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Best Famous Theatrical Poems

Here is a collection of the all-time best famous Theatrical poems. This is a select list of the best famous Theatrical poetry. Reading, writing, and enjoying famous Theatrical poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of theatrical poems.

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Written by Sylvia Plath | Create an image from this poem

Lady Lazarus

I have done it again.
One year in every ten I manage it_____ A sort of walking miracle, my skin Bright as a Nazi lampshade, My right foot A paperweight, My face featureless, fine Jew linen.
Peel off the napkin O my enemy.
Do I terrify?------- The nose, the eye pits, the full set of teeth? The sour breath Will vanish in a day.
Soon, soon the flesh The grave cave ate will be At home on me And I a smiling woman.
I am only thirty.
And like the cat I have nine times to die.
This is Number Three.
What a trash To annihilate each decade.
What a million filaments.
The Peanut-crunching crowd Shoves in to see Them unwrap me hand in foot ------ The big strip tease.
Gentleman , ladies These are my hands My knees.
I may be skin and bone, Nevertheless, I am the same, identical woman.
The first time it happened I was ten.
It was an accident.
The second time I meant To last it out and not come back at all.
I rocked shut As a seashell.
They had to call and call And pick the worms off me like sticky pearls.
Dying Is an art, like everything else.
I do it exceptionally well.
I do it so it feels like hell.
I do it so it feels real.
I guess you could say I've a call.
It's easy enough to do it in a cell.
It's easy enough to do it and stay put.
It's the theatrical Comeback in broad day To the same place, the same face, the same brute Amused shout: 'A miracle!' That knocks me out.
There is a charge For the eyeing my scars, there is a charge For the hearing of my heart--- It really goes.
And there is a charge, a very large charge For a word or a touch Or a bit of blood Or a piece of my hair on my clothes.
So, so, Herr Doktor.
So, Herr Enemy.
I am your opus, I am your valuable, The pure gold baby That melts to a shriek.
I turn and burn.
Do not think I underestimate your great concern.
Ash, ash--- You poke and stir.
Flesh, bone, there is nothing there---- A cake of soap, A wedding ring, A gold filling.
Herr God, Herr Lucifer Beware Beware.
Out of the ash I rise with my red hair And I eat men like air.
(1962)


Written by Wallace Stevens | Create an image from this poem

The Idea of Order at Key West

She sang beyond the genius of the sea.
The water never formed to mind or voice, Like a body wholly body, fluttering Its empty sleeves; and yet its mimic motion Made constant cry, caused constantly a cry, That was not ours although we understood, Inhuman, of the veritable ocean.
The sea was not a mask.
No more was she.
The song and water were not medleyed sound Even if what she sang was what she heard.
Since what she sang was uttered word by word.
It may be that in all her phrases stirred The grinding water and the gasping wind; But it was she and not the sea we heard.
For she was the maker of the song she sang.
The ever-hooded, tragic-gestured sea Was merely a place by which she walked to sing.
Whose spirit is this? we said, because we knew It was the spirit that we sought and knew That we should ask this often as she sang.
If it was only the dark voice of the sea That rose, or even colored by many waves; If it was only the outer voice of sky And cloud, of the sunken coral water-walled, However clear, it would have been deep air, The heaving speech of air, a summer sound Repeated in a summer without end And sound alone.
But it was more than that, More even than her voice, and ours, among The meaningless plungings of water and the wind, Theatrical distances, bronze shadows heaped On high horizons, mountainous atmospheres Of sky and sea.
It was her voice that made The sky acutest at its vanishing.
She measured to the hour its solitude.
She was the single artificer of the world In which she sang.
And when she sang, the sea, Whatever self it had, became the self That was her song, for she was the maker.
Then we, As we beheld her striding there alone, Knew that there never was a world for her Except the one she sang and, singing, made.
Ramon Fernandez, tell me, if you know, Why, when the singing ended and we turned Toward the town, tell why the glassy lights, The lights in the fishing boats at anchor there, As night descended, tilting in the air, Mastered the night and portioned out the sea, Fixing emblazoned zones and fiery poles, Arranging, deepening, enchanting night.
Oh! Blessed rage for order, pale Ramon, The maker's rage to order words of the sea, Words of the fragrant portals, dimly-starred, And of ourselves and of our origins, In ghostlier demarcations, keener sounds.
Written by Constantine P Cavafy | Create an image from this poem

Alexandrian Kings

 The Alexandrians were gathered
to see Cleopatra's children,
Caesarion, and his little brothers,
Alexander and Ptolemy, whom for the first
time they lead out to the Gymnasium,
there to proclaim kings,
in front of the grand assembly of the soldiers.
Alexander -- they named him king of Armenia, Media, and the Parthians.
Ptolemy -- they named him king of Cilicia, Syria, and Phoenicia.
Caesarion stood more to the front, dressed in rose-colored silk, on his breast a bouquet of hyacinths, his belt a double row of sapphires and amethysts, his shoes fastened with white ribbons embroidered with rose pearls.
Him they named more than the younger ones, him they named King of Kings.
The Alexandrians of course understood that those were theatrical words.
But the day was warm and poetic, the sky was a light azure, the Alexandrian Gymnasium was a triumphant achievement of art, the opulence of the courtiers was extraordinary, Caesarion was full of grace and beauty (son of Cleopatra, blood of the Lagidae); and the Alexandrians rushed to the ceremony, and got enthusiastic, and cheered in greek, and egyptian, and some in hebrew, enchanted by the beautiful spectacle -- although they full well knew what all these were worth, what hollow words these kingships were.
Written by William Topaz McGonagall | Create an image from this poem

