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Best Famous Tempt Poems

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Written by Edgar Allan Poe | Create an image from this poem

The City In the Sea

Lo! Death has reared himself a throne
In a strange city lying alone
Far down within the dim West 
Where the good and the bad and the worst and the best
Have gone to their eternal rest.
There shrines and palaces and towers (Time-eaten towers that tremble not!) Resemble nothing that is ours.
Around by lifting winds forgot Resignedly beneath the sky The melancholy waters lie.
No rays from the holy heaven come down On the long night-time of that town; But light from out the lurid sea Streams up the turrets silently- Gleams up the pinnacles far and free- Up domes- up spires- up kingly halls- Up fanes- up Babylon-like walls- Up shadowy long-forgotten bowers Of sculptured ivy and stone flowers- Up many and many a marvellous shrine Whose wreathed friezes intertwine The viol the violet and the vine.
Resignedly beneath the sky The melancholy waters lie.
So blend the turrets and shadows there That all seem pendulous in air While from a proud tower in the town Death looks gigantically down.
There open fanes and gaping graves Yawn level with the luminous waves; But not the riches there that lie In each idol's diamond eye- Not the gaily-jewelled dead Tempt the waters from their bed; For no ripples curl alas! Along that wilderness of glass- No swellings tell that winds may be Upon some far-off happier sea- No heavings hint that winds have been On seas less hideously serene.
But lo a stir is in the air! The wave- there is a movement there! As if the towers had thrust aside In slightly sinking the dull tide- As if their tops had feebly given A void within the filmy Heaven.
The waves have now a redder glow- The hours are breathing faint and low- And when amid no earthly moans Down down that town shall settle hence Hell rising from a thousand thrones Shall do it reverence.


Written by Percy Bysshe Shelley | Create an image from this poem

To a Lady with a Guitar

ARIEL to Miranda:¡ªTake 
This slave of music for the sake 
Of him who is the slave of thee; 
And teach it all the harmony 
In which thou canst and only thou 5 
Make the delighted spirit glow  
Till joy denies itself again 
And too intense is turn'd to pain.
For by permission and command 
Of thine own Prince Ferdinand 10 
Poor Ariel sends this silent token 
Of more than ever can be spoken; 
Your guardian spirit Ariel who 
From life to life must still pursue 
Your happiness for thus alone 15 
Can Ariel ever find his own. 
From Prospero's enchanted cell  
As the mighty verses tell  
To the throne of Naples he 
Lit you o'er the trackless sea 20 
Flitting on your prow before  
Like a living meteor. 
When you die the silent Moon 
In her interlunar swoon 
Is not sadder in her cell 25 
Than deserted Ariel:¡ª 
When you live again on earth  
Like an unseen Star of birth 
Ariel guides you o'er the sea 
Of life from your nativity:¡ª 30 
Many changes have been run 
Since Ferdinand and you begun 
Your course of love and Ariel still 
Has track'd your steps and served your will. 
Now in humbler happier lot 35 
This is all remember'd not; 
And now alas the poor Sprite is 
Imprison'd for some fault of his 
In a body like a grave¡ª 
From you he only dares to crave 40 
For his service and his sorrow 
A smile to-day a song to-morrow. 

The artist who this viol wrought 
To echo all harmonious thought  
Fell'd a tree while on the steep 45 
The woods were in their winter sleep  
Rock'd in that repose divine 
On the wind-swept Apennine; 
And dreaming some of autumn past  
And some of spring approaching fast 50 
And some of April buds and showers  
And some of songs in July bowers  
And all of love; and so this tree ¡ª 
Oh that such our death may be!¡ª 
Died in sleep and felt no pain 55 
To live in happier form again: 
From which beneath heaven's fairest star  
The artist wrought this loved guitar; 
And taught it justly to reply 
To all who question skilfully 60 
In language gentle as thine own; 
Whispering in enamour'd tone 
Sweet oracles of woods and dells  
And summer winds in sylvan cells. 
For it had learnt all harmonies 65 
Of the plains and of the skies  
Of the forests and the mountains  
And the many-voic¨¨d fountains; 
The clearest echoes of the hills  
The softest notes of falling rills 70 
The melodies of birds and bees  
The murmuring of summer seas  
And pattering rain and breathing dew  
And airs of evening; and it knew 
That seldom-heard mysterious sound 75 
Which driven on its diurnal round  
As it floats through boundless day  
Our world enkindles on its way:¡ª 
All this it knows but will not tell 
To those who cannot question well 80 
The spirit that inhabits it: 
It talks according to the wit 
Of its companions; and no more 
Is heard than has been felt before 
By those who tempt it to betray 85 
These secrets of an elder day. 
But sweetly as its answers will 
Flatter hands of perfect skill  
It keeps its highest holiest tone 
For one beloved Friend alone. 90 
Written by William Vaughn Moody | Create an image from this poem

