Written by
Sarojini Naidu |
He
Lift up the veils that darken the delicate moon
of thy glory and grace,
Withhold not, O love, from the night
of my longing the joy of thy luminous face,
Give me a spear of the scented keora
guarding thy pinioned curls,
Or a silken thread from the fringes
that trouble the dream of thy glimmering pearls;
Faint grows my soul with thy tresses' perfume
and the song of thy anklets' caprice,
Revive me, I pray, with the magical nectar
that dwells in the flower of thy kiss.
She
How shall I yield to the voice of thy pleading,
how shall I grant thy prayer,
Or give thee a rose-red silken tassel,
a scented leaf from my hair?
Or fling in the flame of thy heart's desire the veils that cover my face,
Profane the law of my father's creed for a foe
of my father's race?
Thy kinsmen have broken our sacred altars and slaughtered our sacred kine,
The feud of old faiths and the blood of old battles sever thy people and mine.
He
What are the sins of my race, Beloved,
what are my people to thee?
And what are thy shrines, and kine and kindred,
what are thy gods to me?
Love recks not of feuds and bitter follies,
of stranger, comrade or kin,
Alike in his ear sound the temple bells
and the cry of the muezzin.
For Love shall cancel the ancient wrong
and conquer the ancient rage,
Redeem with his tears the memoried sorrow
that sullied a bygone age.
|
Written by
Amy Clampitt |
A vagueness comes over everything,
as though proving color and contour
alike dispensable: the lighthouse
extinct, the islands' spruce-tips
drunk up like milk in the
universal emulsion; houses
reverting into the lost
and forgotten; granite
subsumed, a rumor
in a mumble of ocean.
Tactile
definition, however, has not been
totally banished: hanging
tassel by tassel, panicled
foxtail and needlegrass,
dropseed, furred hawkweed,
and last season's rose-hips
are vested in silenced
chimes of the finest,
clearest sea-crystal.
Opacity
opens up rooms, a showcase
for the hueless moonflower
corolla, as Georgia
O'Keefe might have seen it,
of foghorns; the nodding
campanula of bell buoys;
the ticking, linear
filigree of bird voices.
|
Written by
Sarojini Naidu |
(Parvati at her lattice)
O Love! were you a basil-wreath to twine
among my tresses,
A jewelled clasp of shining gold to bind around my sleeve,
O Love! were you the keora's soul that haunts
my silken raiment,
A bright, vermilion tassel in the girdles that I weave;
O Love! were you the scented fan
that lies upon my pillow,
A sandal lute, or silver lamp that burns before my shrine,
Why should I fear the jealous dawn
that spreads with cruel laughter,
Sad veils of separation between your face and mine?
Haste, O wild-bee hours, to the gardens of the sun set!
Fly, wild-parrot day, to the orchards of the west!
Come, O tender night, with your sweet,
consoling darkness,
And bring me my Beloved to the shelter of my breast!
(Amar Singh in the saddle)
O Love! were you the hooded hawk upon my hand
that flutters,
Its collar-band of gleaming bells atinkle as I ride,
O Love! were you a turban-spray or
floating heron-feather,
The radiant, swift, unconquered sword
that swingeth at my side;
O Love! were you a shield against the
arrows of my foemen,
An amulet of jade against the perils of the way,
How should the drum-beats of the dawn
divide me from your bosom,
Or the union of the midnight be ended with the day?
Haste, O wild-deer hours, to the meadows of the sunset!
Fly, wild stallion day, to the pastures of the west!
Come, O tranquil night, with your soft,
consenting darkness,
And bear me to the fragrance of my Beloved's breast!
|
Written by
Robert Browning |
ON WHICH THE JEWS WERE FORCED TO
ATTEND AN ANNUAL CHRISTIAN SERMON
IN ROME.
