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Best Famous Tapers Poems

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Written by Obi Nwakanma | Create an image from this poem

The Four Seasons

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ICICLES fall from trees, molten with age, 
without memory - they stand aloof in their 
nakedness - they limber; 
like the gods terrified into silence, 
like tall brooding deities looming out of the 
fog: 

The forest hugs them 
carves them into stones, 
Etches them into the slow 
eastern landscape: rivers, hills 
the slow running water, 
times broken inscapes…

The willows are burdened with ice 
the white shrouds of burial spread 
upon the earth's ravaged face; the eyes 
unseeing, the mouth unspeaking, 
a gust of wind proclaims the anger of 
immemorial ages; the cycle, the 
eternal ritual of mystical returns - 

The cypress - whitening -
boneless; wearing her best habit, 
a pale green in the forest of ghosts -

And so I walk through this windless night 
through the narrow imponderable road 
through the silence - the silence of trees -

I hear not even the gust of wind
I hear only the quiet earth, thawing underneath; 
I hear the slow silent death of winter -

where the sun is yellowest.
But above, Monadnock looms like some angry Moloch, her white nipple seizing the space drained of all milk.
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A she-devil beckoning to worshippers seductive - her arm stretching outwards - to this lonely pilgrim lost in the mist: Behold the school of wild bucks Behold the meeting of incarnate spirits - Behold the lost souls bearing tapers in rags of rich damask, Down Thomas - the saint of unbelievers - down the road to bliss Down to the red house, uncertain like a beggar's bowl hanging unto the cliff of withdrawn pledges, where the well is deepest.
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I have dared to live beneath the great untamed.
To every good, to every flicker of stars along the pine shadows; To every tussle with lucid dusk, To every moonlit pledge, to every turn made to outleap silvery pollen, I have desired to listen - to listen - to the ripening of seasons.
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Winter 2001 This is ONE of a continuing sequence.


Written by Henry Wadsworth Longfellow | Create an image from this poem

Resignation

THERE is no flock however watched and tended  
But one dead lamb is there! 
There is no fireside howsoe'er defended  
But has one vacant chair! 

The air is full of farewells to the dying 5 
And mournings for the dead; 
The heart of Rachel for her children crying  
Will not be comforted! 

Let us be patient! These severe afflictions 
Not from the ground arise 10 
But oftentimes celestial benedictions 
Assume this dark disguise.
We see but dimly through the mists and vapors; Amid these earthly damps What seem to us but sad funereal tapers 15 May be heaven's distant lamps.
There is no Death! What seems so is transition; This life of mortal breath Is but a suburb of the life elysian Whose portal we call Death.
20 She is not dead ¡ªthe child of our affection ¡ª But gone unto that school Where she no longer needs our poor protection And Christ himself doth rule.
In that great cloister's stillness and seclusion 25 By guardian angels led Safe from temptation safe from sin's pollution She lives whom we call dead Day after day we think what she is doing In those bright realms of air; 30 Year after year her tender steps pursuing Behold her grown more fair.
Thus do we walk with her and keep unbroken The bond which nature gives Thinking that our remembrance though unspoken 35 May reach her where she lives.
Not as a child shall we again behold her; For when with raptures wild In our embraces we again enfold her She will not be a child; 40 But a fair maiden in her Father's mansion Clothed with celestial grace; And beautiful with all the soul's expansion Shall we behold her face.
And though at times impetuous with emotion 45 And anguish long suppressed The swelling heart heaves moaning like the ocean That cannot be at rest ¡ª We will be patient and assuage the feeling We may not wholly stay; 50 By silence sanctifying not concealing The grief that must have way.
Written by Francis Thompson | Create an image from this poem

