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Best Famous Task Poems

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Written by Charlotte Bronte | Create an image from this poem

The Wood

 BUT two miles more, and then we rest ! 
Well, there is still an hour of day, 
And long the brightness of the West 
Will light us on our devious way; 
Sit then, awhile, here in this wood­ 
So total is the solitude, 
We safely may delay. 

These massive roots afford a seat, 
Which seems for weary travellers made. 
There rest. The air is soft and sweet 
In this sequestered forest glade, 
And there are scents of flowers around, 
The evening dew draws from the ground;
How soothingly they spread ! 

Yes; I was tired, but not at heart; 
No­that beats full of sweet content, 
For now I have my natural part 
Of action with adventure blent; 
Cast forth on the wide vorld with thee, 
And all my once waste energy
To weighty purpose bent. 

Yet­say'st thou, spies around us roam, 
Our aims are termed conspiracy ? 
Haply, no more our English home 
An anchorage for us may be ? 
That there is risk our mutual blood 
May redden in some lonely wood 
The knife of treachery ? 

Say'st thou­that where we lodge each night, 
In each lone farm, or lonelier hall 
Of Norman Peer­ere morning light 
Suspicion must as duly fall,
As day returns­such vigilance 
Presides and watches over France, 
Such rigour governs all ? 

I fear not, William; dost thou fear ? 
So that the knife does not divide, 
It may be ever hovering near: 
I could not tremble at thy side, 
And strenuous love­like mine for thee­
Is buckler strong, 'gainst treachery, 
And turns its stab aside. 

I am resolved that thou shalt learn 
To trust my strength as I trust thine; 
I am resolved our souls shall burn, 
With equal, steady, mingling shine;
Part of the field is conquered now, 
Our lives in the same channel flow, 
Along the self-same line; 

And while no groaning storm is heard, 
Thou seem'st content it should be so, 
But soon as comes a warning word 
Of danger­straight thine anxious brow 
Bends over me a mournful shade, 
As doubting if my powers are made 
To ford the floods of woe. 

Know, then it is my spirit swells, 
And drinks, with eager joy, the air 
Of freedom­where at last it dwells,
Chartered, a common task to share 
With thee, and then it stirs alert,
And pants to learn what menaced hurt
Demands for thee its care. 

Remember, I have crossed the deep, 
And stood with thee on deck, to gaze 
On waves that rose in threatening heap, 
While stagnant lay a heavy haze, 
Dimly confusing sea with sky, 
And baffling, even, the pilot's eye, 
Intent to thread the maze­ 

Of rocks, on Bretagne's dangerous coast,
And find a way to steer our band
To the one point obscure, which lost,
Flung us, as victims, on the strand;­
All, elsewhere, gleamed the Gallic sword,
And not a wherry could be moored
Along the guarded land. 

I feared not then­I fear not now; 
The interest of each stirring scene 
Wakes a new sense, a welcome glow, 
In every nerve and bounding vein; 
Alike on turbid Channel sea, 
Or in still wood of Normandy, 
I feel as born again. 

The rain descended that wild morn 
When, anchoring in the cove at last, 
Our band, all weary and forlorn, 
Ashore, like wave-worn sailors, cast­ 
Sought for a sheltering roof in vain, 
And scarce could scanty food obtain 
To break their morning fast. 

Thou didst thy crust with me divide, 
Thou didst thy cloak around me fold; 
And, sitting silent by thy side, 
I ate the bread in peace untold: 
Given kindly from thy hand, 'twas sweet 
As costly fare or princely treat 
On royal plate of gold. 

Sharp blew the sleet upon my face, 
And, rising wild, the gusty wind 
Drove on those thundering waves apace, 
Our crew so late had left behind; 
But, spite of frozen shower and storm, 
So close to thee, my heart beat warm, 
And tranquil slept my mind. 

So now­nor foot-sore nor opprest
With walking all this August day,
I taste a heaven in this brief rest,
This gipsy-halt beside the way.
England's wild flowers are fair to view,
Like balm is England's summer dew,
Like gold her sunset ray. 

But the white violets, growing here,
Are sweeter than I yet have seen,
And ne'er did dew so pure and clear
Distil on forest mosses green,
As now, called forth by summer heat,
Perfumes our cool and fresh retreat­
These fragrant limes between. 

That sunset ! Look beneath the boughs,
Over the copse­beyond the hills;
How soft, yet deep and warm it glows,
And heaven with rich suffusion fills;
With hues where still the opal's tint,
Its gleam of poisoned fire is blent,
Where flame through azure thrills ! 

Depart we now­for fast will fade
That solemn splendour of decline,
And deep must be the after-shade
As stars alone to-night will shine;
No moon is destined­pale­to gaze
On such a day's vast Phoenix blaze,
A day in fires decayed ! 

There­hand-in-hand we tread again 
The mazes of this varying wood, 
And soon, amid a cultured plain, 
Girt in with fertile solitude, 
We shall our resting-place descry, 
Marked by one roof-tree, towering high 
Above a farm-stead rude. 

Refreshed, erelong, with rustic fare, 
We'll seek a couch of dreamless ease; 
Courage will guard thy heart from fear, 
And Love give mine divinest peace: 
To-morrow brings more dangerous toil, 
And through its conflict and turmoil 
We'll pass, as God shall please.


