacchus, something to hear, at least!
There, the whole day long, one's life is a perfect feast;
While up at a villa one lives, I maintain it, no more than a beast.
III
Well now, look at our villa! stuck like the horn of a bull
Just on a mountain's edge as bare as the creature's skull,
Save a mere shag of a bush with hardly a leaf to pull!
- I scratch my own, sometimes, to see if the hair's turned wool.
IV
But the city, oh the city—the square with the houses! Why?
They are stone-faced, white as a curd, there's something to take the eye!
Houses in four straight lines, not a single front awry!
You watch who crosses and gossips, who saunters, who hurries by:
Green blinds, as a matter of course, to draw when the sun gets high;
And the shops with fanciful signs which are painted properly.
V
What of a villa? Though winter be over in March by rights,
'Tis May perhaps ere the snow shall have withered well off the heights:
You've the brown ploughed land before, where the oxen steam and wheeze,
And the hills over-smoked behind by the faint grey olive trees.
VI
Is it better in May, I ask you? You've summer all at once;
In a day he leaps complete with a few strong April suns.
'Mid the sharp short emerald wheat, scarce risen three fingers well,
The wild tulip, at end of its tube, blows out its great red bell
Like a thin clear bubble of blood, for the children to pick and sell.
VII
Is it ever hot in the square? There's a fountain to spout and splash!
In the shade it sings and springs; in the shine such foam-bows flash
On the horses with curling fish-tails, that prance and paddle and pash
Round the lady atop in her conch—fifty gazers do not abash,
Though all that she wears is some weeds round her waist in a sort of sash!
VIII
All the year long at the villa, nothing to see though you linger,
Except yon cypress that points like Death's lean lifted forefinger.
Some think fireflies pretty, when they mix in the corn and mingle,
Or thrid the stinking hemp till the stalks of it seem a-tingle.
Late August or early September, the stunning cicala is shrill,
And the bees keep their tiresome whine round the resinous firs on the hill.
Enough of the seasons,—I spare you the months of the fever and chill.
IX
Ere opening your eyes in the city, the blessed church-bells begin:
No sooner the bells leave off than the diligence rattles in:
You get the pick of the news, and it costs you never a pin.
By and by there's the travelling doctor gives pills, lets blood, draws teeth;
Or the Pulcinello-trumpet breaks up the market beneath.
At the post-office such a scene-picture—the new play, piping hot!
And a notice how, only this morning, three liberal thieves were shot.
Above it, behold the Archbishop's most fatherly of rebukes,
And beneath, with his crown and his lion, some little new law of the Duke's!
Or a sonnet with flowery marge, to the Reverend Don So-and-so
Who is Dante, Boccaccio, Petrarca, Saint Jerome, and Cicero,
"And moreover," (the sonnet goes rhyming,) "the skirts of Saint Paul has
reached,
Having preached us those six Lent-lectures more unctuous than ever he preached.
"
Noon strikes,—here sweeps the procession! our Lady borne smiling and smart
With a pink gauze gown all spangles, and seven swords stuck in her heart!
Bang, whang, whang goes the drum, tootle-te-tootle the fife;
No keeping one's haunches still: it's the greatest pleasure in life.
X
But bless you, it's dear—it's dear! fowls, wine, at double the rate.
They have clapped a new tax upon salt, and what oil pays passing the gate
It's a horror to think of.
And so, the villa for me, not the city!
Beggars can scarcely be choosers: but still—ah, the pity, the pity!
Look, two and two go the priests, then the monks with cowls and sandals,
And the penitents dressed in white shirts, a-holding the yellow candles;
One, he carries a flag up straight, and another a cross with handles,
And the Duke's guard brings up the rear, for the better prevention of scandals.
Bang, whang, whang goes the drum, tootle-te-tootle the fife.