The Hound of Heaven

 I fled Him down the nights and down the days
I fled Him down the arches of the years
I fled Him down the labyrinthine ways
Of my own mind, and in the midst of tears
I hid from him, and under running laughter.
Up vistaed hopes I sped and shot precipitated Adown titanic glooms of chasme d hears From those strong feet that followed, followed after But with unhurrying chase and unperturbe d pace, Deliberate speed, majestic instancy, They beat, and a Voice beat, More instant than the feet: All things betray thee who betrayest me.
I pleaded, outlaw--wise by many a hearted casement, curtained red, trellised with inter-twining charities, For though I knew His love who followe d, Yet was I sore adread, lest having Him, I should have nought beside.
But if one little casement parted wide, The gust of his approach would clash it to.
Fear wist not to evade as Love wist to pursue.
Across the margent of the world I fled, And troubled the gold gateways of the stars, Smiting for shelter on their clange d bars, Fretted to dulcet jars and silvern chatter The pale ports of the moon.
I said to Dawn --- be sudden, to Eve --- be soon, With thy young skiey blossoms heap me over From this tremendous Lover.
Float thy vague veil about me lest He see.
I tempted all His servitors but to find My own betrayal in their constancy, In faith to Him, their fickleness to me, Their traitorous trueness and their loyal deceit.
To all swift things for swiftness did I sue, Clung to the whistling mane of every wind, But whether they swept, smoothly fleet, The long savannahs of the blue, Or whether, thunder-driven, They clanged His chariot thwart a heaven, Plashy with flying lightnings round the spurn of their feet, Fear wist not to evade as Love wist to pursue.
Still with unhurrying chase and unperturbed pace Deliberate speed, majestic instancy, Came on the following feet, and a Voice above their beat: Nought shelters thee who wilt not shelter Me.
I sought no more that after which I strayed In face of Man or Maid.
But still within the little childrens' eyes Seems something, something that replies, They at least are for me, surely for me.
But just as their young eyes grew sudden fair, With dawning answers there, Their angel plucked them from me by the hair.
Come then, ye other children, Nature's Share with me, said I, your delicate fellowship.
Let me greet you lip to lip, Let me twine with you caresses, Wantoning with our Lady Mother's vagrant tresses, Banqueting with her in her wind walled palace, Underneath her azured dai:s, Quaffing, as your taintless way is, From a chalice, lucent weeping out of the dayspring.
So it was done.
I in their delicate fellowship was one.
Drew the bolt of Nature's secrecies, I knew all the swift importings on the wilful face of skies, I knew how the clouds arise, Spume d of the wild sea-snortings.
All that's born or dies, Rose and drooped with, Made them shapers of mine own moods, or wailful, or Divine.
With them joyed and was bereaven.
I was heavy with the Even, when she lit her glimmering tapers round the day's dead sanctities.
I laughed in the morning's eyes.
I triumphed and I saddened with all weather, Heaven and I wept together, and its sweet tears were salt with mortal mine.
Against the red throb of its sunset heart, I laid my own to beat And share commingling heat.
But not by that, by that was eased my human smart.
In vain my tears were wet on Heaven's grey cheek.
For ah! we know what each other says, these things and I; In sound I speak, Their sound is but their stir, they speak by silences.
Nature, poor step-dame, cannot slake my drouth.
Let her, if she would owe me Drop yon blue-bosomed veil of sky And show me the breasts o' her tenderness.
Never did any milk of hers once bless my thirsting mouth.
Nigh and nigh draws the chase, with unperturbe d pace Deliberate speed, majestic instancy, And past those noise d feet, a Voice comes yet more fleet: Lo, nought contentst thee who content'st nought Me.
Naked, I wait thy Love's uplifted stroke.
My harness, piece by piece, thou'st hewn from me And smitten me to my knee, I am defenceless, utterly.
I slept methinks, and awoke.
And slowly gazing, find me stripped in sleep.
In the rash lustihead of my young powers, I shook the pillaring hours, and pulled my life upon me.
Grimed with smears, I stand amidst the dust o' the mounded years-- My mangled youth lies dead beneath the heap.
My days have crackled and gone up in smoke, Have puffed and burst like sunstarts on a stream.
Yeah, faileth now even dream the dreamer and the lute, the lutanist.
Even the linked fantasies in whose blossomy twist, I swung the Earth, a trinket at my wrist, Have yielded, cords of all too weak account, For Earth, with heavy grief so overplussed.
Ah! is thy Love indeed a weed, albeit an Amaranthine weed, Suffering no flowers except its own to mount? Ah! must, Designer Infinite, Ah! must thou char the wood 'ere thou canst limn with it ? My freshness spent its wavering shower i' the dust.
And now my heart is as a broken fount, Wherein tear-drippings stagnate, spilt down ever From the dank thoughts that shiver upon the sighful branches of my mind.
Such is.
What is to be ? The pulp so bitter, how shall taste the rind ? I dimly guess what Time in mists confounds, Yet ever and anon, a trumpet sounds From the hid battlements of Eternity.
Those shaken mists a space unsettle, Then round the half-glimpse d turrets, slowly wash again.
But not 'ere Him who summoneth I first have seen, enwound With glooming robes purpureal; Cypress crowned.
His name I know, and what his trumpet saith.
Whether Man's Heart or Life it be that yield thee harvest, Must thy harvest fields be dunged with rotten death ? Now of that long pursuit, Comes at hand the bruit.
That Voice is round me like a bursting Sea: And is thy Earth so marred, Shattered in shard on shard? Lo, all things fly thee, for thou fliest me.
Strange, piteous, futile thing; Wherefore should any set thee love apart? Seeing none but I makes much of Naught (He said).
And human love needs human meriting --- How hast thou merited, Of all Man's clotted clay, the dingiest clot.
Alack! Thou knowest not How little worthy of any love thou art.
Whom wilt thou find to love ignoble thee, Save me, save only me? All which I took from thee, I did'st but take, Not for thy harms, But just that thou might'st seek it in my arms.
All which thy childs mistake fancies as lost, I have stored for thee at Home.
Rise, clasp my hand, and come.
Halts by me that Footfall.
Is my gloom, after all, Shade of His hand, outstretched caressingly? Ah, Fondest, Blindest, Weakest, I am He whom thou seekest.
Thou dravest Love from thee who dravest Me.
Written by Robert Southey | Create an image from this poem