An Ode in Time of Hesitation

 After seeing at Boston the statue of Robert Gould Shaw, killed while storming Fort Wagner, July 18, 1863, at the head of the first enlisted ***** regiment, the Fifty-fourth Massachusetts.
I Before the solemn bronze Saint Gaudens made To thrill the heedless passer's heart with awe, And set here in the city's talk and trade To the good memory of Robert Shaw, This bright March morn I stand, And hear the distant spring come up the land; Knowing that what I hear is not unheard Of this boy soldier and his ***** band, For all their gaze is fixed so stern ahead, For all the fatal rhythm of their tread.
The land they died to save from death and shame Trembles and waits, hearing the spring's great name, And by her pangs these resolute ghosts are stirred.
II Through street and mall the tides of people go Heedless; the trees upon the Common show No hint of green; but to my listening heart The still earth doth impart Assurance of her jubilant emprise, And it is clear to my long-searching eyes That love at last has might upon the skies.
The ice is runneled on the little pond; A telltale patter drips from off the trees; The air is touched with southland spiceries, As if but yesterday it tossed the frond Of pendant mosses where the live-oaks grow Beyond Virginia and the Carolines, Or had its will among the fruits and vines Of aromatic isles asleep beyond Florida and the Gulf of Mexico.
III Soon shall the Cape Ann children shout in glee, Spying the arbutus, spring's dear recluse; Hill lads at dawn shall hearken the wild goose Go honking northward over Tennessee; West from Oswego to Sault Sainte-Marie, And on to where the Pictured Rocks are hung, And yonder where, gigantic, wilful, young, Chicago sitteth at the northwest gates, With restless violent hands and casual tongue Moulding her mighty fates, The Lakes shall robe them in ethereal sheen; And like a larger sea, the vital green Of springing wheat shall vastly be outflung Over Dakota and the prairie states.
By desert people immemorial On Arizonan mesas shall be done Dim rites unto the thunder and the sun; Nor shall the primal gods lack sacrifice More splendid, when the white Sierras call Unto the Rockies straightway to arise And dance before the unveiled ark of the year, Sounding their windy cedars as for shawms, Unrolling rivers clear For flutter of broad phylacteries; While Shasta signals to Alaskan seas That watch old sluggish glaciers downward creep To fling their icebergs thundering from the steep, And Mariposa through the purple calms Gazes at far Hawaii crowned with palms Where East and West are met, -- A rich seal on the ocean's bosom set To say that East and West are twain, With different loss and gain: The Lord hath sundered them; let them be sundered yet.
IV Alas! what sounds are these that come Sullenly over the Pacific seas, -- Sounds of ignoble battle, striking dumb The season's half-awakened ecstasies? Must I be humble, then, Now when my heart hath need of pride? Wild love falls on me from these sculptured men; By loving much the land for which they died I would be justified.
My spirit was away on pinions wide To soothe in praise of her its passionate mood And ease it of its ache of gratitude.
Too sorely heavy is the debt they lay On me and the companions of my day.
I would remember now My country's goodliness, make sweet her name.
Alas! what shade art thou Of sorrow or of blame Liftest the lyric leafage from her brow, And pointest a slow finger at her shame? V Lies! lies! It cannot be! The wars we wage Are noble, and our battles still are won By justice for us, ere we lift the gage.
We have not sold our loftiest heritage.
The proud republic hath not stooped to cheat And scramble in the market-place of war; Her forehead weareth yet its solemn star.
Here is her witness: this, her perfect son, This delicate and proud New England soul Who leads despisèd men, with just-unshackled feet, Up the large ways where death and glory meet, To show all peoples that our shame is done, That once more we are clean and spirit-whole.
VI Crouched in the sea fog on the moaning sand All night he lay, speaking some simple word From hour to hour to the slow minds that heard, Holding each poor life gently in his hand And breathing on the base rejected clay Till each dark face shone mystical and grand Against the breaking day; And lo, the shard the potter cast away Was grown a fiery chalice crystal-fine Fulfilled of the divine Great wine of battle wrath by God's ring-finger stirred.
