Written by
Adrienne Rich |
Thinking of Caroline Herschel (1750-1848),
astronomer, sister of William; and others.
A woman in the shape of a monster
a monster in the shape of a woman
the skies are full of them
a woman 'in the snow
among the Clocks and instruments
or measuring the ground with poles'
in her 98 years to discover
8 comets
She whom the moon ruled
like us
levitating into the night sky
riding the polished lenses
Galaxies of women, there
doing penance for impetuousness
ribs chilled
in those spaces of the mind
An eye,
'virile, precise and absolutely certain'
from the mad webs of Uranusborg
encountering the NOVA
every impulse of light exploding
from the core
as life flies out of us
Tycho whispering at last
'Let me not seem to have lived in vain'
What we see, we see
and seeing is changing
the light that shrivels a mountain
and leaves a man alive
Heartbeat of the pulsar
heart sweating through my body
The radio impulse
pouring in from Taurus
I am bombarded yet I stand
I have been standing all my life in the
direct path of a battery of signals
the most accurately transmitted most
untranslatable language in the universe
I am a galactic cloud so deep so invo-
luted that a light wave could take 15
years to travel through me And has
taken I am an instrument in the shape
of a woman trying to translate pulsations
into images for the relief of the body
and the reconstruction of the mind.
|
Written by
Philip Levine |
All afternoon my father drove the country roads
between Detroit and Lansing.
What he was looking for
I never learned, no doubt because he never knew himself,
though he would grab any unfamiliar side road
and follow where it led past fields of tall sweet corn
in August or in winter those of frozen sheaves.
Often he'd leave the Terraplane beside the highway
to enter the stunned silence of mid-September,
his eyes cast down for a sign, the only music
his own breath or the wind tracking slowly through
the stalks or riding above the barren ground.
Later
he'd come home, his dress shoes coated with dust or mud,
his long black overcoat stained or tattered
at the hem, sit wordless in his favorite chair,
his necktie loosened, and stare at nothing.
At first
my brothers and I tried conversation, questions
only he could answer: Why had he gone to war?
Where did he learn Arabic? Where was his father?
I remember none of this.
I read it all later,
years later as an old man, a grandfather myself,
in a journal he left my mother with little drawings
of ruined barns and telephone poles, receding
toward a future he never lived, aphorisms
from Montaigne, Juvenal, Voltaire, and perhaps a few
of his own: "He who looks for answers finds questions.
"
Three times he wrote, "I was meant to be someone else,"
and went on to describe the perfumes of the damp fields.
"It all starts with seeds," and a pencil drawing
of young apple trees he saw somewhere or else dreamed.
I inherited the book when I was almost seventy
and with it the need to return to who we were.
In the Detroit airport I rented a Taurus;
the woman at the counter was bored or crazy:
Did I want company? she asked; she knew every road
from here to Chicago.
She had a slight accent,
Dutch or German, long black hair, and one frozen eye.
I considered but decided to go alone,
determined to find what he had never found.
Slowly the autumn morning warmed, flocks of starlings
rose above the vacant fields and blotted out the sun.
I drove on until I found the grove of apple trees
heavy with fruit, and left the car, the motor running,
beside a sagging fence, and entered his life
on my own for maybe the first time.
A crow welcomed
me home, the sun rode above, austere and silent,
the early afternoon was cloudless, perfect.
When the crow dragged itself off to another world,
the shade deepened slowly in pools that darkened around
the trees; for a moment everything in sight stopped.
The wind hummed in my good ear, not words exactly,
not nonsense either, nor what I spoke to myself,
just the language creation once wakened to.
I took off my hat, a mistake in the presence
of my father's God, wiped my brow with what I had,
the back of my hand, and marveled at what was here:
nothing at all except the stubbornness of things.
|
Written by
Elizabeth Bishop |
On the fair green hills of Rio
There grows a fearful stain:
The poor who come to Rio
And can't go home again.
On the hills a million people,
A million sparrows, nest,
Like a confused migration
That's had to light and rest,
Building its nests, or houses,
Out of nothing at all, or air.
You'd think a breath would end them,
They perch so lightly there.
But they cling and spread like lichen,
And people come and come.
There's one hill called the Chicken,
And one called Catacomb;
There's the hill of Kerosene,
And the hill of Skeleton,
The hill of Astonishment,
And the hill of Babylon.
Micuçú was a burglar and killer,
An enemy of society.
He had escaped three times
From the worst penitentiary.
They don't know how many he murdered
(Though they say he never raped),
And he wounded two policemen
This last time he escaped.
They said, "He'll go to his auntie,
Who raised him like a son.
She has a little drink shop
On the hill of Babylon.
"
He did go straight to his auntie,
And he drank a final beer.
He told her, "The soldiers are coming,
And I've got to disappear.
