Written by
Aleister Crowley |
[Dedicated to General J.C.F. Fuller]
Velvet soft the night-star glowed
Over the untrodden road,
Through the giant glades of yew
Where its ray fell light as dew
Lighting up the shimmering veil
Maiden pure and aery frail
That the spiders wove to hide
Blushes of the sylvan bride
Earth, that trembled with delight
At the male caress of Night.
Velvet soft the wizard trod
To the Sabbath of his God.
With his naked feet he made
Starry blossoms in the glade,
Softly, softly, as he went
To the sombre sacrament,
Stealthy stepping to the tryst
In his gown of amethyst.
Earlier yet his soul had come
To the Hill of Martyrdom,
Where the charred and crooked stake
Like a black envenomed snake
By the hangman's hands is thrust
Through the wet and writhing dust,
Never black and never dried
Heart's blood of a suicide.
He had plucked the hazel rod
From the rude and goatish god,
Even as the curved moon's waning ray
Stolen from the King of Day.
He had learnt the elvish sign;
Given the Token of the Nine:
Once to rave, and once to revel,
Once to bow before the devil,
Once to swing the thurible,
Once to kiss the goat of hell,
Once to dance the aspen spring,
Once to croak, and once to sing,
Once to oil the savoury thighs
Of the witch with sea-green eyes
With the unguents magical.
Oh the honey and the gall
Of that black enchanter's lips
As he croons to the eclipse
Mingling that most puissant spell
Of the giant gods of hell
With the four ingredients
Of the evil elements;
Ambergris from golden spar,
Musk of ox from Mongol jar,
Civet from a box of jade,
Mixed with fat of many a maid
Slain by the inchauntments cold
Of the witches wild and old.
He had crucified a toad
In the basilisk abode,
Muttering the Runes averse
Mad with many a mocking curse.
He had traced the serpent sigil
In his ghastly virgin vigil.
Sursum cor! the elfin hill,
Where the wind blows deadly chill
From the world that wails beneath
Death's black throat and lipless teeth.
There he had stood - his bosom bare -
Tracing Life upon the Air
With the crook and with the flail
Lashing forward on the gale,
Till its blade that wavereth
Like the flickering of Death
Sank before his subtle fence
To the starless sea of sense.
Now at last the man is come
Haply to his halidom.
Surely as he waves his rod
In a circle on the sod
Springs the emerald chaste and clean
From the duller paler green.
Surely in the circle millions
Of immaculate pavilions
Flash upon the trembling turf
Like the sea-stars in the surf -
Millions of bejewelled tents
For the warrior sacraments.
Vaster, vaster, vaster, vaster,
Grows the stature of the master;
All the ringed encampment vies
With the infinite galaxies.
In the midst a cubic stone
With the Devil set thereon;
Hath a lamb's virginal throat;
Hath the body of a stoat;
Hath the buttocks of a goat;
Hath the sanguine face and rod
Of a goddess and a god!
Spell by spell and pace by pace!
Mystic flashes swing and trace
Velvet soft the sigils stepped
By the silver-starred adept.
Back and front, and to and fro,
Soul and body sway and flow
In vertiginous caresses
To imponderable recesses,
Till at last the spell is woven,
And the faery veil is cloven
That was Sequence, Space, and Stress
Of the soul-sick consciousness.
"Give thy body to the beasts!
Give thy spirit to the priests!
Break in twain the hazel rod
On the virgin lips of God!
Tear the Rosy Cross asunder!
Shatter the black bolt of thunder!
Suck the swart ensanguine kiss
Of the resolute abyss!"
Wonder-weft the wizard heard
This intolerable word.
Smote the blasting hazel rod
On the scarlet lips of God;
Trampled Cross and rosy core;
Brake the thunder-tool of Thor;
Meek and holy acolyte
Of the priestly hells of spite,
Sleek and shameless catamite
Of the beasts that prowl the night!
Like a star that streams from heaven
Through the virgin airs light-riven,
From the lift there shot and fell
An admirable miracle.
Carved minute and clean, a key
Of purest lapis-lazuli
More blue than the blind sky that aches
(Wreathed with the stars, her torturing snakes),
For the dead god's kiss that never wakes;
Shot with golden specks of fire
Like a virgin with desire.