Oh, a day in the city-square, there is no such pleasure in life!
|
Written by
John Berryman |
A Thurn
Among them marble where the man may lie
lie chieftains grand in final phase, or pause,
'O rare Ben Jonson',
dictator too, & the thinky other Johnson,
dictator too, backhanders down of laws,
men of fears, weird & sly.
Not of these least is borne to rest.
If grandeur & mettle prompted his lone journey
neither oh crowded shelved
nor this slab I celebrates attest
his complex slow fame forever (more or less).
I imagine the Abbey
among their wonders will be glad of him
whom some are sorry for his griefs across the world
grievously understated
and grateful for that bounty, for bright whims
of heavy mind across the tiresome world
which the tiresome world debated, complicated.
|
Written by
George (Lord) Byron |
O! had my Fate been join'd with thine,
As once this pledge appear'd a token,
These follies had not, then, been mine,
For, then, my peace had not been broken.
To thee, these early faults I owe,
To thee, the wise and old reproving:
They know my sins, but do not know
'Twas thine to break the bonds of loving.
For once my soul, like thine, was pure,
And all its rising fires could smother;
But, now, thy vows no more endure,
Bestow'd by thee upon another.
Perhaps, his peace I could destroy,
And spoil the blisses that await him;
Yet let my Rival smile in joy,
For thy dear sake, I cannot hate him.
Ah! since thy angel form is gone,
My heart no more can rest with any;
But what it sought in thee alone,
Attempts, alas! to find in many.
Then, fare thee well, deceitful Maid!
'Twere vain and fruitless to regret thee;
Nor Hope, nor Memory yield their aid,
But Pride may teach me to forget thee.
Yet all this giddy waste of years,
This tiresome round of palling pleasures;
These varied loves, these matrons' fears,
These thoughtless strains to Passion's measures---
If thou wert mine, had all been hush'd:---
This cheek, now pale from early riot,
With Passion's hectic ne'er had flush'd,
But bloom'd in calm domestic quiet.
Yes, once the rural Scene was sweet,
For Nature seem'd to smile before thee;
And once my Breast abhorr'd deceit,---
For then it beat but to adore thee.
But, now, I seek for other joys---
To think, would drive my soul to madness;
In thoughtless throngs, and empty noise,
I conquer half my Bosom's sadness.
Yet, even in these, a thought will steal,
In spite of every vain endeavor;
And fiends might pity what I feel---
To know that thou art lost for ever.
|
Written by
Edna St Vincent Millay |
I looked in my heart while the wild swans went over.
And what did I see I had not seen before?
Only a question less or a question more:
Nothing to match the flight of wild birds flying.
Tiresome heart, forever living and dying,
House without air, I leave you and lock your door.
Wild swans, come over the town, come over
The town again, trailing your legs and crying!
|
Written by
Isaac Watts |
The glory of God in creation and providence.
My soul, thy great Creator praise:
When clothed in his celestial rays,
He in full majesty appears,
And, like a robe, his glory wears.
The heav'ns are for his curtains spread,
The unfathomed deep he makes his bed.
Clouds are his chariot when he flies
On winged storms across the skies.
Angels, whom his own breath inspires,
His ministers, are flaming fires;
And swift as thought their armies move
To bear his vengeance or his love.
The world's foundations by his hand
Are poised, and shall for ever stand;
He binds the ocean in his chain,
Lest it should drown the earth again.
When earth was covered with the flood,
Which high above the mountains stood,
He thundered, and the ocean fled,
Confined to its appointed bed.
The swelling billows know their bound,
And in their channels walk their round;
Yet thence conveyed by secret veins,
They spring on hills and drench the plains.
He bids the crystal fountains flow,
And cheer the valleys as they go;
Tame heifers there their thirst allay,
And for the stream wild asses bray.
From pleasant trees which shade the brink,
The lark and linnet light to drink
Their songs the lark and linnet raise,
And chide our silence in his praise.
PAUSE I.