Then upward, where the shadowy bastion loomed Huge on the mountain in the wet sea light, Whence now, and now, infernal flowerage bloomed, Bloomed, burst, and scattered down its deadly seed, -- They swept, and died like freemen on the height, Like freemen, and like men of noble breed; And when the battle fell away at night By hasty and contemptuous hands were thrust Obscurely in a common grave with him The fair-haired keeper of their love and trust.
Now limb doth mingle with dissolvèd limb In nature's busy old democracy To flush the mountain laurel when she blows Sweet by the southern sea, And heart with crumbled heart climbs in the rose: -- The untaught hearts with the high heart that knew This mountain fortress for no earthly hold Of temporal quarrel, but the bastion old Of spiritual wrong, Built by an unjust nation sheer and strong, Expugnable but by a nation's rue And bowing down before that equal shrine By all men held divine, Whereof his band and he were the most holy sign.
VII O bitter, bitter shade! Wilt thou not put the scorn And instant tragic question from thine eye? Do thy dark brows yet crave That swift and angry stave -- Unmeet for this desirous morn -- That I have striven, striven to evade? Gazing on him, must I not deem they err Whose careless lips in street and shop aver As common tidings, deeds to make his cheek Flush from the bronze, and his dead throat to speak? Surely some elder singer would arise, Whose harp hath leave to threaten and to mourn Above this people when they go astray.
Is Whitman, the strong spirit, overworn? Has Whittier put his yearning wrath away? I will not and I dare not yet believe! Though furtively the sunlight seems to grieve, And the spring-laden breeze Out of the gladdening west is sinister With sounds of nameless battle overseas; Though when we turn and question in suspense If these things be indeed after these ways, And what things are to follow after these, Our fluent men of place and consequence Fumble and fill their mouths with hollow phrase, Or for the end-all of deep arguments Intone their dull commercial liturgies -- I dare not yet believe! My ears are shut! I will not hear the thin satiric praise And muffled laughter of our enemies, Bidding us never sheathe our valiant sword Till we have changed our birthright for a gourd Of wild pulse stolen from a barbarian's hut; Showing how wise it is to cast away The symbols of our spiritual sway, That so our hands with better ease May wield the driver's whip and grasp the jailer's keys.
VIII Was it for this our fathers kept the law? This crown shall crown their struggle and their ruth? Are we the eagle nation Milton saw Mewing its mighty youth, Soon to possess the mountain winds of truth, And be a swift familiar of the sun Where aye before God's face his trumpets run? Or have we but the talons and the maw, And for the abject likeness of our heart Shall some less lordly bird be set apart? -- Some gross-billed wader where the swamps are fat? Some gorger in the sun? Some prowler with the bat? IX Ah no! We have not fallen so.
We are our fathers' sons: let those who lead us know! 'T was only yesterday sick Cuba's cry Came up the tropic wind, "Now help us, for we die!" Then Alabama heard, And rising, pale, to Maine and Idaho Shouted a burning word.
Proud state with proud impassioned state conferred, And at the lifting of a hand sprang forth, East, west, and south, and north, Beautiful armies.
Oh, by the sweet blood and young Shed on the awful hill slope at San Juan, By the unforgotten names of eager boys Who might have tasted girls' love and been stung With the old mystic joys And starry griefs, now the spring nights come on, But that the heart of youth is generous, -- We charge you, ye who lead us, Breathe on their chivalry no hint of stain! Turn not their new-world victories to gain! One least leaf plucked for chaffer from the bays Of their dear praise, One jot of their pure conquest put to hire, The implacable republic will require; With clamor, in the glare and gaze of noon, Or subtly, coming as a thief at night, But surely, very surely, slow or soon That insult deep we deeply will requite.
Tempt not our weakness, our cupidity! For save we let the island men go free, Those baffled and dislaureled ghosts Will curse us from the lamentable coasts Where walk the frustrate dead.
The cup of trembling shall be drainèd quite, Eaten the sour bread of astonishment, With ashes of the hearth shall be made white Our hair, and wailing shall be in the tent; Then on your guiltier head Shall our intolerable self-disdain Wreak suddenly its anger and its pain; For manifest in that disastrous light We shall discern the right And do it, tardily.
-- O ye who lead, Take heed! Blindness we may forgive, but baseness we will smite.
Written by Mark Twain | Create an image from this poem

