Written by
Galway Kinnell |
The bud
stands for all things,
even those things that don't flower,
for everything flowers, from within, of self-blessing;
though sometimes it is necessary
to reteach a thing its loveliness,
to put a hand on its brow
of the flower
and retell it in words and in touch
it is lovely
until it flowers again from within, of self-blessing;
as St. Francis
put his hand on the creased forehead
of the sow, and told her in words and in touch
blessings of earth on the sow, and the sow
began remembering all down her thick length,
from the earthen snout all the way
through the fodder and slops to the spiritual curl of
the tail,
from the hard spininess spiked out from the spine
down through the great broken heart
to the blue milken dreaminess spurting and shuddering
from the fourteen teats into the fourteen mouths sucking
and blowing beneath them:
the long, perfect loveliness of sow.
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Written by
Sylvia Plath |
God knows how our neighbor managed to breed
His great sow:
Whatever his shrewd secret, he kept it hid
In the same way
He kept the sow--impounded from public stare,
Prize ribbon and pig show.
But one dusk our questions commended us to a tour
Through his lantern-lit
Maze of barns to the lintel of the sunk sty door
To gape at it:
This was no rose-and-larkspurred china suckling
With a penny slot
For thrift children, nor dolt pig ripe for heckling,
About to be
Glorified for prime flesh and golden crackling
In a parsley halo;
Nor even one of the common barnyard sows,
Mire-smirched, blowzy,
Maunching thistle and knotweed on her snout-
cruise--
Bloat tun of milk
On the move, hedged by a litter of feat-foot ninnies
Shrilling her hulk
To halt for a swig at the pink teats. No. This vast
Brobdingnag bulk
Of a sow lounged belly-bedded on that black
compost,
Fat-rutted eyes
Dream-filmed. What a vision of ancient hoghood
must
Thus wholly engross
The great grandam!--our marvel blazoned a knight,
Helmed, in cuirass,
Unhorsed and shredded in the grove of combat
By a grisly-bristled
Boar, fabulous enough to straddle that sow's heat.
But our farmer whistled,
Then, with a jocular fist thwacked the barrel nape,
And the green-copse-castled
Pig hove, letting legend like dried mud drop,
Slowly, grunt
On grunt, up in the flickering light to shape
A monument
Prodigious in gluttonies as that hog whose want
Made lean Lent
Of kitchen slops and, stomaching no constraint,
Proceeded to swill
The seven troughed seas and every earthquaking
continent.
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Written by
Countee Cullen |
All through an empty place I go,
And find her not in any room;
The candles and the lamps I light
Go down before a wind of gloom.
Thick-spraddled lies the dust about,
A fit, sad place to write her name
Or draw her face the way she looked
That legendary night she came.
The old house crumbles bit by bit;
Each day I hear the ominous thud
That says another rent is there
For winds to pierce and storms to flood.
My orchards groan and sag with fruit;
Where, Indian-wise, the bees go round;
I let it rot upon the bough;
I eat what falls upon the ground.
The heavy cows go laboring
In agony with clotted teats;
My hands are slack; my blood is cold;
I marvel that my heart still beats.
I have no will to weep or sing,
No least desire to pray or curse;
The loss of love is a terrible thing;
They lie who say that death is worse.
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Written by
Marge Piercy |
Girls buck the wind in the grooves toward work
in fuzzy coats promised to be warm as fur.
The shop windows snicker
flashing them hurrying over dresses they cannot afford:
you are not pretty enough, not pretty enough.
Blown with yesterday’s papers through the boiled coffee morning
we dream of the stop on the subway without a name,
the door in the heart of the grove of skyscrapers,
that garden where we nestle to the teats of a furry world,
lie in mounds of peony eating grapes,
and need barter ourselves for nothing.
not by the hour, not by the pound, not by the skinful,
that party to which no one will give or sell us the key
though we have all thought briefly we found it
drunk or in bed.
Black girls with thin legs and high necks stalking like herons,
plump girls with blue legs and green eyelids and
strawberry breasts,
swept off to be frozen in fluorescent cubes,
the vacuum of your jobs sucks your brains dry
and fills you with the ooze of melted comics.
Living is later. This is your rented death.
You grasp at hard commodities and vague lusts
to make up, to pay for each day
which opens like a can and is empty, and then another,
afternoons like dinosaur eggs stuffed with glue.
Girls of the dirty morning, ticketed and spent,
you will be less at forty than at twenty.
Your living is a waste product of somebody’s mill.
I would fix you like buds to a city where people work
to make and do things necessary and good,
where work is real as bread and babies and trees in parks
where we would all blossom slowly and ripen to sound fruit.
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Written by
Robert William Service |
While I am emulating Keats
My brother fabrics toilet seats,
The which, they say, are works of art,
Aesthetic features of the mart;
So exquisitely are they made
With plastic of a pastel shade,
Of topaz, ivory or rose,
Inviting to serene repose.
Rajahs I'm told have seats of gold,--
(They must, I fear, be very cold).