"
"Ninety years they gave me.
Who wants to live that long?
I'll settle for ninety hours,
On the hill of Babylon.
"Don't tell anyone you saw me.
I'll run as long as I can.
You were good to me, and I love you,
But I'm a doomed man.
"
Going out, he met a mulata
Carrying water on her head.
"If you say you saw me, daughter,
You're as good as dead.
"
There are caves up there, and hideouts,
And an old fort, falling down.
They used to watch for Frenchmen
From the hill of Babylon.
Below him was the ocean.
It reached far up the sky,
Flat as a wall, and on it
Were freighters passing by,
Or climbing the wall, and climbing
Till each looked like a fly,
And then fell over and vanished;
And he knew he was going to die.
He could hear the goats baa-baa-ing.
He could hear the babies cry;
Fluttering kites strained upward;
And he knew he was going to die.
A buzzard flapped so near him
He could see its naked neck.
He waved his arms and shouted,
"Not yet, my son, not yet!"
An Army helicopter
Came nosing around and in.
He could see two men inside it,
but they never spotted him.
The soldiers were all over,
On all sides of the hill,
And right against the skyline
A row of them, small and still.
Children peeked out of windows,
And men in the drink shop swore,
And spat a little cachaça
At the light cracks in the floor.
But the soldiers were nervous, even
with tommy guns in hand,
And one of them, in a panic,
Shot the officer in command.
He hit him in three places;
The other shots went wild.
The soldier had hysterics
And sobbed like a little child.
The dying man said, "Finish
The job we came here for.
"
he committed his soul to God
And his sons to the Governor.
They ran and got a priest,
And he died in hope of Heaven
--A man from Pernambuco,
The youngest of eleven.
They wanted to stop the search,
but the Army said, "No, go on,"
So the soldiers swarmed again
Up the hill of Babylon.
Rich people in apartments
Watched through binoculars
As long as the daylight lasted.
And all night, under the stars,
Micuçú hid in the grasses
Or sat in a little tree,
Listening for sounds, and staring
At the lighthouse out at sea.
And the lighthouse stared back at him,
til finally it was dawn.
He was soaked with dew, and hungry,
On the hill of Babylon.
The yellow sun was ugly,
Like a raw egg on a plate--
Slick from the sea.
He cursed it,
For he knew it sealed his fate.
He saw the long white beaches
And people going to swim,
With towels and beach umbrellas,
But the soldiers were after him.
Far, far below, the people
Were little colored spots,
And the heads of those in swimming
Were floating coconuts.
He heard the peanut vendor
Go peep-peep on his whistle,
And the man that sells umbrellas
Swinging his watchman's rattle.
Women with market baskets
Stood on the corners and talked,
Then went on their way to market,
Gazing up as they walked.
The rich with their binoculars
Were back again, and many
Were standing on the rooftops,
Among TV antennae.
It was early, eight or eight-thirty.
He saw a soldier climb,
Looking right at him.
He fired,
And missed for the last time.
He could hear the soldier panting,
Though he never got very near.
Micuçú dashed for shelter.
But he got it, behind the ear.
He heard the babies crying
Far, far away in his head,
And the mongrels barking and barking.
Then Micuçú was dead.
He had a Taurus revolver,
And just the clothes he had on,
With two contos in the pockets,
On the hill of Babylon.
The police and the populace
Heaved a sigh of relief,
But behind the counter his auntie
Wiped her eyes in grief.
"We have always been respected.
My shop is honest and clean.
I loved him, but from a baby
Micuçú was mean.
"We have always been respected.
His sister has a job.
Both of us gave him money.
Why did he have to rob?
"I raised him to be honest,
Even here, in Babylon slum.
"
The customers had another,
Looking serious and glum.
But one of them said to another,
When he got outside the door,
"He wasn't much of a burglar,
He got caught six times--or more.
"
This morning the little soldiers
are on Babylon hill again;
Their gun barrels and helmets
Shine in a gentle rain.
Micuçú is buried already.
They're after another two,
But they say they aren't as dangerous
As the poor Micuçú.
On the green hills of Rio
There grows a fearful stain:
The poor who come to Rio
And can't go home again.
There's the hill of Kerosene,
And the hill of the Skeleton,
The hill of Astonishment,
And the hill of Babylon.
|
Written by
Francesco Petrarch |
CANZONE XVIII.
Qual più diversa e nova.
HE COMPARES HIMSELF TO ALL THAT IS MOST STRANGE IN CREATION.
Whate'er most wild and new
Was ever found in any foreign land,
If viewed and valued true,
Most likens me 'neath Love's transforming hand.