The Aged Pilot Man

 On the Erie Canal, it was,
All on a summer's day,
I sailed forth with my parents
Far away to Albany.
From out the clouds at noon that day There came a dreadful storm, That piled the billows high about, And filled us with alarm.
A man came rushing from a house, Saying, "Snub up your boat I pray, Snub up your boat, snub up, alas, Snub up while yet you may.
" Our captain cast one glance astern, Then forward glanced he, And said, "My wife and little ones I never more shall see.
" Said Dollinger the pilot man, In noble words, but few,-- "Fear not, but lean on Dollinger, And he will fetch you through.
" The boat drove on, the frightened mules Tore through the rain and wind, And bravely still, in danger's post, The whip-boy strode behind.
"Come 'board, come 'board," the captain cried, "Nor tempt so wild a storm;" But still the raging mules advanced, And still the boy strode on.
Then said the captain to us all, "Alas, 'tis plain to me, The greater danger is not there, But here upon the sea.
So let us strive, while life remains, To save all souls on board, And then if die at last we must, Let .
.
.
.
I cannot speak the word!" Said Dollinger the pilot man, Tow'ring above the crew, "Fear not, but trust in Dollinger, And he will fetch you through.
" "Low bridge! low bridge!" all heads went down, The laboring bark sped on; A mill we passed, we passed church, Hamlets, and fields of corn; And all the world came out to see, And chased along the shore Crying, "Alas, alas, the sheeted rain, The wind, the tempest's roar! Alas, the gallant ship and crew, Can nothing help them more?" And from our deck sad eyes looked out Across the stormy scene: The tossing wake of billows aft, The bending forests green, The chickens sheltered under carts In lee of barn the cows, The skurrying swine with straw in mouth, The wild spray from our bows! "She balances! She wavers! Now let her go about! If she misses stays and broaches to, We're all"--then with a shout,] "Huray! huray! Avast! belay! Take in more sail! Lord, what a gale! Ho, boy, haul taut on the hind mule's tail!" "Ho! lighten ship! ho! man the pump! Ho, hostler, heave the lead! "A quarter-three!--'tis shoaling fast! Three feet large!--t-h-r-e-e feet!-- Three feet scant!" I cried in fright "Oh, is there no retreat?" Said Dollinger, the pilot man, As on the vessel flew, "Fear not, but trust in Dollinger, And he will fetch you through.
" A panic struck the bravest hearts, The boldest cheek turned pale; For plain to all, this shoaling said A leak had burst the ditch's bed! And, straight as bolt from crossbow sped, Our ship swept on, with shoaling lead, Before the fearful gale! "Sever the tow-line! Cripple the mules!" Too late! There comes a shock! Another length, and the fated craft Would have swum in the saving lock! Then gathered together the shipwrecked crew And took one last embrace, While sorrowful tears from despairing eyes Ran down each hopeless face; And some did think of their little ones Whom they never more might see, And others of waiting wives at home, And mothers that grieved would be.
But of all the children of misery there On that poor sinking frame, But one spake words of hope and faith, And I worshipped as they came: Said Dollinger the pilot man,-- (O brave heart, strong and true!)-- "Fear not, but trust in Dollinger, For he will fetch you through.
" Lo! scarce the words have passed his lips The dauntless prophet say'th, When every soul about him seeth A wonder crown his faith! And count ye all, both great and small, As numbered with the dead: For mariner for forty year, On Erie, boy and man, I never yet saw such a storm, Or one't with it began!" So overboard a keg of nails And anvils three we threw, Likewise four bales of gunny-sacks, Two hundred pounds of glue, Two sacks of corn, four ditto wheat, A box of books, a cow, A violin, Lord Byron's works, A rip-saw and a sow.
A curve! a curve! the dangers grow! "Labbord!--stabbord!--s-t-e-a-d-y!--so!-- Hard-a-port, Dol!--hellum-a-lee! Haw the head mule!--the aft one gee! Luff!--bring her to the wind!" For straight a farmer brought a plank,-- (Mysteriously inspired)-- And laying it unto the ship, In silent awe retired.
Then every sufferer stood amazed That pilot man before; A moment stood.
Then wondering turned, And speechless walked ashore.
Written by Henry David Thoreau | Create an image from this poem

