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Best Famous Thunder Poems

Here is a collection of the all-time best famous Thunder poems. This is a select list of the best famous Thunder poetry. Reading, writing, and enjoying famous Thunder poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of thunder poems.

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Written by Muhammad Ali | Create an image from this poem

Last night I had a dream

Last night I had a dream, When I got to Africa,
I had one hell of a rumble.
I had to beat Tarzan’s behind first,
For claiming to be King of the Jungle.
For this fight, I’ve wrestled with alligators,
I’ve tussled with a whale.
I done handcuffed lightning
And throw thunder in jail.
You know I’m bad.
just last week, I murdered a rock,
Injured a stone, Hospitalized a brick.
I’m so mean, I make medicine sick.
I’m so fast, man,
I can run through a hurricane and don't get wet.
When George Foreman meets me,
He’ll pay his debt.
I can drown the drink of water, and kill a dead tree.
Wait till you see Muhammad Ali.


Written by Victor Hugo | Create an image from this poem

A Sunset

 I love the evenings, passionless and fair, I love the evens, 
Whether old manor-fronts their ray with golden fulgence leavens, 
In numerous leafage bosomed close; 
Whether the mist in reefs of fire extend its reaches sheer, 
Or a hundred sunbeams splinter in an azure atmosphere 
On cloudy archipelagos.
Oh, gaze ye on the firmament! a hundred clouds in motion, Up-piled in the immense sublime beneath the winds' commotion, Their unimagined shapes accord: Under their waves at intervals flame a pale levin through, As if some giant of the air amid the vapors drew A sudden elemental sword.
The sun at bay with splendid thrusts still keeps the sullen fold; And momently at distance sets, as a cupola of gold, The thatched roof of a cot a-glance; Or on the blurred horizon joins his battle with the haze; Or pools the blooming fields about with inter-isolate blaze, Great moveless meres of radiance.
Then mark you how there hangs athwart the firmament's swept track, Yonder a mighty crocodile with vast irradiant back, A triple row of pointed teeth? Under its burnished belly slips a ray of eventide, The flickerings of a hundred glowing clouds in tenebrous side With scales of golden mail ensheathe.
Then mounts a palace, then the air vibrates--the vision flees.
Confounded to its base, the fearful cloudy edifice Ruins immense in mounded wrack; Afar the fragments strew the sky, and each envermeiled cone Hangeth, peak downward, overhead, like mountains overthrown When the earthquake heaves its hugy back.
These vapors, with their leaden, golden, iron, bronzèd glows, Where the hurricane, the waterspout, thunder, and hell repose, Muttering hoarse dreams of destined harms,-- 'Tis God who hangs their multitude amid the skiey deep, As a warrior that suspendeth from the roof-tree of his keep His dreadful and resounding arms! All vanishes! The Sun, from topmost heaven precipitated, Like a globe of iron which is tossed back fiery red Into the furnace stirred to fume, Shocking the cloudy surges, plashed from its impetuous ire, Even to the zenith spattereth in a flecking scud of fire The vaporous and inflamèd spaume.
O contemplate the heavens! Whenas the vein-drawn day dies pale, In every season, every place, gaze through their every veil? With love that has not speech for need! Beneath their solemn beauty is a mystery infinite: If winter hue them like a pall, or if the summer night Fantasy them starre brede.
Written by T S (Thomas Stearns) Eliot | Create an image from this poem

