10 Best Famous Thicker Poems

Here is a collection of the top 10 all-time best famous Thicker poems. This is a select list of the best famous Thicker poetry. Reading, writing, and enjoying famous Thicker poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of thicker poems.

• All Famous Thicker Poems

Love is more thicker than forget
more thinner than recall
more seldom than a wave is wet
more frequent than to fail

It's most mad and moonly
and less it shall unbe
than all the sea which only
is deeper than the sea

Love is more always than to win
less never than alive
less bigger than the least begin
less litter than forgive

It's most sane and sunly
and more it cannot die
than all the sky which only
is higher than the sky

 In vain, fair Maid, you ask in vain,
My pen should try th' advent'rous strain,
And following truth's unalter'd law,
Attempt your character to draw.
I own indeed, that generous mind
That weeps the woes of human kind,
That heart by friendship's charms inspired,
That soul with sprightly fancy fired,
The air of life, the vivid eye,
The flowing wit, the keen reply--
To paint these beauties as they shine,
Might ask a nobler pen than mine.


Yet what sure strokes can draw the Fair,
Who vary, like the fleeting air,
Like willows bending to the force,
Where'er the gales direct their course,
Opposed to no misfortune's power,
And changing with the changing hour.
Now gaily sporting on the plain,
They charm the grove with pleasing strain;
Anon disturb'd, they know not why,
The sad tear trembles in their eye:
Led through vain life's uncertain dance,
The dupes of whim, the slaves of chance.


From me, not famed for much goodnature,
Expect not compliment, but satire;
To draw your picture quite unable,
Instead of fact accept a Fable.


One morn, in Æsop's noisy time,
When all things talk'd, and talk'd in rhyme,
A cloud exhaled by vernal beams
Rose curling o'er the glassy streams.
The dawn her orient blushes spread,
And tinged its lucid skirts with red,
Wide waved its folds with glitt'ring dies,
And gaily streak'd the eastern skies;
Beneath, illumed with rising day,
The sea's broad mirror floating lay.
Pleased, o'er the wave it hung in air,
Survey'd its glittering glories there,
And fancied, dress'd in gorgeous show,
Itself the brightest thing below:
For clouds could raise the vaunting strain,
And not the fair alone were vain.


Yet well it knew, howe'er array'd,
That beauty, e'en in clouds, might fade,
That nothing sure its charms could boast
Above the loveliest earthly toast;
And so, like them, in early dawn
Resolved its picture should be drawn,
That when old age with length'ning day
Should brush the vivid rose away,
The world should from the portrait own
Beyond all clouds how bright it shone.


Hard by, a painter raised his stage,
Far famed, the Copley[1] of his age.
So just a form his colours drew,
Each eye the perfect semblance knew;
Yet still on every blooming face
He pour'd the pencil's flowing grace;
Each critic praised the artist rare,
Who drew so like, and yet so fair.


To him, high floating in the sky
Th' elated Cloud advanced t' apply.
The painter soon his colours brought,
The Cloud then sat, the artist wrought;
Survey'd her form, with flatt'ring strictures,
Just as when ladies sit for pictures,
Declared "whatever art can do,
My utmost skill shall try for you:
But sure those strong and golden dies
Dipp'd in the radiance of the skies,
Those folds of gay celestial dress,
No mortal colours can express.
Not spread triumphal o'er the plain,
The rainbow boasts so fair a train,
Nor e'en the morning sun so bright,
Who robes his face in heav'nly light.
To view that form of angel make,
Again Ixion would mistake,[2]
And justly deem so fair a prize,
The sovereign Mistress of the skies,"


He said, and drew a mazy line,
With crimson touch his pencils shine,
The mingling colours sweetly fade,
And justly temper light and shade.


He look'd; the swelling Cloud on high
With wider circuit spread the sky,
Stretch'd to the sun an ampler train,
And pour'd new glories on the main.
As quick, effacing every ground,
His pencil swept the canvas round,
And o'er its field, with magic art,
Call'd forth new forms in every part.


But now the sun, with rising ray,
Advanced with speed his early way;
Each colour takes a differing die,
The orange glows, the purples fly.
The artist views the alter'd sight,
And varies with the varying light;
In vain! a sudden gust arose,
New folds ascend, new shades disclose,
And sailing on with swifter pace,
The Cloud displays another face.
In vain the painter, vex'd at heart,
Tried all the wonders of his art;
In vain he begg'd, her form to grace,
One moment she would keep her place:
For, "changing thus with every gale,
Now gay with light, with gloom now pale,
Now high in air with gorgeous train,
Now settling on the darken'd main,
With looks more various than the moon;
A French coquette were drawn as soon."