Look, the levers! fern-frail fronds
Of fantastic diamonds,
Glimmering with ethereal azure
In each exquisite embrasure.
On the shaft the letters laced,
As if dryads lunar-chaste
With the satyrs were embraced,
Spelled the secret of the key:
Sic pervenias. And he
Went his wizard way, inweaving
Dreams of things beyond believing.
When he will, the weary world
Of the senses closely curled
Like a serpent round his heart
Shakes herself and stands apart.
So the heart's blood flames, expanding,
Strenuous, urgent, and commanding;
And the key unlocks the door
Where his love lives evermore.
She is of the faery blood;
All smaragdine flows its flood.
Glowing in the amber sky
To ensorcelled porphyry
She hath eyes of glittering flake
Like a cold grey water-snake.
She hath naked breasts of amber
Jetting wine in her bed-chamber,
Whereof whoso stoops and drinks
Rees the riddle of the Sphinx.
She hath naked limbs of amber
Whereupon her children clamber.
She hath five navels rosy-red
From the five wounds of God that bled;
Each wound that mothered her still bleeding,
And on that blood her babes are feeding.
Oh! like a rose-winged pelican
She hath bred blessed babes to Pan!
Oh! like a lion-hued nightingale
She hath torn her breast on thorns to avail
The barren rose-tree to renew
Her life with that disastrous dew,
Building the rose o' the world alight
With music out of the pale moonlight!
O She is like the river of blood
That broke from the lips of the bastard god,
When he saw the sacred mother smile
On the ibis that flew up the foam of Nile
Bearing the limbs unblessed, unborn,
That the lurking beast of Nile had torn!
So (for the world is weary) I
These dreadful souls of sense lay by.
I sacrifice these impure shoon
To the cold ray of the waning moon.
I take the forked hazel staff,
And the rose of no terrene graff,
And the lamp of no olive oil
With heart's blood that alone may boil.
With naked breast and feet unshod
I follow the wizard way to God.
Wherever he leads my foot shall follow;
Over the height, into the hollow,
Up to the caves of pure cold breath,
Down to the deeps of foul hot death,
Across the seas, through the fires,
Past the palace of desires;
Where he will, whether he will or no,
If I go, I care not whither I go.
For in me is the taint of the faery blood.
Fast, fast its emerald flood
Leaps within me, violent rude
Like a bestial faun's beatitude.
In me the faery blood runs hard:
My sires were a druid, a devil, a bard,
A beast, a wizard, a snake and a satyr;
For - as my mother said - what does it matter?
She was a fay, pure of the faery;
Queen Morgan's daughter by an aery
Demon that came to Orkney once
To pay the Beetle his orisons.
So, it is I that writhe with the twitch
Of the faery blood, and the wizard itch
To attain a matter one may not utter
Rather than sink in the greasy splutter
Of Britons munching their bread and butter;
Ailing boys and coarse-grained girls
Grown to sloppy women and brutal churls.
So, I am off with staff in hand
To the endless light of the nameless land.
Darkness spreads its sombre streams,
Blotting out the elfin dreams.
I might haply be afraid,
Were it not the Feather-maid
Leads me softly by the hand,
Whispers me to understand.
Now (when through the world of weeping
Light at last starrily creeping
Steals upon my babe-new sight,
Light - O light that is not light!)
On my mouth the lips of her
Like a stone on my sepulchre
Seal my speech with ecstasy,
Till a babe is born of me
That is silent more than I;
For its inarticulate cry
Hushes as its mouth is pressed
To the pearl, her honey breast;
While its breath divinely ripples
The rose-petals of her nipples,
And the jetted milk he laps
From the soft delicious paps,
Sweeter than the bee-sweet showers
In the chalice of the flowers,
More intoxicating than
All the purple grapes of Pan.
Ah! my proper lips are stilled.
Only, all the world is filled
With the Echo, that drips over
Like the honey from the clover.
Passion, penitence, and pain
Seek their mother's womb again,
And are born the triple treasure,
Peace and purity and pleasure.
- Hush, my child, and come aloft
Where the stars are velvet soft!
|
Written by
Aleister Crowley |
Come, my darling, let us dance
To the moon that beckons us
To dissolve our love in trance
Heedless of the hideous
Heat & hate of Sirius-
Shun his baneful brilliance!