Four Quartets 2: East Coker

 I

In my beginning is my end.
In succession Houses rise and fall, crumble, are extended, Are removed, destroyed, restored, or in their place Is an open field, or a factory, or a by-pass.
Old stone to new building, old timber to new fires, Old fires to ashes, and ashes to the earth Which is already flesh, fur and faeces, Bone of man and beast, cornstalk and leaf.
Houses live and die: there is a time for building And a time for living and for generation And a time for the wind to break the loosened pane And to shake the wainscot where the field-mouse trots And to shake the tattered arras woven with a silent motto.
In my beginning is my end.
Now the light falls Across the open field, leaving the deep lane Shuttered with branches, dark in the afternoon, Where you lean against a bank while a van passes, And the deep lane insists on the direction Into the village, in the electric heat Hypnotised.
In a warm haze the sultry light Is absorbed, not refracted, by grey stone.
The dahlias sleep in the empty silence.
Wait for the early owl.
In that open field If you do not come too close, if you do not come too close, On a summer midnight, you can hear the music Of the weak pipe and the little drum And see them dancing around the bonfire The association of man and woman In daunsinge, signifying matrimonie— A dignified and commodiois sacrament.
Two and two, necessarye coniunction, Holding eche other by the hand or the arm Whiche betokeneth concorde.
Round and round the fire Leaping through the flames, or joined in circles, Rustically solemn or in rustic laughter Lifting heavy feet in clumsy shoes, Earth feet, loam feet, lifted in country mirth Mirth of those long since under earth Nourishing the corn.
Keeping time, Keeping the rhythm in their dancing As in their living in the living seasons The time of the seasons and the constellations The time of milking and the time of harvest The time of the coupling of man and woman And that of beasts.
Feet rising and falling.
Eating and drinking.
Dung and death.
Dawn points, and another day Prepares for heat and silence.
Out at sea the dawn wind Wrinkles and slides.
I am here Or there, or elsewhere.
In my beginning.
II What is the late November doing With the disturbance of the spring And creatures of the summer heat, And snowdrops writhing under feet And hollyhocks that aim too high Red into grey and tumble down Late roses filled with early snow? Thunder rolled by the rolling stars Simulates triumphal cars Deployed in constellated wars Scorpion fights against the Sun Until the Sun and Moon go down Comets weep and Leonids fly Hunt the heavens and the plains Whirled in a vortex that shall bring The world to that destructive fire Which burns before the ice-cap reigns.
That was a way of putting it—not very satisfactory: A periphrastic study in a worn-out poetical fashion, Leaving one still with the intolerable wrestle With words and meanings.
The poetry does not matter.
It was not (to start again) what one had expected.
What was to be the value of the long looked forward to, Long hoped for calm, the autumnal serenity And the wisdom of age? Had they deceived us Or deceived themselves, the quiet-voiced elders, Bequeathing us merely a receipt for deceit? The serenity only a deliberate hebetude, The wisdom only the knowledge of dead secrets Useless in the darkness into which they peered Or from which they turned their eyes.
There is, it seems to us, At best, only a limited value In the knowledge derived from experience.
The knowledge imposes a pattern, and falsifies, For the pattern is new in every moment And every moment is a new and shocking Valuation of all we have been.
We are only undeceived Of that which, deceiving, could no longer harm.
In the middle, not only in the middle of the way But all the way, in a dark wood, in a bramble, On the edge of a grimpen, where is no secure foothold, And menaced by monsters, fancy lights, Risking enchantment.
Do not let me hear Of the wisdom of old men, but rather of their folly, Their fear of fear and frenzy, their fear of possession, Of belonging to another, or to others, or to God.
The only wisdom we can hope to acquire Is the wisdom of humility: humility is endless.
The houses are all gone under the sea.
The dancers are all gone under the hill.
III O dark dark dark.
They all go into the dark, The vacant interstellar spaces, the vacant into the vacant, The captains, merchant bankers, eminent men of letters, The generous patrons of art, the statesmen and the rulers, Distinguished civil servants, chairmen of many committees, Industrial lords and petty contractors, all go into the dark, And dark the Sun and Moon, and the Almanach de Gotha And the Stock Exchange Gazette, the Directory of Directors, And cold the sense and lost the motive of action.
