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Best Famous Tidal Poems

Here is a collection of the all-time best famous Tidal poems. This is a select list of the best famous Tidal poetry. Reading, writing, and enjoying famous Tidal poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of tidal poems.

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Written by Lawrence Ferlinghetti | Create an image from this poem

Wild Dreams Of A New Beginning

 There's a breathless hush on the freeway tonight
Beyond the ledges of concrete
restaurants fall into dreams
with candlelight couples
Lost Alexandria still burns
in a billion lightbulbs
Lives cross lives
idling at stoplights
Beyond the cloverleaf turnoffs
'Souls eat souls in the general emptiness'
A piano concerto comes out a kitchen window
A yogi speaks at Ojai
'It's all taking pace in one mind'
On the lawn among the trees
lovers are listening
for the master to tell them they are one
with the universe
Eyes smell flowers and become them
There's a deathless hush
on the freeway tonight
as a Pacific tidal wave a mile high
sweeps in
Los Angeles breathes its last gas
and sinks into the sea like the Titanic all lights lit
Nine minutes later Willa Cather's Nebraska
sinks with it
The sea comes over in Utah
Mormon tabernacles washed away like barnacles
Coyotes are confounded & swim nowhere
An orchestra onstage in Omaha
keeps on playing Handel's Water Music
Horns fill with water
ans bass players float away on their instruments
clutching them like lovers horizontal
Chicago's Loop becomes a rollercoaster
Skyscrapers filled like water glasses
Great Lakes mixed with Buddhist brine
Great Books watered down in Evanston
Milwaukee beer topped with sea foam
Beau Fleuve of Buffalo suddenly become salt
Manhatten Island swept clean in sixteen seconds
buried masts of Amsterdam arise
as the great wave sweeps on Eastward
to wash away over-age Camembert Europe
manhatta steaming in sea-vines
the washed land awakes again to wilderness
the only sound a vast thrumming of crickets
a cry of seabirds high over
in empty eternity
as the Hudson retakes its thickets
and Indians reclaim their canoes


Written by Leonard Cohen | Create an image from this poem

Democracy

 It's coming through a hole in the air,
 from those nights in Tiananmen Square.
 It's coming from the feel
 that it ain't exactly real,
 or it's real, but it ain't exactly there.
 From the wars against disorder,
 from the sirens night and day,
 from the fires of the homeless,
 from the ashes of the gay:
 Democracy is coming to the U.S.A. 
 It's coming through a crack in the wall,
 on a visionary flood of alcohol;
 from the staggering account
 of the Sermon on the Mount
 which I don't pretend to understand at all.
 It's coming from the silence
 on the dock of the bay,
 from the brave, the bold, the battered
 heart of Chevrolet:
 Democracy is coming to the U.S.A. 
 It's coming from the sorrow on the street
 the holy places where the races meet;
 from the homicidal bitchin'
 that goes down in every kitchen
 to determine who will serve and who will eat.
 From the wells of disappointment
 where the women kneel to pray
 for the grace of G-d in the desert here
 and the desert far away:
 Democracy is coming to the U.S.A. 
 Sail on, sail on
 o mighty Ship of State!
 To the Shores of Need
 past the Reefs of Greed
 through the Squalls of Hate
 Sail on, sail on 
 It's coming to America first,
 the cradle of the best and the worst.
 It's here they got the range
 and the machinery for change
 and it's here they got the spiritual thirst.
 It's here the family's broken
 and it's here the lonely say
 that the heart has got to open
 in a fundamental way:
 Democracy is coming to the U.S.A. 
 It's coming from the women and the men.
 O baby, we'll be making love again.
 We'll be going down so deep
 that the river's going to weep,
 and the mountain's going to shout Amen!
 It's coming to the tidal flood
 beneath the lunar sway,
 imperial, mysterious
 in amorous array:
 Democracy is coming to the U.S.A. 
 Sail on, sail on
 o mighty Ship of State!
 To the Shores of Need
 past the Reefs of Greed
 through the Squalls of Hate
 Sail on, sail on
 I'm sentimental if you know what I mean:
 I love the country but I can't stand the scene.
 And I'm neither left or right
 I'm just staying home tonight,
 getting lost in that hopeless little screen.
 But I'm stubborn as those garbage bags
 that Time cannot decay,
 I'm junk but I'm still holding up
 this little wild bouquet:
 Democracy is coming to the U.S.A.
Written by Sylvia Plath | Create an image from this poem

