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Best Famous Tempered Poems

Here is a collection of the all-time best famous Tempered poems. This is a select list of the best famous Tempered poetry. Reading, writing, and enjoying famous Tempered poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of tempered poems.

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Written by Sarojini Naidu | Create an image from this poem

To My Children

 Jaya Surya

GOLDEN sun of victory, born 
In my life's unclouded morn, 
In my lambent sky of love, 
May your growing glory prove 
Sacred to your consecration, 
To my heart and to my nation.
Sun of victory, may you be Sun of song and liberty.
Padmaja Lotus-maiden, you who claim All the sweetness of your name, Lakshmi, fortune's queen, defend you, Lotus-born like you, and send you Balmy moons of love to bless you, Gentle joy-winds to caress you.
Lotus-maiden, may you be Fragrant of all ecstasy.
Ranadheera Little lord of battle, hail In your newly-tempered mail! Learn to conquer, learn to fight In the foremost flanks of right, Like Valmiki's heroes bold, Rubies girt in epic gold.
Lord of battle, may you be, Lord of love and chivalry.
Lilamani Limpid jewel of delight Severed from the tender night Of your sheltering mother-mine, Leap and sparkle, dance and shine, Blithely and securely set In love's magic coronet.
Living jewel, may you be Laughter-bound and sorrow-free.


Written by Victor Hugo | Create an image from this poem

TO SOME BIRDS FLOWN AWAY

 ("Enfants! Oh! revenez!") 
 
 {XXII, April, 1837} 


 Children, come back—come back, I say— 
 You whom my folly chased away 
 A moment since, from this my room, 
 With bristling wrath and words of doom! 
 What had you done, you bandits small, 
 With lips as red as roses all? 
 What crime?—what wild and hapless deed? 
 What porcelain vase by you was split 
 To thousand pieces? Did you need 
 For pastime, as you handled it, 
 Some Gothic missal to enrich 
 With your designs fantastical? 
 Or did your tearing fingers fall 
 On some old picture? Which, oh, which 
 Your dreadful fault? Not one of these; 
 Only when left yourselves to please 
 This morning but a moment here 
 'Mid papers tinted by my mind 
 You took some embryo verses near— 
 Half formed, but fully well designed 
 To open out. Your hearts desire 
 Was but to throw them on the fire, 
 Then watch the tinder, for the sight 
 Of shining sparks that twinkle bright 
 As little boats that sail at night, 
 Or like the window lights that spring 
 From out the dark at evening. 
 
 'Twas all, and you were well content. 
 Fine loss was this for anger's vent— 
 A strophe ill made midst your play, 
 Sweet sound that chased the words away 
 In stormy flight. An ode quite new, 
 With rhymes inflated—stanzas, too, 
 That panted, moving lazily, 
 And heavy Alexandrine lines 
 That seemed to jostle bodily, 
 Like children full of play designs 
 That spring at once from schoolroom's form. 
 Instead of all this angry storm, 
 Another might have thanked you well 
 For saving prey from that grim cell, 
 That hollowed den 'neath journals great, 
 Where editors who poets flout 
 With their demoniac laughter shout. 
 And I have scolded you! What fate 
 For charming dwarfs who never meant 
 To anger Hercules! And I 
 Have frightened you!—My chair I sent 
 Back to the wall, and then let fly 
 A shower of words the envious use— 
 "Get out," I said, with hard abuse, 
 "Leave me alone—alone I say." 
 Poor man alone! Ah, well-a-day, 
 What fine result—what triumph rare! 
 As one turns from the coffin'd dead 
 So left you me:—I could but stare 
 Upon the door through which you fled— 
 I proud and grave—but punished quite. 
 And what care you for this my plight!— 
 You have recovered liberty, 
 Fresh air and lovely scenery, 
 The spacious park and wished-for grass; 
lights 
 And gratefully to sing. 
 