Inspiration

 Whate'er we leave to God, God does, 
And blesses us; 
The work we choose should be our own, 
God leaves alone.
If with light head erect I sing, Though all the Muses lend their force, From my poor love of anything, The verse is weak and shallow as its source.
But if with bended neck I grope Listening behind me for my wit, With faith superior to hope, More anxious to keep back than forward it; Making my soul accomplice there Unto the flame my heart hath lit, Then will the verse forever wear-- Time cannot bend the line which God hath writ.
Always the general show of things Floats in review before my mind, And such true love and reverence brings, That sometimes I forget that I am blind.
But now there comes unsought, unseen, Some clear divine electuary, And I, who had but sensual been, Grow sensible, and as God is, am wary.
I hearing get, who had but ears, And sight, who had but eyes before, I moments live, who lived but years, And truth discern, who knew but learning's lore.
I hear beyond the range of sound, I see beyond the range of sight, New earths and skies and seas around, And in my day the sun doth pale his light.
A clear and ancient harmony Pierces my soul through all its din, As through its utmost melody-- Farther behind than they, farther within.
More swift its bolt than lightning is, Its voice than thunder is more loud, It doth expand my privacies To all, and leave me single in the crowd.
It speaks with such authority, With so serene and lofty tone, That idle Time runs gadding by, And leaves me with Eternity alone.
Now chiefly is my natal hour, And only now my prime of life; Of manhood's strength it is the flower, 'Tis peace's end and war's beginning strife.
It comes in summer's broadest noon, By a grey wall or some chance place, Unseasoning Time, insulting June, And vexing day with its presuming face.
Such fragrance round my couch it makes, More rich than are Arabian drugs, That my soul scents its life and wakes The body up beneath its perfumed rugs.
Such is the Muse, the heavenly maid, The star that guides our mortal course, Which shows where life's true kernel's laid, Its wheat's fine flour, and its undying force.
She with one breath attunes the spheres, And also my poor human heart, With one impulse propels the years Around, and gives my throbbing pulse its start.
I will not doubt for evermore, Nor falter from a steadfast faith, For thought the system be turned o'er, God takes not back the word which once He saith.
I will not doubt the love untold Which not my worth nor want has bought, Which wooed me young, and woos me old, And to this evening hath me brought.
My memory I'll educate To know the one historic truth, Remembering to the latest date The only true and sole immortal youth.
Be but thy inspiration given, No matter through what danger sought, I'll fathom hell or climb to heaven, And yet esteem that cheap which love has bought.
___________________ Fame cannot tempt the bard Who's famous with his God, Nor laurel him reward Who has his Maker's nod.


Written by Ellis Parker Butler | Create an image from this poem

The Ballad Of A Bachelor

 Listen, ladies, while I sing
The ballad of John Henry King.
John Henry was a bachelor, His age was thirty-three or four.
Two maids for his affection vied, And each desired to be his bride, And bravely did they strive to bring Unto their feet John Henry King.
John Henry liked them both so well, To save his life he could not tell Which he most wished to be his bride, Nor was he able to decide.
Fair Kate was jolly, bright, and gay, And sunny as a summer day; Marie was kind, sedate, and sweet, With gentle ways and manners neat.
Each was so dear that John confessed He could not tell which he liked best.
He studied them for quite a year, And still found no solution near, And might have studied two years more Had he not, walking on the shore, Conceived a very simple way Of ending his prolonged delay-- A way in which he might decide Which of the maids should be his bride.
He said, "I'll toss into the air A dollar, and I'll toss it fair; If heads come up, I'll wed Marie; If tails, fair Kate my bride shall be.
" Then from his leather pocket-book A dollar bright and new he took; He kissed one side for fair Marie, The other side for Kate kissed he.
Then in a manner free and fair He tossed the dollar in the air.
"Ye fates," he cried, "pray let this be A lucky throw indeed for me!" The dollar rose, the dollar fell; He watched its whirling transit well, And off some twenty yards or more The dollar fell upon the shore.
John Henry ran to where it struck To see which maiden was in luck.
But, oh, the irony of fate! Upon its edge the coin stood straight! And there, embedded in the sand, John Henry let the dollar stand! And he will tempt his fate no more, But live and die a bachelor.
Thus, ladies, you have heard me sing The ballad of John Henry King.
Written by Allen Ginsberg | Create an image from this poem