Let us dance beneath the palm
Moving in the moonlight, frond
Wooing frond above the calm
Of the ocean diamond
Sparkling to the sky beyond
The enchantment of our psalm.
Let us dance, my mirror of
Perfect passion won to peace,
Let us dance, my treasure trove,
On the marble terraces
Carven in pallid embroeideries
For the vestal veil of Love.
Heaven awakes to encompass us,
Hell awakes its jubilance
In our hearts mysterious
Marriage of the azure expanse,
With the scarlet brilliance
Of the Moon with Sirius.
Velvet swatches our lissome limbs
Languid lapped by sky & sea
Soul through sense & spirit swims
Through the pregnant porphyry
Dome of lapiz-lazuli:-
Heart of silence, hush our hymns.
Come my darling; let us dance
Through the golden galaxies
Rythmic swell of circumstance
Beaming passion’s argosies:
Ecstacy entwined with ease,
Terrene joy transcending trance!
Thou my scarlet concubine
Draining heart’s blood to the lees
To empurple those divine
Lips with living luxuries
Life importunate to appease
Drought insatiable of wine!
Tunis in the tremendous trance
Rests from day’s incestuous
Traffic with the radiance
Of her sire-& over us
Gleams the intoxicating glance
Of the Moon & Sirius.
Take the ardour of my impearled
Essence that my shoulders seek
To intensify the curled
Candour of the eyes oblique,
Eyes that see the seraphic sleek
Lust bewitch the wanton world.
Come, my love, my dove, & pour
From thy cup the serpent wine
Brimmed & breathless -secret store
Of my crimson concubine
Surfeit spirit in the shrine-
Devil -Godess -Virgin -Whore.
Afric sands ensorcel us,
Afric seas & skies entrance
Velvet, lewd & luminous
Night surveys our soul askance!
Come my love, & let us dance
To the Moon and Sirius!
|
Written by
Emily Dickinson |
Is it too late to touch you, Dear?
We this moment knew --
Love Marine and Love terrene --
Love celestial too --
|
Written by
Algernon Charles Swinburne |
SHALL I strew on thee rose or rue or laurel,
Brother, on this that was the veil of thee?
Or quiet sea-flower moulded by the sea,
Or simplest growth of meadow-sweet or sorrel,
Such as the summer-sleepy Dryads weave,
Waked up by snow-soft sudden rains at eve?
Or wilt thou rather, as on earth before,
Half-faded fiery blossoms, pale with heat
And full of bitter summer, but more sweet
To thee than gleanings of a northern shore
Trod by no tropic feet?
For always thee the fervid languid glories
Allured of heavier suns in mightier skies;
Thine ears knew all the wandering watery sighs
Where the sea sobs round Lesbian promontories,
The barren kiss of piteous wave to wave
That knows not where is that Leucadian grave
Which hides too deep the supreme head of song.
Ah, salt and sterile as her kisses were,
The wild sea winds her and the green gulfs bear
Hither and thither, and vex and work her wrong,
Blind gods that cannot spare.
Thou sawest, in thine old singing season, brother,
Secrets and sorrows unbeheld of us:
Fierce loves, and lovely leaf-buds poisonous,
Bare to thy subtler eye, but for none other
Blowing by night in some unbreathed-in clime;
The hidden harvest of luxurious time,
Sin without shape, and pleasure without speech;
And where strange dreams in a tumultuous sleep
Make the shut eyes of stricken spirits weep;
And with each face thou sawest the shadow on each,
Seeing as men sow men reap.
O sleepless heart and sombre soul unsleeping,
That were athirst for sleep and no more life
And no more love, for peace and no more strife!
Now the dim gods of death have in their keeping
Spirit and body and all the springs of song,
Is it well now where love can do no wrong,
Where stingless pleasure has no foam or fang
Behind the unopening closure of her lips?
Is it not well where soul from body slips
And flesh from bone divides without a pang
As dew from flower-bell drips?
It is enough; the end and the beginning
Are one thing to thee, who art past the end.
O hand unclasp'd of unbeholden friend,
For thee no fruits to pluck, no palms for winning,
No triumph and no labour and no lust,
Only dead yew-leaves and a little dust.
O quiet eyes wherein the light saith naught,
Whereto the day is dumb, nor any night
With obscure finger silences your sight,
Nor in your speech the sudden soul speaks thought,
Sleep, and have sleep for light.
