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Best Famous Timor Poems

Here is a collection of the all-time best famous Timor poems. This is a select list of the best famous Timor poetry. Reading, writing, and enjoying famous Timor poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of timor poems.

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Written by Syl Cheney-Coker | Create an image from this poem

The Breast of the Sea

After our bloody century, the sea will groan
under its weight, somewhere between breasts and anus.
Filled with toxins, her belly will not yield new islands
even though the orphans of East Timor wish it so.
The sea is only capable of so much history:
Noah's monologue, the Middle Passage's cargoes,
Darwin's examination of the turtle's ****,
the remains of the Titanic, and a diver's story
about how the coelacanth was recaptured.
Anything else is only a fractured chela
we cannot preserve, once the sea's belly
has washed itself clean of our century's blight.
Throbbing, the sea's breasts will console some orphans,
but Sierra Leone won't be worth a raped woman's cry,
despite her broken back, this shredded garment,
her hands swimming like horrors of red corals.
But do you, O Sea, long-suffering mistress,
have the balm to heal the wound of her children,
hand to foot the axe, alluvial river flowing into you?


Written by William Dunbar | Create an image from this poem

Lament for the Makers

 I THAT in heill was and gladness 
Am trublit now with great sickness 
And feblit with infirmitie:-- 
 Timor Mortis conturbat me. 

Our plesance here is all vain glory, 
This fals world is but transitory, 
The flesh is bruckle, the Feynd is slee:-- 
 Timor Mortis conturbat me. 

The state of man does change and vary, 
Now sound, now sick, now blyth, now sary, 
Now dansand mirry, now like to die:-- 
 Timor Mortis conturbat me. 

No state in Erd here standis sicker; 
As with the wynd wavis the wicker 
So wannis this world's vanitie:-- 
 Timor Mortis conturbat me. 

Unto the Death gois all Estatis, 
Princis, Prelatis, and Potestatis, 
Baith rich and poor of all degree:-- 
 Timor Mortis conturbat me. 

He takis the knichtis in to the field 
Enarmit under helm and scheild; 
Victor he is at all mellie:-- 
 Timor Mortis conturbat me. 

That strong unmerciful tyrand 
Takis, on the motheris breast sowkand, 
The babe full of benignitie:-- 
 Timor Mortis conturbat me. 

He takis the campion in the stour, 
The captain closit in the tour, 
The lady in bour full of bewtie:-- 
 Timor Mortis conturbat me. 

He spairis no lord for his piscence, 
Na clerk for his intelligence; 
His awful straik may no man flee:-- 
 Timor Mortis conturbat me. 

Art-magicianis and astrologgis, 
Rethoris, logicianis, and theologgis, 
Them helpis no conclusionis slee:-- 
 Timor Mortis conturbat me. 

In medecine the most practicianis, 
Leechis, surrigianis, and physicianis, 
Themself from Death may not supplee:-- 
 Timor Mortis conturbat me. 

I see that makaris amang the lave 
Playis here their padyanis, syne gois to grave; 
Sparit is nocht their facultie:-- 
 Timor Mortis conturbat me. 

He has done petuously devour 
The noble Chaucer, of makaris flour, 
The Monk of Bury, and Gower, all three:-- 
 Timor Mortis conturbat me. 

The good Sir Hew of Eglintoun, 
Ettrick, Heriot, and Wintoun, 
He has tane out of this cuntrie:-- 
 Timor Mortis conturbat me. 

That scorpion fell has done infeck 
Maister John Clerk, and James Afflek, 
Fra ballat-making and tragedie:-- 
 Timor Mortis conturbat me. 

Holland and Barbour he has berevit; 
Alas! that he not with us levit 
Sir Mungo Lockart of the Lee:-- 
 Timor Mortis conturbat me. 

Clerk of Tranent eke he has tane, 
That made the anteris of Gawaine; 
Sir Gilbert Hay endit has he:-- 
 Timor Mortis conturbat me. 

He has Blind Harry and Sandy Traill 
Slain with his schour of mortal hail, 
Quhilk Patrick Johnstoun might nought flee:-- 
 Timor Mortis conturbat me. 

He has reft Merseir his endite, 
That did in luve so lively write, 
So short, so quick, of sentence hie:-- 
 Timor Mortis conturbat me. 

He has tane Rowll of Aberdene, 
And gentill Rowll of Corstorphine; 
Two better fallowis did no man see:-- 
 Timor Mortis conturbat me. 