Whence the bright day breaks through,
Alone and consortless, a bird there flies,
Who voluntary dies,
To live again regenerate and entire:
So ever my desire,
Alone, itself repairs, and on the crest
Of its own lofty thoughts turns to our sun,
There melts and is undone,
And sinking to its first state of unrest,
So burns and dies, yet still its strength resumes,
And, Phœnix-like, afresh in force and beauty blooms.
Where Indian billows sweep,
A wondrous stone there is, before whose strength
Stout navies, weak to keep
Their binding iron, sink engulf'd at length:
So prove I, in this deep
Of bitter grief, whom, with her own hard pride,
That fair rock knew to guide
Where now my life in wreck and ruin drives:
Thus too the soul deprives,
By theft, my heart, which once so stonelike was,
It kept my senses whole, now far dispersed:
For mine, O fate accurst!
A rock that lifeblood and not iron draws,
Whom still i' the flesh a magnet living, sweet,
Drags to the fatal shore a certain doom to meet.
Neath the far Ethiop skies
A beast is found, most mild and meek of air,
Which seems, yet in her eyes
Danger and dool and death she still does bear:
[Pg 134]Much needs he to be wise
To look on hers whoever turns his mien:
Although her eyes unseen,
All else securely may be viewed at will
But I to mine own ill
Run ever in rash grief, though well I know
My sufferings past and future, still my mind
Its eager, deaf and blind
Desire o'ermasters and unhinges so,
That in her fine eyes and sweet sainted face,
Fatal, angelic, pure, my cause of death I trace.
In the rich South there flows
A fountain from the sun its name that wins,
This marvel still that shows,
Boiling at night, but chill when day begins;
Cold, yet more cold it grows
As the sun's mounting car we nearer see:
So happens it with me
(Who am, alas! of tears the source and seat),
When the bright light and sweet,
My only sun retires, and lone and drear
My eyes are left, in night's obscurest reign,
I burn, but if again
The gold rays of the living sun appear,
My slow blood stiffens, instantaneous, strange;
Within me and without I feel the frozen change!
Another fount of fame
Springs in Epirus, which, as bards have told,
Kindles the lurking flame,
And the live quenches, while itself is cold.
My soul, that, uncontroll'd,
And scathless from love's fire till now had pass'd,
Carelessly left at last
Near the cold fair for whom I ceaseless sigh,
Was kindled instantly:
Like martyrdom, ne'er known by day or night,
A heart of marble had to mercy shamed.
Which first her charms inflamed
Her fair and frozen virtue quenched the light;
That thus she crushed and kindled my heart's fire,
Well know I who have felt in long and useless ire.
[Pg 135]Beyond our earth's known brinks,
In the famed Islands of the Blest, there be
Two founts: of this who drinks
Dies smiling: who of that to live is free.
A kindred fate Heaven links
To my sad life, who, smilingly, could die
For like o'erflowing joy,
But soon such bliss new cries of anguish stay.
Love! still who guidest my way,
Where, dim and dark, the shade of fame invites,
Not of that fount we speak, which, full each hour,
Ever with larger power
O'erflows, when Taurus with the Sun unites;
So are my eyes with constant sorrow wet,
But in that season most when I my Lady met.
Should any ask, my Song!
Or how or where I am, to such reply:
Where the tall mountain throws
Its shade, in the lone vale, whence Sorga flows,
He roams, where never eye
Save Love's, who leaves him not a step, is by,
And one dear image who his peace destroys,
Alone with whom to muse all else in life he flies.
Macgregor.
|
Written by
Francesco Petrarch |
SONNET IX.
Quando 'l pianeta che distingue l' ore.
WITH A PRESENT OF FRUIT IN SPRING.
When the great planet which directs the hours
To dwell with Taurus from the North is borne,
Such virtue rays from each enkindled horn,
Rare beauty instantly all nature dowers;
Nor this alone, which meets our sight, that flowers
Richly the upland and the vale adorn,
But Earth's cold womb, else lustreless and lorn,
Is quick and warm with vivifying powers,
Till herbs and fruits, like these I send, are rife.
—So she, a sun amid her fellow fair,
Shedding the rays of her bright eyes on me,
Thoughts, acts, and words of love wakes into life—
But, ah! for me is no new Spring, nor e'er,
Smile they on whom she will, again can be.
Macgregor.
When Taurus in his house doth Phœbus keep,
There pours so bright a virtue from his crest
That Nature wakes, and stands in beauty drest,
The flow'ring meadows start with joy from sleep:
Nor they alone rejoice—earth's bosom deep
(Though not one beam illumes her night of rest)
Responsive smiles, and from her fruitful breast
Gives forth her treasures for her sons to reap.
Thus she, who dwells amid her sex a sun,
Shedding upon my soul her eyes' full light,
Each thought creates, each deed, each word of love:
But though my heart's proud mastery she hath won
Alas! within me dwells eternal night:
My spirit ne'er Spring's genial breath doth prove.
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