God from his cloudy cistern pours
On the parched earth enriching showers;
The grove, the garden, and the field,
A thousand joyful blessings yield.
He makes the grassy food arise,
And gives the cattle large supplies
With herbs for man of various power,
To nourish nature or to dire.
What noble fruit the vines produce!
The olive yields a shining juice;
Our hearts are cheered with gen'rous wine,
With inward joy our faces shine.
O bless his name, ye Britons, fed
With nature's chief supporter, bread;
While bread your vital strength imparts,
Serve him with vigor in your hearts.
PAUSE II.
Behold, the stately cedar stands,
Raised in the forest by his hands;
Birds to the boughs for shelter fly,
And build their nests secure on high.
To craggy hills ascends the goat,
And at the airy mountain's foot
The feebler creatures make their cell;
He gives them wisdom where to dwell.
He sets the sun his circling race,
Appoints the moon to change her face;
And when thick darkness veils the day,
Calls out wild beasts to hunt their prey.
Fierce lions lead their young abroad,
And, roaring, ask their meat from God;
But when the morning beams arise,
The savage beast to covert flies.
Then man to daily labor goes;
The night was made for his repose;
Sleep is thy gift, that sweet relief
From tiresome toil and wasting grief.
How strange thy works! how great thy skill!
And every land thy riches fill:
Thy wisdom round the world we see;
This spacious earth is full of thee.
Nor less thy glories in the deep,
Where fish in millions swim and creep
With wondrous motions, swift or slow,
Still wand'ring in the paths below.
There ships divide their wat'ry way,
And flocks of scaly monsters play;
There dwells the huge leviathan,
And foams and sports in spite of man.
PAUSE III.
Vast are thy works, Almighty Lord;
All nature rests upon thy word,
And the whole race of creatures stands
Waiting their portion from thy hands.
While each receives his diff'rent food,
Their cheerful looks pronounce it good:
Eagles and bears, and whales and worms,
Rejoice and praise in diff'rent forms.
But when thy face is hid, they mourn,
And, dying, to their dust return;
Both man and beast their souls resign;
Life, breath, and spirit, all is thine.
Yet thou canst breathe on dust again,
And fill the world with beasts and men;
A word of thy creating breath
Repairs the wastes of time and death.
His works, the wonders of his might,
Are honored with his own delight;
How aweful are his glorious ways!
The Lord is dreadful in his praise.
The earth stands trembling at thy stroke,
And at thy touch the mountains smoke;
Yet humble souls may see thy face,
And tell their wants to sovereign grace.
In thee my hopes and wishes meet,
And make my meditations sweet;
Thy praises shall my breath employ,
Till it expire in endless joy.
While haughty sinners die accursed,
Their glory buried with their dust,
I to my God, my heav'nly King,
Immortal hallelujahs sing.
|
Written by
Stephen Vincent Benet |
Well, I was tired of life; the silly folk,
The tiresome noises, all the common things
I loved once, crushed me with an iron yoke.
I longed for the cool quiet and the dark,
Under the common sod where louts and kings
Lie down, serene, unheeding, careless, stark,
Never to rise or move or feel again,
Filled with the ecstasy of being dead.
.
.
.
I put the shining pistol to my head
And pulled the trigger hard -- I felt no pain,
No pain at all; the pistol had missed fire
I thought; then, looking at the floor, I saw
My huddled body lying there -- and awe
Swept over me.
I trembled -- and looked up.
About me was -- not that, my heart's desire,
That small and dark abode of death and peace --
But all from which I sought a vain release!
The sky, the people and the staring sun
Glared at me as before.
I was undone.
My last state ten times worse than was my first.
Helpless I stood, befooled, betrayed, accursed,
Fettered to Life forever, horribly;
Caught in the meshes of Eternity,
No further doors to break or bars to burst!
|
Written by
Kobayashi Issa |
Under the image of Buddha
all these spring flowers
seem a little tiresome.
|