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Best Famous Thicket Poems

Here is a collection of the all-time best famous Thicket poems. This is a select list of the best famous Thicket poetry. Reading, writing, and enjoying famous Thicket poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of thicket poems.

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Written by John Keats | Create an image from this poem

Ode to a Nightingale

MY heart aches, and a drowsy numbness pains 
My sense, as though of hemlock I had drunk, 
Or emptied some dull opiate to the drains 
One minute past, and Lethe-wards had sunk: 
'Tis not through envy of thy happy lot, 5 
But being too happy in thine happiness, 
That thou, light-wing¨¨d Dryad of the trees, 
In some melodious plot 
Of beechen green, and shadows numberless, 
Singest of summer in full-throated ease.
10 O for a draught of vintage! that hath been Cool'd a long age in the deep-delv¨¨d earth, Tasting of Flora and the country-green, Dance, and Proven?al song, and sunburnt mirth! O for a beaker full of the warm South! 15 Full of the true, the blushful Hippocrene, With beaded bubbles winking at the brim, And purple-stain¨¨d mouth; That I might drink, and leave the world unseen, And with thee fade away into the forest dim: 20 Fade far away, dissolve, and quite forget What thou among the leaves hast never known, The weariness, the fever, and the fret Here, where men sit and hear each other groan; Where palsy shakes a few, sad, last grey hairs, 25 Where youth grows pale, and spectre-thin, and dies; Where but to think is to be full of sorrow And leaden-eyed despairs; Where beauty cannot keep her lustrous eyes, Or new Love pine at them beyond to-morrow.
30 Away! away! for I will fly to thee, Not charioted by Bacchus and his pards, But on the viewless wings of Poesy, Though the dull brain perplexes and retards: Already with thee! tender is the night, 35 And haply the Queen-Moon is on her throne, Cluster'd around by all her starry Fays But here there is no light, Save what from heaven is with the breezes blown Through verdurous glooms and winding mossy ways.
40 I cannot see what flowers are at my feet, Nor what soft incense hangs upon the boughs, But, in embalm¨¨d darkness, guess each sweet Wherewith the seasonable month endows The grass, the thicket, and the fruit-tree wild; 45 White hawthorn, and the pastoral eglantine; Fast-fading violets cover'd up in leaves; And mid-May's eldest child, The coming musk-rose, full of dewy wine, The murmurous haunt of flies on summer eves.
50 Darkling I listen; and, for many a time I have been half in love with easeful Death, Call'd him soft names in many a mus¨¨d rhyme, To take into the air my quiet breath; Now more than ever seems it rich to die, 55 To cease upon the midnight with no pain, While thou art pouring forth thy soul abroad In such an ecstasy! Still wouldst thou sing, and I have ears in vain¡ª To thy high requiem become a sod.
60 Thou wast not born for death, immortal Bird! No hungry generations tread thee down; The voice I hear this passing night was heard In ancient days by emperor and clown: Perhaps the self-same song that found a path 65 Through the sad heart of Ruth, when, sick for home, She stood in tears amid the alien corn; The same that ofttimes hath Charm'd magic casements, opening on the foam Of perilous seas, in faery lands forlorn.
70 Forlorn! the very word is like a bell To toll me back from thee to my sole self! Adieu! the fancy cannot cheat so well As she is famed to do, deceiving elf.
Adieu! adieu! thy plaintive anthem fades 75 Past the near meadows, over the still stream, Up the hill-side; and now 'tis buried deep In the next valley-glades: Was it a vision, or a waking dream? Fled is that music:¡ªdo I wake or sleep? 80