But Tom's have thermostatic heat,
With sympathy your grace to greet.
Like silver they are neon lit,
Making a halo as you sit:
Then lo! they play with dulset tone
A melody by Mendelssohn.
Oh were I lyrical as Yeats
I would not sing of toilet seats,
But rather serenade a star,--
Yet I must take things as they are.
For even kings must coyly own
Them as essential as a throne:
So as I tug the Muse's teats
I envy Tom his toilet seats.
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Written by
Galway Kinnell |
The bud
stands for all things,
even for those things that don't flower,
for everything flowers, from within, of self-blessing;
though sometimes it is necessary
to reteach a thing its loveliness,
to put a hand on its brow
of the flower
and retell it in words and in touch
it is lovely
until it flowers again from within, of self-blessing;
as Saint Francis
put his hand on the creased forehead
of the sow, and told her in words and in touch
blessings of earth on the sow, and the sow
began remembering all down her thick length,
from the earthen snout all the way
through the fodder and slops to the spiritual curl of the tail,
from the hard spininess spiked out from the spine
down through the great broken heart
to the blue milken dreaminess spurting and shuddering
from the fourteen teats into the fourteen mouths sucking and blowing beneath
them:
the long, perfect loveliness of sow.
|
Written by
Carl Sandburg |
KEEP a red heart of memories
Under the great gray rain sheds of the sky,
Under the open sun and the yellow gloaming embers.
Remember all paydays of lilacs and songbirds;
All starlights of cool memories on storm paths.
Out of this prairie rise the faces of dead men.
They speak to me. I can not tell you what they say.
Other faces rise on the prairie.
They are the unborn. The future.
Yesterday and to-morrow cross and mix on the skyline
The two are lost in a purple haze. One forgets. One waits.
In the yellow dust of sunsets, in the meadows of vermilion eight o’clock June nights … the dead men and the unborn children speak to me … I can not tell you what they say … you listen and you know.
I don’t care who you are, man:
I know a woman is looking for you
and her soul is a corn-tassel kissing a south-west wind.
(The farm-boy whose face is the color of brick-dust, is calling the cows; he will form the letter X with crossed streams of milk from the teats; he will beat a tattoo on the bottom of a tin pail with X’s of milk.)
I don’t care who you are, man:
I know sons and daughters looking for you
And they are gray dust working toward star paths
And you see them from a garret window when you laugh
At your luck and murmur, “I don’t care.”
I don’t care who you are, woman:
I know a man is looking for you
And his soul is a south-west wind kissing a corn-tassel.
(The kitchen girl on the farm is throwing oats to the chickens and the buff of their feathers says hello to the sunset’s late maroon.)
I don’t care who you are, woman:
I know sons and daughters looking for you
And they are next year’s wheat or the year after hidden in the dark and loam.
My love is a yellow hammer spinning circles in Ohio, Indiana. My love is a redbird shooting flights in straight lines in Kentucky and Tennessee. My love is an early robin flaming an ember of copper on her shoulders in March and April. My love is a graybird living in the eaves of a Michigan house all winter. Why is my love always a crying thing of wings?
On the Indiana dunes, in the Mississippi marshes, I have asked: Is it only a fishbone on the beach?
Is it only a dog’s jaw or a horse’s skull whitening in the sun? Is the red heart of man only ashes? Is the flame of it all a white light switched off and the power house wires cut?
Why do the prairie roses answer every summer? Why do the changing repeating rains come back out of the salt sea wind-blown? Why do the stars keep their tracks? Why do the cradles of the sky rock new babies?
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Written by
George Meredith |
WHEN by Zeus relenting the mandate was revoked,
Sentencing to exile the bright Sun-God,
Mindful were the ploughmen of who the steer had yoked,
Who: and what a track show'd the upturn'd sod!
Mindful were the shepherds, as now the noon severe
Bent a burning eyebrow to brown evetide,
How the rustic flute drew the silver to the sphere,
Sister of his own, till her rays fell wide.
God! of whom music
And song and blood are pure,
The day is never darken'd
That had thee here obscure.
Chirping none, the scarlet cicalas crouch'd in ranks:
Slack the thistle-head piled its down-silk gray:
Scarce the stony lizard suck'd hollows in his flanks:
Thick on spots of umbrage our drowsed flocks lay.
Sudden bow'd the chestnuts beneath a wind unheard,
Lengthen'd ran the grasses, the sky grew slate:
Then amid a swift flight of wing'd seed white as curd,
Clear of limb a Youth smote the master's gate.
God! of whom music
And song and blood are pure,
The day is never darken'd
That had thee here obscure.
Water, first of singers, o'er rocky mount and mead,
First of earthly singers, the sun-loved rill,
Sang of him, and flooded the ripples on the reed,
Seeking whom to waken and what ear fill.
Water, sweetest soother to kiss a wound and cool,
Sweetest and divinest, the sky-born brook,
Chuckled, with a whimper, and made a mirror-pool
Round the guest we welcomed, the strange hand shook.