 E'e 
 A blade to watch what comes to pass; 
 Blue sky, and all the spring can show; 
 Nature, serenely fair to see; 
 The book of birds and spirits free, 
 God's poem, worth much more than mine, 
 Where flowers for perfect stanzas shine— 
 Flowers that a child may pluck in play, 
 No harsh voice frightening it away. 
 And I'm alone—all pleasure o'er— 
 Alone with pedant called "Ennui," 
 For since the morning at my door 
 Ennui has waited patiently. 
 That docto-r-London born, you mark, 
 One Sunday in December dark, 
 Poor little ones—he loved you not, 
 And waited till the chance he got 
 To enter as you passed away, 
 And in the very corner where 
 You played with frolic laughter gay, 
 He sighs and yawns with weary air. 
 
 What can I do? Shall I read books, 
 Or write more verse—or turn fond looks 
 Upon enamels blue, sea-green, 
 And white—on insects rare as seen 
 Upon my Dresden china ware? 
 Or shall I touch the globe, and care 
 To make the heavens turn upon 
 Its axis? No, not one—not one 
 Of all these things care I to do; 
 All wearies me—I think of you. 
 In truth with you my sunshine fled, 
 And gayety with your light tread— 
 Glad noise that set me dreaming still. 
 'Twas my delight to watch your will, 
 And mark you point with finger-tips 
 To help your spelling out a word; 
 To see the pearls between your lips 
 When I your joyous laughter heard; 
 Your honest brows that looked so true, 
 And said "Oh, yes!" to each intent; 
 Your great bright eyes, that loved to view 
 With admiration innocent 
 My fine old Sèvres; the eager thought 
 That every kind of knowledge sought; 
 The elbow push with "Come and see!" 
 
 Oh, certes! spirits, sylphs, there be, 
 And fays the wind blows often here; 
 The gnomes that squat the ceiling near, 
 In corners made by old books dim; 
 The long-backed dwarfs, those goblins grim 
 That seem at home 'mong vases rare, 
 And chat to them with friendly air— 
 Oh, how the joyous demon throng 
 Must all have laughed with laughter long 
 To see you on my rough drafts fall, 
 My bald hexameters, and all 
 The mournful, miserable band, 
 And drag them with relentless hand 
 From out their box, with true delight 
 To set them each and all a-light, 
 And then with clapping hands to lean 
 Above the stove and watch the scene, 
 How to the mass deformed there came 
 A soul that showed itself in flame! 
 
 Bright tricksy children—oh, I pray 
 Come back and sing and dance away, 
 And chatter too—sometimes you may, 
 A giddy group, a big book seize— 
 Or sometimes, if it so you please, 
 With nimble step you'll run to me 
 And push the arm that holds the pen, 
 Till on my finished verse will be 
 A stroke that's like a steeple when 
 Seen suddenly upon a plain. 
 My soul longs for your breath again 
 To warm it. Oh, return—come here 
 With laugh and babble—and no fear 
 When with your shadow you obscure 
 The book I read, for I am sure, 
 Oh, madcaps terrible and dear, 
 That you were right and I was wrong. 
 But who has ne'er with scolding tongue 
 Blamed out of season. Pardon me! 
 You must forgive—for sad are we. 
 
 The young should not be hard and cold 
 And unforgiving to the old. 
 Children each morn your souls ope out 
 Like windows to the shining day, 
 Oh, miracle that comes about, 
 The miracle that children gay 
 Have happiness and goodness too, 
 Caressed by destiny are you, 
 Charming you are, if you but play. 
 But we with living overwrought, 
 And full of grave and sombre thought, 
 Are snappish oft: dear little men, 
 We have ill-tempered days, and then, 
 Are quite unjust and full of care; 
 It rained this morning and the air 
 Was chill; but clouds that dimm'd the sky 
 Have passed. Things spited me, and why? 
 But now my heart repents. Behold 
 What 'twas that made me cross, and scold! 
 All by-and-by you'll understand, 
 When brows are mark'd by Time's stern hand; 
 Then you will comprehend, be sure, 
 When older—that's to say, less pure. 
 