Written by Siegfried Sassoon | Create an image from this poem

Haunted

EVENING was in the wood, louring with storm.
A time of drought had sucked the weedy pool And baked the channels; birds had done with song.
Thirst was a dream of fountains in the moon, Or willow-music blown across the water 5 Leisurely sliding on by weir and mill.
Uneasy was the man who wandered, brooding, His face a little whiter than the dusk.
A drone of sultry wings flicker¡¯d in his head.
The end of sunset burning thro¡¯ the boughs 10 Died in a smear of red; exhausted hours Cumber¡¯d, and ugly sorrows hemmed him in.
He thought: ¡®Somewhere there¡¯s thunder,¡¯ as he strove To shake off dread; he dared not look behind him, But stood, the sweat of horror on his face.
15 He blunder¡¯d down a path, trampling on thistles, In sudden race to leave the ghostly trees.
And: ¡®Soon I¡¯ll be in open fields,¡¯ he thought, And half remembered starlight on the meadows, Scent of mown grass and voices of tired men, 20 Fading along the field-paths; home and sleep And cool-swept upland spaces, whispering leaves, And far off the long churring night-jar¡¯s note.
But something in the wood, trying to daunt him, Led him confused in circles through the thicket.
25 He was forgetting his old wretched folly, And freedom was his need; his throat was choking.
Barbed brambles gripped and clawed him round his legs, And he floundered over snags and hidden stumps.
Mumbling: ¡®I will get out! I must get out!¡¯ 30 Butting and thrusting up the baffling gloom, Pausing to listen in a space ¡¯twixt thorns, He peers around with peering, frantic eyes.
An evil creature in the twilight looping, Flapped blindly in his face.
Beating it off, 35 He screeched in terror, and straightway something clambered Heavily from an oak, and dropped, bent double, To shamble at him zigzag, squat and bestial.
Headlong he charges down the wood, and falls With roaring brain¡ªagony¡ªthe snap¡¯t spark¡ª 40 And blots of green and purple in his eyes.
Then the slow fingers groping on his neck, And at his heart the strangling clasp of death.
Written by Federico García Lorca | Create an image from this poem

City That Does Not Sleep

 In the sky there is nobody asleep.
Nobody, nobody.
Nobody is asleep.
The creatures of the moon sniff and prowl about their cabins.
The living iguanas will come and bite the men who do not dream, and the man who rushes out with his spirit broken will meet on the street corner the unbelievable alligator quiet beneath the tender protest of the stars.
Nobody is asleep on earth.
Nobody, nobody.
Nobody is asleep.
In a graveyard far off there is a corpse who has moaned for three years because of a dry countryside on his knee; and that boy they buried this morning cried so much it was necessary to call out the dogs to keep him quiet.
Life is not a dream.
Careful! Careful! Careful! We fall down the stairs in order to eat the moist earth or we climb to the knife edge of the snow with the voices of the dead dahlias.
But forgetfulness does not exist, dreams do not exist; flesh exists.
Kisses tie our mouths in a thicket of new veins, and whoever his pain pains will feel that pain forever and whoever is afraid of death will carry it on his shoulders.
One day the horses will live in the saloons and the enraged ants will throw themselves on the yellow skies that take refuge in the eyes of cows.
Another day we will watch the preserved butterflies rise from the dead and still walking through a country of gray sponges and silent boats we will watch our ring flash and roses spring from our tongue.
Careful! Be careful! Be careful! The men who still have marks of the claw and the thunderstorm, and that boy who cries because he has never heard of the invention of the bridge, or that dead man who possesses now only his head and a shoe, we must carry them to the wall where the iguanas and the snakes are waiting, where the bear's teeth are waiting, where the mummified hand of the boy is waiting, and the hair of the camel stands on end with a violent blue shudder.
Nobody is sleeping in the sky.
Nobody, nobody.
Nobody is sleeping.
If someone does close his eyes, a whip, boys, a whip! Let there be a landscape of open eyes and bitter wounds on fire.
No one is sleeping in this world.
No one, no one.
I have said it before.
No one is sleeping.
But if someone grows too much moss on his temples during the night, open the stage trapdoors so he can see in the moonlight the lying goblets, and the poison, and the skull of the theaters.
Written by Sidney Lanier | Create an image from this poem