And we all go with them, into the silent funeral, Nobody's funeral, for there is no one to bury.
I said to my soul, be still, and let the dark come upon you Which shall be the darkness of God.
As, in a theatre, The lights are extinguished, for the scene to be changed With a hollow rumble of wings, with a movement of darkness on darkness, And we know that the hills and the trees, the distant panorama And the bold imposing façade are all being rolled away— Or as, when an underground train, in the tube, stops too long between stations And the conversation rises and slowly fades into silence And you see behind every face the mental emptiness deepen Leaving only the growing terror of nothing to think about; Or when, under ether, the mind is conscious but conscious of nothing— I said to my soul, be still, and wait without hope For hope would be hope for the wrong thing; wait without love, For love would be love of the wrong thing; there is yet faith But the faith and the love and the hope are all in the waiting.
Wait without thought, for you are not ready for thought: So the darkness shall be the light, and the stillness the dancing.
Whisper of running streams, and winter lightning.
The wild thyme unseen and the wild strawberry, The laughter in the garden, echoed ecstasy Not lost, but requiring, pointing to the agony Of death and birth.
You say I am repeating Something I have said before.
I shall say it again.
Shall I say it again? In order to arrive there, To arrive where you are, to get from where you are not, You must go by a way wherein there is no ecstasy.
In order to arrive at what you do not know You must go by a way which is the way of ignorance.
In order to possess what you do not possess You must go by the way of dispossession.
In order to arrive at what you are not You must go through the way in which you are not.
And what you do not know is the only thing you know And what you own is what you do not own And where you are is where you are not.
IV The wounded surgeon plies the steel That questions the distempered part; Beneath the bleeding hands we feel The sharp compassion of the healer's art Resolving the enigma of the fever chart.
Our only health is the disease If we obey the dying nurse Whose constant care is not to please But to remind of our, and Adam's curse, And that, to be restored, our sickness must grow worse.
The whole earth is our hospital Endowed by the ruined millionaire, Wherein, if we do well, we shall Die of the absolute paternal care That will not leave us, but prevents us everywhere.
The chill ascends from feet to knees, The fever sings in mental wires.
If to be warmed, then I must freeze And quake in frigid purgatorial fires Of which the flame is roses, and the smoke is briars.
The dripping blood our only drink, The bloody flesh our only food: In spite of which we like to think That we are sound, substantial flesh and blood— Again, in spite of that, we call this Friday good.
V So here I am, in the middle way, having had twenty years— Twenty years largely wasted, the years of l'entre deux guerres Trying to use words, and every attempt Is a wholly new start, and a different kind of failure Because one has only learnt to get the better of words For the thing one no longer has to say, or the way in which One is no longer disposed to say it.
And so each venture Is a new beginning, a raid on the inarticulate With shabby equipment always deteriorating In the general mess of imprecision of feeling, Undisciplined squads of emotion.
And what there is to conquer By strength and submission, has already been discovered Once or twice, or several times, by men whom one cannot hope To emulate—but there is no competition— There is only the fight to recover what has been lost And found and lost again and again: and now, under conditions That seem unpropitious.
But perhaps neither gain nor loss.
For us, there is only the trying.
The rest is not our business.
Home is where one starts from.
As we grow older The world becomes stranger, the pattern more complicated Of dead and living.
Not the intense moment Isolated, with no before and after, But a lifetime burning in every moment And not the lifetime of one man only But of old stones that cannot be deciphered.
There is a time for the evening under starlight, A time for the evening under lamplight (The evening with the photograph album).
Love is most nearly itself When here and now cease to matter.
Old men ought to be explorers Here or there does not matter We must be still and still moving Into another intensity For a further union, a deeper communion Through the dark cold and the empty desolation, The wave cry, the wind cry, the vast waters Of the petrel and the porpoise.
In my end is my beginning.
Written by Henry Kendall | Create an image from this poem