 The fault I freely own was mine. 
 But oh, for pardon now I pine! 
 Enough my punishment to meet, 
 You must forgive, I do entreat 
 With clasped hands praying—oh, come back, 
 Make peace, and you shall nothing lack. 
 See now my pencils—paper—here, 
 And pointless compasses, and dear 
 Old lacquer-work; and stoneware clear 
 Through glass protecting; all man's toys 
 So coveted by girls and boys. 
 Great China monsters—bodies much 
 Like cucumbers—you all shall touch. 
 I yield up all! my picture rare 
 Found beneath antique rubbish heap, 
 My great and tapestried oak chair 
 I will from you no longer keep. 
 You shall about my table climb, 
 And dance, or drag, without a cry 
 From me as if it were a crime. 
 Even I'll look on patiently 
 If you your jagged toys all throw 
 Upon my carved bench, till it show 
 The wood is torn; and freely too, 
 I'll leave in your own hands to view, 
 My pictured Bible—oft desired— 
 But which to touch your fear inspired— 
 With God in emperor's robes attired. 
 
 Then if to see my verses burn, 
 Should seem to you a pleasant turn, 
 Take them to freely tear away 
 Or burn. But, oh! not so I'd say, 
 If this were Méry's room to-day. 
 That noble poet! Happy town, 
 Marseilles the Greek, that him doth own! 
 Daughter of Homer, fair to see, 
 Of Virgil's son the mother she. 
 To you I'd say, Hold, children all, 
 Let but your eyes on his work fall; 
 These papers are the sacred nest 
 In which his crooning fancies rest; 
 To-morrow winged to Heaven they'll soar, 
 For new-born verse imprisoned still 
 In manuscript may suffer sore 
 At your small hands and childish will, 
 Without a thought of bad intent, 
 Of cruelty quite innocent. 
 You wound their feet, and bruise their wings, 
 And make them suffer those ill things 
 That children's play to young birds brings. 
 
 But mine! no matter what you do, 
 My poetry is all in you; 
 You are my inspiration bright 
 That gives my verse its purest light. 
 Children whose life is made of hope, 
 Whose joy, within its mystic scope, 
 Owes all to ignorance of ill, 
 You have not suffered, and you still 
 Know not what gloomy thoughts weigh down 
 The poet-writer weary grown. 
 What warmth is shed by your sweet smile! 
 How much he needs to gaze awhile 
 Upon your shining placid brow, 
 When his own brow its ache doth know; 
 With what delight he loves to hear 
 Your frolic play 'neath tree that's near, 
 Your joyous voices mixing well 
 With his own song's all-mournful swell! 
 Come back then, children! come to me, 
 If you wish not that I should be 
 As lonely now that you're afar 
 As fisherman of Etrétat, 
 Who listless on his elbow leans 
 Through all the weary winter scenes, 
 As tired of thought—as on Time flies— 
 And watching only rainy skies! 
 
 MRS. NEWTON CROSLAND. 


 