Corn

 To-day the woods are trembling through and through
With shimmering forms, that flash before my view,
Then melt in green as dawn-stars melt in blue.
The leaves that wave against my cheek caress Like women's hands; the embracing boughs express A subtlety of mighty tenderness; The copse-depths into little noises start, That sound anon like beatings of a heart, Anon like talk 'twixt lips not far apart.
The beech dreams balm, as a dreamer hums a song; Through that vague wafture, expirations strong Throb from young hickories breathing deep and long With stress and urgence bold of prisoned spring And ecstasy of burgeoning.
Now, since the dew-plashed road of morn is dry, Forth venture odors of more quality And heavenlier giving.
Like Jove's locks awry, Long muscadines Rich-wreathe the spacious foreheads of great pines, And breathe ambrosial passion from their vines.
I pray with mosses, ferns and flowers shy That hide like gentle nuns from human eye To lift adoring perfumes to the sky.
I hear faint bridal-sighs of brown and green Dying to silent hints of kisses keen As far lights fringe into a pleasant sheen.
I start at fragmentary whispers, blown From undertalks of leafy souls unknown, Vague purports sweet, of inarticulate tone.
Dreaming of gods, men, nuns and brides, between Old companies of oaks that inward lean To join their radiant amplitudes of green I slowly move, with ranging looks that pass Up from the matted miracles of grass Into yon veined complex of space Where sky and leafage interlace So close, the heaven of blue is seen Inwoven with a heaven of green.
I wander to the zigzag-cornered fence Where sassafras, intrenched in brambles dense, Contests with stolid vehemence The march of culture, setting limb and thorn As pikes against the army of the corn.
There, while I pause, my fieldward-faring eyes Take harvests, where the stately corn-ranks rise, Of inward dignities And large benignities and insights wise, Graces and modest majesties.
Thus, without theft, I reap another's field; Thus, without tilth, I house a wondrous yield, And heap my heart with quintuple crops concealed.
Look, out of line one tall corn-captain stands Advanced beyond the foremost of his bands, And waves his blades upon the very edge And hottest thicket of the battling hedge.
Thou lustrous stalk, that ne'er mayst walk nor talk, Still shalt thou type the poet-soul sublime That leads the vanward of his timid time And sings up cowards with commanding rhyme -- Soul calm, like thee, yet fain, like thee, to grow By double increment, above, below; Soul homely, as thou art, yet rich in grace like thee, Teaching the yeomen selfless chivalry That moves in gentle curves of courtesy; Soul filled like thy long veins with sweetness tense, By every godlike sense Transmuted from the four wild elements.
Drawn to high plans, Thou lift'st more stature than a mortal man's, Yet ever piercest downward in the mould And keepest hold Upon the reverend and steadfast earth That gave thee birth; Yea, standest smiling in thy future grave, Serene and brave, With unremitting breath Inhaling life from death, Thine epitaph writ fair in fruitage eloquent, Thyself thy monument.
As poets should, Thou hast built up thy hardihood With universal food, Drawn in select proportion fair From honest mould and vagabond air; From darkness of the dreadful night, And joyful light; From antique ashes, whose departed flame In thee has finer life and longer fame; From wounds and balms, From storms and calms, From potsherds and dry bones And ruin-stones.
Into thy vigorous substance thou hast wrought Whate'er the hand of Circumstance hath brought; Yea, into cool solacing green hast spun White radiance hot from out the sun.
So thou dost mutually leaven Strength of earth with grace of heaven; So thou dost marry new and old Into a one of higher mould; So thou dost reconcile the hot and cold, The dark and bright, And many a heart-perplexing opposite, And so, Akin by blood to high and low, Fitly thou playest out thy poet's part, Richly expending thy much-bruised heart In equal care to nourish lord in hall Or beast in stall: Thou took'st from all that thou mightst give to all.
O steadfast dweller on the selfsame spot Where thou wast born, that still repinest not -- Type of the home-fond heart, the happy lot! -- Deeply thy mild content rebukes the land Whose flimsy homes, built on the shifting sand Of trade, for ever rise and fall With alternation whimsical, Enduring scarce a day, Then swept away By swift engulfments of incalculable tides Whereon capricious Commerce rides.
Look, thou substantial spirit of content! Across this little vale, thy continent, To where, beyond the mouldering mill, Yon old deserted Georgian hill Bares to the sun his piteous aged crest And seamy breast, By restless-hearted children left to lie Untended there beneath the heedless sky, As barbarous folk expose their old to die.
Upon that generous-rounding side, With gullies scarified Where keen Neglect his lash hath plied, Dwelt one I knew of old, who played at toil, And gave to coquette Cotton soul and soil.
Scorning the slow reward of patient grain, He sowed his heart with hopes of swifter gain, Then sat him down and waited for the rain.
He sailed in borrowed ships of usury -- A foolish Jason on a treacherous sea, Seeking the Fleece and finding misery.
Lulled by smooth-rippling loans, in idle trance He lay, content that unthrift Circumstance Should plough for him the stony field of Chance.
Yea, gathering crops whose worth no man might tell, He staked his life on games of Buy-and-Sell, And turned each field into a gambler's hell.
Aye, as each year began, My farmer to the neighboring city ran; Passed with a mournful anxious face Into the banker's inner place; Parleyed, excused, pleaded for longer grace; Railed at the drought, the worm, the rust, the grass; Protested ne'er again 'twould come to pass; With many an `oh' and `if' and `but alas' Parried or swallowed searching questions rude, And kissed the dust to soften Dives's mood.
At last, small loans by pledges great renewed, He issues smiling from the fatal door, And buys with lavish hand his yearly store Till his small borrowings will yield no more.
Aye, as each year declined, With bitter heart and ever-brooding mind He mourned his fate unkind.
In dust, in rain, with might and main, He nursed his cotton, cursed his grain, Fretted for news that made him fret again, Snatched at each telegram of Future Sale, And thrilled with Bulls' or Bears' alternate wail -- In hope or fear alike for ever pale.
And thus from year to year, through hope and fear, With many a curse and many a secret tear, Striving in vain his cloud of debt to clear, At last He woke to find his foolish dreaming past, And all his best-of-life the easy prey Of squandering scamps and quacks that lined his way With vile array, From rascal statesman down to petty knave; Himself, at best, for all his bragging brave, A gamester's catspaw and a banker's slave.
Then, worn and gray, and sick with deep unrest, He fled away into the oblivious West, Unmourned, unblest.
Old hill! old hill! thou gashed and hairy Lear Whom the divine Cordelia of the year, E'en pitying Spring, will vainly strive to cheer -- King, that no subject man nor beast may own, Discrowned, undaughtered and alone -- Yet shall the great God turn thy fate, And bring thee back into thy monarch state And majesty immaculate.
Lo, through hot waverings of the August morn, Thou givest from thy vasty sides forlorn Visions of golden treasuries of corn -- Ripe largesse lingering for some bolder heart That manfully shall take thy part, And tend thee, And defend thee, With antique sinew and with modern art.
Written by Henry Wadsworth Longfellow | Create an image from this poem