Mountains

RIFTED mountains, clad with forests, girded round by gleaming pines, 
Where the morning, like an angel, robed in golden splendour shines; 
Shimmering mountains, throwing downward on the slopes a mazy glare 
Where the noonday glory sails through gulfs of calm and glittering air; 
Stately mountains, high and hoary, piled with blocks of amber cloud, 
Where the fading twilight lingers, when the winds are wailing loud; 

Grand old mountains, overbeetling brawling brooks and deep ravines, 
Where the moonshine, pale and mournful, flows on rocks and evergreens. 

Underneath these regal ridges - underneath the gnarly trees, 
I am sitting, lonely-hearted, listening to a lonely breeze! 
Sitting by an ancient casement, casting many a longing look 
Out across the hazy gloaming - out beyond the brawling brook! 
Over pathways leading skyward - over crag and swelling cone, 

Past long hillocks looking like to waves of ocean turned to stone; 
Yearning for a bliss unworldly, yearning for a brighter change, 
Yearning for the mystic Aidenn, built beyond this mountain range. 


Happy years, amongst these valleys, happy years have come and gone, 
And my youthful hopes and friendships withered with them one by one; 
Days and moments bearing onward many a bright and beauteous dream, 
All have passed me like to sunstreaks flying down a distant stream. 

Oh, the love returned by loved ones! Oh, the faces that I knew! 
Oh, the wrecks of fond affection! Oh, the hearts so warm and true! 
But their voices I remember, and a something lingers still, 
Like a dying echo roaming sadly round a far off hill. 


I would sojourn here contented, tranquil as I was of yore, 
And would never wish to clamber, seeking for an unknown shore; 
I have dwelt within this cottage twenty summers, and mine eyes 

Never wandered erewhile round in search of undiscovered skies; 
But a spirit sits beside me, veiled in robes of dazzling white, 
And a dear one's whisper wakens with the symphonies of night; 
And a low sad music cometh, borne along on windy wings, 
Like a strain familiar rising from a maze of slumbering springs. 


And the Spirit, by my window, speaketh to my restless soul, 
Telling of the clime she came from, where the silent moments roll; 

Telling of the bourne mysterious, where the sunny summers flee 
Cliffs and coasts, by man untrodden, ridging round a shipless sea. 

There the years of yore are blooming - there departed life-dreams dwell, 
There the faces beam with gladness that I loved in youth so well; 
There the songs of childhood travel, over wave-worn steep and strand - 
Over dale and upland stretching out behind this mountain land. 


``Lovely Being, can a mortal, weary of this changeless scene, 

Cross these cloudy summits to the land where man hath never been? 
Can he find a pathway leading through that wildering mass of pines, 
So that he shall reach the country where ethereal glory shines; 
So that he may glance at waters never dark with coming ships; 
Hearing round him gentle language floating from angelic lips; 
Casting off his earthly fetters, living there for evermore; 
All the blooms of Beauty near him, gleaming on that quiet shore? 


``Ere you quit this ancient casement, tell me, is it well to yearn 
For the evanescent visions, vanished never to return? 
Is it well that I should with to leave this dreary world behind, 
Seeking for your fair Utopia, which perchance I may not find? 
Passing through a gloomy forest, scaling steeps like prison walls, 
Where the scanty sunshine wavers and the moonlight seldom falls? 
Oh, the feelings re-awakened! Oh, the hopes of loftier range! 

Is it well, thou friendly Being, well to wish for such a change?'' 


But the Spirit answers nothing! and the dazzling mantle fades; 
And a wailing whisper wanders out from dismal seaside shades! 
``Lo, the trees are moaning loudly, underneath their hood-like shrouds, 
And the arch above us darkens, scarred with ragged thunder clouds!'' 
But the spirit answers nothing, and I linger all alone, 
Gazing through the moony vapours where the lovely Dream has flown; 

And my heart is beating sadly, and the music waxeth faint, 
Sailing up to holy Heaven, like the anthems of a Saint.
Written by William Shakespeare | Create an image from this poem

Fear No More

 Fear no more the heat o' the sun; 
Nor the furious winter's rages, 
Thou thy worldly task hast done, 
Home art gone, and ta'en thy wages; 
Golden lads and girls all must, 
As chimney sweepers come to dust.
Fear no more the frown of the great, Thou art past the tyrant's stroke: Care no more to clothe and eat; To thee the reed is as the oak: The sceptre, learning, physic, must All follow this, and come to dust.
Fear no more the lightning-flash, Nor the all-dread thunder-stone; Fear not slander, censure rash; Thou hast finished joy and moan; All lovers young, all lovers must Consign to thee, and come to dust.
No exorciser harm thee! Nor no witchcraft charm thee! Ghost unlaid forbear thee! Nothing ill come near thee! Quiet consummation have; And renowned be thy grave!