He spoke; again the air was mild,
The Cloud with opening radiance smiled;
With canvas new his art he tries,
Anew he joins the glitt'ring dies;
Th' admiring Cloud with pride beheld
Her image deck the pictured field,
And colours half-complete adorn
The splendor of the painted morn.


When lo, the stormy winds arise,
Deep gloom invests the changing skies;
The sounding tempest shakes the plain,
And lifts in billowy surge the main.
The Cloud's gay dies in darkness fade,
Its folds condense in thicker shade,
And borne by rushing blasts, its form
With lowering vapour joins the storm.

 1
TO conclude—I announce what comes after me; 
I announce mightier offspring, orators, days, and then, for the present, depart. 

I remember I said, before my leaves sprang at all, 
I would raise my voice jocund and strong, with reference to consummations. 

When America does what was promis’d,
When there are plentiful athletic bards, inland and seaboard, 
When through These States walk a hundred millions of superb persons, 
When the rest part away for superb persons, and contribute to them, 
When breeds of the most perfect mothers denote America, 
Then to me and mine our due fruition.

I have press’d through in my own right, 
I have sung the Body and the Soul—War and Peace have I sung, 
And the songs of Life and of Birth—and shown that there are many births: 
I have offer’d my style to everyone—I have journey’d with confident step; 
While my pleasure is yet at the full, I whisper, So long!
And take the young woman’s hand, and the young man’s hand, for the last time. 

2
I announce natural persons to arise; 
I announce justice triumphant; 
I announce uncompromising liberty and equality; 
I announce the justification of candor, and the justification of pride.

I announce that the identity of These States is a single identity only; 
I announce the Union more and more compact, indissoluble; 
I announce splendors and majesties to make all the previous politics of the earth
 insignificant. 

I announce adhesiveness—I say it shall be limitless, unloosen’d; 
I say you shall yet find the friend you were looking for.

I announce a man or woman coming—perhaps you are the one, (So long!) 
I announce the great individual, fluid as Nature, chaste, affectionate, compassionate,
 fully
 armed. 

I announce a life that shall be copious, vehement, spiritual, bold; 
I announce an end that shall lightly and joyfully meet its translation; 
I announce myriads of youths, beautiful, gigantic, sweet-blooded;
I announce a race of splendid and savage old men. 

3
O thicker and faster! (So long!) 
O crowding too close upon me; 
I foresee too much—it means more than I thought; 
It appears to me I am dying.

Hasten throat, and sound your last! 
Salute me—salute the days once more. Peal the old cry once more. 

Screaming electric, the atmosphere using, 
At random glancing, each as I notice absorbing, 
Swiftly on, but a little while alighting,
Curious envelop’d messages delivering, 
Sparkles hot, seed ethereal, down in the dirt dropping, 
Myself unknowing, my commission obeying, to question it never daring, 
To ages, and ages yet, the growth of the seed leaving, 
To troops out of me, out of the army, the war arising—they the tasks I have set
 promulging,
To women certain whispers of myself bequeathing—their affection me more clearly
 explaining, 
To young men my problems offering—no dallier I—I the muscle of their brains
 trying, 
So I pass—a little time vocal, visible, contrary; 
Afterward, a melodious echo, passionately bent for—(death making me really undying;) 
The best of me then when no longer visible—for toward that I have been incessantly
 preparing.

What is there more, that I lag and pause, and crouch extended with unshut mouth? 
Is there a single final farewell? 

4
My songs cease—I abandon them; 
From behind the screen where I hid I advance personally, solely to you. 

Camerado! This is no book;
Who touches this, touches a man; 
(Is it night? Are we here alone?) 
It is I you hold, and who holds you; 
I spring from the pages into your arms—decease calls me forth. 

O how your fingers drowse me!
Your breath falls around me like dew—your pulse lulls the tympans of my ears; 
I feel immerged from head to foot; 
Delicious—enough. 

Enough, O deed impromptu and secret! 
Enough, O gliding present! Enough, O summ’d-up past!

5
Dear friend, whoever you are, take this kiss, 
I give it especially to you—Do not forget me; 
I feel like one who has done work for the day, to retire awhile; 
I receive now again of my many translations—from my avataras ascending—while
 others
 doubtless await me; 
An unknown sphere, more real than I dream’d, more direct, darts awakening rays about
 me—So long!
Remember my words—I may again return, 
I love you—I depart from materials; 
I am as one disembodied, triumphant, dead.