Tale Of A Tub

 The photographic chamber of the eye
records bare painted walls, while an electric light
lays the chromium nerves of plumbing raw;
such poverty assaults the ego; caught
naked in the merely actual room,
the stranger in the lavatory mirror
puts on a public grin, repeats our name
but scrupulously reflects the usual terror.

Just how guilty are we when the ceiling
reveals no cracks that can be decoded? when washbowl
maintains it has no more holy calling
than physical ablution, and the towel
dryly disclaims that fierce troll faces lurk
in its explicit folds? or when the window,
blind with steam, will not admit the dark
which shrouds our prospects in ambiguous shadow?

Twenty years ago, the familiar tub
bred an ample batch of omens; but now
water faucets spawn no danger; each crab
and octopus -- scrabbling just beyond the view,
waiting for some accidental break
in ritual, to strike -- is definitely gone;
the authentic sea denies them and will pluck
fantastic flesh down to the honest bone.

We take the plunge; under water our limbs
waver, faintly green, shuddering away
from the genuine color of skin; can our dreams
ever blur the intransigent lines which draw
the shape that shuts us in? absolute fact
intrudes even when the revolted eye
is closed; the tub exists behind our back;
its glittering surfaces are blank and true.

Yet always the ridiculous nude flanks urge
the fabrication of some cloth to cover
such starkness; accuracy must not stalk at large:
each day demands we create our whole world over,
disguising the constant horror in a coat
of many-colored fictions; we mask our past
in the green of Eden, pretend future's shining fruit
can sprout from the navel of this present waste.
In this particular tub, two knees jut up
like icebergs, while minute brown hairs rise
on arms and legs in a fringe of kelp; green soap
navigates the tidal slosh of seas
breaking on legendary beaches; in faith
we shall board our imagined ship and wildly sail
among sacred islands of the mad till death
shatters the fabulous stars and makes us real.
Written by Elizabeth Bishop | Create an image from this poem

Florida

 The state with the prettiest name,
the state that floats in brackish water,
held together by mangrave roots
that bear while living oysters in clusters, 
and when dead strew white swamps with skeletons, 
dotted as if bombarded, with green hummocks
like ancient cannon-balls sprouting grass. 
The state full of long S-shaped birds, blue and white,
and unseen hysterical birds who rush up the scale
every time in a tantrum.
Tanagers embarrassed by their flashiness,
and pelicans whose delight it is to clown;
who coast for fun on the strong tidal currents
in and out among the mangrove islands
and stand on the sand-bars drying their damp gold wings
on sun-lit evenings.
Enormous turtles, helpless and mild,
die and leave their barnacled shells on the beaches,
and their large white skulls with round eye-sockets
twice the size of a man's.
The palm trees clatter in the stiff breeze
like the bills of the pelicans. The tropical rain comes down
to freshen the tide-looped strings of fading shells:
Job's Tear, the Chinese Alphabet, the scarce Junonia, 
parti-colored pectins and Ladies' Ears,
arranged as on a gray rag of rotted calico, 
the buried Indian Princess's skirt;
with these the monotonous, endless, sagging coast-line
is delicately ornamented.

Thirty or more buzzards are drifting down, down, down,
over something they have spotted in the swamp,
in circles like stirred-up flakes of sediment
sinking through water.
Smoke from woods-fires filters fine blue solvents.
On stumps and dead trees the charring is like black velvet.
The mosquitoes
go hunting to the tune of their ferocious obbligatos.
After dark, the fireflies map the heavens in the marsh
until the moon rises.
Cold white, not bright, the moonlight is coarse-meshed,
and the careless, corrupt state is all black specks
too far apart, and ugly whites; the poorest
post-card of itself.
After dark, the pools seem to have slipped away.
The alligator, who has five distinct calls:
friendliness, love, mating, war, and a warning--
whimpers and speaks in the throat
of the Indian Princess.
Written by Ralph Waldo Emerson | Create an image from this poem

Threnody

 The south-wind brings
Life, sunshine, and desire,
And on every mount and meadow
Breathes aromatic fire,
But over the dead he has no power,
The lost, the lost he cannot restore,
And, looking over the hills, I mourn
The darling who shall not return.