Complaint of the Skeleton to Time

Take my love, it is not true,
So let it tempt no body new;
Take my lady, she will sigh
For my bed where'er I lie;
Take them, said the skeleton,

But leave my bones alone.
Take my raiment, now grown cold, To give to some poor poet old; Take the skin that hoods this truth If his age would wear my youth; Take them, said the skeleton, But leave my bones alone.
Take the thoughts that like the wind Blow my body out of mind; Take this heart to go with that And pass it on from rat to rat; Take them, said the skeleton, But leave my bones alone.
Take the art which I bemoan In a poem's crazy tone; Grind me down, though I may groan, To the starkest stick and stone; Take them, said the skeleton, But leave my bones alone.
Written by Johann Wolfgang von Goethe | Create an image from this poem

THE FISHERMAN

 THE waters rush'd, the waters rose,

A fisherman sat by,
While on his line in calm repose

He cast his patient eye.
And as he sat, and hearken'd there, The flood was cleft in twain, And, lo! a dripping mermaid fair Sprang from the troubled main.
She sang to him, and spake the while: "Why lurest thou my brood, With human wit and human guile From out their native flood? Oh, couldst thou know how gladly dart The fish across the sea, Thou wouldst descend, e'en as thou art, And truly happy be! "Do not the sun and moon with grace Their forms in ocean lave? Shines not with twofold charms their face, When rising from the wave? The deep, deep heavens, then lure thee not,-- The moist yet radiant blue,-- Not thine own form,--to tempt thy lot 'Midst this eternal dew?" The waters rush'd, the waters rose, Wetting his naked feet; As if his true love's words were those, His heart with longing beat.
She sang to him, to him spake she, His doom was fix'd, I ween; Half drew she him, and half sank he, And ne'er again was seen.
1779.
*
Written by Johann Wolfgang von Goethe | Create an image from this poem

THREE ODES TO MY FRIEND

 THESE are the most singular of all the Poems 
of Goethe, and to many will appear so wild and fantastic, as to 
leave anything but a pleasing impression.
Those at the beginning, addressed to his friend Behrisch, were written at the age of eighteen, and most of the remainder were composed while he was still quite young.
Despite, however, the extravagance of some of them, such as the Winter Journey over the Hartz Mountains, and the Wanderer's Storm-Song, nothing can be finer than the noble one entitled Mahomet's Song, and others, such as the Spirit Song' over the Waters, The God-like, and, above all, the magnificent sketch of Prometheus, which forms part of an unfinished piece bearing the same name, and called by Goethe a 'Dramatic Fragment.
' TO MY FRIEND.
[These three Odes are addressed to a certain Behrisch, who was tutor to Count Lindenau, and of whom Goethe gives an odd account at the end of the Seventh Book of his Autobiography.
] FIRST ODE.
TRANSPLANT the beauteous tree! Gardener, it gives me pain; A happier resting-place Its trunk deserved.
Yet the strength of its nature To Earth's exhausting avarice, To Air's destructive inroads, An antidote opposed.
See how it in springtime Coins its pale green leaves! Their orange-fragrance Poisons each flyblow straight.
The caterpillar's tooth Is blunted by them; With silv'ry hues they gleam In the bright sunshine, Its twigs the maiden Fain would twine in Her bridal-garland; Youths its fruit are seeking.
See, the autumn cometh! The caterpillar Sighs to the crafty spider,-- Sighs that the tree will not fade.
Hov'ring thither From out her yew-tree dwelling, The gaudy foe advances Against the kindly tree, And cannot hurt it, But the more artful one Defiles with nauseous venom Its silver leaves; And sees with triumph How the maiden shudders, The youth, how mourns he, On passing by.
Transplant the beauteous tree! Gardener, it gives me pain; Tree, thank the gardener Who moves thee hence! 1767.
SECOND ODE.
THOU go'st! I murmur-- Go! let me murmur.
Oh, worthy man, Fly from this land! Deadly marshes, Steaming mists of October Here interweave their currents, Blending for ever.
Noisome insects Here are engender'd; Fatal darkness Veils their malice.
The fiery-tongued serpent, Hard by the sedgy bank, Stretches his pamper'd body, Caress'd by the sun's bright beams.
Tempt no gentle night-rambles Under the moon's cold twilight! Loathsome toads hold their meetings Yonder at every crossway.
Injuring not, Fear will they cause thee.
Oh, worthy man, Fly from this land! 1767.
THIRD ODE.
BE void of feeling! A heart that soon is stirr'd, Is a possession sad Upon this changing earth.
Behrisch, let spring's sweet smile Never gladden thy brow! Then winter's gloomy tempests Never will shadow it o'er.
Lean thyself ne'er on a maiden's Sorrow-engendering breast.
Ne'er on the arm, Misery-fraught, of a friend.
Already envy From out his rocky ambush Upon thee turns The force of his lynx-like eyes, Stretches his talons, On thee falls, In thy shoulders Cunningly plants them.
Strong are his skinny arms, As panther-claws; He shaketh thee, And rends thy frame.
Death 'tis to part, 'Tis threefold death To part, not hoping Ever to meet again.
Thou wouldst rejoice to leave This hated land behind, Wert thou not chain'd to me With friendships flowery chains.
Burst them! I'll not repine.
No noble friend Would stay his fellow-captive, If means of flight appear.
The remembrance Of his dear friend's freedom Gives him freedom In his dungeon.
Thou go'st,--I'm left.
But e'en already The last year's winged spokes Whirl round the smoking axle.
I number the turns Of the thundering wheel; The last one I bless.
-- Each bar then is broken, I'm free then as thou! 1767.
Written by Robert Burns | Create an image from this poem