Written by Siegfried Sassoon | Create an image from this poem

Haunted

EVENING was in the wood, louring with storm.
A time of drought had sucked the weedy pool And baked the channels; birds had done with song.
Thirst was a dream of fountains in the moon, Or willow-music blown across the water 5 Leisurely sliding on by weir and mill.
Uneasy was the man who wandered, brooding, His face a little whiter than the dusk.
A drone of sultry wings flicker¡¯d in his head.
The end of sunset burning thro¡¯ the boughs 10 Died in a smear of red; exhausted hours Cumber¡¯d, and ugly sorrows hemmed him in.
He thought: ¡®Somewhere there¡¯s thunder,¡¯ as he strove To shake off dread; he dared not look behind him, But stood, the sweat of horror on his face.
15 He blunder¡¯d down a path, trampling on thistles, In sudden race to leave the ghostly trees.
And: ¡®Soon I¡¯ll be in open fields,¡¯ he thought, And half remembered starlight on the meadows, Scent of mown grass and voices of tired men, 20 Fading along the field-paths; home and sleep And cool-swept upland spaces, whispering leaves, And far off the long churring night-jar¡¯s note.
But something in the wood, trying to daunt him, Led him confused in circles through the thicket.
25 He was forgetting his old wretched folly, And freedom was his need; his throat was choking.
Barbed brambles gripped and clawed him round his legs, And he floundered over snags and hidden stumps.
Mumbling: ¡®I will get out! I must get out!¡¯ 30 Butting and thrusting up the baffling gloom, Pausing to listen in a space ¡¯twixt thorns, He peers around with peering, frantic eyes.
An evil creature in the twilight looping, Flapped blindly in his face.
Beating it off, 35 He screeched in terror, and straightway something clambered Heavily from an oak, and dropped, bent double, To shamble at him zigzag, squat and bestial.
Headlong he charges down the wood, and falls With roaring brain¡ªagony¡ªthe snap¡¯t spark¡ª 40 And blots of green and purple in his eyes.
Then the slow fingers groping on his neck, And at his heart the strangling clasp of death.
Written by Allen Ginsberg | Create an image from this poem

Plutonian Ode

 I

What new element before us unborn in nature? Is there
 a new thing under the Sun?
At last inquisitive Whitman a modern epic, detonative,
 Scientific theme
First penned unmindful by Doctor Seaborg with poison-
 ous hand, named for Death's planet through the 
 sea beyond Uranus
whose chthonic ore fathers this magma-teared Lord of 
 Hades, Sire of avenging Furies, billionaire Hell-
 King worshipped once
with black sheep throats cut, priests's face averted from
 underground mysteries in single temple at Eleusis,
Spring-green Persephone nuptialed to his inevitable
 Shade, Demeter mother of asphodel weeping dew,
her daughter stored in salty caverns under white snow, 
 black hail, grey winter rain or Polar ice, immemor-
 able seasons before
Fish flew in Heaven, before a Ram died by the starry
 bush, before the Bull stamped sky and earth
or Twins inscribed their memories in clay or Crab'd
 flood
washed memory from the skull, or Lion sniffed the
 lilac breeze in Eden--
Before the Great Year began turning its twelve signs,
 ere constellations wheeled for twenty-four thousand
 sunny years
slowly round their axis in Sagittarius, one hundred 
 sixty-seven thousand times returning to this night