I see my empty house,
I see my trees repair their boughs,
And he, —the wondrous child,
Whose silver warble wild
Outvalued every pulsing sound
Within the air's cerulean round,
The hyacinthine boy, for whom
Morn well might break, and April bloom,
The gracious boy, who did adorn
The world whereinto he was born,
And by his countenance repay
The favor of the loving Day,
Has disappeared from the Day's eye;
Far and wide she cannot find him,
My hopes pursue, they cannot bind him.
Returned this day the south-wind searches
And finds young pines and budding birches,
But finds not the budding man;
Nature who lost him, cannot remake him;
Fate let him fall, Fate can't retake him;
Nature, Fate, men, him seek in vain.

And whither now, my truant wise and sweet,
Oh, whither tend thy feet?
I had the right, few days ago,
Thy steps to watch, thy place to know;
How have I forfeited the right?
Hast thou forgot me in a new delight?
I hearken for thy household cheer,
O eloquent child!
Whose voice, an equal messenger,
Conveyed thy meaning mild.
What though the pains and joys
Whereof it spoke were toys
Fitting his age and ken;—
Yet fairest dames and bearded men,
Who heard the sweet request
So gentle, wise, and grave,
Bended with joy to his behest,
And let the world's affairs go by,
Awhile to share his cordial game,
Or mend his wicker wagon frame,
Still plotting how their hungry ear
That winsome voice again might hear,
For his lips could well pronounce
Words that were persuasions.

Gentlest guardians marked serene
His early hope, his liberal mien,
Took counsel from his guiding eyes
To make this wisdom earthly wise.
Ah! vainly do these eyes recall
The school-march, each day's festival,
When every morn my bosom glowed
To watch the convoy on the road;—
The babe in willow wagon closed,
With rolling eyes and face composed,
With children forward and behind,
Like Cupids studiously inclined,
And he, the Chieftain, paced beside,
The centre of the troop allied,
With sunny face of sweet repose,
To guard the babe from fancied foes,
The little Captain innocent
Took the eye with him as he went,
Each village senior paused to scan
And speak the lovely caravan.

From the window I look out
To mark thy beautiful parade
Stately marching in cap and coat
To some tune by fairies played;
A music heard by thee alone
To works as noble led thee on.
Now love and pride, alas, in vain,
Up and down their glances strain.
The painted sled stands where it stood,
The kennel by the corded wood,
The gathered sticks to stanch the wall
Of the snow-tower, when snow should fall,
The ominous hole he dug in the sand,
And childhood's castles built or planned.
His daily haunts I well discern,
The poultry yard, the shed, the barn,
And every inch of garden ground
Paced by the blessed feet around,
From the road-side to the brook;
Whereinto he loved to look.
Step the meek birds where erst they ranged,
The wintry garden lies unchanged,
The brook into the stream runs on,
But the deep-eyed Boy is gone.