Donica - A Ballad

 Author Note: In Finland there is a Castle which is called the New Rock, moated about with a river of unfounded depth, the water black and the fish therein
very distateful to the palate.
In this are spectres often seen, which foreshew either the death of the Governor, or some prime officer belonging to the place; and most commonly it appeareth in the shape of an harper, sweetly singing and dallying and playing under the water.
It is reported of one Donica, that after she was dead, the Devil walked in her body for the space of two years, so that none suspected but that she was still alive; for she did both speak and eat, though very sparingly; only she had a deep paleness on her countenance, which was the only sign of death.
At length a Magician coming by where she was then in the company of many other virgins, as soon as he beheld her he said, "fair Maids, why keep you company with the dead Virgin whom you suppose to be alive?" when taking away the magic charm which was tied under her arm, the body fell down lifeless and without motion.
The following Ballad is founded on these stories.
They are to be found in the notes to The Hierarchies of the blessed Angels; a Poem by Thomas Heywood, printed in folio by Adam Islip, 1635.
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High on a rock, whose castled shade Darken'd the lake below, In ancient strength majestic stood The towers of Arlinkow.
The fisher in the lake below Durst never cast his net, Nor ever swallow in its waves Her passing wings would wet.
The cattle from its ominous banks In wild alarm would run, Tho' parched with thirst and faint beneath The summer's scorching sun.
For sometimes when no passing breeze The long lank sedges waved, All white with foam and heaving high Its deafening billows raved; And when the tempest from its base The rooted pine would shake, The powerless storm unruffling swept Across the calm dead lake.
And ever then when Death drew near The house of Arlinkow, Its dark unfathom'd depths did send Strange music from below.
The Lord of Arlinkow was old, One only child had he, Donica was the Maiden's name As fair as fair might be.
A bloom as bright as opening morn Flush'd o'er her clear white cheek, The music of her voice was mild, Her full dark eyes were meek.
Far was her beauty known, for none So fair could Finland boast, Her parents loved the Maiden much, Young EBERHARD loved her most.
Together did they hope to tread The pleasant path of life, For now the day drew near to make Donica Eberhard's wife.
The eve was fair and mild the air, Along the lake they stray; The eastern hill reflected bright The fading tints of day.
And brightly o'er the water stream'd The liquid radiance wide; Donica's little dog ran on And gambol'd at her side.
Youth, Health, and Love bloom'd on her cheek, Her full dark eyes express In many a glance to Eberhard Her soul's meek tenderness.
Nor sound was heard, nor passing gale Sigh'd thro' the long lank sedge, The air was hushed, no little wave Dimpled the water's edge.
Sudden the unfathom'd lake sent forth Strange music from beneath, And slowly o'er the waters sail'd The solemn sounds of Death.
As the deep sounds of Death arose, Donica's cheek grew pale, And in the arms of Eberhard The senseless Maiden fell.
Loudly the youth in terror shriek'd, And loud he call'd for aid, And with a wild and eager look Gaz'd on the death-pale Maid.
But soon again did better thoughts In Eberhard arise, And he with trembling hope beheld The Maiden raise her eyes.
And on his arm reclin'd she moved With feeble pace and slow, And soon with strength recover'd reach'd Yet never to Donica's cheek Return'd the lively hue, Her cheeks were deathy, white, and wan, Her lips a livid blue.
Her eyes so bright and black of yore Were now more black and bright, And beam'd strange lustre in her face So deadly wan and white.
The dog that gambol'd by her side, And lov'd with her to stray, Now at his alter'd mistress howl'd And fled in fear away.
Yet did the faithful Eberhard Not love the Maid the less; He gaz'd with sorrow, but he gaz'd With deeper tenderness.
And when he found her health unharm'd He would not brook delay, But press'd the not unwilling Maid To fix the bridal day.
And when at length it came, with joy They hail'd the bridal day, And onward to the house of God They went their willing way.
And as they at the altar stood And heard the sacred rite, The hallowed tapers dimly stream'd A pale sulphureous light.
And as the Youth with holy warmth Her hand in his did hold, Sudden he felt Donica's hand Grow deadly damp and cold.
And loudly did he shriek, for lo! A Spirit met his view, And Eberhard in the angel form His own Donica knew.
That instant from her earthly frame Howling the Daemon fled, And at the side of Eberhard The livid form fell dead.
Written by Henry Wadsworth Longfellow | Create an image from this poem