In Dunfermline he has tane Broun 
With Maister Robert Henrysoun; 
Sir John the Ross enbrast has he:-- 
 Timor Mortis conturbat me. 

And he has now tane, last of a, 
Good gentil Stobo and Quintin Shaw, 
Of quhom all wichtis hes pitie:-- 
 Timor Mortis conturbat me. 

Good Maister Walter Kennedy 
In point of Death lies verily; 
Great ruth it were that so suld be:-- 
 Timor Mortis conturbat me. 

Sen he has all my brether tane, 
He will naught let me live alane; 
Of force I man his next prey be:-- 
 Timor Mortis conturbat me. 

Since for the Death remeid is none, 
Best is that we for Death dispone, 
After our death that live may we:-- 
 Timor Mortis conturbat me.
Written by William Butler Yeats | Create an image from this poem

Upon A Dying Lady

 I

Her Courtesy

With the old kindness, the old distinguished grace,
She lies, her lovely piteous head amid dull red hair
propped upon pillows, rouge on the pallor of her face.
She would not have us sad because she is lying there,
And when she meets our gaze her eyes are laughter-lit,
Her speech a wicked tale that we may vie with her,
Matching our broken-hearted wit against her wit,
Thinking of saints and of petronius Arbiter.

II

Curtain Artist bring her Dolls and Drawings

Bring where our Beauty lies
A new modelled doll, or drawing,
With a friend's or an enemy's
Features, or maybe showing
Her features when a tress
Of dull red hair was flowing
Over some silken dress
Cut in the Turkish fashion,
Or, it may be, like a boy's.
We have given the world our passion,
We have naught for death but toys.

III

She turns the Dolls' Faces to the Wall

Because to-day is some religious festival
They had a priest say Mass, and even the Japanese,
Heel up and weight on toe, must face the wall
- Pedant in passion, learned in old courtesies,
Vehement and witty she had seemed - ; the Venetian lady
Who had seemed to glide to some intrigue in her red shoes,
Her domino, her panniered skirt copied from Longhi;
The meditative critic; all are on their toes,
Even our Beauty with her Turkish trousers on.
Because the priest must have like every dog his day
Or keep us all awake with baying at the moon,
We and our dolls being but the world were best away.

IV

The End of Day

She is playing like a child
And penance is the play,
Fantastical and wild
Because the end of day
Shows her that some one soon
Will come from the house, and say --
Though play is but half done --
"Come in and leave the play.'

V

Her Race

She has not grown uncivil
As narrow natures would
And called the pleasures evil
Happier days thought good;
She knows herself a woman,
No red and white of a face,
Or rank, raised from a common
Vnreckonable race;
And how should her heart fail her
Or sickness break her will
With her dead brother's valour
For an example still?

VI

Her Courage

When her soul flies to the predestined dancing-place
(I have no speech but symbol, the pagan speech I made
Amid the dreams of youth) let her come face to face,
Amid that first astonishment, with Grania's shade,
All but the terrors of the woodland flight forgot
That made her Diatmuid dear, and some old cardinal
Pacing with half-closed eyelids in a sunny spot
Who had murmured of Giorgione at his latest breath -
Aye, and Achilles, Timor, Babar, Barhaim, all
Who have lived in joy and laughed into the face of Death.

VII

Her Friends bring her a Christmas Tree

pardon, great enemy,
Without an angry thought
We've carried in our tree,
And here and there have bought
Till all the boughs are gay,
And she may look from the bed
On pretty things that may
please a fantastic head.
Give her a little grace,
What if a laughing eye
Have looked into your face?
It is about to die.
Written by Andrew Barton Paterson | Create an image from this poem

The Man From Snowy River

 There was movement at the station, for the word has passed around
That the colt from old Regret had got away,
And had joined the wild bush horses—he was worth a thousand pound,
So all the cracks had gathered to the fray.
All the tried and noted riders from the stations near and far
Had mustered at the homestead overnight,
For the bushmen love hard riding where the wild bush horses are,
And the stock-horse snuffs the battle with delight.

There was Harrison, who made his pile when Pardon won the cup,
The old man with his hair as white as snow;
But few could ride beside him when his blood was fairly up—
He would go wherever horse and man could go.
And Clancy of the Overflow came down to lend a hand;
No better horseman ever held the reins;
For never horse could throw him while the saddle girths would stand—
He had learnt to ride while droving on the plains.