On that shaded day,
Dark with more clouds than tempests are,
When thou didst yield thy innocent breath
In bird-like heavings unto death,
Night came, and Nature had not thee,—
I said, we are mates in misery.
The morrow dawned with needless glow,
Each snow-bird chirped, each fowl must crow,
Each tramper started,— but the feet
Of the most beautiful and sweet
Of human youth had left the hill
And garden,—they were bound and still,
There's not a sparrow or a wren,
There's not a blade of autumn grain,
Which the four seasons do not tend,
And tides of life and increase lend,
And every chick of every bird,
And weed and rock-moss is preferred.
O ostriches' forgetfulness!
O loss of larger in the less!
Was there no star that could be sent,
No watcher in the firmament,
No angel from the countless host,
That loiters round the crystal coast,
Could stoop to heal that only child,
Nature's sweet marvel undefiled,
And keep the blossom of the earth,
Which all her harvests were not worth?
Not mine, I never called thee mine,
But nature's heir,— if I repine,
And, seeing rashly torn and moved,
Not what I made, but what I loved.
Grow early old with grief that then
Must to the wastes of nature go,—
'Tis because a general hope
Was quenched, and all must doubt and grope
For flattering planets seemed to say,
This child should ills of ages stay,—
By wondrous tongue and guided pen
Bring the flown muses back to men. —
Perchance, not he, but nature ailed,
The world, and not the infant failed,
It was not ripe yet, to sustain
A genius of so fine a strain,
Who gazed upon the sun and moon
As if he came unto his own,
And pregnant with his grander thought,
Brought the old order into doubt.
Awhile his beauty their beauty tried,
They could not feed him, and he died,
And wandered backward as in scorn
To wait an Æon to be born.
Ill day which made this beauty waste;
Plight broken, this high face defaced!
Some went and came about the dead,
And some in books of solace read,
Some to their friends the tidings say,
Some went to write, some went to pray,
One tarried here, there hurried one,
But their heart abode with none.
Covetous death bereaved us all
To aggrandize one funeral.
The eager Fate which carried thee
Took the largest part of me.
For this losing is true dying,
This is lordly man's down-lying,
This is slow but sure reclining,
Star by star his world resigning.

O child of Paradise!
Boy who made dear his father's home
In whose deep eyes
Men read the welfare of the times to come;
I am too much bereft;
The world dishonored thou hast left;
O truths and natures costly lie;
O trusted, broken prophecy!
O richest fortune sourly crossed;
Born for the future, to the future lost!

The deep Heart answered, Weepest thou?
Worthier cause for passion wild,
If I had not taken the child.
And deemest thou as those who pore
With aged eyes short way before?
Think'st Beauty vanished from the coast
Of matter, and thy darling lost?
Taught he not thee, — the man of eld,
Whose eyes within his eyes beheld
Heaven's numerous hierarchy span
The mystic gulf from God to man?
To be alone wilt thou begin,
When worlds of lovers hem thee in?
To-morrow, when the masks shall fall
That dizen nature's carnival,
The pure shall see, by their own will,
Which overflowing love shall fill,—
'Tis not within the force of Fate
The fate-conjoined to separate.
But thou, my votary, weepest thou?
I gave thee sight, where is it now?
I taught thy heart beyond the reach
Of ritual, Bible, or of speech;
Wrote in thy mind's transparent table
As far as the incommunicable;
Taught thee each private sign to raise
Lit by the supersolar blaze.
Past utterance and past belief,
And past the blasphemy of grief,
The mysteries of nature's heart,—
And though no muse can these impart,
Throb thine with nature's throbbing breast,
And all is clear from east to west.

I came to thee as to a friend,
Dearest, to thee I did not send
Tutors, but a joyful eye,
Innocence that matched the sky,
Lovely locks a form of wonder,
Laughter rich as woodland thunder;
That thou might'st entertain apart
The richest flowering of all art;
And, as the great all-loving Day
Through smallest chambers takes its way,
That thou might'st break thy daily bread
With Prophet, Saviour, and head;
That thou might'st cherish for thine own
The riches of sweet Mary's Son,
Boy-Rabbi, Israel's Paragon:
And thoughtest thou such guest
Would in thy hall take up his rest?
Would rushing life forget its laws,
Fate's glowing revolution pause?
High omens ask diviner guess,
Not to be conned to tediousness.
And know, my higher gifts unbind
The zone that girds the incarnate mind,
When the scanty shores are full
With Thought's perilous whirling pool,
When frail Nature can no more,—
Then the spirit strikes the hour,
My servant Death with solving rite
Pours finite into infinite.
Wilt thou freeze love's tidal flow,
Whose streams through nature circling go?
Nail the star struggling to its track
On the half-climbed Zodiack?
Light is light which radiates,
Blood is blood which circulates,
Life is life which generates,
And many-seeming life is one,—
Wilt thou transfix and make it none,
Its onward stream too starkly pent
In figure, bone, and lineament?