Radioactive Nemesis were you there at the beginning 
 black dumb tongueless unsmelling blast of Disil-
 lusion?
I manifest your Baptismal Word after four billion years
I guess your birthday in Earthling Night, I salute your
 dreadful presence last majestic as the Gods,
Sabaot, Jehova, Astapheus, Adonaeus, Elohim, Iao, 
 Ialdabaoth, Aeon from Aeon born ignorant in an
 Abyss of Light,
Sophia's reflections glittering thoughtful galaxies, whirl-
 pools of starspume silver-thin as hairs of Einstein!
Father Whitman I celebrate a matter that renders Self
 oblivion!
Grand Subject that annihilates inky hands & pages'
 prayers, old orators' inspired Immortalities,
I begin your chant, openmouthed exhaling into spacious
 sky over silent mills at Hanford, Savannah River,
 Rocky Flats, Pantex, Burlington, Albuquerque
I yell thru Washington, South Carolina, Colorado, 
 Texas, Iowa, New Mexico,
Where nuclear reactors creat a new Thing under the 
 Sun, where Rockwell war-plants fabricate this death
 stuff trigger in nitrogen baths,
Hanger-Silas Mason assembles the terrified weapon
 secret by ten thousands, & where Manzano Moun-
 tain boasts to store
its dreadful decay through two hundred forty millenia
 while our Galaxy spirals around its nebulous core.
I enter your secret places with my mind, I speak with your presence, I roar your Lion Roar with mortal mouth.
One microgram inspired to one lung, ten pounds of heavy metal dust adrift slow motion over grey Alps the breadth of the planet, how long before your radiance speeds blight and death to sentient beings? Enter my body or not I carol my spirit inside you, Unnaproachable Weight, O heavy heavy Element awakened I vocalize your con- sciousness to six worlds I chant your absolute Vanity.
Yeah monster of Anger birthed in fear O most Ignorant matter ever created unnatural to Earth! Delusion of metal empires! Destroyer of lying Scientists! Devourer of covetous Generals, Incinerator of Armies & Melter of Wars! Judgement of judgements, Divine Wind over vengeful nations, Molester of Presidents, Death-Scandal of Capital politics! Ah civilizations stupidly indus- trious! Canker-Hex on multitudes learned or illiterate! Manu- factured Spectre of human reason! O solidified imago of practicioner in Black Arts I dare your reality, I challenge your very being! I publish your cause and effect! I turn the wheel of Mind on your three hundred tons! Your name enters mankind's ear! I embody your ultimate powers! My oratory advances on your vaunted Mystery! This breath dispels your braggart fears! I sing your form at last behind your concrete & iron walls inside your fortress of rubber & translucent silicon shields in filtered cabinets and baths of lathe oil, My voice resounds through robot glove boxes & ignot cans and echoes in electric vaults inert of atmo- sphere, I enter with spirit out loud into your fuel rod drums underground on soundless thrones and beds of lead O density! This weightless anthem trumpets transcendent through hidden chambers and breaks through iron doors into the Infernal Room! Over your dreadful vibration this measured harmony floats audible, these jubilant tones are honey and milk and wine-sweet water Poured on the stone black floor, these syllables are barley groats I scatter on the Reactor's core, I call your name with hollow vowels, I psalm your Fate close by, my breath near deathless ever at your side to Spell your destiny, I set this verse prophetic on your mausoleum walls to seal you up Eternally with Diamond Truth! O doomed Plutonium.
II The Bar surveys Plutonian history from midnight lit with Mercury Vapor streetlamps till in dawn's early light he contemplates a tranquil politic spaced out between Nations' thought-forms proliferating bureaucratic & horrific arm'd, Satanic industries projected sudden with Five Hundred Billion Dollar Strength around the world same time this text is set in Boulder, Colorado before front range of Rocky Mountains twelve miles north of Rocky Flats Nuclear Facility in United States of North America, Western Hemi- sphere of planet Earth six months and fourteen days around our Solar System in a Spiral Galaxy the local year after Dominion of the last God nineteen hundred seventy eight Completed as yellow hazed dawn clouds brighten East, Denver city white below Blue sky transparent rising empty deep & spacious to a morning star high over the balcony above some autos sat with wheels to curb downhill from Flatiron's jagged pine ridge, sunlit mountain meadows sloped to rust-red sandstone cliffs above brick townhouse roofs as sparrows waked whistling through Marine Street's summer green leafed trees.
III This ode to you O Poets and Orators to come, you father Whitman as I join your side, you Congress and American people, you present meditators, spiritual friends & teachers, you O Master of the Diamond Arts, Take this wheel of syllables in hand, these vowels and consonants to breath's end take this inhalation of black poison to your heart, breath out this blessing from your breast on our creation forests cities oceans deserts rocky flats and mountains in the Ten Directions pacify with exhalation, enrich this Plutonian Ode to explode its empty thunder through earthen thought-worlds Magnetize this howl with heartless compassion, destroy this mountain of Plutonium with ordinary mind and body speech, thus empower this Mind-guard spirit gone out, gone out, gone beyond, gone beyond me, Wake space, so Ah! July 14, 1978
Written by Edgar Allan Poe | Create an image from this poem