COME let us plant the apple-tree. 
Cleave the tough greensward with the spade; 
Wide let its hollow bed be made; 
There gently lay the roots and there 
Sift the dark mould with kindly care 5 
And press it o'er them tenderly  
As round the sleeping infant's feet  
We softly fold the cradle sheet; 
So plant we the apple-tree. 

What plant we in this apple-tree? 10 
Buds which the breath of summer days 
Shall lengthen into leafy sprays; 
Boughs where the thrush with crimson breast  
Shall haunt and sing and hide her nest; 
We plant upon the sunny lea 15 
A shadow for the noontide hour  
A shelter from the summer shower  
When we plant the apple-tree. 

What plant we in this apple-tree? 
Sweets for a hundred flowery springs 20 
To load the May-wind's restless wings  
When from the orchard row he pours 
Its fragrance through our open doors; 
A world of blossoms for the bee  
Flowers for the sick girl's silent room 25 
For the glad infant sprigs of bloom  
We plant with the apple-tree. 

What plant we in this apple-tree! 
Fruits that shall swell in sunny June  
And redden in the August noon 30 
And drop when gentle airs come by  
That fan the blue September sky  
While children come with cries of glee  
And seek them where the fragrant grass 
Betrays their bed to those who pass 35 
At the foot of the apple-tree. 

And when above this apple-tree  
The winter stars are quivering bright  
And winds go howling through the night  
Girls whose young eyes o'erflow with mirth 40 
Shall peel its fruit by cottage-hearth  
And guests in prouder homes shall see  
Heaped with the grape of Cintra's vine 
And golden orange of the line  
The fruit of the apple-tree. 45 

The fruitage of this apple-tree 
Winds and our flag of stripe and star 
Shall bear to coasts that lie afar  
Where men shall wonder at the view  
And ask in what fair groves they grew; 50 
And sojourners beyond the sea 
Shall think of childhood's careless day 
And long long hours of summer play  
In the shade of the apple-tree. 

Each year shall give this apple-tree 55 
A broader flush of roseate bloom  
A deeper maze of verdurous gloom  
And loosen when the frost-clouds lower  
The crisp brown leaves in thicker shower; 
The years shall come and pass but we 60 
Shall hear no longer where we lie  
The summer's songs the autumn's sigh  
In the boughs of the apple-tree. 

And time shall waste this apple-tree. 
Oh when its aged branches throw 65 
Thin shadows on the ground below  
Shall fraud and force and iron will 
Oppress the weak and helpless still? 
What shall the tasks of mercy be  
Amid the toils the strifes the tears 70 
Of those who live when length of years 
Is wasting this little apple-tree? 

Who planted this old apple-tree?  
The children of that distant day 
Thus to some aged man shall say; 75 
And gazing on its mossy stem  
The gray-haired man shall answer them: 
A poet of the land was he, 
Born in the rude but good old times; 
'T is said he made some quaint old rhymes 80 
On planting the apple-tree.  

 The more we live, more brief appear
Our life's succeeding stages; 
A day to childhood seems a year, 
And years like passing ages.

The gladsome current of our youth, 
Ere passion yet disorders, 
Steals lingering like a river smooth 
Along its grassy borders.

But as the careworn cheek grows wan, 
And sorrow's shafts fly thicker, 
Ye stars, that measure life to man, 
Why seem your courses quicker? 

When joys have lost their bloom and breath, 
And life itself is vapid, 
Why, as we reach the Falls of Death 
Feel we its tide more rapid?

It may be strange—yet who would change 
Time's course to slower speeding,
When one by one our friends have gone, 
And left our bosoms bleeding?

Heaven gives our years of fading strength 
Indemnifying fleetness; 
And those of youth, a seeming length, 
Proportion'd to their sweetness.

 I have put on my great coat it is cold.

It is an outer garment.

Coarse, woolen.

Of unknown origin.

 *

It has a fine inner lining but it is 
as an exterior that you see it — a grace.

 *

I have a coat I am wearing. It is a fine admixture.
The woman who threw the threads in the two directions
has made, skillfully, something dark-true,
as the evening calls the bird up into
the branches of the shaven hedgerows,
to twitter bodily
a makeshift coat — the boxelder cut back stringently by the owner 
that more might grow next year, and thicker, you know — 
the birds tucked gestures on the inner branches — 
and space in the heart, 
not shade-giving, not 
chronological...Oh transformer, logic, where are you here in this fold, 
my name being called-out now but back, behind, 
in the upper world....