Wilt thou uncalled interrogate
Talker! the unreplying fate?
Nor see the Genius of the whole
Ascendant in the private soul,
Beckon it when to go and come,
Self-announced its hour of doom.
Fair the soul's recess and shrine,
Magic-built, to last a season,
Masterpiece of love benign!
Fairer than expansive reason
Whose omen 'tis, and sign.
Wilt thou not ope this heart to know
What rainbows teach and sunsets show,
Verdict which accumulates
From lengthened scroll of human fates,
Voice of earth to earth returned,
Prayers of heart that inly burned;
Saying, what is excellent, 
As God lives, is permanent 
Hearts are dust, hearts' loves remain, 
Heart's love will meet thee again. 
Revere the Maker; fetch thine eye
Up to His style, and manners of the sky.
Not of adamant and gold
Built He heaven stark and cold,
No, but a nest of bending reeds,
Flowering grass and scented weeds,
Or like a traveller's fleeting tent,
Or bow above the tempest pent,
Built of tears and sacred flames,
And virtue reaching to its aims;
Built of furtherance and pursuing,
Not of spent deeds, but of doing.
Silent rushes the swift Lord
Through ruined systems still restored,
Broad-sowing, bleak and void to bless,
Plants with worlds the wilderness,
Waters with tears of ancient sorrow
Apples of Eden ripe to-morrow;
House and tenant go to ground,
Lost in God, in Godhead found.


Written by Mark Doty | Create an image from this poem

Favrile

 Glassmakers,
at century's end,
compounded metallic lusters

in reference
to natural sheens (dragonfly
and beetle wings,

marbled light on kerosene)
and invented names
as coolly lustrous

as their products'
scarab-gleam: Quetzal,
Aurene, Favrile.

Suggesting,
respectively, the glaze
of feathers,

that sun-shot fog
of which halos
are composed,

and -- what?
What to make of Favrile,
Tiffany's term

for his coppery-rose
flushed with gold
like the alchemized

atmosphere of sunbeams
in a Flemish room?
Faux Moorish,

fake Japanese,
his lamps illumine
chiefly themselves,

copying waterlilies'
bronzy stems,
wisteria or trout scales;

surfaces burnished
like a tidal stream
on which an excitation

of minnows boils
and blooms, artifice
made to show us

the lavish wardrobe
of things, the world's
glaze of appearances

worked into the thin
and gleaming stuff
of craft. A story:

at the puppet opera
--where one man animated
the entire cast

while another ghosted
the voices, basso
to coloratura -- Jimmy wept

at the world of tiny gestures,
forgot, he said,
these were puppets,

forgot these wire
and plaster fabrications
were actors at all,

since their pretense
allowed the passions
released to be--

well, operatic.
It's too much,
to be expected to believe;

art's a mercuried sheen
in which we may discern,
because it is surface,

clear or vague
suggestions of our depths,
Don't we need a word

for the luster
of things which insist
on the fact they're made,

which announce
their maker's bravura?
Favrile, I'd propose,

for the perfect lamp,
too dim and strange
to help us read.

For the kimono woven,
dipped in dyes, unraveled
and loomed again

that the pattern might take on
a subtler shading
For the sonnet's

blown-glass sateen,
for bel canto,
for Faberge

For everything
which begins in limit
(where else might our work

begin?) and ends in grace,
or at least extravagance.
For the silk sleeves

of the puppet queen,
held at a ravishing angle
over her puppet lover slain,

for her lush vowels
mouthed by the plain man
hunched behind the stage.
Written by Derek Walcott | Create an image from this poem

In The Virgins

 You can't put in the ground swell of the organ
from the Christiansted, St.Croix, Anglican Church
behind the paratrooper's voice: "Turned cop
after Vietnam. I made thirty jumps."
Bells punish the dead street and pigeons lurch
from the stone belfry, opening their chutes,
circling until the rings of ringing stop.
"Salud!" The paratrooper's glass is raised.
The congregation rises to its feet
like a patrol, with scuffling shoes and boots,
repeating orders as the organ thumps:
"Praise Ye the Lord. The Lord's name be praised."