Written by John Keats | Create an image from this poem

Bright Star, Would I Were Steadfast As Thou Art

 Bright star, would I were steadfast as thou art—
 Not in lone splendour hung aloft the night
And watching, with eternal lids apart,
 Like nature's patient, sleepless Eremite,
The moving waters at their priestlike task
 Of pure ablution round earth's human shores,
Or gazing on the new soft-fallen mask
 Of snow upon the mountains and the moors—
No—yet still steadfast, still unchangeable,
 Pillow'd upon my fair love's ripening breast,
To feel for ever its soft fall and swell,
 Awake for ever in a sweet unrest,
Still, still to hear her tender-taken breath,
And so live ever—or else swoon to death.
Written by William Shakespeare | Create an image from this poem

Fear No More

 Fear no more the heat o' the sun; 
Nor the furious winter's rages, 
Thou thy worldly task hast done, 
Home art gone, and ta'en thy wages; 
Golden lads and girls all must, 
As chimney sweepers come to dust. 

Fear no more the frown of the great, 
Thou art past the tyrant's stroke: 
Care no more to clothe and eat; 
To thee the reed is as the oak: 
The sceptre, learning, physic, must 
All follow this, and come to dust. 

Fear no more the lightning-flash, 
Nor the all-dread thunder-stone; 
Fear not slander, censure rash; 
Thou hast finished joy and moan; 
All lovers young, all lovers must 
Consign to thee, and come to dust. 

No exorciser harm thee! 
Nor no witchcraft charm thee! 
Ghost unlaid forbear thee! 
Nothing ill come near thee! 
Quiet consummation have; 
And renowned be thy grave!
Written by Marianne Moore | Create an image from this poem

Marriage

 This institution,
perhaps one should say enterprise
out of respect for which
one says one need not change one's mind
about a thing one has believed in,
requiring public promises
of one's intention
to fulfill a private obligation:
I wonder what Adam and Eve
think of it by this time,
this firegilt steel
alive with goldenness;
how bright it shows --
"of circular traditions and impostures,
committing many spoils,"
requiring all one's criminal ingenuity
to avoid!
Psychology which explains everything
explains nothing
and we are still in doubt.
Eve: beautiful woman --
I have seen her
when she was so handsome
she gave me a start,
able to write simultaneously
in three languages --
English, German and French
and talk in the meantime;
equally positive in demanding a commotion
and in stipulating quiet:
"I should like to be alone;"
to which the visitor replies,
"I should like to be alone;
why not be alone together?"
Below the incandescent stars
below the incandescent fruit,
the strange experience of beauty;
its existence is too much;
it tears one to pieces
and each fresh wave of consciousness
is poison.
"See her, see her in this common world,"
the central flaw
in that first crystal-fine experiment,
this amalgamation which can never be more
than an interesting possibility,
describing it
as "that strange paradise
unlike flesh, gold, or stately buildings,
the choicest piece of my life:
the heart rising
in its estate of peace
as a boat rises
with the rising of the water;"
constrained in speaking of the serpent --
that shed snakeskin in the history of politeness
not to be returned to again --
that invaluable accident
exonerating Adam.
And he has beauty also;
it's distressing -- the O thou
to whom, from whom,
without whom nothing -- Adam;
"something feline,
something colubrine" -- how true!
a crouching mythological monster
in that Persian miniature of emerald mines,
raw silk -- ivory white, snow white,
oyster white and six others --
that paddock full of leopards and giraffes --
long lemonyellow bodies
sown with trapezoids of blue.
Alive with words,
vibrating like a cymbal
touched before it has been struck,
he has prophesied correctly --
the industrious waterfall,
"the speedy stream
which violently bears all before it,
at one time silent as the air
and now as powerful as the wind."
"Treading chasms 
on the uncertain footing of a spear,"
forgetting that there is in woman
a quality of mind
which is an instinctive manifestation
is unsafe,
he goes on speaking
in a formal, customary strain
of "past states," the present state,
seals, promises, 
the evil one suffered,
the good one enjoys,
hell, heaven,
everything convenient
to promote one's joy."
There is in him a state of mind
by force of which,
perceiving what it was not
intended that he should,
"he experiences a solemn joy
in seeing that he has become an idol."
Plagued by the nightingale
in the new leaves,
with its silence --
not its silence but its silences,
he says of it:
"It clothes me with a shirt of fire."
"He dares not clap his hands
to make it go on
lest it should fly off;
if he does nothing, it will sleep;
if he cries out, it will not understand."
Unnerved by the nightingale
and dazzled by the apple,
impelled by "the illusion of a fire
effectual to extinguish fire,"
compared with which
the shining of the earth
is but deformity -- a fire
"as high as deep as bright as broad
as long as life itself,"
he stumbles over marriage,
"a very trivial object indeed"
to have destroyed the attitude
in which he stood --
the ease of the philosopher
unfathered by a woman.
Unhelpful Hymen!
"a kind of overgrown cupid"
reduced to insignificance
by the mechanical advertising
parading as involuntary comment,
by that experiment of Adam's
with ways out but no way in --
the ritual of marriage,
augmenting all its lavishness;
its fiddle-head ferns,
lotus flowers, opuntias, white dromedaries,
its hippopotamus --
nose and mouth combined
in one magnificent hopper,
"the crested screamer --
that huge bird almost a lizard,"
its snake and the potent apple.
He tells us
that "for love
that will gaze an eagle blind,
that is like a Hercules
climbing the trees
in the garden of the Hesperides,
from forty-five to seventy
is the best age,"
commending it
as a fine art, as an experiment,
a duty or as merely recreation.
One must not call him ruffian
nor friction a calamity --
the fight to be affectionate:
"no truth can be fully known
until it has been tried
by the tooth of disputation."
The blue panther with black eyes,
the basalt panther with blue eyes,
entirely graceful --
one must give them the path --
the black obsidian Diana
who "darkeneth her countenance
as a bear doth,
causing her husband to sigh,"
the spiked hand
that has an affection for one
and proves it to the bone,
impatient to assure you
that impatience is the mark of independence
not of bondage.
"Married people often look that way" --
"seldom and cold, up and down,
mixed and malarial
with a good day and bad."
"When do we feed?"
We occidentals are so unemotional,
we quarrel as we feed;
one's self is quite lost,
the irony preserved
in "the Ahasuerus t?te ? t?te banquet"
with its "good monster, lead the way,"
with little laughter
and munificence of humor
in that quixotic atmosphere of frankness
in which "Four o'clock does not exist
but at five o'clock
the ladies in their imperious humility
are ready to receive you";
in which experience attests
that men have power
and sometimes one is made to feel it.
He says, "what monarch would not blush
to have a wife
with hair like a shaving-brush?
The fact of woman
is not `the sound of the flute
but every poison.'"
She says, "`Men are monopolists
of stars, garters, buttons
and other shining baubles' --
unfit to be the guardians
of another person's happiness."
He says, "These mummies
must be handled carefully --
`the crumbs from a lion's meal,
a couple of shins and the bit of an ear';
turn to the letter M
and you will find
that `a wife is a coffin,'
that severe object
with the pleasing geometry
stipulating space and not people,
refusing to be buried
and uniquely disappointing,
revengefully wrought in the attitude
of an adoring child
to a distinguished parent."
She says, "This butterfly,
this waterfly, this nomad
that has `proposed
to settle on my hand for life.' --
What can one do with it?
There must have been more time
in Shakespeare's day
to sit and watch a play.
You know so many artists are fools."
He says, "You know so many fools
who are not artists."
The fact forgot
that "some have merely rights
while some have obligations,"
he loves himself so much,
he can permit himself
no rival in that love.
She loves herself so much,
she cannot see herself enough --
a statuette of ivory on ivory,
the logical last touch
to an expansive splendor
earned as wages for work done:
one is not rich but poor
when one can always seem so right.
What can one do for them --
these savages
condemned to disaffect
all those who are not visionaries
alert to undertake the silly task
of making people noble?
This model of petrine fidelity
who "leaves her peaceful husband
only because she has seen enough of him" --
that orator reminding you,
"I am yours to command."
"Everything to do with love is mystery;
it is more than a day's work
to investigate this science."
One sees that it is rare --
that striking grasp of opposites
opposed each to the other, not to unity,
which in cycloid inclusiveness
has dwarfed the demonstration
of Columbus with the egg --
a triumph of simplicity --
that charitive Euroclydon
of frightening disinterestedness
which the world hates,
admitting:

"I am such a cow,
if I had a sorrow,
I should feel it a long time;
I am not one of those
who have a great sorrow
in the morning
and a great joy at noon;"
which says: "I have encountered it
among those unpretentious
proteg?s of wisdom,
where seeming to parade
as the debater and the Roman,
the statesmanship
of an archaic Daniel Webster
persists to their simplicity of temper
as the essence of the matter:

`Liberty and union
now and forever;'

the book on the writing-table;
the hand in the breast-pocket."
Written by William Wordsworth | Create an image from this poem

We Are Seven

  A simple child, dear brother Jim,  That lightly draws its breath,  And feels its life in every limb,  What should it know of death?

  I met a little cottage girl,  She was eight years old, she said;  Her hair was thick with many a curl  That cluster'd round her head.

  She had a rustic, woodland air,  And she was wildly clad;  Her eyes were fair, and very fair,  —Her beauty made me glad.

  "Sisters and brothers, little maid,  How many may you be?"  "How many? seven in all," she said,  And wondering looked at me.

  "And where are they, I pray you tell?"  She answered, "Seven are we,  And two of us at Conway dwell,  And two are gone to sea."

  "Two of us in the church-yard lie,  My sister and my brother,  And in the church-yard cottage, I  Dwell near them with my mother."

  "You say that two at Conway dwell,  And two are gone to sea,  Yet you are seven; I pray you tell  Sweet Maid, how this may be?"

  Then did the little Maid reply,  "Seven boys and girls are we;  Two of us in the church-yard lie,  Beneath the church-yard tree."

  "You run about, my little maid,  Your limbs they are alive;  If two are in the church-yard laid,  Then ye are only five."

  "Their graves are green, they may be seen,"  The little Maid replied,  "Twelve steps or more from my mother's door,  And they are side by side."

  "My stockings there I often knit,  My 'kerchief there I hem;  And there upon the ground I sit—  I sit and sing to them."

  "And often after sunset, Sir,  When it is light and fair,  I take my little porringer,  And eat my supper there."

  "The first that died was little Jane;  In bed she moaning lay,  Till God released her of her pain,  And then she went away."

  "So in the church-yard she was laid,  And all the summer dry,  Together round her grave we played,  My brother John and I."

  "And when the ground was white with snow,  And I could run and slide,  My brother John was forced to go,  And he lies by her side."

  "How many are you then," said I,  "If they two are in Heaven?"  The little Maiden did reply,  "O Master! we are seven."

  "But they are dead; those two are dead!  Their spirits are in heaven!"  'Twas throwing words away; for still  The little Maid would have her will,  And said, "Nay, we are seven!"

ANECDOTE for FATHERS,   Shewing how the practice of Lying may be taught.

  I have a boy of five years old,  His face is fair and fresh to see;  His limbs are cast in beauty's mould,  And dearly he loves me.

  One morn we stroll'd on our dry walk,  Our quiet house all full in view,  And held such intermitted talk  As we are wont to do.

  My thoughts on former pleasures ran;  I thought of Kilve's delightful shore,  My pleasant home, when Spring began,  A long, long year before.

  A day it was when I could bear  To think, and think, and think again;  With so much happiness to spare,  I could not feel a pain.