[``Now was come about Holy-Cross Day,
and now must my lord preach his first sermon
to the Jews: as it was of old cared for in tine
merciful bowels of the Church, that, so to
speak, a crumb at least from her conspicuous
table here in Rome should be, though but
once yearly, cast to the famishing dogs, under-trampled
and bespitten-upon beneath the feet
of the guests. And a moving sight in truth,
this, of so many of the besotted blind restif
and ready-to-perish Hebrews! now maternally
brought---nay (for He saith, `Compel them
to come in') haled, as it were, by the head and
hair, and against their obstinate hearts, to partake
of the heavenly grace. What awakening,
what striving with tears, what working of a
yeasty conscience! Nor was my lord wanting
to himself on so apt an occasion; witness
the abundance of conversions which did incontinently
reward him: though not to my
lord be altogether the glory.''---_Diary by the
Bishop's Secretary,_ 1600.]
What the Jews really said, on thus being
driven to church, was rather to this effect:---
I.
Fee, faw, fum! bubble and squeak!
Blessedest Thursday's the fat of the week.
Rumble and tumble, sleek and rough,
Stinking and savoury, simug and gruff,
Take the church-road, for the bell's due chime
Gives us the summons---'tis sermon-time!
II.
Bob, here's Barnabas! Job, that's you?
Up stumps Solomon---bustling too?
Shame, man! greedy beyond your years
To handsel the bishop's shaving-shears?
Fair play's a jewel! Leave friends in the lurch?
Stand on a line ere you start for the church!
III.
Higgledy piggledy, packed we lie,
Rats in a hamper, swine in a stye,
Wasps in a bottle, frogs in a sieve,
Worms in a carcase, fleas in a sleeve.
Hist! square shoulders, settle your thumbs
And buzz for the bishop---here he comes.
IV.
Bow, wow, wow---a bone for the dog!
I liken his Grace to an acorned hog.
What, a boy at his side, with the bloom of a lass,
To help and handle my lord's hour-glass!
Didst ever behold so lithe a chine?
His cheek hath laps like a fresh-singed swine.
V.
Aaron's asleep---shove hip to haunch,
Or somebody deal him a dig in the paunch!
Look at the purse with the tassel and knob,
And the gown with the angel and thingumbob!
What's he at, quotha? reading his text!
Now you've his curtsey---and what comes next?
VI.
See to our converts---you doomed black dozen---
No stealing away---nor cog nor cozen!
You five, that were thieves, deserve it fairly;
You seven, that were beggars, will live less sparely;
You took your turn and dipped in the hat,
Got fortune---and fortune gets you; mind that!
VII.
Give your first groan---compunction's at work;
And soft! from a Jew you mount to a Turk.
Lo, Micah,---the selfsame beard on chin
He was four times already converted in!
Here's a knife, clip quick---it's a sign of grace---
Or he ruins us all with his hanging-face.
VIII.
Whom now is the bishop a-leering at?
I know a point where his text falls pat.
I'll tell him to-morrow, a word just now
Went to my heart and made me vow
I meddle no more with the worst of trades---
Let somebody else pay his serenades.
IX.
Groan all together now, whee-hee-hee!
It's a-work, it's a-work, ah, woe is me!
It began, when a herd of us, picked and placed,
Were spurred through the Corso, stripped to the waist;
Jew brutes, with sweat and blood well spent
To usher in worthily Christian Lent.
X.
It grew, when the hangman entered our bounds,
Yelled, pricked us out to his church like hounds:
It got to a pitch, when the hand indeed
Which gutted my purse would throttle my creed:
And it overflows when, to even the odd,
Men I helped to their sins help me to their God.
XI.
But now, while the scapegoats leave our flock,
And the rest sit silent and count the clock,
Since forced to muse the appointed time
On these precious facts and truths sublime,---
Let us fitly ennploy it, under our breath,
In saying Ben Ezra's Song of Death.
XII.
For Rabbi Ben Ezra, the night he died,
Called sons and sons' sons to his side,
And spoke, ``This world has been harsh and strange;
``Something is wrong: there needeth a change.
``But what, or where? at the last or first?
``In one point only we sinned, at worst.
XIII.