You cannot hear, beyond the quiet harbor,
the breakers cannonading on the bruised
horizon, or the charter engines gunning for
Buck Island. The only war here is a war
of silence between blue sky and sea,
and just one voice, the marching choir's, is raised
to draft new conscripts with the ancient cry
of "Onward, Christian Soldiers," into pews
half-empty still, or like a glass, half-full.
Pinning itself to a cornice, a gull
hangs like a medal from the serge-blue sky.

Are these boats all? Is the blue water all?
The rocks surpliced with lace where they are moored,
dinghy, catamaran, and racing yawl,
nodding to the ground swell of "Praise the Lord"?
Wesley and Watts, their evangelical light
lanced down the mine shafts to our chapel pew,
its beam gritted with motes of anthracite
that drifted on us in our chapel benches:
from God's slow-grinding mills in Lancashire,
ash on the dead mired in Flanders' trenches,
as a gray drizzle now defiles the view

of this blue harbor, framed in windows where
two yellow palm fronds, jerked by the wind's rain,
agree like horses' necks, and nodding bear,
slow as a hearse, a haze of tasseled rain,
and, as the weather changes in a child,
the paradisal day outside grows dark,
the yachts flutter like moths in a gray jar,
the martial voices fade in thunder, while
across the harbor, like a timid lure,
a rainbow casts its seven-colored arc.

Tonight, now Sunday has been put to rest.
Altar lights ride the black glass where the yachts
stiffly repeat themselves and phosphoresce
with every ripple - the wide parking-lots
of tidal affluence - and every mast
sways the night's dial as its needle veers
to find the station which is truly peace.
Like neon lasers shot across the bars
discos blast out the music of the spheres,
and, one by one, science infects the stars.
Written by Thomas Hardy | Create an image from this poem

Lines On The Loss Of The Titanic

 In a solitude of the sea
Deep from human vanity,
And the Pride of Life that planned her, stilly couches she.

Steel chambers, late the pyres
Of her salamandrine fires,
Cold currents thrid, and turn to rhythmic tidal lyres.

Over the mirrors meant
To glass the opulent
The sea-worm crawls -- grotesque, slimed, dumb, indifferent.

Jewels in joy designed
To ravish the sensuous mind
Lie lightless, all their sparkles bleared and black and blind.

Dim moon-eyed fishes near
Gaze at the gilded gear
And query: "What does this vaingloriousness down here?" ...

Well: while was fashioning
This creature of cleaving wing,
The Immanent Will that stirs and urges everything

Prepared a sinister mate
For her -- so gaily great --
A Shape of Ice, for the time far and dissociate.

And as the smart ship grew
In stature, grace, and hue,
In shadowy silent distance grew the Iceberg too.

Alien they seemed to be;
No mortal eye could see
The intimate welding of their later history,

Or sign that they were bent
By paths coincident 
On being anon twin halves of one august event,

Till the Spinner of the Years
Said "Now!" And each one hears,
And consummation comes, and jars two hemispheres.
Written by Laurie Lee | Create an image from this poem

Home From Abroad

 Far-fetched with tales of other worlds and ways, 
My skin well-oiled with wines of the Levant, 
I set my face into a filial smile 
To greet the pale, domestic kiss of Kent. 

But shall I never learn? That gawky girl, 
Recalled so primly in my foreign thoughts, 
Becomes again the green-haired queen of love 
Whose wanton form dilates as it delights. 

Her rolling tidal landscape floods the eye 
And drowns Chianti in a dusky stream; 
he flower-flecked grasses swim with simple horses, 
The hedges choke with roses fat as cream. 

So do I breathe the hayblown airs of home, 
And watch the sea-green elms drip birds and shadows, 
And as the twilight nets the plunging sun 
My heart's keel slides to rest among the meadows.
Written by Jean Ingelow | Create an image from this poem

Honors - Part I

A Scholar is musing on his want of success.)