Now all strange hours and all strange loves are over,
Dreams and desires and sombre songs and sweet,
Hast thou found place at the great knees and feet
Of some pale Titan-woman like a lover,
Such as thy vision here solicited,
Under the shadow of her fair vast head,
The deep division of prodigious breasts,
The solemn slope of mighty limbs asleep,
The weight of awful tresses that still keep
The savour and shade of old-world pine-forests
Where the wet hill-winds weep?
Hast thou found any likeness for thy vision?
O gardener of strange flowers, what bud, what bloom,
Hast thou found sown, what gather'd in the gloom?
What of despair, of rapture, of derision,
What of life is there, what of ill or good?
Are the fruits gray like dust or bright like blood?
Does the dim ground grow any seed of ours,
The faint fields quicken any terrene root,
In low lands where the sun and moon are mute
And all the stars keep silence? Are there flowers
At all, or any fruit?
Alas, but though my flying song flies after,
O sweet strange elder singer, thy more fleet
Singing, and footprints of thy fleeter feet,
Some dim derision of mysterious laughter
From the blind tongueless warders of the dead,
Some gainless glimpse of Proserpine's veil'd head,
Some little sound of unregarded tears
Wept by effaced unprofitable eyes,
And from pale mouths some cadence of dead sighs--
These only, these the hearkening spirit hears,
Sees only such things rise.
Thou art far too far for wings of words to follow,
Far too far off for thought or any prayer.
What ails us with thee, who art wind and air?
What ails us gazing where all seen is hollow?
Yet with some fancy, yet with some desire,
Dreams pursue death as winds a flying fire,
Our dreams pursue our dead and do not find.
Still, and more swift than they, the thin flame flies,
The low light fails us in elusive skies,
Still the foil'd earnest ear is deaf, and blind
Are still the eluded eyes.
Not thee, O never thee, in all time's changes,
Not thee, but this the sound of thy sad soul,
The shadow of thy swift spirit, this shut scroll
I lay my hand on, and not death estranges
My spirit from communion of thy song--
These memories and these melodies that throng
Veil'd porches of a Muse funereal--
These I salute, these touch, these clasp and fold
As though a hand were in my hand to hold,
Or through mine ears a mourning musical
Of many mourners roll'd.
I among these, I also, in such station
As when the pyre was charr'd, and piled the sods.
And offering to the dead made, and their gods,
The old mourners had, standing to make libation,
I stand, and to the Gods and to the dead
Do reverence without prayer or praise, and shed
Offering to these unknown, the gods of gloom,
And what of honey and spice my seed-lands bear,
And what I may of fruits in this chill'd air,
And lay, Orestes-like, across the tomb
A curl of sever'd hair.
But by no hand nor any treason stricken,
Not like the low-lying head of Him, the King,
The flame that made of Troy a ruinous thing,
Thou liest and on this dust no tears could quicken.
There fall no tears like theirs that all men hear
Fall tear by sweet imperishable tear
Down the opening leaves of holy poets' pages.
Thee not Orestes, not Electra mourns;
But bending us-ward with memorial urns
The most high Muses that fulfil all ages
Weep, and our God's heart yearns.
For, sparing of his sacred strength, not often
Among us darkling here the lord of light
Makes manifest his music and his might
In hearts that open and in lips that soften
With the soft flame and heat of songs that shine.
Thy lips indeed he touch'd with bitter wine,
And nourish'd them indeed with bitter bread;
Yet surely from his hand thy soul's food came,
The fire that scarr'd thy spirit at his flame
Was lighted, and thine hungering heart he fed
Who feeds our hearts with fame.
Therefore he too now at thy soul's sunsetting,
God of all suns and songs, he too bends down
To mix his laurel with thy cypress crown,
And save thy dust from blame and from forgetting.
Therefore he too, seeing all thou wert and art,
Compassionate, with sad and sacred heart,
Mourns thee of many his children the last dead,
And hollows with strange tears and alien sighs
Thine unmelodious mouth and sunless eyes,
And over thine irrevocable head
Sheds light from the under skies.
And one weeps with him in the ways Lethean,
And stains with tears her changing bosom chill;
That obscure Venus of the hollow hill,
That thing transform'd which was the Cytherean,
With lips that lost their Grecian laugh divine
Long since, and face no more call'd Erycine--
A ghost, a bitter and luxurious god.