 *

I have a coat I am wearing I was told to wear it.
Someone knelt down each morning to button it up.
I looked at their face, down low, near me.
What is longing? what is a star?
Watched each button a peapod getting tucked back in. 
Watched harm with its planeloads folded up in the sleeves. 
Watched grappling hooks trawl through the late-night waters. 
Watched bands of stations scan unable to ascertain.
There are fingers, friend, that never grow sluggish.
They crawl up the coat and don't miss an eyehole.
Glinting in kitchenlight.
Supervised by the traffic god.
Hissed at by grassblades that wire-up outside
their stirring rhetoric — this is your land, this is my my — 

 *

You do understanding, don't you, by looking?
The coat, which is itself a ramification, a city,
floats vulnerably above another city, ours,
the city on the hill (only with hill gone),
floats in illustration
of what once was believed, and thus was visible — 
(all things believed are visible) —
floats a Jacob's ladder with hovering empty arms, an open throat,
a place where a heart might beat if it wishes,
pockets that hang awaiting the sandy whirr of a small secret,
folds where the legs could be, with their kneeling mechanism,
the floating fatigue of an after-dinner herald,
not guilty of any treason towards life except fatigue,
a skillfully cut coat, without chronology,
filled with the sensation of being suddenly completed —
as then it is, abruptly, the last stitch laid in, the knot bit off —
hung there in Gravity, as if its innermost desire,
numberless the awaitings flickering around it,
the other created things also floating but not of the same order, no,
not like this form, built so perfectly to mantle the body,
the neck like a vase awaiting its cut flower,
a skirting barely visible where the tucks indicate
the mild loss of bearing in the small of the back,
the grammar, so strict, of the two exact shoulders —
and the law of the shouldering —
and the chill allowed to skitter up through,
and those crucial spots where the fit cannot be perfect — 
oh skirted loosening aswarm with lessenings,
with the mild pallors of unaccomplishment,
flaps night-air collects in,
folds... But the night does not annul its belief in,
the night preserves its love for, this one narrowing of infinity,
that floats up into the royal starpocked blue its ripped, distracted supervisor —
this coat awaiting recollection,
this coat awaiting the fleeting moment, the true moment, the hill,the vision of the hill,
and then the moment when the prize is lost, and the erotic tinglings of the dream of reason 
are left to linger mildly in the weave of the fabric according to the rules,
the wool gabardine mix, with its grammatical weave, 
never never destined to lose its elasticity, 
its openness to abandonment, 
its willingness to be disturbed.

 * 

July 11 ... Oaks: the organization of this tree is difficult. Speaking generally 
no doubt the determining planes are concentric, a system of brief contiguous and 
continuous tangents, whereas those of the cedar wd. roughly be called horizontals 
and those of the beech radiating but modified by droop and by a screw-set towards 
jutting points. But beyond this since the normal growth of the boughs is radiating 
there is a system of spoke-wise clubs of green — sleeve-pieces. And since the 
end shoots curl and carry young scanty leaf-stars these clubs are tapered, and I 
have seen also pieces in profile with chiseled outlines, the blocks thus made 
detached and lessening towards the end. However the knot-star is the chief thing: 
it is whorled, worked round, and this is what keeps up the illusion of the tree. 
Oaks differ much, and much turns on the broadness of the leaves, the narrower 
giving the crisped and starry and catharine-wheel forms, the broader the flat-pieced 
mailed or chard-covered ones, in wh. it is possible to see composition in dips, etc. 
But I shall study them further. It was this night I believe but possibly the next 
that I saw clearly the impossibility of staying in the Church of England.

 *

How many coats do you think it will take?

The coat was a great-coat.

The Emperor's coat was.

How many coats do you think it will take?

The undercoat is dry. What we now want is?

The sky can analyse the coat because of the rips in it. 

The sky shivers through the coat because of the rips in it. 

The rips in the sky ripen through the rips in the coat. 

There is no quarrel.

 *

I take off my coat and carry it.

 *

There is no emergency.

 *

I only made that up.

 *

Behind everything the sound of something dripping

The sound of something: I will vanish, others will come here, what is that? 

The canvas flapping in the wind like the first notes of our absence

An origin is not an action though it occurs at the very start

Desire goes travelling into the total dark of another's soul 
looking for where it breaks off

I was a hard thing to undo

 *

The life of a customer 

What came on the paper plate 

overheard nearby

an impermanence of structure

watching the lip-reading

had loved but couldn't now recognize

 *

What are the objects, then, that man should consider most important? 

What sort of a question is that he asks them.

The eye only discovers the visible slowly.

It floats before us asking to be worn,

offering "we must think about objects at the very moment 
when all their meaning is abandoning them"

and "the title provides a protection from significance" 

and "we are responsible for the universe."