110. Epistle to a Young Friend

 May—, 1786.
I LANG hae thought, my youthfu’ friend, A something to have sent you, Tho’ it should serve nae ither end Than just a kind memento: But how the subject-theme may gang, Let time and chance determine; Perhaps it may turn out a sang: Perhaps turn out a sermon.
Ye’ll try the world soon, my lad; And, Andrew dear, believe me, Ye’ll find mankind an unco squad, And muckle they may grieve ye: For care and trouble set your thought, Ev’n when your end’s attained; And a’ your views may come to nought, Where ev’ry nerve is strained.
I’ll no say, men are villains a’; The real, harden’d wicked, Wha hae nae check but human law, Are to a few restricked; But, Och! mankind are unco weak, An’ little to be trusted; If self the wavering balance shake, It’s rarely right adjusted! Yet they wha fa’ in fortune’s strife, Their fate we shouldna censure; For still, th’ important end of life They equally may answer; A man may hae an honest heart, Tho’ poortith hourly stare him; A man may tak a neibor’s part, Yet hae nae cash to spare him.
Aye free, aff-han’, your story tell, When wi’ a bosom crony; But still keep something to yoursel’, Ye scarcely tell to ony: Conceal yoursel’ as weel’s ye can Frae critical dissection; But keek thro’ ev’ry other man, Wi’ sharpen’d, sly inspection.
The sacred lowe o’ weel-plac’d love, Luxuriantly indulge it; But never tempt th’ illicit rove, Tho’ naething should divulge it: I waive the quantum o’ the sin, The hazard of concealing; But, Och! it hardens a’ within, And petrifies the feeling! To catch dame Fortune’s golden smile, Assiduous wait upon her; And gather gear by ev’ry wile That’s justified by honour; Not for to hide it in a hedge, Nor for a train attendant; But for the glorious privilege Of being independent.
The fear o’ hell’s a hangman’s whip, To haud the wretch in order; But where ye feel your honour grip, Let that aye be your border; Its slightest touches, instant pause— Debar a’ side-pretences; And resolutely keep its laws, Uncaring consequences.
The great Creator to revere, Must sure become the creature; But still the preaching cant forbear, And ev’n the rigid feature: Yet ne’er with wits profane to range, Be complaisance extended; An atheist-laugh’s a poor exchange For Deity offended! When ranting round in pleasure’s ring, Religion may be blinded; Or if she gie a random sting, It may be little minded; But when on life we’re tempest driv’n— A conscience but a canker— A correspondence fix’d wi’ Heav’n, Is sure a noble anchor! Adieu, dear, amiable youth! Your heart can ne’er be wanting! May prudence, fortitude, and truth, Erect your brow undaunting! In ploughman phrase, “God send you speed,” Still daily to grow wiser; And may ye better reck the rede, Then ever did th’ adviser!

Book: Reflection on the Important Things