Thee also with fair flesh and singing spell
Did she, a sad and second prey, compel
Into the footless places once more trod,
And shadows hot from hell.
And now no sacred staff shall break in blossom,
No choral salutation lure to light
A spirit sick with perfume and sweet night
And love's tired eyes and hands and barren bosom.
There is no help for these things; none to mend,
And none to mar; not all our songs, O friend,
Will make death clear or make life durable.
Howbeit with rose and ivy and wild vine
And with wild notes about this dust of thine
At least I fill the place where white dreams dwell
And wreathe an unseen shrine.
Sleep; and if life was bitter to thee, pardon,
If sweet, give thanks; thou hast no more to live;
And to give thanks is good, and to forgive.
Out of the mystic and the mournful garden
Where all day through thine hands in barren braid
Wove the sick flowers of secrecy and shade,
Green buds of sorrow and sin, and remnants gray,
Sweet-smelling, pale with poison, sanguine-hearted,
Passions that sprang from sleep and thoughts that started,
Shall death not bring us all as thee one day
Among the days departed?
For thee, O now a silent soul, my brother,
Take at my hands this garland, and farewell.
Thin is the leaf, and chill the wintry smell,
And chill the solemn earth, a fatal mother,
With sadder than the Niobean womb,
And in the hollow of her breasts a tomb.
Content thee, howsoe'er, whose days are done;
There lies not any troublous thing before,
Nor sight nor sound to war against thee more,
For whom all winds are quiet as the sun,
All waters as the shore.
|
Written by
Thomas Hardy |
"Men know but little more than we,
Who count us least of things terrene,
How happy days are made to be!
"Of such strange tidings what think ye,
O birds in brown that peck and preen?
Men know but little more than we!
"When I was borne from yonder tree
In bonds to them, I hoped to glean
How happy days are made to be,
"And want and wailing turned to glee;
Alas, despite their mighty mien
Men know but little more than we!
"They cannot change the Frost's decree,
They cannot keep the skies serene;
How happy days are made to be
"Eludes great Man's sagacity
No less than ours, O tribes in treen!
Men know but little more than we
How happy days are made to be."
|
Written by
Algernon Charles Swinburne |
Here, down between the dusty trees,
At this lank edge of haggard wood,
Women with labour-loosened knees,
With gaunt backs bowed by servitude,
Stop, shift their loads, and pray, and fare
Forth with souls easier for the prayer.
The suns have branded black, the rains
Striped grey this piteous God of theirs;
The face is full of prayers and pains,
To which they bring their pains and prayers;
Lean limbs that shew the labouring bones,
And ghastly mouth that gapes and groans.
God of this grievous people, wrought
After the likeness of their race,
By faces like thine own besought,
Thine own blind helpless eyeless face,
I too, that have nor tongue nor knee
For prayer, I have a word to thee.
It was for this then, that thy speech
Was blown about the world in flame
And men's souls shot up out of reach
Of fear or lust or thwarting shame -
That thy faith over souls should pass
As sea-winds burning the grey grass?
It was for this, that prayers like these
Should spend themselves about thy feet,
And with hard overlaboured knees
Kneeling, these slaves of men should beat
Bosoms too lean to suckle sons
And fruitless as their orisons?
It was for this, that men should make
Thy name a fetter on men's necks,
Poor men's made poorer for thy sake,
And women's withered out of sex?
It was for this, that slaves should be,
Thy word was passed to set men free?
The nineteenth wave of the ages rolls
Now deathward since thy death and birth.
Hast thou fed full men's starved-out souls?
Hast thou brought freedom upon earth?
Or are there less oppressions done
In this wild world under the sun?
Nay, if indeed thou be not dead,
Before thy terrene shrine be shaken,
Look down, turn usward, bow thine head;
O thou that wast of God forsaken,
Look on thine household here, and see
These that have not forsaken thee.
Thy faith is fire upon their lips,
Thy kingdom golden in their hands;
They scourge us with thy words for whips,
They brand us with thy words for brands;
The thirst that made thy dry throat shrink
To their moist mouths commends the drink.