Written by Duncan Campbell Scott | Create an image from this poem

The Harvest

 Sun on the mountain,
Shade in the valley,
Ripple and lightness
Leaping along the world,
Sun, like a gold sword
Plucked from the scabbard,
Striking the wheat-fields,
Splendid and lusty,
Close-standing, full-headed,
Toppling with plenty;
Shade, like a buckler
Kindly and ample,
Sweeping the wheat-fields
Darkening and tossing;
There on the world-rim
Winds break and gather
Heaping the mist
For the pyre of the sunset;
And still as a shadow,
In the dim westward,
A cloud sloop of amethyst
Moored to the world
With cables of rain.
Acres of gold wheat Stir in the sunshine, Rounding the hill-top, Crested with plenty, Filling the valley, Brimmed with abundance, Wind in the wheat-field Eddying and settling, Swaying it, sweeping it, Lifting the rich heads, Tossing them soothingly Twinkle and shimmer The lights and the shadowings, Nimble as moonlight Astir in the mere.
Laden with odors Of peace and of plenty, Soft comes the wind From the ranks of the wheat-field, Bearing a promise Of harvest and sickle-time, Opulent threshing-floors Dusty and dim With the whirl of the flail, And wagons of bread, Sown-laden and lumbering Through the gateways of cities.
When will the reapers Strike in their sickles, Bending and grasping, Shearing and spreading; When will the gleaners Searching the stubble Take the last wheat-heads Home in their arms ? Ask not the question! - Something tremendous Moves to the answer.
Hunger and poverty Heaped like the ocean Welters and mutters, Hold back the sickles! Millions of children Born to their mothers' womb, Starved at the nipple, cry,-- Ours is the harvest! Millions of women Learned in the tragical Secrets of poverty, Sweated and beaten, cry,-- Hold back the sickles! Millions of men With a vestige of manhood, Wild-eyed and gaunt-throated, Shout with a leonine Accent of anger, Leaves us the wheat-fields! When will the reapers Strike in their sickles? Ask not the question; Something tremendous Moves to the answer.
Long have they sharpened Their fiery, impetuous Sickles of carnage, Welded them aeons Ago in the mountains Of suffering and anguish; Hearts were their hammers Blood was their fire, Sorrow their anvil, (Trusty the sickle Tempered with tears;) Time they had plenty- Harvests and harvests Passed them in agony, Only a half-filled Ear for their lot; Man that has taken God for a master Made him a law, Mocked him and cursed him, Set up this hunger, Called it necessity, Put in the blameless mouth Juda's language: The poor ye have with you Always, unending.
But up from the impotent Anguish of children, Up from the labor Fruitless, unmeaning, Of millions of mothers, Hugely necessitous, Grew by a just law Stern and implacable, Art born of poverty, The making of sickles Meet for the harvest.
And now to the wheat-fields Come the weird reapers Armed with their sickles, Whipping them keenly In the fresh-air fields, Wild with the joy of them, Finding them trusty, Hilted with teen.
Swarming like ants, The Idea for captain, No banners, no bugles, Only a terrible Ground-bass of gathering Tempest and fury, Only a tossing Of arms and of garments; Sexless and featureless, (Only the children Different among them, Crawling between their feet, Borne on their shoulders;) Rolling their shaggy heads Wild with the unheard-of Drug of the sunshine; Tears that had eaten The half of their eyelids Dry on their cheeks; Blood in their stiffened hair Clouted and darkened; Down in their cavern hearts Hunger the tiger, Leaping, exulting; Sighs that had choked them Burst into triumphing; On they come, Victory! Up to the wheat-fields, Dreamed of in visions Bred by the hunger, Seen for the first time Splendid and golden; On they come fluctuant, Seething and breaking, Weltering like fire In the pit of the earthquake, Bursting in heaps With the sudden intractable Lust of the hunger: Then when they see them- The miles of the harvest White in the sunshine, Rushing and stumbling, With the mighty and clamorous Cry of a people Starved from creation, Hurl themselves onward, Deep in the wheat-fields, Weeping like children, After ages and ages, Back at the mother the earth.
Night in the valley, Gloom on the mountain, Wind in the wheat, Far to the southward The flutter of lightning, The shudder of thunder; But high at the zenith, A cluster of stars Glimmers and throbs In the gasp of the midnight, Steady and absolute, Ancient and sure
Written by C S Lewis | Create an image from this poem

