Written by
Ralph Waldo Emerson |
Higher far,
Upward, into the pure realm,
Over sun or star,
Over the flickering Dæmon film,
Thou must mount for love,—
Into vision which all form
In one only form dissolves;
In a region where the wheel,
On which all beings ride,
Visibly revolves;
Where the starred eternal worm
Girds the world with bound and term;
Where unlike things are like,
When good and ill,
And joy and moan,
Melt into one.
There Past, Present, Future, shoot
Triple blossoms from one root
Substances at base divided
In their summits are united,
There the holy Essence rolls,
One through separated souls,
And the sunny &Aelig;on sleeps
Folding nature in its deeps,
And every fair and every good
Known in part or known impure
To men below,
In their archetypes endure.
The race of gods,
Or those we erring own,
Are shadows flitting up and down
In the still abodes.
The circles of that sea are laws,
Which publish and which hide the Cause.
Pray for a beam
Out of that sphere
Thee to guide and to redeem.
O what a load
Of care and toil
By lying Use bestowed,
From his shoulders falls, who sees
The true astronomy,
The period of peace!
Counsel which the ages kept,
Shall the well-born soul accept.
As the overhanging trees
Fill the lake with images,
As garment draws the garment's hem
Men their fortunes bring with them;
By right or wrong,
Lands and goods go to the strong;
Property will brutely draw
Still to the proprietor,
Silver to silver creep and wind,
And kind to kind,
Nor less the eternal poles
Of tendency distribute souls.
There need no vows to bind
Whom not each other seek but find.
They give and take no pledge or oath,
Nature is the bond of both.
No prayer persuades, no flattery fawns,
Their noble meanings are their pawns.
Plain and cold is their address,
Power have they for tenderness,
And so thoroughly is known
Each others' purpose by his own,
They can parley without meeting,
Need is none of forms of greeting,
They can well communicate
In their innermost estate;
When each the other shall avoid,
Shall each by each be most enjoyed.
Not with scarfs or perfumed gloves
Do these celebrate their loves,
Not by jewels, feasts, and savors,
Not by ribbons or by favors,
But by the sun-spark on the sea,
And the cloud-shadow on the lea,
The soothing lapse of morn to mirk,
And the cheerful round of work.
Their cords of love so public are,
They intertwine the farthest star.
The throbbing sea, the quaking earth,
Yield sympathy and signs of mirth;
Is none so high, so mean is none,
But feels and seals this union.
Even the tell Furies are appeased,
The good applaud, the lost are eased.
Love's hearts are faithful, but not fond,
Bound for the just, but not beyond;
Not glad, as the low-loving herd,
Of self in others still preferred,
But they have heartily designed
The benefit of broad mankind.
And they serve men austerely,
After their own genius, clearly,
Without a false humility;
For this is love's nobility,
Not to scatter bread and gold,
Goods and raiment bought and sold,
But to hold fast his simple sense,
And speak the speech of innocence,
And with hand, and body, and blood,
To make his bosom-counsel good:
For he that feeds men, serveth few,
He serves all, who dares be true.
|
Written by
Anne Sexton |
Father, this year's jinx rides us apart
where you followed our mother to her cold slumber;
a second shock boiling its stone to your heart,
leaving me here to shuffle and disencumber
you from the residence you could not afford:
a gold key, your half of a woolen mill,
twenty suits from Dunne's, an English Ford,
the love and legal verbiage of another will,
boxes of pictures of people I do not know.
I touch their cardboard faces.
They must go.
But the eyes, as thick as wood in this album,
hold me.
I stop here, where a small boy
waits in a ruffled dress for someone to come.
.
.
for this soldier who holds his bugle like a toy
or for this velvet lady who cannot smile.
Is this your father's father, this Commodore
in a mailman suit? My father, time meanwhile
has made it unimportant who you are looking for.
I'll never know what these faces are all about.
I lock them into their book and throw them out.
Tlis is the yellow scrapbook that you began
the year I was born; as crackling now and wrinkly
as tobacco leaves: clippings where Hoover outran
the Democrats, wiggling his dry finger at me
and Prohibition; news where the Hindenburg went
down and recent years where you went flush
on war.
This year, solvent but sick, you meant
to marry that pretty widow in a one-month rush.
But before you had that second chance, I cried
on your fat shoulder.
Three days later you died.
These are the snapshots of marriage, stopped in places.
