Written by
Helen Dunmore |
for tess
Tonight there's a crowd in my head:
all the things you are not yet.
You are words without paper, pages
sighing in summer forests, gardens
where builders stub out their rubble
and plastic oozes its sweat.
All the things you are, you are not yet.
Not yet the lonely window in midwinter
with the whine of tea on an empty stomach,
not yet the heating you can't afford and must wait for,
tamping a coin in on each hour.
Not the gorgeous shush of restaurant doors
and their interiors, always so much smaller.
Not the smell of the newsprint, the blur
on your fingertips — your fame. Not yet
the love you will have for Winter Pearmains
and Chanel No 5 — and then your being unable
to buy both washing-machine and computer
when your baby's due to be born,
and my voice saying, "I'll get you one"
and you frowning, frowning
at walls and surfaces which are not mine —
all this, not yet. Give me your hand,
that small one without a mark of work on it,
the one that's strange to the washing-up bowl
and doesn't know Fairy Liquid for whiskey.
Not yet the moment of your arrival in taxis
at daring destinations, or your being alone at stations
with the skirts of your fashionable clothes flapping
and no money for the telephone.
Not yet the moment when I can give you nothing
so well-folded it fits in an envelope —
a dull letter you won't reread.
Not yet the moment of your assimilation
in that river flowing westward: rivers of clothes,
of dreams, an accent unlike my own
saying to someone I don't know: darling...
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Written by
Langston Hughes |
I could take the Harlem night
and wrap around you,
Take the neon lights and make a crown,
Take the Lenox Avenue busses,
Taxis, subways,
And for your love song tone their rumble down.
Take Harlem's heartbeat,
Make a drumbeat,
Put it on a record, let it whirl,
And while we listen to it play,
Dance with you till day--
Dance with you, my sweet brown Harlem girl.
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Written by
Philip Larkin |
Higher than the handsomest hotel
The lucent comb shows up for miles, but see,
All round it close-ribbed streets rise and fall
Like a great sigh out of the last century.
The porters are scruffy; what keep drawing up
At the entrance are not taxis; and in the hall
As well as creepers hangs a frightening smell.
There are paperbacks, and tea at so much a cup,
Like an airport lounge, but those who tamely sit
On rows of steel chairs turning the ripped mags
Haven't come far. More like a local bus.
These outdoor clothes and half-filled shopping-bags
And faces restless and resigned, although
Every few minutes comes a kind of nurse
To fetch someone away: the rest refit
Cups back to saucers, cough, or glance below
Seats for dropped gloves or cards. Humans, caught
On ground curiously neutral, homes and names
Suddenly in abeyance; some are young,
Some old, but most at that vague age that claims
The end of choice, the last of hope; and all
Here to confess that something has gone wrong.
It must be error of a serious sort,
For see how many floors it needs, how tall
It's grown by now, and how much money goes
In trying to correct it. See the time,
Half-past eleven on a working day,
And these picked out of it; see, as they c1imb
To their appointed levels, how their eyes
Go to each other, guessing; on the way
Someone's wheeled past, in washed-to-rags ward clothes:
They see him, too. They're quiet. To realise
This new thing held in common makes them quiet,
For past these doors are rooms, and rooms past those,
And more rooms yet, each one further off
And harder to return from; and who knows
Which he will see, and when? For the moment, wait,
Look down at the yard. Outside seems old enough:
Red brick, lagged pipes, and someone walking by it
Out to the car park, free. Then, past the gate,
Traffic; a locked church; short terraced streets
Where kids chalk games, and girls with hair-dos fetch
Their separates from the cleaners - O world,
Your loves, your chances, are beyond the stretch
Of any hand from here! And so, unreal
A touching dream to which we all are lulled
But wake from separately. In it, conceits
And self-protecting ignorance congeal
To carry life, collapsing only when
Called to these corridors (for now once more
The nurse beckons -). Each gets up and goes
At last. Some will be out by lunch, or four;
Others, not knowing it, have come to join
The unseen congregations whose white rows
Lie set apart above - women, men;
Old, young; crude facets of the only coin
This place accepts. All know they are going to die.
Not yet, perhaps not here, but in the end,
And somewhere like this. That is what it means,
This clean-sliced cliff; a struggle to transcend
The thought of dying, for unless its powers
Outbuild cathedrals nothing contravenes
The coming dark, though crowds each evening try
With wasteful, weak, propitiatory flowers.
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