The Death of Fred Marsden the American Playwright

 A pathetic tragedy I will relate,
Concerning poor Fred.
Marsden's fate, Who suffocated himself by the fumes of gas, On the 18th of May, and in the year of 1888, alas! Fred.
Marsden was a playwright, the theatrical world knows, And was highly esteemed by the people, and had very few foes; And in New York, in his bedroom, he took his life away, And was found by his servant William in his bedroom where he lay.
The manner in which he took his life : first he locked the door, Then closed down the window, and a sheet to shreds he tore And then stopped the keyholes and chinks through which air might come, Then turned on the single gas-burner, and soon the deed was done.
About seven o'clock in the evening he bade his wife good-night, And she left him, smoking, in his room, thinking all was right, But when morning came his daughter said she smelled gas, Then William, his servant, called loudly on him, but no answer, alas! Then suspicion flashed across William's brain, and he broke open the door, Then soon the family were in a state of uproar, For the room was full of gas, and Mr Marsden quite dead, And a more kind-hearted father never ate of the world's bread.
And by his kindness he spoiled his only child, His pretty daughter Blanche, which made him wild; For some time he thought her an angel, she was so very civil, But she dishonoured herself, and proved herself a devil.
Her father idolised her, and on her spared no expense, And the kind-hearted father gave her too much indulgence, Because evening parties and receptions were got up for her sake, Besides, he bought her a steam yacht to sail on Schroon Lake.
His means he lavished upon his home and his wife, And he loved his wife and daughter as dear as his life; But Miss Blanche turned to folly, and wrecked their home through strife, And through Miss Marsden's folly her father took his life.
She wanted to ride, and her father bought her a horse, And by giving her such indulgences, in morals she grew worse; And by her immoral actions she broke her father's heart; And, in my opinion, she has acted a very ungrateful part.
At last she fled from her father's house, which made him mourn, Then the crazy father went after her and begged her to return, But she tore her father's beard, and about the face beat him, Then fled to her companions in evil, and thought it no sin.
Then her father sent her one hundred dollars, and found her again, And he requested her to come home, but it was all in vain; For his cruel daughter swore at him without any dread, And, alas! next morning, he was found dead in his bed.
And soon theatrical circles were shocked to learn, Of the sudden death of genial Fred Marsden, Whose house had been famous for its hospitality, To artists, litterateurs, and critics of high and low degree.
And now dear Mrs Marsden is left alone to mourn The loss of her loving husband, whom to her will ne'er return; But I hope God will be kind to her in her bereavement, And open her daughter's eyes, and make her repent For being the cause of her father's death, the generous Fred, Who oft poor artists and mendicants has fed; But, alas! his bounties they will never receive more, Therefore poor artists and mendicants will his loss deplore.
Therefore, all ye kind parents of high and low degree, I pray ye all, be advised by me, And never pamper your children in any way, Nor idolise them, for they are apt to go astray, And treat ye, like pretty Blanche Marsden, Who by her folly has been the death of one of the finest men; So all kind parents, be warned by me, And remember always this sad Tragedy!
Written by Robert Graves | Create an image from this poem

The Persian Version

 Truth-loving Persians do not dwell upon
The trivial skirmish fought near Marathon.
As for the Greek theatrical tradition Which represents that summer's expedition Not as a mere reconnaisance in force By three brigades of foot and one of horse (Their left flank covered by some obsolete Light craft detached from the main Persian fleet) But as a grandiose, ill-starred attempt To conquer Greece - they treat it with contempt; And only incidentally refute Major Greek claims, by stressing what repute The Persian monarch and the Persian nation Won by this salutary demonstration: Despite a strong defence and adverse weather All arms combined magnificently together.


Written by John Berryman | Create an image from this poem

Dream Song 63: Bats have no bankers and they do not drink

 Bats have no bankers and they do not drink
and cannot be arrested and pay no tax
and, in general, bats have it made.
Henry for joining the human race is bats, known to be so, by few them who think, out of the cave.
Instead of the cave! ah lovely-chilly, dark, ur-moist his cousins hang in hundreds or swerve with personal radar, crisisless, kid.
Instead of the cave? I serve, inside, my blind term.
Filthy four-foot lights reflect on the whites of our eyes.
He then salutes for sixty years of it just now a one of valor and insights, a theatrical man, O scholar & Legionnaire who as quickly might have killed as cast you.
Olè.
Stormed with years he tranquil commands and appears.

Book: Shattered Sighs