Hiawathas Childhood

 Downward through the evening twilight, 
In the days that are forgotten, 
In the unremembered ages, 
From the full moon fell Nokomis, 
Fell the beautiful Nokomis, 
She a wife, but not a mother.
She was sporting with her women, Swinging in a swing of grape-vines, When her rival the rejected, Full of jealousy and hatred, Cut the leafy swing asunder, Cut in twain the twisted grape-vines, And Nokomis fell affrighted Downward through the evening twilight, On the Muskoday, the meadow, On the prairie full of blossoms.
"See! a star falls!" said the people; "From the sky a star is falling!" There among the ferns and mosses, There among the prairie lilies, On the Muskoday, the meadow, In the moonlight and the starlight, Fair Nokomis bore a daughter.
And she called her name Wenonah, As the first-born of her daughters.
And the daughter of Nokomis Grew up like the prairie lilies, Grew a tall and slender maiden, With the beauty of the moonlight, With the beauty of the starlight.
And Nokomis warned her often, Saying oft, and oft repeating, "Oh, beware of Mudjekeewis, Of the West-Wind, Mudjekeewis; Listen not to what he tells you; Lie not down upon the meadow, Stoop not down among the lilies, Lest the West-Wind come and harm you!" But she heeded not the warning, Heeded not those words of wisdom, And the West-Wind came at evening, Walking lightly o'er the prairie, Whispering to the leaves and blossoms, Bending low the flowers and grasses, Found the beautiful Wenonah, Lying there among the lilies, Wooed her with his words of sweetness, Wooed her with his soft caresses, Till she bore a son in sorrow, Bore a son of love and sorrow.
Thus was born my Hiawatha, Thus was born the child of wonder; But the daughter of Nokomis, Hiawatha's gentle mother, In her anguish died deserted By the West-Wind, false and faithless, By the heartless Mudjekeewis.
For her daughter long and loudly Wailed and wept the sad Nokomis; "Oh that I were dead!" she murmured, "Oh that I were dead, as thou art! No more work, and no more weeping, Wahonowin! Wahonowin!" By the shores of Gitche Gumee, By the shining Big-Sea-Water, Stood the wigwam of Nokomis, Daughter of the Moon, Nokomis.
Dark behind it rose the forest, Rose the black and gloomy pine-trees, Rose the firs with cones upon them; Bright before it beat the water, Beat the clear and sunny water, Beat the shining Big-Sea-Water.
There the wrinkled old Nokomis Nursed the little Hiawatha, Rocked him in his linden cradle, Bedded soft in moss and rushes, Safely bound with reindeer sinews; Stilled his fretful wail by saying, "Hush! the Naked Bear will hear thee!" Lulled him into slumber, singing, "Ewa-yea! my little owlet! Who is this, that lights the wigwam? With his great eyes lights the wigwam? Ewa-yea! my little owlet!" Many things Nokomis taught him Of the stars that shine in heaven; Showed him Ishkoodah, the comet, Ishkoodah, with fiery tresses; Showed the Death-Dance of the spirits, Warriors with their plumes and war-clubs, Flaring far away to northward In the frosty nights of Winter; Showed the broad white road in heaven, Pathway of the ghosts, the shadows, Running straight across the heavens, Crowded with the ghosts, the shadows.
At the door on summer evenings Sat the little Hiawatha; Heard the whispering of the pine-trees, Heard the lapping of the waters, Sounds of music, words of wonder; 'Minne-wawa!" said the Pine-trees, Mudway-aushka!" said the water.
Saw the fire-fly, Wah-wah-taysee, Flitting through the dusk of evening, With the twinkle of its candle Lighting up the brakes and bushes, And he sang the song of children, Sang the song Nokomis taught him: "Wah-wah-taysee, little fire-fly, Little, flitting, white-fire insect, Little, dancing, white-fire creature, Light me with your little candle, Ere upon my bed I lay me, Ere in sleep I close my eyelids!" Saw the moon rise from the water Rippling, rounding from the water, Saw the flecks and shadows on it, Whispered, "What is that, Nokomis?" And the good Nokomis answered: "Once a warrior, very angry, Seized his grandmother, and threw her Up into the sky at midnight; Right against the moon he threw her; 'T is her body that you see there.