And one was there, a sripling on a small and weedy beast,
He was something like a racehorse undersized,
With a touch of Timor pony—three parts thoroughbred at least—
And such as are by mountain horsemen prized.
He was hard and tough and wiry—just the sort that won't say die—
There was courage in his quick impatient tread;
And he bore the badge of gameness in his bright and fiery eye, 
And the proud and lofty carriage of his head.

But still so slight and weedy, one would doubt his power to stay,
And the old man said, "That horse will never do
For a long and tiring gallop—lad, you'd better stop away,
For those hills are far too rough for such as you."
So he waited, sad and wistful—only Clancy stood his friend— 
"I think we ought to let him come," he said;
"I warrant he'll be with us when he's wanted at the end,
For both his horse and he are mountain bred.

'He hails from Snowy River, up by Kosiosko's side,
Where the hills are twice as steep and twice as rough;
Where the horse's hoofs strike firelight from the flintstones every stride,
There the man that holds his own is good enough.
And the Snowy River riders in the mountains make their home,
Wher the river runs those giant hills between;
I have seen full many riders since I first commenced to roam,
But nowhere yet such horsemen have I seen."

So he went; they found the horses by the big mimosa clump,
They raced away towards the mountain's brow,
And the old man gave his orders, "Boys, go at them from the jump,
No use to try for fancy riding now.
And, Clancy, you must wheel them, try and wheel them to the right.
Ride boldly, lad, and never fear the spills,
For never yet was rider that could keep the mob in sight,
If once they gain the shelter of those hills."

So Clancy rode to wheel them—he was racing on the wing
Where the best and boldest riders take their place.
And he raced his stock-horse past them. and he made the ranges ring 
With his stock-whip, as he met them face to face.
Then they halted for a moment, while he swung the dreaded lash,
But they saw their well-loved mountain full in view,
And they charged beneath the stock-whip with a sharp and sudden dash, 
And off into the mountain scrub they flew.

Then fast the horsemen followed, where the gorges deep and black
Resounded to the thunder of their tread,
And their stock-whips woke the echoes, and they fiercely answered back
from the cliffs and crags that beetled overhead.
And upward, ever upward, the wild horses held their way,
Where the mountain ash and kurrajong grew wide;
And the old man muttered fiercely, "We may bid the mob good-day,
For no man can hold them down the other side."

When they reached the mountain's summit, even Clancy took a pull—
It well might make the boldest hold their breath;
For the wild hop scrub grew thickly, and the hidden ground was full
Of wombat holes, and any slip meant death.
But the man from Snowy River let the pony have its head,
He swung his stock-whip round and gave a cheer,
And he raced him down that mountain like a torrent down its bed,
While the others stood and watched in very fear.

He sent the flintstones flying, but the pony kept its feet,
He cleared the fallen timber in his stride,
And the man from Snowy River never shifted in his seat—
It was grand to see that mountain horseman ride.
Through the stringy barks and saplings, over rough and broken ground,
Down the hillside at a racing pace he went;
And he never drew the bridle till he landed safe and sound
At the bottom of that terrible descent.

He was right among the horses as he climbed the further hill, 
And the watchers on the hillside, standing mute,
Saw him ply the stock-whip fiercely; he was right among them still,
As he raced across a clearing in pursuit.
Then they lost him for a moment, where two mountain gullies met
In the ranges—but a final glimpse reveals
On a dim and distant hillside, the wild horses racing yet
With the man from Snowy River at their heels.

And he ran them single-handed till their flanks were white with foam;
He followed like a bloodhound in their track,
Till they halted, cowed and beaten; and he turned their heads for home,
And alone and unassisted brought them back.
But his hardy mountain pony he could scarcely raise a trot,
He was blood from hip to shoulder from the spur;
But his pluck was still undaunted, and his courage fiery hot,
For never yet was mountain horse a cur.

And down by Kosiosko, where the pine-clad ridges raise
Their torn and rugged battlements on high, 
Where the air is clear as crystal, and the white stars fairly blaze
Of a midnight in the cold and frosty sky,
And where around the Overflow the reed-beds sweep and sway 
To the breezes, and the rolling plains are wide,
There the man from Snowy River is a household word today,
And the stockmen tell the story of his ride.

Book: Radiant Verses: A Journey Through Inspiring Poetry