Alone

 From childhood's hour I have not been
As others were; I have not seen
As others saw; I could not bring
My passions from a common spring.
From the same source I have not taken My sorrow; I could not awaken My heart to joy at the same tone; And all I loved, I loved alone.
Then- in my childhood, in the dawn Of a most stormy life- was drawn From every depth of good and ill The mystery which binds me still: From the torrent, or the fountain, From the red cliff of the mountain, From the sun that round me rolled In its autumn tint of gold, From the lightning in the sky As it passed me flying by, From the thunder and the storm, And the cloud that took the form (When the rest of Heaven was blue) Of a demon in my view.
Written by Edgar Allan Poe | Create an image from this poem

Romance

 Romance, who loves to nod and sing
With drowsy head and folded wing
Among the green leaves as they shake
Far down within some shadowy lake,
To me a painted paroquet
Hath been—most familiar bird—
Taught me my alphabet to say,
To lisp my very earliest word
While in the wild wood I did lie,
A child—with a most knowing eye.
Of late, eternal condor years So shake the very Heaven on high With tumult as they thunder by, I have no time for idle cares Through gazing on the unquiet sky; And when an hour with calmer wings Its down upon my spirit flings, That little time with lyre and rhyme To while away—forbidden things— My heart would feel to be a crime Unless it trembled with the strings.
Written by Robert Browning | Create an image from this poem