  My boy was by my side, so slim  And graceful in his rustic dress!  And oftentimes I talked to him  In very idleness.

  The young lambs ran a pretty race;  The morning sun shone bright and warm;  "Kilve," said I, "was a pleasant place,  And so is Liswyn farm."

  "My little boy, which like you more,"  I said and took him by the arm—  "Our home by Kilve's delightful shore,  Or here at Liswyn farm?"

  "And tell me, had you rather be,"  I said and held-him by the arm,  "At Kilve's smooth shore by the green sea,  Or here at Liswyn farm?"

  In careless mood he looked at me,  While still I held him by the arm,  And said, "At Kilve I'd rather be  Than here at Liswyn farm."

  "Now, little Edward, say why so;  My little Edward, tell me why;"  "I cannot tell, I do not know."  "Why this is strange," said I.

  "For, here are woods and green hills warm:  There surely must some reason be  Why you would change sweet Liswyn farm,  For Kilve by the green sea."

  At this, my boy hung down his head,  He blush'd with shame, nor made reply;  And five times to the child I said,  "Why, Edward, tell me, why?"

  His head he raised—there was in sight,  It caught his eye, he saw it plain—  Upon the house-top, glittering bright,  A broad and gilded vane.

  Then did the boy his tongue unlock,  And thus to me he made reply;  "At Kilve there was no weather-cock,  And that's the reason why."

  Oh dearest, dearest boy! my heart  For better lore would seldom yearn  Could I but teach the hundredth part  Of what from thee I learn.

LINES  Written at a small distance from my House, and sent by  my little boy to the person to whom they are addressed.

  It is the first mild day of March:  Each minute sweeter than before,  The red-breast sings from the tall larch  That stands beside our door.

  There is a blessing in the air,  Which seems a sense of joy to yield  To the bare trees, and mountains bare,  And grass in the green field.

  My Sister! ('tis a wish of mine)  Now that our morning meal is done,  Make haste, your morning task resign;  Come forth and feel the sun.

  Edward will come with you, and pray,  Put on with speed your woodland dress,  And bring no book, for this one day  We'll give to idleness.

  No joyless forms shall regulate  Our living Calendar:  We from to-day, my friend, will date  The opening of the year.

  Love, now an universal birth,  From heart to heart is stealing,  From earth to man, from man to earth,  —It is the hour of feeling.

  One moment now may give us more  Than fifty years of reason;  Our minds shall drink at every pore  The spirit of the season.

  Some silent laws our hearts may make,  Which they shall long obey;  We for the year to come may take  Our temper from to-day.

  And from the blessed power that rolls  About, below, above;  We'll frame the measure of our souls,  They shall be tuned to love.

  Then come, my sister I come, I pray,  With speed put on your woodland dress,  And bring no book; for this one day  We'll give to idleness.



Written by William Cullen Bryant | Create an image from this poem

November

 The landscape sleeps in mist from morn till noon;
And, if the sun looks through, 'tis with a face
Beamless and pale and round, as if the moon,
When done the journey of her nightly race,
Had found him sleeping, and supplied his place.
For days the shepherds in the fields may be,
Nor mark a patch of sky— blindfold they trace,
The plains, that seem without a bush or tree,
Whistling aloud by guess, to flocks they cannot see.

The timid hare seems half its fears to lose,
Crouching and sleeping 'neath its grassy lair,
And scarcely startles, tho' the shepherd goes
Close by its home, and dogs are barking there;
The wild colt only turns around to stare
At passer by, then knaps his hide again;
And moody crows beside the road forbear
To fly, tho' pelted by the passing swain;
Thus day seems turn'd to night, and tries to wake in vain.

The owlet leaves her hiding-place at noon,
And flaps her grey wings in the doubling light;
The hoarse jay screams to see her out so soon,
And small birds chirp and startle with affright;
Much doth it scare the superstitious wight,
Who dreams of sorry luck, and sore dismay;
While cow-boys think the day a dream of night,
And oft grow fearful on their lonely way,
Fancying that ghosts may wake, and leave their graves by day.

Yet but awhile the slumbering weather flings
Its murky prison round— then winds wake loud;
With sudden stir the startled forest sings
Winter's returning song— cloud races cloud,
And the horizon throws away its shroud,
Sweeping a stretching circle from the eye;
Storms upon storms in quick succession crowd,
And o'er the sameness of the purple sky
Heaven paints, with hurried hand, wild hues of every dye.

At length it comes along the forest oaks,
With sobbing ebbs, and uproar gathering high;
The scared, hoarse raven on its cradle croaks,
And stockdove-flocks in hurried terrors fly,
While the blue hawk hangs o'er them in the sky.—
The hedger hastens from the storm begun,
To seek a shelter that may keep him dry;
And foresters low bent, the wind to shun,
Scarce hear amid the strife the poacher's muttering gun.

The ploughman hears its humming rage begin,
And hies for shelter from his naked toil;
Buttoning his doublet closer to his chin,
He bends and scampers o'er the elting soil,
While clouds above him in wild fury boil,
And winds drive heavily the beating rain;
He turns his back to catch his breath awhile,
Then ekes his speed and faces it again,
To seek the shepherd's hut beside the rushy plain.

The boy, that scareth from the spiry wheat
The melancholy crow—in hurry weaves,
Beneath an ivied tree, his sheltering seat,
Of rushy flags and sedges tied in sheaves,
Or from the field a shock of stubble thieves.
There he doth dithering sit, and entertain
His eyes with marking the storm-driven leaves;
Oft spying nests where he spring eggs had ta'en,
And wishing in his heart 'twas summer-time again.