Side by side at the rail toward Nassau now;
here, with the winner's cup at the speedboat races,
here, in tails at the Cotillion, you take a bow,
here, by our kennel of dogs with their pink eyes,
running like show-bred pigs in their chain-link pen;
here, at the horseshow where my sister wins a prize;
Now I fold you down, my drunkard, my navigator,
my first lost keeper, to love or look at later.
I hold a five-year diary that my mother kept
for three years, telling all she does not say
of your alcoholic tendency.
You overslept,
she writes.
My God, father, each Christmas Day
with your blood, will I drink down your glass
of wine? The diary of your hurly-burly years
goes to my shelf to wait for my age to pass.
Only in this hoarded span will love persevere.
Whether you are pretty or not, I outlive you,
bend down my strange face to yours and forgive you.
|
Written by
William Topaz McGonagall |
Good people of high and low degree,
I pray ye all be advised by me,
And don't believe what the clergy doth say,
That by going to the theatre you will be led astray.
No, in the theatre we see vice punished and virtue rewarded,
The villain either hanged or shot, and his career retarded;
Therefore the theatre is useful in every way,
And has no inducement to lead the people astray.
Because therein we see the end of the bad men,
Which must appall the audience - deny it who can
Which will help to retard them from going astray,
While witnessing in a theatre a moral play.
The theatre ought to be encouraged in every respect,
Because example is better than precept,
And is bound to have a greater effect
On the minds of theatre-goers in every respect.
Sometimes in theatres, guilty creatures there have been
Struck to the soul by the cunning of the scene;
By witnessing a play wherein murder is enacted,
They were proven to be murderers, they felt so distracted,
And left the theatre, they felt so much fear,
Such has been the case, so says Shakespeare.
And such is my opinion, I will venture to say,
That murderers will quake with fear on seeing murder in a play.
Hamlet discovered his father's murderer by a play
That he composed for the purpose, without dismay,
And the king, his uncle, couldn't endure to see that play,
And he withdrew from the scene without delay.
And by that play the murder was found out,
And clearly proven, without any doubt;
Therefore, stage representation has a greater effect
On the minds of the people than religious precept.
We see in Shakespeare's tragedy of Othello, which is sublime,
Cassio losing his lieutenancy through drinking wine;
And, in delirium and grief, he exclaims -
"Oh, that men should put an enemy in their mouths to steal away their brains!"
A young man in London went to the theatre one night
To see the play of George Barnwell, and he got a great fright;
He saw George Barnwell murder his uncle in the play,
And he had resolved to murder his uncle, but was stricken with dismay.
But when he saw George Barnwell was to be hung
The dread of murdering his uncle tenaciously to him clung,
That he couldn't murder and rob his uncle dear,
Because the play he saw enacted filled his heart with fear.
And, in conclusion, I will say without dismay,
Visit the theatre without delay,
Because the theatre is a school of morality,
And hasn't the least tendency to lead to prodigality.
|
Written by
William Topaz McGonagall |
Fellow men! why should the lords try to despise
And prohibit women from having the benefit of the parliamentary Franchise?
When they pay the same taxes as you and me,
I consider they ought to have the same liberty.
And I consider if they are not allowed the same liberty,
From taxation every one of them should be set free;
And if they are not, it is really very unfair,
And an act of injustice I most solemnly declare.
Women, farmers, have no protection as the law now stands;
And many of them have lost their property and lands,
And have been turned out of their beautiful farms
By the unjust laws of the land and the sheriffs' alarms.
And in my opinion, such treatment is very cruel;
And fair play, 'tis said, is a precious jewel;
But such treatment causes women to fret and to dote,
Because they are deprived of the parliamentary Franchise vote.
In my opinion, what a man pays for he certainly should get;
And if he does not, he will certainly fret;
And why wouldn't women do the very same?
Therefore, to demand the parliamentary Franchise they are not to blame.
Therefore let them gather, and demand the parliamentary Franchise;
And I'm sure no reasonable man will their actions despise,
For trying to obtain the privileges most unjustly withheld from them;
Which Mr.
Gladstone will certainly encourage and never condemn.
And as for the working women, many are driven to the point of starvation,
All through the tendency of the legislation;
Besides, upon members of parliament they have no claim
As a deputation, which is a very great shame.
Yes, the Home Secretary of the present day,
Against working women's deputations, has always said- nay;
Because they haven't got the parliamentary Franchise-,
That is the reason why he does them despise.