" Saw the rainbow in the heaven, In the eastern sky, the rainbow, Whispered, "What is that, Nokomis?" And the good Nokomis answered: "'T is the heaven of flowers you see there; All the wild-flowers of the forest, All the lilies of the prairie, When on earth they fade and perish, Blossom in that heaven above us.
" When he heard the owls at midnight, Hooting, laughing in the forest, 'What is that?" he cried in terror, "What is that," he said, "Nokomis?" And the good Nokomis answered: "That is but the owl and owlet, Talking in their native language, Talking, scolding at each other.
" Then the little Hiawatha Learned of every bird its language, Learned their names and all their secrets, How they built their nests in Summer, Where they hid themselves in Winter, Talked with them whene'er he met them, Called them "Hiawatha's Chickens.
" Of all beasts he learned the language, Learned their names and all their secrets, How the beavers built their lodges, Where the squirrels hid their acorns, How the reindeer ran so swiftly, Why the rabbit was so timid, Talked with them whene'er he met them, Called them "Hiawatha's Brothers.
" Then Iagoo, the great boaster, He the marvellous story-teller, He the traveller and the talker, He the friend of old Nokomis, Made a bow for Hiawatha; From a branch of ash he made it, From an oak-bough made the arrows, Tipped with flint, and winged with feathers, And the cord he made of deer-skin.
Then he said to Hiawatha: "Go, my son, into the forest, Where the red deer herd together, Kill for us a famous roebuck, Kill for us a deer with antlers!" Forth into the forest straightway All alone walked Hiawatha Proudly, with his bow and arrows; And the birds sang round him, o'er him, "Do not shoot us, Hiawatha!" Sang the robin, the Opechee, Sang the bluebird, the Owaissa, "Do not shoot us, Hiawatha!" Up the oak-tree, close beside him, Sprang the squirrel, Adjidaumo, In and out among the branches, Coughed and chattered from the oak-tree, Laughed, and said between his laughing, "Do not shoot me, Hiawatha!" And the rabbit from his pathway Leaped aside, and at a distance Sat erect upon his haunches, Half in fear and half in frolic, Saying to the little hunter, "Do not shoot me, Hiawatha!" But he heeded not, nor heard them, For his thoughts were with the red deer; On their tracks his eyes were fastened, Leading downward to the river, To the ford across the river, And as one in slumber walked he.
Hidden in the alder-bushes, There he waited till the deer came, Till he saw two antlers lifted, Saw two eyes look from the thicket, Saw two nostrils point to windward, And a deer came down the pathway, Flecked with leafy light and shadow.
And his heart within him fluttered, Trembled like the leaves above him, Like the birch-leaf palpitated, As the deer came down the pathway.
Then, upon one knee uprising, Hiawatha aimed an arrow; Scarce a twig moved with his motion, Scarce a leaf was stirred or rustled, But the wary roebuck started, Stamped with all his hoofs together, Listened with one foot uplifted, Leaped as if to meet the arrow; Ah! the singing, fatal arrow, Like a wasp it buzzed and stung him! Dead he lay there in the forest, By the ford across the river; Beat his timid heart no longer, But the heart of Hiawatha Throbbed and shouted and exulted, As he bore the red deer homeward, And Iagoo and Nokomis Hailed his coming with applauses.
From the red deer's hide Nokomis Made a cloak for Hiawatha, From the red deer's flesh Nokomis Made a banquet to his honor.
All the village came and feasted, All the guests praised Hiawatha, Called him Strong-Heart, Soan-ge-taha! Called him Loon-Heart, Mahn-go-taysee!