The toothed thorns that bit thy brows
Lighten the weight of gold on theirs;
Thy nakedness enrobes thy spouse
With the soft sanguine stuff she wears
Whose old limbs use for ointment yet
Thine agony and bloody sweat.
The blinding buffets on thine head
On their crowned heads confirm the crown;
Thy scourging dyes their raiment red,
And with thy bands they fasten down
For burial in the blood-bought field
The nations by thy stripes unhealed.
With iron for thy linen bands
And unclean cloths for winding-sheet
They bind the people's nail-pierced hands,
They hide the people's nail-pierced feet;
And what man or what angel known
Shall roll back the sepulchral stone?
But these have not the rich man's grave
To sleep in when their pain is done.
These were not fit for God to save.
As naked hell-fire is the sun
In their eyes living, and when dead
These have not where to lay their head.
They have no tomb to dig, and hide;
Earth is not theirs, that they should sleep.
On all these tombless crucified
No lovers' eyes have time to weep.
So still, for all man's tears and creeds,
The sacred body hangs and bleeds.
Through the left hand a nail is driven,
Faith, and another through the right,
Forged in the fires of hell and heaven,
Fear that puts out the eye of light:
And the feet soiled and scarred and pale
Are pierced with falsehood for a nail.
And priests against the mouth divine
Push their sponge full of poison yet
And bitter blood for myrrh and wine,
And on the same reed is it set
Wherewith before they buffeted
The people's disanointed head.
O sacred head, O desecrate,
O labour-wounded feet and hands,
O blood poured forth in pledge to fate
Of nameless lives in divers lands,
O slain and spent and sacrificed
People, the grey-grown speechless Christ!
Is there a gospel in the red
Old witness of thy wide-mouthed wounds?
From thy blind stricken tongueless head
What desolate evangel sounds
A hopeless note of hope deferred?
What word, if there be any word?
O son of man, beneath man's feet
Cast down, O common face of man
Whereon all blows and buffets meet,
O royal, O republican
Face of the people bruised and dumb
And longing till thy kingdom come!
The soldiers and the high priests part
Thy vesture: all thy days are priced,
And all the nights that eat thine heart.
And that one seamless coat of Christ,
The freedom of the natural soul,
They cast their lots for to keep whole.
No fragment of it save the name
They leave thee for a crown of scorns
Wherewith to mock thy naked shame
And forehead bitten through with thorns
And, marked with sanguine sweat and tears,
The stripes of eighteen hundred years
And we seek yet if God or man
Can loosen thee as Lazarus,
Bid thee rise up republican
And save thyself and all of us;
But no disciple's tongue can say
When thou shalt take our sins away.
And mouldering now and hoar with moss
Between us and the sunlight swings
The phantom of a Christless cross
Shadowing the sheltered heads of kings
And making with its moving shade
The souls of harmless men afraid.
It creaks and rocks to left and right
Consumed of rottenness and rust,
Worm-eaten of the worms of night,
Dead as their spirits who put trust,
Round its base muttering as they sit,
In the time-cankered name of it.
Thou, in the day that breaks thy prison,
People, though these men take thy name,
And hail and hymn thee rearisen,
Who made songs erewhile of thy shame,
Give thou not ear; for these are they
Whose good day was thine evil day.
Set not thine hand unto their cross.
Give not thy soul up sacrificed.
Change not the gold of faith for dross
Of Christian creeds that spit on Christ.
Let not thy tree of freedom be
Regrafted from that rotting tree.
This dead God here against my face
Hath help for no man; who hath seen
The good works of it, or such grace
As thy grace in it, Nazarene,
As that from thy live lips which ran
For man's sake, O thou son of man?
The tree of faith ingraffed by priests
Puts its foul foliage out above thee,
And round it feed man-eating beasts
Because of whom we dare not love thee;
Though hearts reach back and memories ache,
We cannot praise thee for their sake.
O hidden face of man, whereover
The years have woven a viewless veil,
If thou wast verily man's lover,
What did thy love or blood avail?
Thy blood the priests make poison of,
And in gold shekels coin thy love.
So when our souls look back to thee
They sicken, seeing against thy side,
Too foul to speak of or to see,
The leprous likeness of a bride,
Whose kissing lips through his lips grown
Leave their God rotten to the bone.