And that, in my opinion, is really very unjust;
But the time is not far distant, I most earnestly trust,
When women will have a parliamentary vote,
And many of them, I hope, will wear a better petticoat.
And I hope that God will aid them in this enterprise,
And enable them to obtain the parliamentary Franchise;
And rally together, and make a bold stand,
And demand the parliamentary Franchise throughout Scotland.
And do not rest day nor night-
Because your demands are only right
In the eyes of reasonable men, and God's eyesight;
And Heaven, I'm sure, will defend the right.
Therefore go on brave women! and never fear,
Although your case may seem dark and drear,
And put your trust in God, for He is strong;
And ye will gain the parliamentary Franchise before very long.
|
Written by
Edward Field |
It sometimes happens
that the woman you meet and fall in love with
is of that strange Transylvanian people
with an affinity for cats.
You take her to a restuarant, say, or a show,
on an ordinary date, being attracted
by the glitter in her slitty eyes and her catlike walk,
and afterwards of course you take her in your arms
and she turns into a black panther
and bites you to death.
Or perhaps you are saved in the nick of time
and she is tormented by the knowledge of her tendency:
That she daren't hug a man
unless she wants to risk clawing him up.
This puts you both in a difficult position--
panting lovers who are prevented from touching
not by bars but by circumstance:
You have terrible fights and say cruel things
for having the hots does not give you a sweet temper.
One night you are walking down a dark street
And hear the pad-pad of a panther following you,
but when you turn around there are only shadows,
or perhaps one shadow too many.
You approach, calling, "Who's there?"
and it leaps on you.
Luckily you have brought along your sword
and you stab it to death.
And before your eyes it turns into the woman you love,
her breast impaled on your sword,
her mouth dribbling blood saying she loved you
but couldn't help her tendency.
So death released her from the curse at last,
and you knew from the angelic smile on her dead face
that in spite of a life the devil owned,
love had won, and heaven pardoned her.
|
Written by
Ogden Nash |
Oh, "rorty" was a mid-Victorian word
Which meant "fine, splendid, jolly,"
And often to me it has reoccurred
In moments melancholy.
For instance, children, I think it rorty
To be with people over forty.
I can't say which, come eventide,
More tedious I find;
Competing with the juvenile stride,
Or meeting the juvenile mind.
So I think it rorty, yes, and nifty,
To be with people over fifty.
The pidgin talk the youthful use
Bypasses conversation.
I can't believe the code they choose
Is a means of communication.
Oh to be with people over sixty
Despite their tendency to prolixty!
The hours a working parent keeps
Mean less than Latin to them,
Wherefore they disappear in jeeps
Till three and four A.
M.
Oh, to be with people you pour a cup for
Instead of people you have to wait up for!
I've tried to read young mumbling lips
Till I've developed a slant-eye,
And my hearing fails at the constant wails
Of, If I can't, why can't I?
Oh, to be beside a septuagenarian,
Silent upon a peak in Darien!
They don't know Hagen from Bobby Jones,
They never heard of Al Smith,
Even Red Grange is beyond their range,
And Dempsey is a myth.
Oh golly, to gabble upon the shoulder
Of someone my own age, or even older!
I'm tired of defining hadn't oughts.
To opposition mulish,
The thoughts of youth are long long thoughts,
And Jingo! Aren't they foolish!
All which is why, in case you've wondered
I'd like a companion aged one hundred.
|
Written by
Amy Clampitt |
Nothing's certain.
Crossing, on this longest day,
the low-tide-uncovered isthmus, scrambling up
the scree-slope of what at high tide
will be again an island,
to where, a decade since well-being staked
the slender, unpremeditated claim that brings us
back, year after year, lugging the
makings of another picnic—
the cucumber sandwiches, the sea-air-sanctified
fig newtons—there's no knowing what the slamming
seas, the gales of yet another winter
may have done.
Still there,
the gust-beleaguered single spruce tree,
the ant-thronged, root-snelled moss, grass
and clover tuffet underneath it,
edges frazzled raw
but, like our own prolonged attachment, holding.
Whatever moral lesson might commend itself,
there's no use drawing one,
there's nothing here
to seize on as exemplifying any so-called virtue
(holding on despite adversity, perhaps) or
any no-more-than-human tendency—
stubborn adherence, say,
to a wholly wrongheaded tenet.