Written by Dylan Thomas | Create an image from this poem

How Shall My Animal

 How shall my animal
Whose wizard shape I trace in the cavernous skull,
Vessel of abscesses and exultation's shell,
Endure burial under the spelling wall,
The invoked, shrouding veil at the cap of the face,
Who should be furious,
Drunk as a vineyard snail, flailed like an octopus,
Roaring, crawling, quarrel
With the outside weathers,
The natural circle of the discovered skies
Draw down to its weird eyes?

How shall it magnetize,
Towards the studded male in a bent, midnight blaze
That melts the lionhead's heel and horseshoe of the heart
A brute land in the cool top of the country days
To trot with a loud mate the haybeds of a mile,
Love and labour and kill
In quick, sweet, cruel light till the locked ground sprout
The black, burst sea rejoice,
The bowels turn turtle,
Claw of the crabbed veins squeeze from each red particle
The parched and raging voice?

Fishermen of mermen
Creep and harp on the tide, sinking their charmed, bent pin
With bridebait of gold bread, I with a living skein,
Tongue and ear in the thread, angle the temple-bound
Curl-locked and animal cavepools of spells and bone,
Trace out a tentacle,
Nailed with an open eye, in the bowl of wounds and weed
To clasp my fury on ground
And clap its great blood down;
Never shall beast be born to atlas the few seas
Or poise the day on a horn.
Sigh long, clay cold, lie shorn, Cast high, stunned on gilled stone; sly scissors ground in frost Clack through the thicket of strength, love hewn in pillars drops With carved bird, saint, and suns the wrackspiked maiden mouth Lops, as a bush plumed with flames, the rant of the fierce eye, Clips short the gesture of breath.
Die in red feathers when the flying heaven's cut, And roll with the knocked earth: Lie dry, rest robbed, my beast.
You have kicked from a dark den, leaped up the whinnying light, And dug your grave in my breast.
Written by Alfred Lord Tennyson | Create an image from this poem