Thus wears the month along, in checker'd moods,
Sunshine and shadows, tempests loud, and calms;
One hour dies silent o'er the sleepy woods,
The next wakes loud with unexpected storms;
A dreary nakedness the field deforms—
Yet many a rural sound, and rural sight,
Lives in the village still about the farms,
Where toil's rude uproar hums from morn till night
Noises, in which the ears of Industry delight.

At length the stir of rural labour's still,
And Industry her care awhile forgoes;
When Winter comes in earnest to fulfil
His yearly task, at bleak November's close,
And stops the plough, and hides the field in snows;
When frost locks up the stream in chill delay,
And mellows on the hedge the jetty sloes,
For little birds—then Toil hath time for play,
And nought but threshers' flails awake the dreary day.
Written by John Wilmot | Create an image from this poem

A Satyre Against Mankind

 Were I - who to my cost already am
One of those strange, prodigious creatures, man -
A spirit free to choose for my own share
What sort of flesh and blood I pleased to wear,
I'd be a dog, a monkey, or a bear,
Or anything but that vain animal,
Who is so proud of being rational.

His senses are too gross; and he'll contrive
A sixth, to contradict the other five;
And before certain instinct will prefer
Reason, which fifty times for one does err.
Reason, an ignis fatuus of the mind,
Which leaving light of nature, sense, behind,
Pathless and dangerous wand'ring ways it takes,
Through Error's fenny bogs and thorny brakes;
Whilst the misguided follower climbs with pain
Mountains of whimsey's, heaped in his own brain;
Stumbling from thought to thought, falls headlong down,
Into Doubt's boundless sea where, like to drown,
Books bear him up awhile, and make him try
To swim with bladders of Philosophy;
In hopes still to o'ertake the escaping light;
The vapour dances, in his dancing sight,
Till spent, it leaves him to eternal night.
Then old age and experience, hand in hand,
Lead him to death, make him to understand,
After a search so painful, and so long,
That all his life he has been in the wrong:

Huddled In dirt the reasoning engine lies,
Who was so proud, so witty, and so wise.
Pride drew him in, as cheats their bubbles catch,
And made him venture; to be made a wretch.
His wisdom did has happiness destroy,
Aiming to know that world he should enjoy;
And Wit was his vain, frivolous pretence
Of pleasing others, at his own expense.
For wits are treated just like common whores,
First they're enjoyed, and then kicked out of doors;
The pleasure past, a threatening doubt remains,
That frights th' enjoyer with succeeding pains:
Women and men of wit are dangerous tools,
And ever fatal to admiring fools.
Pleasure allures, and when the fops escape,
'Tis not that they're beloved, but fortunate,
And therefore what they fear, at heart they hate:

But now, methinks some formal band and beard
Takes me to task; come on sir, I'm prepared:

"Then by your Favour, anything that's writ
Against this jibing, jingling knack called Wit
Likes me abundantly: but you take care
Upon this point not to be too severe.
Perhaps my Muse were fitter for this part,
For I profess I can be very smart
On Wit, which I abhor with all my heart;
I long to lash it in some sharp essay,
But your grand indiscretion bids me stay,
And turns my tide of ink another way.
What rage Torments in your degenerate mind,
To make you rail at reason, and mankind
Blessed glorious man! To whom alone kind heaven
An everlasting soul hath freely given;
Whom his great maker took such care to make,
That from himself he did the image take;
And this fair frame in shining reason dressed,
To dignify his nature above beast.
Reason, by whose aspiring influence
We take a flight beyond material sense,
Dive into mysteries, then soaring pierce
The flaming limits of the universe,
Search heaven and hell, Find out what's acted there,
And give the world true grounds of hope and fear."

Hold mighty man, I cry, all this we know,
From the pathetic pen of Ingelo;
From Patrlck's Pilgrim, Sibbes' Soliloquies,
And 'tis this very reason I despise,
This supernatural gift that makes a mite
Think he's an image of the infinite;
Comparing his short life, void of all rest,
To the eternal, and the ever-blessed.
This busy, pushing stirrer-up of doubt,
That frames deep mysteries, then finds them out;
Filling with frantic crowds of thinking fools
The reverend bedlam's, colleges and schools;
Borne on whose wings each heavy sot can pierce
The limits of the boundless universe;
So charming ointments make an old witch fly,
And bear a crippled carcass through the sky.
'Tis the exalted power whose business lies
In nonsense and impossibilities.
This made a whimsical philosopher
Before the spacious world his tub prefer,
And we have modern cloistered coxcombs, who
Retire to think 'cause they have nought to do.
But thoughts are given for action's government;
Where action ceases, thought's impertinent:
Our sphere of action is life's happiness,
And he that thinks beyond thinks like an ass.

Thus, whilst against false reasoning I inveigh.
I own right reason, which I would obey:
That reason which distinguishes by sense,
And gives us rules of good and ill from thence;
That bounds desires. with a reforming will
To keep 'em more in vigour, not to kill. -
Your reason hinders, mine helps to enjoy,
Renewing appetites yours would destroy.
My reason is my friend, yours is a cheat,
Hunger calls out, my reason bids me eat;
Perversely. yours your appetite does mock:
This asks for food, that answers, 'what's o'clock'
This plain distinction, sir, your doubt secures,
'Tis not true reason I despise, but yours.
Thus I think reason righted, but for man,
I'll ne'er recant, defend him if you can:
For all his pride, and his philosophy,
'Tis evident: beasts are in their own degree
As wise at least, and better far than he.