Though to
hold on in any case means taking less and less
for granted, some few things seem nearly
certain, as that the longest day
will come again, will seem to hold its breath,
the months-long exhalation of diminishment
again begin.
Last night you woke me
for a look at Jupiter,
that vast cinder wheeled unblinking
in a bath of galaxies.
Watching, we traveled
toward an apprehension all but impossible
to be held onto—
that no point is fixed, that there's no foothold
but roams untethered save by such snells,
such sailor's knots, such stays
and guy wires as are
mainly of our own devising.
From such an
empyrean, aloof seraphic mentors urge us
to look down on all attachment,
on any bonding, as
in the end untenable.
Base as it is, from
year to year the earth's sore surface
mends and rebinds itself, however
and as best it can, with
thread of cinquefoil, tendril of the magenta
beach pea, trammel of bramble; with easings,
mulchings, fragrances, the gray-green
bayberry's cool poultice—
and what can't finally be mended, the salt air
proceeds to buff and rarefy: the lopped carnage
of the seaward spruce clump weathers
lustrous, to wood-silver.
Little is certain, other than the tide that
circumscribes us that still sets its term
to every picnic—today we stayed too long
again, and got our feet wet—
and all attachment may prove at best, perhaps,
a broken, a much-mended thing.
Watching
the longest day take cover under
a monk's-cowl overcast,
with thunder, rain and wind, then waiting,
we drop everything to listen as a
hermit thrush distills its fragmentary,
hesitant, in the end
unbroken music.
From what source (beyond us, or
the wells within?) such links perceived arrive—
diminished sequences so uninsistingly
not even human—there's
hardly a vocabulary left to wonder, uncertain
as we are of so much in this existence, this
botched, cumbersome, much-mended,
not unsatisfactory thing.
|
Written by
Emily Dickinson |
A Rat surrendered here
A brief career of Cheer
And Fraud and Fear.
Of Ignominy's due
Let all addicted to
Beware.
The most obliging Trap
Its tendency to snap
Cannot resist --
Temptation is the Friend
Repugnantly resigned
At last.
|
Written by
Rg Gregory |
when you step out of the wood and go first time to school
you have to be so specially careful if you're really a dragon
to put the most innocent expression on your face you can find
and not flip your flappers (unless the others don't mind)
you must be very strict with yourself - be sure not to act the fool
you'd be far happier i think to get your mother to tie a tag on
saying - this dragon is sweet no matter how fierce she seems
and letting everyone know you were born in a wood (well at least
a sylv-i-an creature) and not used to clatterings and bangings
that can set a dragon's scales on edge with their thwangings
schools never are you know the paradise of your dreams
they have a tendency in everyone to bring out the beast
or maybe when you get there you should do a dragon-dance
and get everyone hopping around the place breathing fire
or burn up a prince or two - to show how that game is played
taking their minds off the fact you have a back like a saw-blade
and a tail so fierce it would keep the bravest child at a distance
but whatever else you do dear dragon definitely do not perspire
a perspiring dragon will have the whole school holding its noses
dainty dragons do not sweat - the first lesson to be deeply learned
in any dragon's book of school-etiquette - a proper dragon-daughter
must always carry with her a large supply of odour-cologne-water
(for use ten times a day) to keep her sweeter than a bunch of roses -
so advised (o young sylv-i-an dragon) you will never be spurned
|
Written by
Ella Wheeler Wilcox |
Bohemia, o'er thy unatlassed borders
How many cross, with half-reluctant feet,
And unformed fears of dangers and disorders,
To find delights, more wholesome and more sweet
Than ever yet were known to the "elite.
"
Herein can dwell no pretence and no seeming;
No stilted pride thrives in this atmosphere,
Which stimulates a tendency to dreaming.
The shores of the ideal world, from here,
Seem sometimes to be tangible and near.
We have no use for formal codes of fashion;
No "Etiquette f Courts" we emulate;
We know it needs sincerity and passion
To carry out the plans of God, or fate;
We do not strive to seem inanimate.
We call no time lost that we give to pleasure;
Life's hurrying river speeds to Death's great sea;
We cast out no vain plummet-line to measure
Imagined depths of that unknown To-Be,
But grasp the Now, and fill it full of glee.
All creeds have room here, and we all together
Devoutly worship at Art's sacred shrine;
But he who dwells once in thy golden weather,
Bohemia--sweet, lovely land of mine--
Can find no joy outside thy border-line.
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