 *

I have put on my doubting, my wager, it is cold.
It is an outer garment, or, conversely a natural covering,
so coarse and woolen, also of unknown origin,
a barely apprehensible dilution of evening into
an outer garment, or, conversely a natural covering,
to twitter bodily a makeshift coat,
that more might grow next year, and thicker, you know,
not shade-giving, not chronological,
my name being called out now but from out back, behind,
an outer garment, so coarse and woolen,
also of unknown origin, not shade-giving, not chronological,
each harm with its planeloads folded up in the sleeves,
you do understand, don't you, by looking?
the jacob's ladder with its floating arms its open throat,
that more might grow next year, and thicker, you know, 
filled with the sensation of being suddenly completed, 
the other created things also floating but not of the same order, 
not shade-giving, not chronological, 
you do understand, don't you, by looking? 
a neck like a vase awaiting its cut flower, 
filled with the sensation of being suddenly completed,
the moment the prize is lost, the erotic tingling, 
the wool-gabardine mix, its grammatical weave
 — you do understand, don't you, by looking? —
never never destined to lose its elasticity,
it was this night I believe but possibly the next
I saw clearly the impossibility of staying
filled with the sensation of being suddenly completed,
also of unknown origin, not shade-giving, not chronological 
since the normal growth of boughs is radiating 
a system of spoke-wise clubs of green — sleeve pieces —
never never destined to lose its elasticity 
my name being called out now but back, behind, 
hissing how many coats do you think it will take
"or try with eyesight to divide" (there is no quarrel)
behind everything the sound of something dripping
a system of spoke-wise clubs of green — sleeve pieces
filled with the sensation of suddenly being completed 
the wool gabardine mix, the grammatical weave,
the never-never-to-lose-its-elasticity: my name 
flapping in the wind like the first note of my absence
hissing how many coats do you think it will take
are you a test case is it an emergency
flapping in the wind the first note of something
overheard nearby an impermanence of structure
watching the lip-reading, there is no quarrel,
I will vanish, others will come here, what is that,
never never to lose the sensation of suddenly being 
completed in the wind — the first note of our quarrel —
it was this night I believe or possibly the next 
filled with the sensation of being suddenly completed,
I will vanish, others will come here, what is that now 
floating in the air before us with stars a test case 
that I saw clearly the impossibility of staying

 December 1899

I 

She sits in the tawny vapour 
That the Thames-side lanes have uprolled, 
Behind whose webby fold-on-fold 
Like a waning taper 
The street-lamp glimmers cold.

A messenger's knock cracks smartly, 
Flashed news in her hand 
Of meaning it dazes to understand 
Though shaped so shortly: 
He--he has fallen--in the far South Land...

II

'Tis the morrow; the fog hangs thicker, 
The postman nears and goes: 
A letter is brought whose lines disclose 
By the firelight flicker 
His hand, whom the worm now knows:

Fresh--firm--penned in highest feather-- 
Page-full of his hoped return, 
And of home-planned jaunts of brake and burn 
In the summer weather, 
And of new love that they would learn.

 You never heard tell of the story? 
Well, now, I can hardly believe! 
Never heard of the honour and glory 
Of Pardon, the son of Reprieve? 
But maybe you're only a Johnnie 
And don't know a horse from a hoe? 
Well, well, don't get angry, my sonny, 
But, really, a young un should know. 
They bred him out back on the "Never", 
His mother was Mameluke breed. 
To the front -- and then stay there - was ever 
The root of the Mameluke creed. 
He seemed to inherit their wiry 
Strong frames -- and their pluck to receive -- 
As hard as a flint and as fiery 
Was Pardon, the son of Reprieve. 

We ran him at many a meeting 
At crossing and gully and town, 
And nothing could give him a beating -- 
At least when our money was down. 
For weight wouldn't stop him, nor distance, 
Nor odds, though the others were fast; 
He'd race with a dogged persistence, 
And wear them all down at the last. 

At the Turon the Yattendon filly 
Led by lengths at the mile-and-a-half, 
And we all began to look silly, 
While her crowd were starting to laugh; 
But the old horse came faster and faster, 
His pluck told its tale, and his strength, 
He gained on her, caught her, and passed her, 
And won it, hands down, by a length. 

And then we swooped down on Menindie 
To run for the President's Cup; 
Oh! that's a sweet township -- a shindy 
To them is board, lodging, and sup. 
Eye-openers they are, and their system 
Is never to suffer defeat; 
It's "win, tie, or wrangle" -- to best 'em 
You must lose 'em, or else it's "dead heat". 