``The Lord will have mercy on Jacob yet,
``And again in his border see Israel set.
``When Judah beholds Jerusalem,
``The stranger-seed shall be joined to them:
``To Jacob's House shall the Gentiles cleave.
``So the Prophet saith and his sons believe.
XIV.
``Ay, the children of the chosen race
``Shall carry and bring them to their place:
``In the land of the Lord shall lead the same,
``Bondsmen and handmaids. Who shall blame,
``When the slaves enslave, the oppressed ones o'er
``The oppressor triumph for evermore?
XV.
``God spoke, and gave us the word to keep,
``Bade never fold the hands nor sleep
``'Mid a faithless world,---at watch and ward,
``Till Christ at the end relieve our guard.
``By His servant Moses the watch was set:
``Though near upon cock-crow, we keep it yet.
XVI.
``Thou! if thou wast He, who at mid-watch came,
``By the starlight, naming a dubious name!
``And if, too heavy with sleep---too rash
``With fear---O Thou, if that martyr-gash
``Fell on Thee coming to take thine own,
``And we gave the Cross, when we owed the Throne---
XVII.
``Thou art the Judge. We are bruised thus.
``But, the Judgment over, join sides with us!
``Thine too is the cause! and not more thine
``Than ours, is the work of these dogs and swine,
``Whose life laughs through and spits at their creed!
``Who maintain Thee in word, and defy Thee in deed!
XVIII.
``We withstood Christ then? Be mindful how
``At least we withstand Barabbas now!
``Was our outrage sore? But the worst we spared,
``To have called these---Christians, had we dared!
``Let defiance to them pay mistrust of Thee,
``And Rome make amends for Calvary!
XIX.
``By the torture, prolonged from age to age,
``By the infamy, Israel's heritage,
``By the Ghetto's plague, by the garb's disgrace,
``By the badge of shame, by the felon's place,
``By the branding-tool, the bloody whip,
``And the summons to Christian fellowship,---
XX.
``We boast our proof that at least the Jew
``Would wrest Christ's name from the Devil's crew.
``Thy face took never so deep a shade
``But we fought them in it, God our aid!
``A trophy to bear, as we marchs, thy band,
``South, East, and on to the Pleasant Land!''
[_Pope Gregory XVI. abolished this bad
business of the Sermon._---R. B.]
|
Written by
Amy Lowell |
The nursery fire burns brightly, crackling in cheerful
little explosions
and trails of sparks up the back of the chimney. Miniature
rockets
peppering the black bricks with golden stars, as though a gala
flamed a night of victorious wars.
The nodding mandarin on the bookcase moves his
head forward and back, slowly,
and looks into the air with his blue-green eyes. He stares
into the air
and nods -- forward and back. The red rose in his hand
is a crimson splash
on his yellow coat. Forward and back, and his blue-green
eyes stare
into the air, and he nods -- nods.
Tommy's soldiers march to battle,
Trumpets flare and snare-drums rattle.
Bayonets flash, and sabres glance --
How the horses snort and prance!
Cannon drawn up in a line
Glitter in the dizzy shine
Of the morning sunlight. Flags
Ripple colours in great jags.
Red blows out, then blue, then green,
Then all three -- a weaving sheen
Of prismed patriotism. March
Tommy's soldiers, stiff and starch,
Boldly stepping to the rattle
Of the drums, they go to battle.
Tommy lies on his stomach on the floor and directs his columns.
He puts his infantry in front, and before them ambles a mounted
band.
Their instruments make a strand of gold before the scarlet-tunicked
soldiers,
and they take very long steps on their little green platforms,
and from the ranks bursts the song of Tommy's soldiers marching
to battle.
The song jolts a little as the green platforms stick on the thick
carpet.
Tommy wheels his guns round the edge of a box of blocks, and places
a squad of cavalry on the commanding eminence of a footstool.
The fire snaps pleasantly, and the old Chinaman nods -- nods. The
fire makes
the red rose in his hand glow and twist. Hist! That
is a bold song
Tommy's soldiers sing as they march along to battle.