Divina Commedia

 Oft have I seen at some cathedral door 
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A laborer, pausing in the dust and heat, .
Lay down his burden, and with reverent feet .
Enter, and cross himself, and on the floor .
Kneel to repeat his paternoster o'er; .
Far off the noises of the world retreat; .
The loud vociferations of the street .
Become an undistinguishable roar.
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So, as I enter here from day to day, .
And leave my burden at this minster gate, .
Kneeling in prayer, and not ashamed to pray, .
The tumult of the time disconsolate .
To inarticulate murmurs dies away, .
While the eternal ages watch and wait.
II.
2.
How strange the sculptures that adorn these towers! .
This crowd of statues, in whose folded sleeves .
Birds build their nests; while canopied with leaves .
Parvis and portal bloom like trellised bowers, .
And the vast minster seems a cross of flowers! .
But fiends and dragons on the gargoyled eaves .
Watch the dead Christ between the living thieves, .
And, underneath, the traitor Judas lowers! .
Ah! from what agonies of heart and brain, .
What exultations trampling on despair, .
What tenderness, what tears, what hate of wrong, .
What passionate outcry of a soul in pain, .
Uprose this poem of the earth and air, .
This medi?val miracle of song! III.
Written December 22, 1865.
3.
I enter, and I see thee in the gloom .
Of the long aisles, O poet saturnine! .
And strive to make my steps keep pace with thine.
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The air is filled with some unknown perfume; .
The congregation of the dead make room .
For thee to pass; the votive tapers shine; .
Like rooks that haunt Ravenna's groves of pine .
The hovering echoes fly from tomb to tomb.
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From the confessionals I hear arise .
Rehearsals of forgotten tragedies, .
And lamentations from the crypts below; .
And then a voice celestial that begins .
With the pathetic words, "Although your sins .
As scarlet be," and ends with "as the snow.
" IV.
Written May 5, 1867.
4.
With snow-white veil and garments as of flame, .
She stands before thee, who so long ago .
Filled thy young heart with passion and the woe .
From which thy song and all its splendors came; .
And while with stern rebuke she speaks thy name, .
The ice about thy heart melts as the snow .
On mountain heights, and in swift overflow .
Comes gushing from thy lips in sobs of shame.
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Thou makest full confession; and a gleam, .
As of the dawn on some dark forest cast, .
Seems on thy lifted forehead to increase; .
Lethe and Euno? -- the remembered dream .
And the forgotten sorrow -- bring at last .
That perfect pardon which is perfect peace.
V.
Written January 16, 1866.
5.
I lift mine eyes, and all the windows blaze .
With forms of Saints and holy men who died, .
Here martyred and hereafter glorified; .
And the great Rose upon its leaves displays .
Christ's Triumph, and the angelic roundelays, .
With splendor upon splendor multiplied; .
And Beatrice again at Dante's side .
No more rebukes, but smiles her words of praise.
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And then the organ sounds, and unseen choirs .
Sing the old Latin hymns of peace and love .
And benedictions of the Holy Ghost; .
And the melodious bells among the spires .
O'er all the house-tops and through heaven above .
Proclaim the elevation of the Host! VI.
Written March 7, 1866.
6.
O star of morning and of liberty! .
O bringer of the light, whose splendor shines .
Above the darkness of the Apennines, .
Forerunner of the day that is to be! .
The voices of the city and the sea, .
The voices of the mountains and the pines, .
Repeat thy song, till the familiar lines .
Are footpaths for the thought of Italy! .
Thy fame is blown abroad from all the heights, .
Through all the nations, and a sound is heard, .
As of a mighty wind, and men devout, .
Strangers of Rome, and the new proselytes, .
In their own language hear thy wondrous word, .
And many are amazed and many doubt.