Those creatures are the wisest who attain. -
By surest means. the ends at which they aim.
If therefore Jowler finds and kills the hares,
Better than Meres supplies committee chairs;
Though one's a statesman, th' other but a hound,
Jowler in justice would be wiser found.
You see how far man's wisdom here extends.
Look next if human nature makes amends;
Whose principles are most generous and just,
- And to whose morals you would sooner trust:

Be judge yourself, I'll bring it to the test,
Which is the basest creature, man or beast
Birds feed on birds, beasts on each other prey,
But savage man alone does man betray:
Pressed by necessity; they kill for food,
Man undoes man, to do himself no good.
With teeth and claws, by nature armed, they hunt
Nature's allowance, to supply their want.
But man, with smiles, embraces. friendships. Praise,
Inhumanely his fellow's life betrays;
With voluntary pains works his distress,
Not through necessity, but wantonness.
For hunger or for love they bite, or tear,
Whilst wretched man is still in arms for fear.
For fear he arms, and is of arms afraid:
From fear, to fear, successively betrayed.
Base fear, the source whence his best passions came.
His boasted honour, and his dear-bought fame.
The lust of power, to whom he's such a slave,
And for the which alone he dares be brave;
To which his various projects are designed,
Which makes him generous, affable, and kind.
For which he takes such pains to be thought wise,
And screws his actions, in a forced disguise;
Leads a most tedious life in misery,
Under laborious, mean hypocrisy.
Look to the bottom of his vast design,
Wherein man's wisdom, power, and glory join:
The good he acts. the ill he does endure.
'Tis all from fear, to make himself secure.
Merely for safety after fame they thirst,
For all men would be cowards if they durst.
And honesty's against all common sense,
Men must be knaves, 'tis in their own defence.
Mankind's dishonest: if you think it fair
Among known cheats to play upon the square,
You'll be undone.
Nor can weak truth your reputation save,
The knaves will all agree to call you knave.
Wronged shall he live, insulted o'er, oppressed,
Who dares be less a villain than the rest.

Thus sir, you see what human nature craves,
Most men are cowards, all men should be knaves;
The difference lies, as far as I can see.
Not in the thing itself, but the degree;
And all the subject matter of debate
Is only, who's a knave of the first rate

All this with indignation have I hurled
At the pretending part of the proud world,
Who, swollen with selfish vanity, devise,
False freedoms, holy cheats, and formal lies,
Over their fellow slaves to tyrannise.

But if in Court so just a man there be,
(In Court, a just man - yet unknown to me)
Who does his needful flattery direct
Not to oppress and ruin, but protect:
Since flattery, which way soever laid,
Is still a tax: on that unhappy trade.
If so upright a statesman you can find,
Whose passions bend to his unbiased mind,
Who does his arts and policies apply
To raise his country, not his family;
Nor while his pride owned avarice withstands,
Receives close bribes, from friends corrupted hands.

Is there a churchman who on God relies
Whose life, his faith and doctrine justifies
Not one blown up, with vain prelatic pride,
Who for reproofs of sins does man deride;
Whose envious heart makes preaching a pretence
With his obstreperous, saucy eloquence,
To chide at kings, and rail at men of sense;
Who from his pulpit vents more peevlsh lies,
More bitter railings, scandals, calumnies,
Than at a gossiping are thrown about
When the good wives get drunk, and then fall out.
None of that sensual tribe, whose talents lie
In avarice, pride, sloth, and gluttony.
Who hunt good livings; but abhor good lives,
Whose lust exalted, to that height arrives,
They act adultery with their own wives.
And ere a score of years completed be,
Can from the loftiest pulpit proudly see,
Half a large parish their own progeny.
Nor doting bishop, who would be adored
For domineering at the Council board;

A greater fop, in business at fourscore,
Fonder of serious toys, affected more,
Than the gay, glittering fool at twenty proves,
With all his noise, his tawdry clothes and loves.
But a meek, humble man, of honest sense,
Who preaching peace does practise continence;
Whose pious life's a proof he does believe
Mysterious truths which no man can conceive.

If upon Earth there dwell such god-like men,
I'll here recant my paradox to them,
Adores those shrines of virtue, homage pay,
And with the rabble world their laws obey.

If such there are, yet grant me this at least,
Man differs more from man than man from beast.
Written by Robert Louis Stevenson | Create an image from this poem

My Kingdom

 A little kingdom I possess 
where thoughts and feelings dwell, 
And very hard I find the task 
of governing it well; 
For passion tempts and troubles me, 
A wayward will misleads, 
And selfishness its shadow casts 
On all my words and deeds. 

How can I learn to rule myself, 
to be the child I should, 
Honest and brave, nor ever tire 
Of trying to be good? 
How can I keep a sunny soul 
To shine along life's way? 
How can I tune my little heart 
To sweetly sing all day? 

Dear Father, help me with the love 
that casteth out my fear; 
Teach me to lean on thee, and feel 
That thou art very near, 
That no temptation is unseen 
No childish grief too small, 
Since thou, with patience infinite, 
Doth soothe and comfort all. 

I do not ask for any crown 
But that which all may win 
Nor seek to conquer any world 
Except the one within. 
Be thou my guide until I find, 
Led by a tender hand, 
Thy happy kingdom in myself 
And dare to take command.
Written by Friedrich von Schiller | Create an image from this poem

Friendship

 Friend!--the Great Ruler, easily content,
Needs not the laws it has laborious been
The task of small professors to invent;
A single wheel impels the whole machine
Matter and spirit;--yea, that simple law,
Pervading nature, which our Newton saw.

This taught the spheres, slaves to one golden rein,
Their radiant labyrinths to weave around
Creation's mighty hearts: this made the chain,
Which into interwoven systems bound
All spirits streaming to the spiritual sun
As brooks that ever into ocean run!

Did not the same strong mainspring urge and guide
Our hearts to meet in love's eternal bond?
Linked to thine arm, O Raphael, by thy side
Might I aspire to reach to souls beyond
Our earth, and bid the bright ambition go
To that perfection which the angels know!