Crack! Rattle! The sparks
fly up the chimney.
Tommy's army's off to war --
Not a soldier knows what for.
But he knows about his rifle,
How to shoot it, and a trifle
Of the proper thing to do
When it's he who is shot through.
Like a cleverly trained flea,
He can follow instantly
Orders, and some quick commands
Really make severe demands
On a mind that's none too rapid,
Leaden brains tend to the vapid.
But how beautifully dressed
Is this army! How impressed
Tommy is when at his heel
All his baggage wagons wheel
About the patterned carpet, and
Moving up his heavy guns
He sees them glow with diamond suns
Flashing all along each barrel.
And the gold and blue apparel
Of his gunners is a joy.
Tommy is a lucky boy.
Boom! Boom! Ta-ra!
The old mandarin nods under his purple umbrella. The
rose in his hand
shoots its petals up in thin quills of crimson. Then
they collapse
and shrivel like red embers. The fire sizzles.
Tommy is galloping his cavalry, two by two, over the floor. They
must pass
the open terror of the door and gain the enemy encamped under the
wash-stand.
The mounted band is very grand, playing allegro and leading the
infantry on
at the double quick. The tassel of the hearth-rug has
flung down
the bass-drum, and he and his dapple-grey horse lie overtripped,
slipped out of line, with the little lead drumsticks glistening
to the fire's shine.
The fire burns and crackles, and tickles the tripped
bass-drum
with its sparkles.
The marching army hitches its little green platforms
valiantly, and steadily
approaches the door. The overturned bass-drummer, lying
on the hearth-rug,
melting in the heat, softens and sheds tears. The song
jeers
at his impotence, and flaunts the glory of the martial and still
upstanding,
vaunting the deeds it will do. For are not Tommy's soldiers
all bright and new?
Tommy's leaden soldiers we,
Glittering with efficiency.
Not a button's out of place,
Tons and tons of golden lace
Wind about our officers.
Every manly bosom stirs
At the thought of killing -- killing!
Tommy's dearest wish fulfilling.
We are gaudy, savage, strong,
And our loins so ripe we long
First to kill, then procreate,
Doubling so the laws of Fate.
On their women we have sworn
To graft our sons. And overborne
They'll rear us younger soldiers, so
Shall our race endure and grow,
Waxing greater in the wombs
Borrowed of them, while damp tombs
Rot their men. O Glorious War!
Goad us with your points, Great Star!
The china mandarin on the bookcase nods slowly, forward and back
--
forward and back -- and the red rose writhes and wriggles,
thrusting its flaming petals under and over one another like tortured
snakes.
The fire strokes them with its dartles, and purrs
at them,
and the old man nods.
Tommy does not hear the song. He only sees the beautiful,
new,
gaily-coloured lead soldiers. They belong to him, and
he is very proud
and happy. He shouts his orders aloud, and gallops his
cavalry past the door
to the wash-stand. He creeps over the floor on his hands
and knees
to one battalion and another, but he sees only the bright colours
of his soldiers and the beautiful precision of their gestures.
He is a lucky boy to have such fine lead soldiers to enjoy.
Tommy catches his toe in the leg of the wash-stand, and jars the
pitcher.
He snatches at it with his hands, but it is too late. The
pitcher falls,
and as it goes, he sees the white water flow over its lip. It
slips
between his fingers and crashes to the floor. But it
is not water which oozes
to the door. The stain is glutinous and dark, a spark
from the firelight
heads it to red. In and out, between the fine, new soldiers,
licking over the carpet, squirms the stream of blood, lapping at
the little green platforms, and flapping itself against the painted
uniforms.
The nodding mandarin moves his head slowly, forward and back.
The rose is broken, and where it fell is black blood. The
old mandarin leers
under his purple umbrella, and nods -- forward and back, staring
into the air
with blue-green eyes. Every time his head comes forward
a rosebud pushes
between his lips, rushes into full bloom, and drips to the ground
with a splashing sound. The pool of black blood grows
and grows,
with each dropped rose, and spreads out to join the stream from
the wash-stand. The beautiful army of lead soldiers steps
boldly forward,
but the little green platforms are covered in the rising stream
of blood.