We strolled down the township and found 'em 
At drinking and gaming and play; 
If sorrows they had, why they drowned 'em, 
And betting was soon under way. 
Their horses were good uns and fit uns, 
There was plenty of cash in the town; 
They backed their own horses like Britons, 
And, Lord! how we rattled it down! 

With gladness we thought of the morrow, 
We counted our wages with glee, 
A simile homely to borrow -- 
"There was plenty of milk in our tea." 
You see we were green; and we never 
Had even a thought of foul play, 
Though we well might have known that the clever 
Division would "put us away". 

Experience docet, they tell us, 
At least so I've frequently heard; 
But, "dosing" or "stuffing", those fellows 
Were up to each move on the board: 
They got to his stall -- it is sinful 
To think what such villains will do -- 
And they gave him a regular skinful 
Of barley -- green barley -- to chew. 

He munched it all night, and we found him 
Next morning as full as a hog -- 
The girths wouldn't nearly meet round him; 
He looked like an overfed frog. 
We saw we were done like a dinner -- 
The odds were a thousand to one 
Against Pardon turning up winner, 
'Twas cruel to ask him to run. 

We got to the course with our troubles, 
A crestfallen couple were we; 
And we heard the " books" calling the doubles -- 
A roar like the surf of the sea. 
And over the tumult and louder 
Rang "Any price Pardon, I lay!" 
Says Jimmy, "The children of Judah 
Are out on the warpath today." 

Three miles in three heats: -- Ah, my sonny, 
The horses in those days were stout, 
They had to run well to win money; 
I don't see such horses about. 
Your six-furlong vermin that scamper 
Half-a-mile with their feather-weight up, 
They wouldn't earn much of their damper 
In a race like the President's Cup. 

The first heat was soon set a-going; 
The Dancer went off to the front; 
The Don on his quarters was showing, 
With Pardon right out of the hunt. 
He rolled and he weltered and wallowed -- 
You'd kick your hat faster, I'll bet; 
They finished all bunched, and he followed 
All lathered and dripping with sweat. 

But troubles came thicker upon us, 
For while we were rubbing him dry 
The stewards came over to warn us: 
"We hear you are running a bye! 
If Pardon don't spiel like tarnation 
And win the next heat -- if he can -- 
He'll earn a disqualification; 
Just think over that now, my man!" 

Our money all gone and our credit, 
Our horse couldn't gallop a yard; 
And then people thought that we did it 
It really was terribly hard. 
We were objects of mirth and derision 
To folks in the lawn and the stand, 
Anf the yells of the clever division 
Of "Any price Pardon!" were grand. 

We still had a chance for the money, 
Two heats remained to be run: 
If both fell to us -- why, my sonny, 
The clever division were done. 
And Pardon was better, we reckoned, 
His sickness was passing away, 
So we went to the post for the second 
And principal heat of the day. 

They're off and away with a rattle, 
Like dogs from the leashes let slip, 
And right at the back of the battle 
He followed them under the whip. 
They gained ten good lengths on him quickly 
He dropped right away from the pack; 
I tell you it made me feel sickly 
To see the blue jacket fall back. 

Our very last hope had departed -- 
We thought the old fellow was done, 
When all of a sudden he started 
To go like a shot from a gun. 
His chances seemed slight to embolden 
Our hearts; but, with teeth firmly set, 
We thought, "Now or never! The old un 
May reckon with some of 'em yet." 

Then loud rose the war-cry for Pardon; 
He swept like the wind down the dip, 
And over the rise by the garden 
The jockey was done with the whip. 
The field was at sixes and sevens -- 
The pace at the first had been fast -- 
And hope seemed to drop from the heavens, 
For Pardon was coming at last. 

And how he did come! It was splendid; 
He gained on them yards every bound, 
Stretching out like a greyhound extended, 
His girth laid right down on the ground. 
A shimmer of silk in the cedars 
As into the running they wheeled, 
And out flashed the whips on the leaders, 
For Pardon had collared the field. 

Then right through the ruck he was sailing -- 
I knew that the battle was won -- 
The son of Haphazard was failing, 
The Yattendon filly was done; 
He cut down The Don and The Dancer, 
He raced clean away from the mare -- 
He's in front! Catch him now if you can, sir! 
And up went my hat in the air! 

Then loud fron the lawn and the garden 
Rose offers of "Ten to one on!" 
"Who'll bet on the field? I back Pardon!" 
No use; all the money was gone. 
He came for the third heat light-hearted, 
A-jumping and dancing about; 
The others were done ere they started 
Crestfallen, and tired, and worn out. 