Happy, O happy--I have found thee--I
Have out of millions found thee, and embraced;
Thou, out of millions, mine!--Let earth and sky
Return to darkness, and the antique waste--
To chaos shocked, let warring atoms be,
Still shall each heart unto the other flee!

Do I not find within thy radiant eyes
Fairer reflections of all joys most fair?
In thee I marvel at myself--the dyes
Of lovely earth seem lovelier painted there,
And in the bright looks of the friend is given
A heavenlier mirror even of the heaven!

Sadness casts off its load, and gayly goes
From the intolerant storm to rest awhile,
In love's true heart, sure haven of repose;
Does not pain's veriest transports learn to smile
From that bright eloquence affection gave
To friendly looks?--there, finds not pain a grave?

In all creation did I stand alone,
Still to the rocks my dreams a soul should find,
Mine arms should wreathe themselves around the stone,
My griefs should feel a listener in the wind;
My joy--its echo in the caves should be!
Fool, if ye will--Fool, for sweet sympathy!

We are dead groups of matter when we hate;
But when we love we are as gods!--Unto
The gentle fetters yearning, through each state
And shade of being multiform, and through
All countless spirits (save of all the sire)--
Moves, breathes, and blends, the one divine desire.

Lo! arm in arm, through every upward grade,
From the rude mongrel to the starry Greek,
Who the fine link between the mortal made,
And heaven's last seraph--everywhere we seek
Union and bond--till in one sea sublime
Of love be merged all measure and all time!

Friendless ruled God His solitary sky;
He felt the want, and therefore souls were made,
The blessed mirrors of his bliss!--His eye
No equal in His loftiest works surveyed;
And from the source whence souls are quickened, He
Called His companion forth--ETERNITY!
Written by Charlotte Bronte | Create an image from this poem

Mementos

 ARRANGING long-locked drawers and shelves 
Of cabinets, shut up for years, 
What a strange task we've set ourselves ! 
How still the lonely room appears ! 
How strange this mass of ancient treasures, 
Mementos of past pains and pleasures; 
These volumes, clasped with costly stone, 
With print all faded, gilding gone; 

These fans of leaves, from Indian trees­ 
These crimson shells, from Indian seas­ 
These tiny portraits, set in rings­ 
Once, doubtless, deemed such precious things; 
Keepsakes bestowed by Love on Faith, 
And worn till the receiver's death, 
Now stored with cameos, china, shells, 
In this old closet's dusty cells. 

I scarcely think, for ten long years, 
A hand has touched these relics old; 
And, coating each, slow-formed, appears, 
The growth of green and antique mould. 

All in this house is mossing over; 
All is unused, and dim, and damp; 
Nor light, nor warmth, the rooms discover­ 
Bereft for years of fire and lamp. 

The sun, sometimes in summer, enters 
The casements, with reviving ray; 
But the long rains of many winters 
Moulder the very walls away. 

And outside all is ivy, clinging 
To chimney, lattice, gable grey; 
Scarcely one little red rose springing 
Through the green moss can force its way. 

Unscared, the daw, and starling nestle, 
Where the tall turret rises high, 
And winds alone come near to rustle 
The thick leaves where their cradles lie. 

I sometimes think, when late at even 
I climb the stair reluctantly, 
Some shape that should be well in heaven, 
Or ill elsewhere, will pass by me. 

I fear to see the very faces, 
Familiar thirty years ago, 
Even in the old accustomed places 
Which look so cold and gloomy now. 

I've come, to close the window, hither, 
At twilight, when the sun was down, 
And Fear, my very soul would wither, 
Lest something should be dimly shown. 

Too much the buried form resembling, 
Of her who once was mistress here; 
Lest doubtful shade, or moonbeam trembling, 
Might take her aspect, once so dear. 

Hers was this chamber; in her time 
It seemed to me a pleasant room, 
For then no cloud of grief or crime 
Had cursed it with a settled gloom; 

I had not seen death's image laid 
In shroud and sheet, on yonder bed. 
Before she married, she was blest­ 
Blest in her youth, blest in her worth; 
Her mind was calm, its sunny rest 
Shone in her eyes more clear than mirth. 

And when attired in rich array, 
Light, lustrous hair about her brow, 
She yonder sat­a kind of day 
Lit up­what seems so gloomy now. 
These grim oak walls, even then were grim; 
That old carved chair, was then antique; 
But what around looked dusk and dim 
Served as a foil to her fresh cheek; 
Her neck, and arms, of hue so fair, 
Eyes of unclouded, smiling, light; 
Her soft, and curled, and floating hair, 
Gems and attire, as rainbow bright. 

Reclined in yonder deep recess, 
Ofttimes she would, at evening, lie 
Watching the sun; she seemed to bless 
With happy glance the glorious sky. 
She loved such scenes, and as she gazed, 
Her face evinced her spirit's mood; 
Beauty or grandeur ever raised 
In her, a deep-felt gratitude. 

But of all lovely things, she loved 
A cloudless moon, on summer night; 
Full oft have I impatience proved 
To see how long, her still delight 
Would find a theme in reverie. 
Out on the lawn, or where the trees 
Let in the lustre fitfully, 
As their boughs parted momently, 
To the soft, languid, summer breeze. 
Alas ! that she should e'er have flung 
Those pure, though lonely joys away­ 
Deceived by false and guileful tongue, 
She gave her hand, then suffered wrong; 
Oppressed, ill-used, she faded young, 
And died of grief by slow decay. 