The nursery fire burns brightly and flings fan-bursts of stars up
the chimney,
as though a gala flamed a night of victorious wars.
|
Written by
Les Murray |
Inside Ayers Rock is lit
with paired fluorescent lights
on steel pillars supporting the ceiling
of haze-blue marquee cloth
high above the non-slip pavers.
Curving around the cafeteria
throughout vast inner space
is a Milky way of plastic chairs
in foursomes around tables
all the way to the truck drivers' enclave.
Dusted coolabah trees grow to the ceiling,
TVs talk in gassy colours, and
round the walls are Outback shop fronts:
the Beehive Bookshop for brochures,
Casual Clobber, the bottled Country Kitchen
and the sheet-iron Dreamtime Experience
that is turned off at night.
A high bank of medal-ribbony
lolly jars preside over
island counters like opened crates,
one labelled White Mugs, and covered with them.
A two-dimensional policeman
discourages shoplifting of gifts
and near the entrance, where you pay
for fuel, there stands a tribal man
in rib-paint and pubic tassel.
It is all gentle and kind.
In beyond the children's playworld
there are fossils, like crumpled
old drawings of creatures in rock.
|
Written by
Carl Sandburg |
KEEP a red heart of memories
Under the great gray rain sheds of the sky,
Under the open sun and the yellow gloaming embers.
Remember all paydays of lilacs and songbirds;
All starlights of cool memories on storm paths.
Out of this prairie rise the faces of dead men.
They speak to me. I can not tell you what they say.
Other faces rise on the prairie.
They are the unborn. The future.
Yesterday and to-morrow cross and mix on the skyline
The two are lost in a purple haze. One forgets. One waits.
In the yellow dust of sunsets, in the meadows of vermilion eight o’clock June nights … the dead men and the unborn children speak to me … I can not tell you what they say … you listen and you know.
I don’t care who you are, man:
I know a woman is looking for you
and her soul is a corn-tassel kissing a south-west wind.
(The farm-boy whose face is the color of brick-dust, is calling the cows; he will form the letter X with crossed streams of milk from the teats; he will beat a tattoo on the bottom of a tin pail with X’s of milk.)
I don’t care who you are, man:
I know sons and daughters looking for you
And they are gray dust working toward star paths
And you see them from a garret window when you laugh
At your luck and murmur, “I don’t care.”
I don’t care who you are, woman:
I know a man is looking for you
And his soul is a south-west wind kissing a corn-tassel.
(The kitchen girl on the farm is throwing oats to the chickens and the buff of their feathers says hello to the sunset’s late maroon.)
I don’t care who you are, woman:
I know sons and daughters looking for you
And they are next year’s wheat or the year after hidden in the dark and loam.
My love is a yellow hammer spinning circles in Ohio, Indiana. My love is a redbird shooting flights in straight lines in Kentucky and Tennessee. My love is an early robin flaming an ember of copper on her shoulders in March and April. My love is a graybird living in the eaves of a Michigan house all winter. Why is my love always a crying thing of wings?
On the Indiana dunes, in the Mississippi marshes, I have asked: Is it only a fishbone on the beach?
Is it only a dog’s jaw or a horse’s skull whitening in the sun? Is the red heart of man only ashes? Is the flame of it all a white light switched off and the power house wires cut?
Why do the prairie roses answer every summer? Why do the changing repeating rains come back out of the salt sea wind-blown? Why do the stars keep their tracks? Why do the cradles of the sky rock new babies?
|
Written by
D. H. Lawrence |
The sick grapes on the chair by the bed lie prone; at the window
The tassel of the blind swings gently, tapping the pane,
As a little wind comes in.
The room is the hollow rind of a fruit, a gourd
Scooped out and dry, where a spider,
Folded in its legs as in a bed,
Lies on the dust, watching where is nothing to see but twilight and walls.