To strive—and fail. Yes, I did strive and fail;
  I set mine eyes upon a certain night
To find a certain star—and could not hail
      With them its deep-set light.
Fool that I was! I will rehearse my fault:
  I, wingless, thought myself on high to lift
Among the winged—I set these feet that halt
      To run against the swift.
And yet this man, that loved me so, can write—
  That loves me, I would say, can let me see;
Or fain would have me think he counts but light
      These Honors lost to me.
         (The letter of his friend.)
"What are they? that old house of yours which gave
  Such welcome oft to me, the sunbeams fall
Yet, down the squares of blue and white which pave
      Its hospitable hall.
"A brave old house! a garden full of bees,
  Large dropping poppies, and Queen hollyhocks,
With butterflies for crowns—tree peonies
      And pinks and goldilocks.
"Go, when the shadow of your house is long
  Upon the garden—when some new-waked bird.
Pecking and fluttering, chirps a sudden song,
      And not a leaf is stirred;
"But every one drops dew from either edge
  Upon its fellow, while an amber ray
Slants up among the tree-tops like a wedge
      Of liquid gold—to play
"Over and under them, and so to fall
  Upon that lane of water lying below—
That piece of sky let in, that you do call
      A pond, but which I know
"To be a deep and wondrous world; for I
  Have seen the trees within it—marvellous things
So thick no bird betwixt their leaves could fly
      But she would smite her wings;—
"Go there, I say; stand at the water's brink,
  And shoals of spotted barbel you shall see
Basking between the shadows—look, and think
      'This beauty is for me;
"'For me this freshness in the morning hours,
  For me the water's clear tranquillity;
For me the soft descent of chestnut flowers;
      The cushat's cry for me.
"'The lovely laughter of the wind-swayed wheat
  The easy slope of yonder pastoral hill;
The sedgy brook whereby the red kine meet
      And wade and drink their fill.'
"Then saunter down that terrace whence the sea
  All fair with wing-like sails you may discern;
Be glad, and say 'This beauty is for me—
      A thing to love and learn.
"'For me the bounding in of tides; for me
  The laying bare of sands when they retreat;
The purple flush of calms, the sparkling glee
      When waves and sunshine meet.'
"So, after gazing, homeward turn, and mount
  To that long chamber in the roof; there tell
Your heart the laid-up lore it holds to count
      And prize and ponder well.
"The lookings onward of the race before
  It had a past to make it look behind;
Its reverent wonder, and its doubting sore,
      Its adoration blind.
"The thunder of its war-songs, and the glow
  Of chants to freedom by the old world sung;
The sweet love cadences that long ago
      Dropped from the old-world tongue.
"And then this new-world lore that takes account
  Of tangled star-dust; maps the triple whirl
Of blue and red and argent worlds that mount
      And greet the IRISH EARL;
"Or float across the tube that HERSCHEL sways,
  Like pale-rose chaplets, or like sapphire mist;
Or hang or droop along the heavenly ways,
      Like scarves of amethyst.
"O strange it is and wide the new-world lore,
  For next it treateth of our native dust!
Must dig out buried monsters, and explore
      The green earth's fruitful crust;
"Must write the story of her seething youth—
  How lizards paddled in her lukewarm seas;
Must show the cones she ripened, and forsooth
      Count seasons on her trees;
"Must know her weight, and pry into her age,
  Count her old beach lines by their tidal swell;
Her sunken mountains name, her craters gauge,
      Her cold volcanoes tell;
"And treat her as a ball, that one might pass
  From this hand to the other—such a ball
As he could measure with a blade of grass,
      And say it was but small!
"Honors! O friend, I pray you bear with me:
  The grass hath time to grow in meadow lands,
And leisurely the opal murmuring sea
      Breaks on her yellow sands;
"And leisurely the ring-dove on her nest
  Broods till her tender chick will peck the shell
And leisurely down fall from ferny crest
      The dew-drops on the well;
"And leisurely your life and spirit grew,
  With yet the time to grow and ripen free:
No judgment past withdraws that boon from you,
      Nor granteth it to me.
"Still must I plod, and still in cities moil;