The Progress of Spring

 THE groundflame of the crocus breaks the mould, 
Fair Spring slides hither o'er the Southern sea, 
Wavers on her thin stem the snowdrop cold 
That trembles not to kisses of the bee: 
Come Spring, for now from all the dripping eaves 
The spear of ice has wept itself away, 
And hour by hour unfolding woodbine leaves 
O'er his uncertain shadow droops the day.
She comes! The loosen'd rivulets run; The frost-bead melts upon her golden hair; Her mantle, slowly greening in the Sun, Now wraps her close, now arching leaves her bar To breaths of balmier air; Up leaps the lark, gone wild to welcome her, About her glance the ****, and shriek the jays, Before her skims the jubilant woodpecker, The linnet's bosom blushes at her gaze, While round her brows a woodland culver flits, Watching her large light eyes and gracious looks, And in her open palm a halcyon sits Patient--the secret splendour of the brooks.
Come Spring! She comes on waste and wood, On farm and field: but enter also here, Diffuse thyself at will thro' all my blood, And, tho' thy violet sicken into sere, Lodge with me all the year! Once more a downy drift against the brakes, Self-darken'd in the sky, descending slow! But gladly see I thro' the wavering flakes Yon blanching apricot like snow in snow.
These will thine eyes not brook in forest-paths, On their perpetual pine, nor round the beech; They fuse themselves to little spicy baths, Solved in the tender blushes of the peach; They lose themselves and die On that new life that gems the hawthorn line; Thy gay lent-lilies wave and put them by, And out once more in varnish'd glory shine Thy stars of celandine.
She floats across the hamlet.
Heaven lours, But in the tearful splendour of her smiles I see the slowl-thickening chestnut towers Fill out the spaces by the barren tiles.
Now past her feet the swallow circling flies, A clamorous cuckoo stoops to meet her hand; Her light makes rainbows in my closing eyes, I hear a charm of song thro' all the land.
Come, Spring! She comes, and Earth is glad To roll her North below thy deepening dome, But ere thy maiden birk be wholly clad, And these low bushes dip their twigs in foam, Make all true hearths thy home.
Across my garden! and the thicket stirs, The fountain pulses high in sunnier jets, The blackcap warbles, and the turtle purrs, The starling claps his tiny castanets.
Still round her forehead wheels the woodland dove, And scatters on her throat the sparks of dew, The kingcup fills her footprint, and above Broaden the glowing isles of vernal blue.
Hail ample presence of a Queen, Bountiful, beautiful, apparell'd gay, Whose mantle, every shade of glancing green, Flies back in fragrant breezes to display A tunic white as May! She whispers, 'From the South I bring you balm, For on a tropic mountain was I born, While some dark dweller by the coco-palm Watch'd my far meadow zoned with airy morn; From under rose a muffled moan of floods; I sat beneath a solitude of snow; There no one came, the turf was fresh, the woods Plunged gulf on gulf thro' all their vales below I saw beyond their silent tops The steaming marshes of the scarlet cranes, The slant seas leaning oll the mangrove copse, And summer basking in the sultry plains About a land of canes; 'Then from my vapour-girdle soaring forth I scaled the buoyant highway of the birds, And drank the dews and drizzle of the North, That I might mix with men, and hear their words On pathway'd plains; for--while my hand exults Within the bloodless heart of lowly flowers To work old laws of Love to fresh results, Thro' manifold effect of simple powers-- I too would teach the man Beyond the darker hour to see the bright, That his fresh life may close as it began, The still-fulfilling promise of a light Narrowing the bounds of night.
' So wed thee with my soul, that I may mark The coming year's great good and varied ills, And new developments, whatever spark Be struck from out the clash of warring wills; Or whether, since our nature cannot rest, The smoke of war's volcano burst again From hoary deeps that belt the changeful West, Old Empires, dwellings of the kings of men; Or should those fail, that hold the helm, While the long day of knowledge grows and warms, And in the heart of this most ancient realm A hateful voice be utter'd, and alarms Sounding 'To arms! to arms!' A simpler, saner lesson might he learn Who reads thy gradual process, Holy Spring.
Thy leaves possess the season in their turn, And in their time thy warblers rise on wing.
How surely glidest thou from March to May, And changest, breathing it, the sullen wind, Thy scope of operation, day by day, Larger and fuller, like the human mind ' Thy warmths from bud to bud Accomplish that blind model in the seed, And men have hopes, which race the restless blood That after many changes may succeed Life, which is Life indeed.
Written by Marge Piercy | Create an image from this poem