The Glove

 (PETER RONSARD _loquitur_.
) ``Heigho!'' yawned one day King Francis, ``Distance all value enhances! ``When a man's busy, why, leisure ``Strikes him as wonderful pleasure: `` 'Faith, and at leisure once is he? ``Straightway he wants to be busy.
``Here we've got peace; and aghast I'm ``Caught thinking war the true pastime.
``Is there a reason in metre? ``Give us your speech, master Peter!'' I who, if mortal dare say so, Ne'er am at loss with my Naso, ``Sire,'' I replied, ``joys prove cloudlets: ``Men are the merest Ixions''--- Here the King whistled aloud, ``Let's ``---Heigho---go look at our lions!'' Such are the sorrowful chances If you talk fine to King Francis.
And so, to the courtyard proceeding, Our company, Francis was leading, Increased by new followers tenfold Before be arrived at the penfold; Lords, ladies, like clouds which bedizen At sunset the western horizon.
And Sir De Lorge pressed 'mid the foremost With the dame he professed to adore most.
Oh, what a face! One by fits eyed Her, and the horrible pitside; For the penfold surrounded a hollow Which led where the eye scarce dared follow, And shelved to the chamber secluded Where Bluebeard, the great lion, brooded.
The King bailed his keeper, an Arab As glossy and black as a scarab,*1 And bade him make sport and at once stir Up and out of his den the old monster.
They opened a hole in the wire-work Across it, and dropped there a firework, And fled: one's heart's beating redoubled; A pause, while the pit's mouth was troubled, The blackness and silence so utter, By the firework's slow sparkling and sputter; Then earth in a sudden contortion Gave out to our gaze her abortion.
Such a brute! Were I friend Clement Marot (Whose experience of nature's but narrow, And whose faculties move in no small mist When he versifies David the Psalmist) I should study that brute to describe you _Illim Juda Leonem de Tribu_.
One's whole blood grew curdling and creepy To see the black mane, vast and heapy, The tail in the air stiff and straining, The wide eyes, nor waxing nor waning, As over the barrier which bounded His platform, and us who surrounded The barrier, they reached and they rested On space that might stand him in best stead: For who knew, he thought, what the amazement, The eruption of clatter and blaze meant, And if, in this minute of wonder, No outlet, 'mid lightning and thunder, Lay broad, and, his shackles all shivered, The lion at last was delivered? Ay, that was the open sky o'erhead! And you saw by the flash on his forehead, By the hope in those eyes wide and steady, He was leagues in the desert already, Driving the flocks up the mountain, Or catlike couched hard by the fountain To waylay the date-gathering negress: So guarded he entrance or egress.
``How he stands!'' quoth the King: ``we may well swear, (``No novice, we've won our spurs elsewhere ``And so can afford the confession,) ``We exercise wholesome discretion ``In keeping aloof from his threshold; ``Once hold you, those jaws want no fresh hold, ``Their first would too pleasantly purloin ``The visitor's brisket or surloin: ``But who's he would prove so fool-hardy? ``Not the best man of Marignan, pardie!'' The sentence no sooner was uttered, Than over the rails a glove flattered, Fell close to the lion, and rested: The dame 'twas, who flung it and jested With life so, De Lorge had been wooing For months past; he sat there pursuing His suit, weighing out with nonchalance Fine speeches like gold from a balance.
Sound the trumpet, no true knight's a tarrier! De Lorge made one leap at the barrier, Walked straight to the glove,---while the lion Neer moved, kept his far-reaching eye on The palm-tree-edged desert-spring's sapphire, And the musky oiled skin of the Kaffir,--- Picked it up, and as calmly retreated, Leaped back where the lady was seated, And full in the face of its owner Flung the glove.
``Your heart's queen, you dethrone her? ``So should I!''---cried the King---``'twas mere vanity, ``Not love, set that task to humanity!'' Lords and ladies alike turned with loathing From such a proved wolf in sheep's clothing.
Not so, I; for I caught an expression In her brow's undisturbed self-possession Amid the Court's scoffing and merriment,--- As if from no pleasing experiment She rose, yet of pain not much heedful So long as the process was needful,--- As if she had tried in a crucible, To what ``speeches like gold'' were reducible, And, finding the finest prove copper, Felt the smoke in her face was but proper; To know what she had _not_ to trust to, Was worth all the ashes and dust too.
She went out 'mid hooting and laughter; Clement Marot stayed; I followed after, And asked, as a grace, what it all meant? If she wished not the rash deed's recalment? ``For I''---so I spoke---``am a poet: ``Human nature,---behoves that I know it!'' She told me, ``Too long had I heard ``Of the deed proved alone by the word: ``For my love---what De Lorge would not dare! ``With my scorn---what De Lorge could compare! ``And the endless descriptions of death ``He would brave when my lip formed a breath, ``I must reckon as braved, or, of course, ``Doubt his word---and moreover, perforce, ``For such gifts as no lady could spurn, ``Must offer my love in return.
``When I looked on your lion, it brought ``All the dangers at once to my thought, ``Encountered by all sorts of men, ``Before he was lodged in his den,--- ``From the poor slave whose club or bare hands ``Dug the trap, set the snare on the sands, ``With no King and no Court to applaud, ``By no shame, should he shrink, overawed, ``Yet to capture the creature made shift, ``That his rude boys might laugh at the gift, ``---To the page who last leaped o'er the fence ``Of the pit, on no greater pretence ``Than to get back the bonnet he dropped, ``Lest his pay for a week should be stopped.
``So, wiser I judged it to make ``One trial what `death for my sake' ``Really meant, while the power was yet mine, ``Than to wait until time should define ``Such a phrase not so simply as I, ``Who took it to mean just `to die.
' ``The blow a glove gives is but weak: ``Does the mark yet discolour my cheek? ``But when the heart suffers a blow, ``Will the pain pass so soon, do you know?'' I looked, as away she was sweeping, And saw a youth eagerly keeping As close as he dared to the doorway.
No doubt that a noble should more weigh His life than befits a plebeian; And yet, had our brute been Nemean--- (I judge by a certain calm fervour The youth stepped with, forward to serve her) ---He'd have scarce thought you did him the worst turn If you whispered ``Friend, what you'd get, first earn!'' And when, shortly after, she carried Her shame from the Court, and they married, To that marriage some happiness, maugre The voice of the Court, I dared augur.
For De Lorge, he made women with men vie, Those in wonder and praise, these in envy; And in short stood so plain a head taller That he wooed and won .
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how do you call her? The beauty, that rose in the sequel To the King's love, who loved her a week well.
And 'twas noticed he never would honour De Lorge (who looked daggers upon her) With the easy commission of stretching His legs in the service, and fetching His wife, from her chamber, those straying Sad gloves she was always mislaying, While the King took the closet to chat in,--- But of course this adventure came pat in.
And never the King told the story, How bringing a glove brought such glory, But the wife smiled---``His nerves are grown firmer: ``Mine he brings now and utters no murmur.
'' _Venienti occurrite morbo!_ With which moral I drop my theorbo.
*1 A beetle.

Book: Shattered Sighs