Open that casket­look how bright 
Those jewels flash upon the sight; 
The brilliants have not lost a ray 
Of lustre, since her wedding day. 
But see­upon that pearly chain­ 
How dim lies time's discolouring stain ! 
I've seen that by her daughter worn: 
For, e'er she died, a child was born; 
A child that ne'er its mother knew, 
That lone, and almost friendless grew; 
For, ever, when its step drew nigh, 
Averted was the father's eye; 
And then, a life impure and wild 
Made him a stranger to his child; 
Absorbed in vice, he little cared 
On what she did, or how she fared. 
The love withheld, she never sought, 
She grew uncherished­learnt untaught; 
To her the inward life of thought 
Full soon was open laid. 
I know not if her friendlessness 
Did sometimes on her spirit press, 
But plaint she never made. 

The book-shelves were her darling treasure, 
She rarely seemed the time to measure 
While she could read alone. 
And she too loved the twilight wood, 
And often, in her mother's mood, 
Away to yonder hill would hie, 
Like her, to watch the setting sun, 
Or see the stars born, one by one, 
Out of the darkening sky. 
Nor would she leave that hill till night 
Trembled from pole to pole with light; 
Even then, upon her homeward way, 
Long­long her wandering steps delayed 
To quit the sombre forest shade, 
Through which her eerie pathway lay. 

You ask if she had beauty's grace ? 
I know not­but a nobler face 
My eyes have seldom seen; 
A keen and fine intelligence, 
And, better still, the truest sense 
Were in her speaking mien. 
But bloom or lustre was there none, 
Only at moments, fitful shone 
An ardour in her eye, 
That kindled on her cheek a flush, 
Warm as a red sky's passing blush 
And quick with energy. 
Her speech, too, was not common speech, 
No wish to shine, or aim to teach, 
Was in her words displayed: 
She still began with quiet sense, 
But oft the force of eloquence 
Came to her lips in aid; 
Language and voice unconscious changed, 
And thoughts, in other words arranged, 
Her fervid soul transfused 
Into the hearts of those who heard, 
And transient strength and ardour stirred, 
In minds to strength unused. 
Yet in gay crowd or festal glare, 
Grave and retiring was her air; 
'Twas seldom, save with me alone, 
That fire of feeling freely shone; 
She loved not awe's nor wonder's gaze, 
Nor even exaggerated praise, 
Nor even notice, if too keen 
The curious gazer searched her mien. 
Nature's own green expanse revealed 
The world, the pleasures, she could prize; 
On free hill-side, in sunny field, 
In quiet spots by woods concealed, 
Grew wild and fresh her chosen joys, 
Yet Nature's feelings deeply lay 
In that endowed and youthful frame; 
Shrined in her heart and hid from day, 
They burned unseen with silent flame; 
In youth's first search for mental light, 
She lived but to reflect and learn, 
But soon her mind's maturer might 
For stronger task did pant and yearn; 
And stronger task did fate assign, 
Task that a giant's strength might strain; 
To suffer long and ne'er repine, 
Be calm in frenzy, smile at pain. 

Pale with the secret war of feeling, 
Sustained with courage, mute, yet high; 
The wounds at which she bled, revealing 
Only by altered cheek and eye; 

She bore in silence­but when passion 
Surged in her soul with ceaseless foam, 
The storm at last brought desolation, 
And drove her exiled from her home. 

And silent still, she straight assembled 
The wrecks of strength her soul retained; 
For though the wasted body trembled, 
The unconquered mind, to quail, disdained. 

She crossed the sea­now lone she wanders 
By Seine's, or Rhine's, or Arno's flow; 
Fain would I know if distance renders 
Relief or comfort to her woe. 

Fain would I know if, henceforth, ever, 
These eyes shall read in hers again, 
That light of love which faded never, 
Though dimmed so long with secret pain. 

She will return, but cold and altered, 
Like all whose hopes too soon depart; 
Like all on whom have beat, unsheltered, 
The bitter blasts that blight the heart. 

No more shall I behold her lying 
Calm on a pillow, smoothed by me; 
No more that spirit, worn with sighing, 
Will know the rest of infancy. 

If still the paths of lore she follow, 
'Twill be with tired and goaded will; 
She'll only toil, the aching hollow, 
The joyless blank of life to fill. 

And oh ! full oft, quite spent and weary, 
Her hand will pause, her head decline; 
That labour seems so hard and dreary, 
On which no ray of hope may shine. 

Thus the pale blight of time and sorrow 
Will shade with grey her soft, dark hair 
Then comes the day that knows no morrow, 
And death succeeds to long despair. 

So speaks experience, sage and hoary; 
I see it plainly, know it well, 
Like one who, having read a story, 
Each incident therein can tell. 

Touch not that ring, 'twas his, the sire 
Of that forsaken child; 
And nought his relics can inspire 
Save memories, sin-defiled. 

I, who sat by his wife's death-bed, 
I, who his daughter loved, 
Could almost curse the guilty dead, 
For woes, the guiltless proved. 

And heaven did curse­they found him laid, 
When crime for wrath was rife, 
Cold­with the suicidal blade 
Clutched in his desperate gripe. 

'Twas near that long deserted hut, 
Which in the wood decays, 
Death's axe, self-wielded, struck his root, 
And lopped his desperate days. 

You know the spot, where three black trees, 
Lift up their branches fell, 
And moaning, ceaseless as the seas, 
Still seem, in every passing breeze, 
The deed of blood to tell. 

They named him mad, and laid his bones 
Where holier ashes lie; 
Yet doubt not that his spirit groans, 
In hell's eternity. 

But, lo ! night, closing o'er the earth, 
Infects our thoughts with gloom; 
Come, let us strive to rally mirth, 
Where glows a clear and tranquil hearth 
In some more cheerful room.

Book: Reflection on the Important Things