When we would see thee man, and know
What heart thou hadst toward men indeed,
Lo, thy blood-blackened altars; lo,
The lips of priests that pray and feed
While their own hell's worm curls and licks
The poison of the crucifix.
Thou bad'st let children come to thee;
What children now but curses come?
What manhood in that God can be
Who sees their worship, and is dumb?
No soul that lived, loved, wrought, and died,
Is this their carrion crucified.
Nay, if their God and thou be one,
If thou and this thing be the same,
Thou shouldst not look upon the sun;
The sun grows haggard at thy name.
Come down, be done with, cease, give o'er;
Hide thyself, strive not, be no more.
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Written by
Francesco Petrarch |
SONNET XVII. Nè mai pietosa madre al caro figlio. HER COUNSEL ALONE AFFORDS HIM RELIEF. Ne'er did fond mother to her darling son,Or zealous spouse to her belovèd mate,Sage counsel give, in perilous estate,With such kind caution, in such tender tone,As gives that fair one, who, oft looking downOn my hard exile from her heavenly seat,With wonted kindness bends upon my fateHer brow, as friend or parent would have done:Now chaste affection prompts her speech, now fear,Instructive speech, that points what several waysTo seek or shun, while journeying here below;Then all the ills of life she counts, and praysMy soul ere long may quit this terrene sphere:And by her words alone I'm soothed and freed from woe. Nott. Ne'er to the son, in whom her age is blest,The anxious mother—nor to her loved lordThe wedded dame, impending ill to ward,With careful sighs so faithful counsel press'd,As she, who, from her high eternal rest,Bending—as though my exile she deplored—With all her wonted tenderness restored,And softer pity on her brow impress'd!Now with a mother's fears, and now as oneWho loves with chaste affection, in her speechShe points what to pursue and what to shun!Our years retracing of long, various grief,Wooing my soul at higher good to reach,And while she speaks, my bosom finds relief! Dacre.
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Written by
Emily Dickinson |
The Road was lit with Moon and star --
The Trees were bright and still --
Descried I -- by the distant Light
A Traveller on a Hill --
To magic Perpendiculars
Ascending, though Terrene --
Unknown his shimmering ultimate --
But he indorsed the sheen --
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Written by
Francesco Petrarch |
SONNET LXXXV. Avventuroso più d' altro terreno. HE APOSTROPHIZES THE SPOT WHERE LAURA FIRST SALUTED HIM. Ah, happiest spot of earth! in this sweet placeLove first beheld my condescending fairRetard her steps, to smile with courteous graceOn me, and smiling glad the ambient air.The deep-cut image, wrought with skilful care,Time shall from hardest adamant efface,Ere from my mind that smile it shall erase,Dear to my soul! which memory planted there.Oft as I view thee, heart-enchanting soil!With amorous awe I'll seek—delightful toil!Where yet some traces of her footsteps lie.And if fond Love still warms her generous breast,Whene'er you see her, gentle friend! requestThe tender tribute of a tear—a sigh. Anon. 1777. Most fortunate and fair of spots terrene!Where Love I saw her forward footstep stay,And turn on me her bright eyes' heavenly ray,Which round them make the atmosphere serene.[Pg 103]A solid form of adamant, I ween,Would sooner shrink in lapse of time away,Than from my mind that sweet salute decay,Dear to my heart, in memory ever green.And oft as I return to view this spot,In its fair scenes I'll fondly stoop to seekWhere yet the traces of her light foot lie.But if in valorous heart Love sleepeth not,Whene'er you meet her, friend, for me bespeakSome passing tears, perchance one pitying sigh. Macgregor.
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Written by
Francesco Petrarch |
SONNET CXL. Mirando 'l sol de' begli occhi sereno. THE SWEETS AND BITTERS OF LOVE. Marking of those bright eyes the sun sereneWhere reigneth Love, who mine obscures and grieves,My hopeless heart the weary spirit leavesOnce more to gain its paradise terrene;Then, finding full of bitter-sweet the scene,And in the world how vast the web it weaves.A secret sigh for baffled love it heaves,Whose spurs so sharp, whose curb so hard have been.By these two contrary and mix'd extremes,With frozen or with fiery wishes fraught,To stand 'tween misery and bliss she seems:Seldom in glad and oft in gloomy thought,But mostly contrite for its bold emprize,For of like seed like fruit must ever rise! Macgregor.
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