Cliche Came Out of its Cage

 1

You said 'The world is going back to Paganism'.
Oh bright Vision! I saw our dynasty in the bar of the House Spill from their tumblers a libation to the Erinyes, And Leavis with Lord Russell wreathed in flowers, heralded with flutes, Leading white bulls to the cathedral of the solemn Muses To pay where due the glory of their latest theorem.
Hestia's fire in every flat, rekindled, burned before The Lardergods.
Unmarried daughters with obedient hands Tended it By the hearth the white-armd venerable mother Domum servabat, lanam faciebat.
at the hour Of sacrifice their brothers came, silent, corrected, grave Before their elders; on their downy cheeks easily the blush Arose (it is the mark of freemen's children) as they trooped, Gleaming with oil, demurely home from the palaestra or the dance.
Walk carefully, do not wake the envy of the happy gods, Shun Hubris.
The middle of the road, the middle sort of men, Are best.
Aidos surpasses gold.
Reverence for the aged Is wholesome as seasonable rain, and for a man to die Defending the city in battle is a harmonious thing.
Thus with magistral hand the Puritan Sophrosune Cooled and schooled and tempered our uneasy motions; Heathendom came again, the circumspection and the holy fears .
.
.
You said it.
Did you mean it? Oh inordinate liar, stop.
2 Or did you mean another kind of heathenry? Think, then, that under heaven-roof the little disc of the earth, Fortified Midgard, lies encircled by the ravening Worm.
Over its icy bastions faces of giant and troll Look in, ready to invade it.
The Wolf, admittedly, is bound; But the bond wil1 break, the Beast run free.
The weary gods, Scarred with old wounds the one-eyed Odin, Tyr who has lost a hand, Will limp to their stations for the Last defence.
Make it your hope To be counted worthy on that day to stand beside them; For the end of man is to partake of their defeat and die His second, final death in good company.
The stupid, strong Unteachable monsters are certain to be victorious at last, And every man of decent blood is on the losing side.
Take as your model the tall women with yellow hair in plaits Who walked back into burning houses to die with men, Or him who as the death spear entered into his vitals Made critical comments on its workmanship and aim.
Are these the Pagans you spoke of? Know your betters and crouch, dogs; You that have Vichy water in your veins and worship the event Your goddess History (whom your fathers called the strumpet Fortune).
Written by Charles Webb | Create an image from this poem

Enthusiasm

  "Don't overdo it," Dad yelled, watching me
Play shortstop, collect stamps and shells,
Roll on the grass laughing until I peed my pants.
"Screw him," I said, and grabbed every cowry I could find, hogged all the books I could From Heights Library, wore out the baseball Diamond dawn to dusk, and—parents in Duluth— Gorged on bountiful Candy dusk to dawn.
Not until a Committee wrote of my poems, "Enthusiasm should be tempered," Did I change my song.
I write now The way I live: calm and sober, steering Toward the Golden Mean.
The Committee Was right to withhold funds.
I'd have bought A hundred box turtles with lemon-speckled shells, Flyfished for rainbows six months straight, Flown to the Great Barrier Reef and dived Non-stop among pink coral and marble cones, Living on chocolate malts, peaches, and barbecue.
I'd have turned into a ski bum, married Ten women in ten states, written nothing Poetry would glance at twice, instead Of rising at 5:00 as I do now, writing 'Til noon about matters serious and deep, Teaching 'til 6:00, eating a low-fat meal High in fiber and cruciferous vegetables, Then bed by 9:00, alarm clock set Five minutes late: my one indulgence of the day.