And if the day outside were mine! What is the day
But a grey cave, with great grey spider-cloths hanging
Low from the roof, and the wet dust falling softly from them
Over the wet dark rocks, the houses, and over
The spiders with white faces, that scuttle on the floor of the cave!
I am choking with creeping, grey confinedness.
But somewhere birds, beside a lake of light, spread wings
Larger than the largest fans, and rise in a stream upwards
And upwards on the sunlight that rains invisible,
So that the birds are like one wafted feather,
Small and ecstatic suspended over a vast spread country.
|
Written by
Gerard Manley Hopkins |
Teevo cheevo cheevio chee:
O where, what can th?at be?
Weedio-weedio: there again!
So tiny a trickle of s?ng-strain;
And all round not to be found
For brier, bough, furrow, or gr?en ground
Before or behind or far or at hand
Either left either right
Anywhere in the s?nlight.
Well, after all! Ah but hark—
‘I am the little w?odlark.
. . . . . . . .
To-day the sky is two and two
With white strokes and strains of the blue
. . . . . . . .
Round a ring, around a ring
And while I sail (must listen) I sing
. . . . . . . .
The skylark is my cousin and he
Is known to men more than me
. . . . . . . .
…when the cry within
Says Go on then I go on
Till the longing is less and the good gone
But down drop, if it says Stop,
To the all-a-leaf of the tr?etop
And after that off the bough
. . . . . . . .
I ?m so v?ry, O so? very glad
That I d? th?nk there is not to be had…
. . . . . . . .
The blue wheat-acre is underneath
And the braided ear breaks out of the sheath,
The ear in milk, lush the sash,
And crush-silk poppies aflash,
The blood-gush blade-gash
Flame-rash rudred
Bud shelling or broad-shed
Tatter-tassel-tangled and dingle-a-dangled
Dandy-hung dainty head.
. . . . . . . .
And down … the furrow dry
Sunspurge and oxeye
And laced-leaved lovely
Foam-tuft fumitory
. . . . . . . .
Through the velvety wind V-winged
To the nest’s nook I balance and buoy
With a sweet joy of a sweet joy,
Sweet, of a sweet, of a sweet joy
Of a sweet—a sweet—sweet—joy.’
|
Written by
Robert Burns |
MY honor’d Colonel, deep I feel
Your interest in the Poet’s weal;
Ah! now sma’ heart hae I to speel
The steep Parnassus,
Surrounded thus by bolus pill,
And potion glasses.
O what a canty world were it,
Would pain and care and sickness spare it;
And Fortune favour worth and merit
As they deserve;
And aye rowth o’ roast-beef and claret,
Syne, wha wad starve?
Dame Life, tho’ fiction out may trick her,
And in paste gems and frippery deck her;
Oh! flickering, feeble, and unsicker
I’ve found her still,
Aye wavering like the willow-wicker,
’Tween good and ill.
Then that curst carmagnole, auld Satan,
Watches like baudrons by a ratton
Our sinfu’ saul to get a claut on,
Wi’felon ire;
Syne, whip! his tail ye’ll ne’er cast saut on,
He’s aff like fire.
Ah Nick! ah Nick! it is na fair,
First showing us the tempting ware,
Bright wines, and bonie lasses rare,
To put us daft
Syne weave, unseen, thy spider snare
O hell’s damned waft.
Poor Man, the flie, aft bizzes by,
And aft, as chance he comes thee nigh,
Thy damn’d auld elbow yeuks wi’joy
And hellish pleasure!
Already in thy fancy’s eye,
Thy sicker treasure.
Soon, heels o’er gowdie, in he gangs,
And, like a sheep-head on a tangs,
Thy girning laugh enjoys his pangs,
And murdering wrestle,
As, dangling in the wind, he hangs,
A gibbet’s tassel.
But lest you think I am uncivil
To plague you with this draunting drivel,
Abjuring a’ intentions evil,
I quat my pen,
The Lord preserve us frae the devil!
Amen! Amen!
|