Written by Robert Browning | Create an image from this poem

The Englishman In Italy

 (PIANO DI SORRENTO.
) Fortu, Frotu, my beloved one, Sit here by my side, On my knees put up both little feet! I was sure, if I tried, I could make you laugh spite of Scirocco; Now, open your eyes— Let me keep you amused till he vanish In black from the skies, With telling my memories over As you tell your beads; All the memories plucked at Sorrento —The flowers, or the weeds, Time for rain! for your long hot dry Autumn Had net-worked with brown The white skin of each grape on the bunches, Marked like a quail's crown, Those creatures you make such account of, Whose heads,—specked with white Over brown like a great spider's back, As I told you last night,— Your mother bites off for her supper; Red-ripe as could be.
Pomegranates were chapping and splitting In halves on the tree: And betwixt the loose walls of great flintstone, Or in the thick dust On the path, or straight out of the rock side, Wherever could thrust Some burnt sprig of bold hardy rock-flower Its yellow face up, For the prize were great butterflies fighting, Some five for one cup.
So, I guessed, ere I got up this morning, What change was in store, By the quick rustle-down of the quail-nets Which woke me before I could open my shutter, made fast With a bough and a stone, And look through the twisted dead vine-twigs, Sole lattice that's known! Quick and sharp rang the rings down the net-poles, While, busy beneath, Your priest and his brother tugged at them, The rain in their teeth: And out upon all the flat house-roofs Where split figs lay drying, The girls took the frails under cover: Nor use seemed in trying To get out the boats and go fishing, For, under the cliff, Fierce the black water frothed o'er the blind-rock No seeing our skiff Arrive about noon from Amalfi, —Our fisher arrive, And pitch down his basket before us, All trembling alive With pink and grey jellies, your sea-fruit, —You touch the strange lumps, And mouths gape there, eyes open, all manner Of horns and of humps.
Which only the fisher looks grave at, While round him like imps Cling screaming the children as naked And brown as his shrimps; Himself too as bare to the middle— —You see round his neck The string and its brass coin suspended, That saves him from wreck.
But today not a boat reached Salerno, So back to a man Came our friends, with whose help in the vineyards Grape-harvest began: In the vat, half-way up in our house-side, Like blood the juice spins, While your brother all bare-legged is dancing Till breathless he grins Dead-beaten, in effort on effort To keep the grapes under, Since still when he seems all but master, In pours the fresh plunder From girls who keep coming and going With basket on shoulder, And eyes shut against the rain's driving, Your girls that are older,— For under the hedges of aloe, And where, on its bed Of the orchard's black mould, the love-apple Lies pulpy and red, All the young ones are kneeling and filling Their laps with the snails Tempted out by this first rainy weather,— Your best of regales, As tonight will be proved to my sorrow, When, supping in state, We shall feast our grape-gleaners (two dozen, Three over one plate) With lasagne so tempting to swallow In slippery ropes, And gourds fried in great purple slices, That colour of popes.
Meantime, see the grape-bunch they've brought you,— The rain-water slips O'er the heavy blue bloom on each globe Which the wasp to your lips Still follows with fretful persistence— Nay, taste, while awake, This half of a curd-white smooth cheese-ball, That peels, flake by flake, Like an onion's, each smoother and whiter; Next, sip this weak wine From the thin green glass flask, with its stopper, A leaf of the vine,— And end with the prickly-pear's red flesh That leaves through its juice The stony black seeds on your pearl-teeth .
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Scirocco is loose! Hark! the quick, whistling pelt of the olives Which, thick in one's track, Tempt the stranger to pick up and bite them, Though not yet half black! How the old twisted olive trunks shudder! The medlars let fall Their hard fruit, and the brittle great fig-trees Snap off, figs and all,— For here comes the whole of the tempest No refuge, but creep Back again to my side and my shoulder, And listen or sleep.