Written by John Milton | Create an image from this poem

Lycidas

 In this Monody the author bewails a learned Friend, unfortunately
drowned in his passage from Chester on the Irish Seas, 1637;
and, by occasion, foretells the ruin of our corrupted Clergy, 
then in their height.
YET once more, O ye laurels, and once more, Ye myrtles brown, with ivy never sere, I come to pluck your berries harsh and crude, And with forced fingers rude Shatter your leaves before the mellowing year.
Bitter constraint and sad occasion dear Compels me to disturb your season due; For Lycidas is dead, dead ere his prime, Young Lycidas, and hath not left his peer.
Who would not sing for Lycidas? he knew Himself to sing, and build the lofty rhyme.
He must not float upon his watery bier Unwept, and welter to the parching wind, Without the meed of some melodious tear.
Begin, then, Sisters of the sacred well That from beneath the seat of Jove doth spring; Begin, and somewhat loudly sweep the string.
Hence with denial vain and coy excuse: So may some gentle Muse With lucky words favour my destined urn, And as he passes turn, And bid fair peace be to my sable shroud! For we were nursed upon the self-same hill, Fed the same flock, by fountain, shade, and rill; Together both, ere the high lawns appeared Under the opening eyelids of the Morn, We drove a-field, and both together heard What time the grey-fly winds her sultry horn, Battening our flocks with the fresh dews of night, Oft till the star that rose at evening bright Toward heaven's descent had sloped his westering wheel.
Meanwhile the rural ditties were not mute; Tempered to the oaten flute, Rough Satyrs danced, and Fauns with cloven heel From the glad sound would not be absent long; And old Damoetas loved to hear our song.
But, oh! the heavy change, now thou art gone, Now thou art gone and never must return! Thee, Shepherd, thee the woods and desert caves, With wild thyme and the gadding vine o'ergrown, And all their echoes, mourn.
The willows, and the hazel copses green, Shall now no more be seen Fanning their joyous leaves to thy soft lays.
As killing as the canker to the rose, Or taint-worm to the weanling herds that graze, Or frost to flowers, that their gay wardrobe wear, When first the white-thorn blows; Such, Lycidas, thy loss to shepherd's ear.
Where were ye, Nymphs, when the remorseless deep Closed o'er the head of your loved Lycidas? For neither were ye playing on the steep Where your old bards, the famous Druids, lie, Nor on the shaggy top of Mona high, Nor yet where Deva spreads her wizard stream.
Ay me! I fondly dream RHad ye been there,S .
.
.
for what could that have done? What could the Muse herself that Orpheus bore, The Muse herself, for her enchanting son, Whom universal nature did lament, When, by the rout that made the hideous roar, His gory visage down the stream was sent, Down the swift Hebrus to the Lesbian shore? Alas! what boots it with uncessant care To tend the homely, slighted, shepherd's trade, And strictly meditate the thankless Muse? Were it not better done, as others use, To sport with Amaryllis in the shade, Or with the tangles of Neaera's hair? Fame is the spur that the clear spirit doth raise (That last infirmity of noble mind) To scorn delights and live laborious days; But, the fair guerdon when we hope to find, And think to burst out into sudden blaze, Comes the blind Fury with the abhorred shears, And slits the thin-spun life.
RBut not the praise," Phoebus replied, and touched my trembling ears: RFame is no plant that grows on mortal soil, Nor in the glistering foil Set off to the world, nor in broad rumour lies, But lives and spreads aloft by those pure eyes And perfect witness of all-judging Jove; As he pronounces lastly on each deed, Of so much fame in heaven expect thy meed.
" O fountain Arethuse, and thou honoured flood, Smooth-sliding Mincius, crowned with vocal reeds, That strain I heard was of a higher mood.
But now my oat proceeds, And listens to the Herald of the Sea, That came in Neptune's plea.
He asked the waves, and asked the felon winds, What hard mishap hath doomed this gentle swain? And questioned every gust of rugged wings That blows from off each beaked promontory.