  From precious leisure, learned leisure far,
Dull my best self with handling common soil;
      Yet mine those honors are.
"Mine they are called; they are a name which means,
  'This man had steady pulses, tranquil nerves:
Here, as in other fields, the most he gleans
      Who works and never swerves.
"We measure not his mind; we cannot tell
  What lieth under, over, or beside
The test we put him to; he doth excel,
    We know, where he is tried;
"But, if he boast some farther excellence—
  Mind to create as well as to attain;
To sway his peers by golden eloquence,
    As wind doth shift a fane;
"'To sing among the poets—we are nought:
  We cannot drop a line into that sea
And read its fathoms off, nor gauge a thought,
    Nor map a simile.
"'It may be of all voices sublunar
  The only one he echoes we did try;
We may have come upon the only star
    That twinkles in his sky,'
"And so it was with me."
                         O false my friend!
  False, false, a random charge, a blame undue;
Wrest not fair reasoning to a crooked end:
    False, false, as you are true!
But I read on: "And so it was with me;
  Your golden constellations lying apart
They neither hailed nor greeted heartily,
    Nor noted on their chart.
"And yet to you and not to me belong
  Those finer instincts that, like second sight
And hearing, catch creation's undersong,
      And see by inner light.
"You are a well, whereon I, gazing, see
  Reflections of the upper heavens—a well
From whence come deep, deep echoes up to me—
      Some underwave's low swell.
"I cannot soar into the heights you show,
  Nor dive among the deeps that you reveal;
But it is much that high things ARE to know,
      That deep things ARE to feel.
"'Tis yours, not mine, to pluck out of your breast
  Some human truth, whose workings recondite
Were unattired in words, and manifest
      And hold it forth to light
"And cry, 'Behold this thing that I have found,'
  And though they knew not of it till that day,
Nor should have done with no man to expound
      Its meaning, yet they say,
"'We do accept it: lower than the shoals
  We skim, this diver went, nor did create,
But find it for us deeper in our souls
      Than we can penetrate.'
"You were to me the world's interpreter,
  The man that taught me Nature's unknown tongue,
And to the notes of her wild dulcimer
      First set sweet words, and sung.
"And what am I to you? A steady hand
  To hold, a steadfast heart to trust withal;
Merely a man that loves you, and will stand
      By you, whatever befall.
"But need we praise his tendance tutelar
  Who feeds a flame that warms him? Yet 'tis true
I love you for the sake of what you are,
      And not of what you do:—
"As heaven's high twins, whereof in Tyrian blue
  The one revolveth: through his course immense
Might love his fellow of the damask hue,
      For like, and difference.
"For different pathways evermore decreed
  To intersect, but not to interfere;
For common goal, two aspects, and one speed,
      One centre and one year;
"For deep affinities, for drawings strong,
  That by their nature each must needs exert;
For loved alliance, and for union long,
      That stands before desert.
"And yet desert makes brighter not the less,
  For nearest his own star he shall not fail
To think those rays unmatched for nobleness,
      That distance counts but pale.
"Be pale afar, since still to me you shine,
  And must while Nature's eldest law shall hold;"—
Ah, there's the thought which makes his random line
      Dear as refinèd gold!
Then shall I drink this draft of oxymel,
  Part sweet, part sharp? Myself o'erprized to know
Is sharp; the cause is sweet, and truth to tell
      Few would that cause forego,
Which is, that this of all the men on earth
  Doth love me well enough to count me great—
To think my soul and his of equal girth—
      O liberal estimate!
And yet it is so; he is bound to me,
  For human love makes aliens near of kin;
By it I rise, there is equality:
      I rise to thee, my twin.
"Take courage"—courage! ay, my purple peer
  I will take courage; for thy Tyrian rays
Refresh me to the heart, and strangely dear
      And healing is thy praise.
"Take courage," quoth he, "and respect the mind
  Your Maker gave, for good your fate fulfil;
The fate round many hearts your own to wind."
      Twin soul, I will! I will!

Book: Reflection on the Important Things