O how will your country show next week When all the vine-boughs Have been stripped of their foliage to pasture The mules and the cows? Last eve, I rode over the mountains; Your brother, my guide, Soon left me, to feast on the myrtles That offered, each side, Their fruit-balls, black, glossy and luscious,— Or strip from the sorbs A treasure, so rosy and wondrous, Of hairy gold orbs! But my mule picked his sure, sober path out, Just stopping to neigh When he recognized down in the valley His mates on their way With the faggots, and barrels of water; And soon we emerged From the plain, where the woods could scarce follow And still as we urged Our way, the woods wondered, and left us, As up still we trudged Though the wild path grew wilder each instant, And place was e'en grudged 'Mid the rock-chasms, and piles of loose stones (Like the loose broken teeth Of some monster, which climbed there to die From the ocean beneath) Place was grudged to the silver-grey fume-weed That clung to the path, And dark rosemary, ever a-dying, That, 'spite the wind's wrath, So loves the salt rock's face to seaward,— And lentisks as staunch To the stone where they root and bear berries,— And.
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what shows a branch Coral-coloured, transparent, with circlets Of pale seagreen leaves— Over all trod my mule with the caution Of gleaners o'er sheaves, Still, foot after foot like a lady— So, round after round, He climbed to the top of Calvano, And God's own profound Was above me, and round me the mountains, And under, the sea, And within me, my heart to bear witness What was and shall be! Oh Heaven, and the terrible crystal! No rampart excludes Your eye from the life to be lived In the blue solitudes! Oh, those mountains, their infinite movement! Still moving with you— For, ever some new head and breast of them Thrusts into view To observe the intruder—you see it If quickly you turn And, before they escape you, surprise them— They grudge you should learn How the soft plains they look on, lean over, And love (they pretend) -Cower beneath them; the flat sea-pine crouches The wild fruit-trees bend, E'en the myrtle-leaves curl, shrink and shut— All is silent and grave— 'Tis a sensual and timorous beauty— How fair, but a slave! So, I turned to the sea,—and there slumbered As greenly as ever Those isles of the siren, your Galli; No ages can sever The Three, nor enable their sister To join them,—half-way On the voyage, she looked at Ulysses— No farther today; Though the small one, just launched in the wave, Watches breast-high and steady From under the rock, her bold sister Swum half-way already.
Fortu, shall we sail there together And see from the sides Quite new rocks show their faces—new haunts Where the siren abides? Shall we sail round and round them, close over The rocks, though unseen, That ruffle the grey glassy water To glorious green? Then scramble from splinter to splinter, Reach land and explore, On the largest, the strange square black turret With never a door, Just a loop to admit the quick lizards; Then, stand there and hear The birds' quiet singing, that tells us What life is, so clear! The secret they sang to Ulysses, When, ages ago, He heard and he knew this life's secret, I hear and I know! Ah, see! The sun breaks o'er Calvano— He strikes the great gloom And flutters it o'er the mount's summit In airy gold fume! All is over! Look out, see the gipsy, Our tinker and smith, Has arrived, set up bellows and forge, And down-squatted forthwith To his hammering, under the wall there; One eye keeps aloof The urchins that itch to be putting His jews'-harps to proof, While the other, through locks of curled wire, Is watching how sleek Shines the hog, come to share in the windfalls —An abbot's own cheek! All is over! Wake up and come out now, And down let us go, And see the fine things got in order At Church for the show Of the Sacrament, set forth this evening; Tomorrow's the Feast Of the Rosary's Virgin, by no means Of Virgins the least— As you'll hear in the off-hand discourse Which (all nature, no art) The Dominican brother, these three weeks, Was getting by heart.
Not a post nor a pillar but's dizened With red and blue papers; All the roof waves with ribbons, each altar A-blaze with long tapers; But the great masterpiece is the scaffold Rigged glorious to hold All the fiddlers and fifers and drummers And trumpeters bold, Not afraid of Bellini nor Auber, Who, when the priest's hoarse, Will strike us up something that's brisk For the feast's second course.
And then will the flaxen-wigged Image Be carried in pomp Through the plain, while in gallant procession The priests mean to stomp.
And all round the glad church lie old bottles With gunpowder stopped, Which will be, when the Image re-enters, Religiously popped.
And at night from the crest of Calvano Great bonfires will hang, On the plain will the trumpets join chorus, And more poppers bang! At all events, come—to the garden, As far as the wall, See me tap with a hoe on the plaster Till out there shall fall A scorpion with wide angry nippers! .
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"Such trifles"—you say? Fortu, in my England at home, Men meet gravely today And debate, if abolishing Corn-laws Is righteous and wise —If 'tis proper, Scirocco should vanish In black from the skies!
Written by John Milton | Create an image from this poem