He won it, and ran it much faster 
Than even the first, I believe; 
Oh, he was the daddy, the master, 
Was Pardon, the son of Reprieve. 
He showed 'em the method of travel -- 
The boy sat still as a stone -- 
They never could see him for gravel; 
He came in hard-held, and alone. 

* * * * * * * 

But he's old -- and his eyes are grown hollow 
Like me, with my thatch of the snow; 
When he dies, then I hope I may follow, 
And go where the racehorses go. 
I don't want no harping nor singing -- 
Such things with my style don't agree; 
Where the hoofs of the horses are ringing 
There's music sufficient for me. 

And surely the thoroughbred horses 
Will rise up again and begin 
Fresh faces on far-away courses, 
And p'raps they might let me slip in. 
It would look rather well the race-card on 
'Mongst Cherubs and Seraphs and things, 
"Angel Harrison's black gelding Pardon, 
Blue halo, white body and wings." 

And if they have racing hereafter, 
(And who is to say they will not?) 
When the cheers and the shouting and laughter 
Proclaim that the battle grows hot; 
As they come down the racecourse a-steering, 
He'll rush to the front, I believe; 
And you'll hear the great multitude cheering 
For Pardon, the son of Reprieve

 AN we suppress the old Remorse 
Who bends our heart beneath his stroke, 
Who feeds, as worms feed on the corse, 
Or as the acorn on the oak? 
Can we suppress the old Remorse? 

Ah, in what philtre, wine, or spell, 
May we drown this our ancient foe, 
Destructive glutton, gorging well, 
Patient as the ants, and slow? 
What wine, what philtre, or what spell? 

Tell it, enchantress, if you can, 
Tell me, with anguish overcast, 
Wounded, as a dying man, 
Beneath the swift hoofs hurrying past. 
Tell it, enchantress, if you can, 

To him the wolf already tears 
Who sees the carrion pinions wave, 
This broken warrior who despairs 
To have a cross above his grave-- 
This wretch the wolf already tears. 

Can one illume a leaden sky, 
Or tear apart the shadowy veil 
Thicker than pitch, no star on high, 
Not one funereal glimmer pale 
Can one illume a leaden sky? 

Hope lit the windows of the Inn, 
But now that shining flame is dead; 
And how shall martyred pilgrims win 
Along the moonless road they tread? 
Satan has darkened all the Inn! 

Witch, do you love accurs?d hearts? 
Say, do you know, the reprobate? 
Know you Remorse, whose venomed darts 
Make souls the targets of their hate? 
Witch, do you know accurs?d hearts? 

The Might-have-been with tooth accursed 
Gnaws at the piteous souls of men, 
The deep foundations suffer first, 
And all the structure crumbles then 
Beneath the bitter tooth accursed. 

II.

Often, when seated at the play, 
And sonorous music lights the stage, 
I see the frail hand of a Fay 
With magic dawn illume the rage 
Of the dark sky. Oft at the play 

A being made of gauze and fire 
Casts to the earth a Demon great. 
And my heart, whence all hopes expire, 
Is like a stage where I await, 
In vain, the Fay with wings of fire!