The Seven Of Pentacles

 Under a sky the color of pea soup
she is looking at her work growing away there
actively, thickly like grapevines or pole beans
as things grow in the real world, slowly enough.
If you tend them properly, if you mulch, if you water, if you provide birds that eat insects a home and winter food, if the sun shines and you pick off caterpillars, if the praying mantis comes and the ladybugs and the bees, then the plants flourish, but at their own internal clock.
Connections are made slowly, sometimes they grow underground.
You cannot tell always by looking what is happening.
More than half the tree is spread out in the soil under your feet.
Penetrate quietly as the earthworm that blows no trumpet.
Fight persistently as the creeper that brings down the tree.
Spread like the squash plant that overruns the garden.
Gnaw in the dark and use the sun to make sugar.
Weave real connections, create real nodes, build real houses.
Live a life you can endure: Make love that is loving.
Keep tangling and interweaving and taking more in, a thicket and bramble wilderness to the outside but to us interconnected with rabbit runs and burrows and lairs.
Live as if you liked yourself, and it may happen: reach out, keep reaching out, keep bringing in.
This is how we are going to live for a long time: not always, for every gardener knows that after the digging, after the planting, after the long season of tending and growth, the harvest comes.
Written by Rudyard Kipling | Create an image from this poem

Beast and Man in India

 Written for John Lockwood Kipling's
They killed a Child to please the Gods
In Earth's young penitence,
And I have bled in that Babe's stead
Because of innocence.
I bear the sins of sinful men That have no sin of my own, They drive me forth to Heaven's wrath Unpastured and alone.
I am the meat of sacrifice, The ransom of man's guilt, For they give my life to the altar-knife Wherever shrine is built.
The Goat.
Between the waving tufts of jungle-grass, Up from the river as the twilight falls, Across the dust-beclouded plain they pass On to the village walls.
Great is the sword and mighty is the pen, But over all the labouring ploughman's blade-- For on its oxen and its husbandmen An Empire's strength is laid.
The Oxen.
The torn boughs trailing o'er the tusks aslant, The saplings reeling in the path he trod, Declare his might--our lord the Elephant, Chief of the ways of God.
The black bulk heaving where the oxen pant, The bowed head toiling where the guns careen, Declare our might--our slave the Elephant, And servant of the Queen.
The Elephant.
Dark children of the mere and marsh, Wallow and waste and lea, Outcaste they wait at the village gate With folk of low degree.
Their pasture is in no man's land, Their food the cattle's scorn; Their rest is mire and their desire The thicket and the thorn.
But woe to those that break their sleep, And woe to those that dare To rouse the herd-bull from his keep, The wild boar from his lair! Pigs and Buffaloes.
The beasts are very wise, Their mouths are clean of lies, They talk one to the other, Bullock to bullock's brother Resting after their labours, Each in stall with his neighbours.
But man with goad and whip, Breaks up their fellowship, Shouts in their silky ears Filling their soul with fears.
When he has ploughed the land, He says: "They understand.
" But the beasts in stall together, Freed from the yoke and tether, Say as the torn flanks smoke: "Nay, 'twas the whip that spoke.
"
Written by Alfred Lord Tennyson | Create an image from this poem

Claribel

 Where Claribel low-lieth
The breezes pause and die,
Letting the rose-leaves fall:
But the solemn oak-tree sigheth,
Thick-leaved, ambrosial,
With an ancient melody
Of an inward agony,
Where Claribel low-lieth.
At eve the beetle boometh Athwart the thicket lone: At noon the wild bee hummeth About the moss'd headstone: At midnight the moon cometh, And looketh down alone.
Her song the lintwhite swelleth, The clear-voiced mavis dwelleth, The callow throstle lispeth, The slumbrous wave outwelleth, The babbling runnel crispeth, The hollow grot replieth Where Claribel low-lieth.

Book: Reflection on the Important Things