They knew not of his story; And sage Hippotades their answer brings, That not a blast was from his dungeon strayed: The air was calm, and on the level brine Sleek Panope with all her sisters played.
It was that fatal and perfidious bark, Built in the eclipse, and rigged with curses dark, That sunk so low that sacred head of thine.
Next, Camus, reverend sire, went footing slow, His mantle hairy, and his bonnet sedge, Inwrought with figures dim, and on the edge Like to that sanguine flower inscribed with woe.
Ah! who hath reft," quoth he, Rmy dearest pledge?" Last came, and last did go, The Pilot of the Galilean Lake; Two massy keys he bore of metals twain.
(The golden opes, the iron shuts amain).
He shook his mitred locks, and stern bespake:-- RHow well could I have spared for thee, young swain, Enow of such as, for their bellies' sake, Creep, and intrude, and climb into the fold! Of other care they little reckoning make Than how to scramble at the shearers' feast, And shove away the worthy bidden guest.
Blind mouths! that scarce themselves know how to hold A sheep-hook, or have learnt aught else the least That to the faithful herdman's art belongs! What recks it them? What need they? They are sped: And, when they list, their lean and flashy songs Grate on their scrannel pipes of wretched straw; The hungry sheep look up, and are not fed, But, swoln with wind and the rank mist they draw, Rot inwardly, and foul contagion spread; Besides what the grim wolf with privy paw Daily devours apace, and nothing said.
But that two-handed engine at the door Stands ready to smite once, and smite no more.
" Return, Alpheus; the dread voice is past That shrunk thy streams; return Sicilian Muse, And call the vales, and bid them hither cast Their bells and flowerets of a thousand hues.
Ye valleys low, where the mild whispers use Of shades, and wanton winds, and gushing brooks, On whose fresh lap the swart star sparely looks, Throw hither all your quaint enamelled eyes, That on the green turf suck the honeyed showers, And purple all the ground with vernal flowers.
Bring the rathe primrose that forsaken dies, The tufted crow-toe, and pale jessamine, The white pink, and the pansy freaked with jet, The glowing violet, The musk-rose, and the well-attired woodbine, With cowslips wan that hang the pensive head, And every flower that sad embroidery wears; Bid amaranthus all his beauty shed, And daffadillies fill their cups with tears, To strew the laureate hearse where Lycid lies.
For so, to interpose a little ease, Let our frail thoughts dally with false surmise, Ay me! whilst thee the shores and sounding seas Wash far away, where'er thy bones are hurled; Whether beyond the stormy Hebrides, Where thou perhaps under the whelming tide Visit'st the bottom of the monstrous world; Or whether thou, to our moist vows denied, Sleep'st by the fable of Bellerus old, Where the great Vision of the guarded mount Looks toward Namancos and Bayona's hold.
Look homeward, Angel, now, and melt with ruth: And, O ye dolphins, waft the hapless youth.
Weep no more, woeful shepherds, weep no more, For Lycidas, your sorrow, is not dead, Sunk though he be beneath the watery floor.
So sinks the day-star in the ocean bed, And yet anon repairs his drooping head, And tricks his beams, and with new-spangled ore Flames in the forehead of the morning sky: So Lycidas sunk low, but mounted high, Through the dear might of Him that walked the waves, Where, other groves and other streams along, With nectar pure his oozy locks he laves, And hears the unexpressive nuptial song, In the blest kingdoms meek of joy and love.
There entertain him all the Saints above, In solemn troops, and sweet societies, That Sing, and singing in their glory move, And wipe the tears for ever from his eyes.
Now, Lycidas, the shepherds weep no more; Henceforth thou art the Genius of the shore, In thy large recompense, and shalt be good To all that wander in that perilous flood.
Thus sang the uncouth swain to the oaks and rills, While the still morn went out with sandals grey: He touched the tender stops of various quills, With eager thought warbling his Doric lay: And now the sun had stretched out all the hills, And now was dropt into the western bay.
At last he rose, and twitched his mantle blue: Tomorrow to fresh woods, and pastures new.
Written by Robinson Jeffers | Create an image from this poem