 Oh the long and dreary Winter!
Oh the cold and cruel Winter!
Ever thicker, thicker, thicker
Froze the ice on lake and river,
Ever deeper, deeper, deeper
Fell the snow o'er all the landscape,
Fell the covering snow, and drifted
Through the forest, round the village.
Hardly from his buried wigwam
Could the hunter force a passage;
With his mittens and his snow-shoes
Vainly walked he through the forest,
Sought for bird or beast and found none,
Saw no track of deer or rabbit,
In the snow beheld no footprints,
In the ghastly, gleaming forest
Fell, and could not rise from weakness,
Perished there from cold and hunger.
Oh the famine and the fever!
Oh the wasting of the famine!
Oh the blasting of the fever!
Oh the wailing of the children!
Oh the anguish of the women!
All the earth was sick and famished;
Hungry was the air around them,
Hungry was the sky above them,
And the hungry stars in heaven
Like the eyes of wolves glared at them!
Into Hiawatha's wigwam
Came two other guests, as silent
As the ghosts were, and as gloomy,
Waited not to be invited
Did not parley at the doorway
Sat there without word of welcome
In the seat of Laughing Water;
Looked with haggard eyes and hollow
At the face of Laughing Water.
And the foremost said: "Behold me!
I am Famine, Bukadawin!"
And the other said: "Behold me!
I am Fever, Ahkosewin!"
And the lovely Minnehaha
Shuddered as they looked upon her,
Shuddered at the words they uttered,
Lay down on her bed in silence,
Hid her face, but made no answer;
Lay there trembling, freezing, burning
At the looks they cast upon her,
At the fearful words they uttered.
Forth into the empty forest
Rushed the maddened Hiawatha;
In his heart was deadly sorrow,
In his face a stony firmness;
On his brow the sweat of anguish
Started, but it froze and fell not.
Wrapped in furs and armed for hunting,
With his mighty bow of ash-tree,
With his quiver full of arrows,
With his mittens, Minjekahwun,
Into the vast and vacant forest
On his snow-shoes strode he forward.
"Gitche Manito, the Mighty!"
Cried he with his face uplifted
In that bitter hour of anguish,
"Give your children food, O father!
Give us food, or we must perish!
Give me food for Minnehaha,
For my dying Minnehaha!"
Through the far-resounding forest,
Through the forest vast and vacant
Rang that cry of desolation,
But there came no other answer
Than the echo of his crying,
Than the echo of the woodlands,
"Minnehaha! Minnehaha!"
All day long roved Hiawatha
In that melancholy forest,
Through the shadow of whose thickets,
In the pleasant days of Summer,
Of that ne'er forgotten Summer,
He had brought his young wife homeward
From the land of the Dacotahs;
When the birds sang in the thickets,
And the streamlets laughed and glistened,
And the air was full of fragrance,
And the lovely Laughing Water
Said with voice that did not tremble,
"I will follow you, my husband!"
In the wigwam with Nokomis,
With those gloomy guests that watched her,
With the Famine and the Fever,
She was lying, the Beloved,
She, the dying Minnehaha.
"Hark!" she said; "I hear a rushing,
Hear a roaring and a rushing,
Hear the Falls of Minnehaha
Calling to me from a distance!"
"No, my child!" said old Nokomis,
"`T is the night-wind in the pine-trees!"
"Look!" she said; "I see my father
Standing lonely at his doorway,
Beckoning to me from his wigwam
In the land of the Dacotahs!"
"No, my child!" said old Nokomis.
"`T is the smoke, that waves and beckons!"
"Ah!" said she, "the eyes of Pauguk
Glare upon me in the darkness,
I can feel his icy fingers
Clasping mine amid the darkness!
Hiawatha! Hiawatha!"
And the desolate Hiawatha,
Far away amid the forest,
Miles away among the mountains,
Heard that sudden cry of anguish,
Heard the voice of Minnehaha
Calling to him in the darkness,
"Hiawatha! Hiawatha!"
Over snow-fields waste and pathless,
Under snow-encumbered branches,
Homeward hurried Hiawatha,
Empty-handed, heavy-hearted,
Heard Nokomis moaning, wailing:
"Wahonowin! Wahonowin!
Would that I had perished for you,
Would that I were dead as you are!
Wahonowin!. Wahonowin!"
And he rushed into the wigwam,
Saw the old Nokomis slowly
Rocking to and fro and moaning,
Saw his lovely Minnehaha
Lying dead and cold before him,
And his bursting heart within him
Uttered such a cry of anguish,
That the forest moaned and shuddered,
That the very stars in heaven
Shook and trembled with his anguish.
Then he sat down, still and speechless,
On the bed of Minnehaha,
At the feet of Laughing Water,
At those willing feet, that never
More would lightly run to meet him,
Never more would lightly follow.
With both hands his face he covered,
Seven long days and nights he sat there,
As if in a swoon he sat there,
Speechless, motionless, unconscious
Of the daylight or the darkness.
Then they buried Minnehaha;
In the snow a grave they made her
In the forest deep and darksome
Underneath the moaning hemlocks;
Clothed her in her richest garments
Wrapped her in her robes of ermine,
Covered her with snow, like ermine;
Thus they buried Minnehaha.
And at night a fire was lighted,
On her grave four times was kindled,
For her soul upon its journey
To the Islands of the Blessed.
From his doorway Hiawatha
Saw it burning In the forest,
Lighting up the gloomy hemlocks;
From his sleepless bed uprising,
From the bed of Minnehaha,
Stood and watched it at the doorway,
That it might not be extinguished,
Might not leave her in the darkness.
"Farewell!" said he, "Minnehaha!
Farewell, O my Laughing Water!
All my heart is buried with you,
All my thoughts go onward with you!
Come not back again to labor,
Come not back again to suffer,
Where the Famine and the Fever
Wear the heart and waste the body.
Soon my task will be completed,
Soon your footsteps I shall follow
To the Islands of the Blessed,
To the Kingdom of Ponemah,
To the Land of the Hereafter!"