The Hymn

 I

It was the Winter wilde,
While the Heav'n-born-childe, 
All meanly wrapt in the rude manger lies;
Nature in aw to him
Had doff't her gawdy trim,
With her great Master so to sympathize:
It was no season then for her
To wanton with the Sun her lusty Paramour.
II Only with speeches fair She woo'd the gentle Air To hide her guilty front with innocent Snow, And on her naked shame, Pollute with sinfull blame, The Saintly Vail of Maiden white to throw, Confounded, that her Makers eyes Should look so near upon her foul deformities.
III But he her fears to cease, Sent down the meek-eyd Peace, She crown'd with Olive green, came softly sliding Down through the turning sphear His ready Harbinger, With Turtle wing the amorous clouds dividing, And waving wide her mirtle wand, She strikes a universall Peace through Sea and Land.
IV No War, or Battails sound Was heard the World around, The idle spear and shield were high up hung; The hooked Chariot stood Unstain'd with hostile blood, The Trumpet spake not to the armed throng, And Kings sate still with awfull eye, As if they surely knew their sovran Lord was by.
V But peacefull was the night Wherin the Prince of light His raign of peace upon the earth began: The Windes with wonder whist, Smoothly the waters kist, Whispering new joyes to the milde Ocean, Who now hath quite forgot to rave, While Birds of Calm sit brooding on the charmed wave.
VI The Stars with deep amaze Stand fit in steadfast gaze, Bending one way their pretious influence, And will not take their flight, For all the morning light, Or Lucifer that often warned them thence; But in their glimmering Orbs did glow, Until their Lord himself bespake, and bid them go.
VII And though the shady gloom Had given day her room, The Sun himself with-held his wonted speed, And hid his head for shame, As his inferior flame, The new enlightened world no more should need; He saw a greater Sun appear Then his bright Throne, or burning Axletree could bear.
VIII The Shepherds on the Lawn, Or ere the point of dawn, Sate simply chatting in a rustic row; Full little thought they than, That the mighty Pan Was kindly com to live with them below; Perhaps their loves, or els their sheep, Was all that did their silly thoughts so busie keep.
IX When such Musick sweet Their hearts and ears did greet, As never was by mortal finger strook, Divinely-warbled voice Answering the stringed noise, As all their souls in blisfull rapture took: The Air such pleasure loth to lose, With thousand echo's still prolongs each heav'nly close.
X Nature that heard such sound Beneath the hollow round of Cynthia's seat the Airy region thrilling, Now was almost won To think her part was don And that her raign had here its last fulfilling; She knew such harmony alone Could hold all Heav'n and Earth in happier union.
XI At last surrounds their sight A globe of circular light, That with long beams the shame faced night arrayed The helmed Cherubim And sworded Seraphim, Are seen in glittering ranks with wings displaid, Harping in loud and solemn quire, With unexpressive notes to Heav'ns new-born Heir.
XII Such Musick (as 'tis said) Before was never made, But when of old the sons of morning sung, While the Creator Great His constellations set, And the well-ballanc't world on hinges hung, And cast the dark foundations deep, And bid the weltring waves their oozy channel keep.
XIII Ring out ye Crystall sphears, Once bless our human ears, (If ye have power to touch our senses so) And let your silver chime Move in melodious time; And let the Base of Heav'ns deep Organ blow, And with your ninefold harmony Make up full consort to th'Angelike symphony.
XIV For if such holy Song Enwrap our fancy long, Time will run back, and fetch the age of gold, And speckl'd vanity Will sicken soon and die, And leprous sin will melt from earthly mould, And Hell it self will pass away And leave her dolorous mansions to the peering day.
XV Yea Truth, and Justice then Will down return to men, Th'enameld Arras of the Rain-bow wearing, And Mercy set between Thron'd in Celestiall sheen, With radiant feet the tissued clouds down stearing, And Heav'n as at som festivall, Will open wide the gates of her high Palace Hall.
XVI But wisest Fate sayes no, This must not yet be so, The Babe lies yet in smiling Infancy, That on the bitter cross Must redeem our loss; So both himself and us to glorifie: Yet first to those ychain'd in sleep, The Wakeful trump of doom must thunder through the deep, XVII With such a horrid clang As on Mount Sinai rang While the red fire, and smouldring clouds out brake: The aged Earth agast With terrour of that blast, Shall from the surface to the center shake; When at the worlds last session, The dreadfull Judge in middle Air shall spread his throne.
XVIII And then at last our bliss Full and perfect is, But now begins; for from this happy day Th'old Dragon under ground In straiter limits bound, Not half so far casts his usurped sway, And wrath to see his Kingdom fail, Swindges the scaly Horrour of his foulded tail.
XIX The Oracles are dumm, No voice or hideous humm Runs through the arched roof in words deceiving.
Apollo from his shrine Can no more divine, With hollow shreik the steep of Delphos leaving.
No nightly trance, or breathed spell, Inspire's the pale-ey'd Priest from the prophetic cell.
XX The lonely mountains o're, And the resounding shore, A voice of weeping heard, and loud lament; From haunted spring, and dale Edg'd with poplar pale The parting Genius is with sighing sent, With flowre-inwov'n tresses torn The Nimphs in twilight shade of tangled thickets mourn.
XXI In consecrated Earth, And on the holy Hearth, The Lars, and Lemures moan with midnight plaint, In Urns, and Altars round, A drear, and dying sound Affrights the Flamins at their service quaint; And the chill Marble seems to sweat, While each peculiar power forgoes his wonted seat.
XXII Peor, and Baalim, Forsake their Temples dim, With that twise-batter'd god of Palestine, And mooned Ashtaroth, Heav'ns Queen and Mother both, Now sits not girt with Tapers holy shine, The Libyc Hammon shrinks his horn, In vain the Tyrian Maids their wounded Thamuz mourn.
XXIII And sullen Moloch fled, Hath left in shadows dred, His burning Idol all of blackest hue, In vain with Cymbals ring, They call the grisly king, In dismall dance about the furnace Blue; And Brutish gods of Nile as fast, lsis and Orus, and the Dog Anubis hast.
Written by Matthew Arnold | Create an image from this poem