Promise Of Peace

 The heads of strong old age are beautiful
Beyond all grace of youth.
They have strange quiet, Integrity, health, soundness, to the full They've dealt with life and been tempered by it.
A young man must not sleep; his years are war, Civil and foreign but the former's worse; But the old can breathe in safety now that they are Forgetting what youth meant, the being perverse, Running the fool's gauntlet and being cut By the whips of the five senses.
As for me, If I should wish to live long it were but To trade those fevers for tranquillity, Thinking though that's entire and sweet in the grave How shall the dead taste the deep treasure they have?
Written by Lascelles Abercrombie | Create an image from this poem

From Vashti

 WHAT thing shall be held up to woman's beauty? 
Where are the bounds of it? Yea, what is all 
The world, but an awning scaffolded amid 
The waste perilous Eternity, to lodge 
This Heaven-wander'd princess, woman's beauty? 
The East and West kneel down to thee, the North 
And South; and all for thee their shoulders bear 
The load of fourfold space.
As yellow morn Runs on the slippery waves of the spread sea, Thy feet are on the griefs and joys of men That sheen to be thy causey.
Out of tears Indeed, and blitheness, murder and lust and love, Whatever has been passionate in clay, Thy flesh was tempered.
Behold in thy body The yearnings of all men measured and told, Insatiate endless agonies of desire Given thy flesh, the meaning of thy shape! What beauty is there, but thou makest it? How is earth good to look on, woods and fields, The season's garden, and the courageous hills, All this green raft of earth moored in the seas? The manner of the sun to ride the air, The stars God has imagined for the night? What's this behind them, that we cannot near, Secret still on the point of being blabbed, The ghost in the world that flies from being named? Where do they get their beauty from, all these? They do but glaze a lantern lit for man, And woman's beauty is the flame therein.
Written by Stephen Dunn | Create an image from this poem

Landscape At The End Of The Century

 The sky in the trees, the trees mixed up
with what's left of heaven, nearby a patch
of daffodils rooted down
where dirt and stones comprise a kind
of night, unmetaphysical, cool as a skeptic's
final sentence.
What this scene needs is a nude absentmindedly sunning herself on a large rock, thinks the man fed up with nature, or perhaps a lost tiger, the maximum amount of wildness a landscape can bear, but the man knows and fears his history of tampering with everything, and besides to anyone who might see him he's just a figure in a clearing in a forest in a universe that is as random as desire itself, his desire in particular, so much going on with and without him, moles humping up the ground near the daffodils, a mockingbird publishing its cacaphonous anthology, and those little Calvinists, the ants, making it all the more difficult for a person in America to close his office, skip to the beach.
But what this scene needs are wisteria and persimmons, thinks the woman sunning herself absentmindedly on the rock, a few magnificent words that one might want to eat if one were a lover of words, the hell with first principles, the noon sun on my body, tempered by a breeze that cannot be doubted.
And as she thinks, she who exists only in the man's mind, a deer grazes beyond their knowing, a deer tick riding its back, and in the gifted air mosquitos, dragonflies, and tattered mute angels no one has called upon in years.
Written by Edwin Markham | Create an image from this poem

LINCOLN THE MAN OF THE PEOPLE

 WHEN the Norn Mother saw the Whirlwind Hour 
Greatening and darkening as it hurried on, 
She left the Heaven of Heroes and came down 
To make a man to meet the mortal need.
She took the tried clay of the common road-- Clay warm yet with the genial heat of earth, Dashed through it all a strain of prophecy; Tempered the heap with thrill of human tears; Then mixed a laughter with the serious stuff.
Into the shape she breathed a flame to light That tender, tragic, ever-changing face.
Here was a man to hold against the world, A man to match the mountains and the sea.
The color of the ground was in him, the red earth; The smack and tang of elemental things: The rectitude and patience of the cliff; The good-will of the rain that loves all leaves; The friendly welcome of the wayside well; The courage of the bird that dares the sea; The gladness of the wind that shakes the corn; The pity of the snow that hides all scars; The secrecy of streams that make their way Beneath the mountain to the rifted rock; The tolerance and equity of light That gives as freely to the shrinking flower As to the great oak flaring to the wind-- To the grave's low hill as to the Matterhorn That shoulders out the sky.
Sprung from the West, The strength of virgin forests braced his mind, The hush of spacious prairies stilled his soul.
Up from log cabin to the Capitol, One fire was on his spirit, one resolve:-- To send the keen axe to the root of wrong, Clearing a free way for the feet of God.
And evermore he burned to do his deed With the fine stroke and gesture of a king: He built the rail-pile as he built the State, Pouring his splendid strength through every blow; The conscience of him testing every stroke, To make his deed the measure of a man.
So came the Captain with the mighty heart; And when the judgment thunders split the house, Wrenching the rafters from their ancient rest, He held the ridgepole up, and spiked again The rafters of the Home.
He held his place-- Held the long purpose like a growing tree-- Held on through blame and faltered not at praise.
And when he fell in whirlwind, he went down As when a lordly cedar, green with boughs, Goes down with a great shout upon the hills, And leaves a lonesome place against the sky.

Book: Shattered Sighs