God! of whom music
And song and blood are pure,
The day is never darken'd
That had thee here obscure.
Many swarms of wild bees descended on our fields:
Stately stood the wheatstalk with head bent high:
Big of heart we labour'd at storing mighty yields,
Wool and corn, and clusters to make men cry!
Hand-like rush'd the vintage; we strung the bellied skins
Plump, and at the sealing the Youth's voice rose:
Maidens clung in circle, on little fists their chins;
Gentle beasties through push'd a cold long nose.
God! of whom music
And song and blood are pure,
The day is never darken'd
That had thee here obscure.
Foot to fire in snowtime we trimm'd the slender shaft:
Often down the pit spied the lean wolf's teeth
Grin against his will, trapp'd by masterstrokes of craft;
Helpless in his froth-wrath as green logs seethe!
Safe the tender lambs tugg'd the teats, and winter sped
Whirl'd before the crocus, the year's new gold.
Hung the hooky beak up aloft, the arrowhead
Redden'd through his feathers for our dear fold.
God! of whom music
And song and blood are pure,
The day is never darken'd
That had thee here obscure.
Tales we drank of giants at war with gods above:
Rocks were they to look on, and earth climb'd air!
Tales of search for simples, and those who sought of love
Ease because the creature was all too fair.
Pleasant ran our thinking that while our work was good.
Sure as fruits for sweat would the praise come fast.
He that wrestled stoutest and tamed the billow-brood
Danced in rings with girls, like a sail-flapp'd mast.
God! of whom music
And song and blood are pure,
The day is never darken'd
That had thee here obscure.
Lo, the herb of healing, when once the herb is known,
Shines in shady woods bright as new-sprung flame.
Ere the string was tighten'd we heard the mellow tone,
After he had taught how the sweet sounds came.
Stretch'd about his feet, labour done, 'twas as you see
Red pomegranates tumble and burst hard rind.
So began contention to give delight and be
Excellent in things aim'd to make life kind.
God! of whom music
And song and blood are pure,
The day is never darken'd
That had thee here obscure.
You with shelly horns, rams! and, promontory goats,
You whose browsing beards dip in coldest dew!
Bulls, that walk the pastures in kingly-flashing coats!
Laurel, ivy, vine, wreathed for feasts not few!
You that build the shade-roof, and you that court the rays,
You that leap besprinkling the rock stream-rent:
He has been our fellow, the morning of our days;
Us he chose for housemates, and this way went.
God! of whom music
And song and blood are pure,
The day is never darken'd
That had thee here obscure.
NOW the North wind ceases,
The warm South-west awakes;
Swift fly the fleeces,
Thick the blossom-flakes.
Now hill to hill has made the stride,
And distance waves the without-end:
Now in the breast a door flings wide;
Our farthest smiles, our next is friend.
And song of England's rush of flowers
Is this full breeze with mellow stops,
That spins the lark for shine, for showers;
He drinks his hurried flight, and drops.
The stir in memory seem these things,
Which out of moisten'd turf and clay,
Astrain for light push patient rings,
Or leap to find the waterway.
'Tis equal to a wonder done,
Whatever simple lives renew
Their tricks beneath the father sun,
As though they caught a broken clue:
So hard was earth an eyewink back;
But now the common life has come,
The blotting cloud a dappled pack,
The grasses one vast underhum.
A City clothed in snow and soot,
With lamps for day in ghostly rows,
Breaks to the scene of hosts afoot,
The river that reflective flows:
And there did fog down crypts of street
Play spectre upon eye and mouth:--
Their faces are a glass to greet
This magic of the whirl for South.
A burly joy each creature swells
With sound of its own hungry quest;
Earth has to fill her empty wells,
And speed the service of the nest;
The phantom of the snow-wreath melt,
That haunts the farmer's look abroad,
Who sees what tomb a white night built,
Where flocks now bleat and sprouts the clod.
For iron Winter held her firm;
Across her sky he laid his hand;
And bird he starved, he stiffen'd worm;
A sightless heaven, a shaven land.
Her shivering Spring feign'd fast asleep,
The bitten buds dared not unfold:
We raced on roads and ice to keep
Thought of the girl we love from cold.
But now the North wind ceases,
The warm South-west awakes,
The heavens are out in fleeces,
And earth's green banner shakes.
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Written by
Robert William Service |
If fortune had not granted me
To suck the Muse's teats,
I think I would have liked to be
A sweeper of the streets;
And city gutters glad to groom,
Have heft a bonny broom.
There--as amid the crass and crush
The limousines swished by,
I would have leaned upon my brush
With visionary eye:
Deeming despite their loud allure
That I was rich, they poor.
Aye, though in garb terrestrial,
To Heaven I would pray,
And dream with broom celestial
I swept the Milky Way;
And golden chariots would ring,
And harps of Heaven sing.
And all the strumpets passing me,
And heelers of the Ward
Would glorified Madonnas be,
And angels of the Lord;
And all the brats in gutters grim
Be rosy cherubim.
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