Stanzas from the Grande Chartreuse

 Through Alpine meadows soft-suffused
With rain, where thick the crocus blows,
Past the dark forges long disused,
The mule-track from Saint Laurent goes.
The bridge is cross'd, and slow we ride, Through forest, up the mountain-side.
The autumnal evening darkens round, The wind is up, and drives the rain; While, hark! far down, with strangled sound Doth the Dead Guier's stream complain, Where that wet smoke, among the woods, Over his boiling cauldron broods.
Swift rush the spectral vapours white Past limestone scars with ragged pines, Showing--then blotting from our sight!-- Halt--through the cloud-drift something shines! High in the valley, wet and drear, The huts of Courrerie appear.
Strike leftward! cries our guide; and higher Mounts up the stony forest-way.
At last the encircling trees retire; Look! through the showery twilight grey What pointed roofs are these advance?-- A palace of the Kings of France? Approach, for what we seek is here! Alight, and sparely sup, and wait For rest in this outbuilding near; Then cross the sward and reach that gate.
Knock; pass the wicket! Thou art come To the Carthusians' world-famed home.
The silent courts, where night and day Into their stone-carved basins cold The splashing icy fountains play-- The humid corridors behold! Where, ghostlike in the deepening night, Cowl'd forms brush by in gleaming white.
The chapel, where no organ's peal Invests the stern and naked prayer-- With penitential cries they kneel And wrestle; rising then, with bare And white uplifted faces stand, Passing the Host from hand to hand; Each takes, and then his visage wan Is buried in his cowl once more.
The cells!--the suffering Son of Man Upon the wall--the knee-worn floor-- And where they sleep, that wooden bed, Which shall their coffin be, when dead! The library, where tract and tome Not to feed priestly pride are there, To hymn the conquering march of Rome, Nor yet to amuse, as ours are! They paint of souls the inner strife, Their drops of blood, their death in life.
The garden, overgrown--yet mild, See, fragrant herbs are flowering there! Strong children of the Alpine wild Whose culture is the brethren's care; Of human tasks their only one, And cheerful works beneath the sun.
Those halls, too, destined to contain Each its own pilgrim-host of old, From England, Germany, or Spain-- All are before me! I behold The House, the Brotherhood austere! --And what am I, that I am here? For rigorous teachers seized my youth, And purged its faith, and trimm'd its fire, Show'd me the high, white star of Truth, There bade me gaze, and there aspire.
Even now their whispers pierce the gloom: What dost thou in this living tomb? Forgive me, masters of the mind! At whose behest I long ago So much unlearnt, so much resign'd-- I come not here to be your foe! I seek these anchorites, not in ruth, To curse and to deny your truth; Not as their friend, or child, I speak! But as, on some far northern strand, Thinking of his own Gods, a Greek In pity and mournful awe might stand Before some fallen Runic stone-- For both were faiths, and both are gone.
Wandering between two worlds, one dead, The other powerless to be born, With nowhere yet to rest my head, Like these, on earth I wait forlorn.
Their faith, my tears, the world deride-- I come to shed them at their side.
Oh, hide me in your gloom profound, Ye solemn seats of holy pain! Take me, cowl'd forms, and fence me round, Till I possess my soul again; Till free my thoughts before me roll, Not chafed by hourly false control! For the world cries your faith is now But a dead time's exploded dream; My melancholy, sciolists say, Is a pass'd mode, an outworn theme-- As if the world had ever had A faith, or sciolists been sad! Ah, if it be pass'd, take away, At least, the restlessness, the pain; Be man henceforth no more a prey To these out-dated stings again! The nobleness of grief is gone Ah, leave us not the fret alone! But--if you cannot give us ease-- Last of the race of them who grieve Here leave us to die out with these Last of the people who believe! Silent, while years engrave the brow; Silent--the best are silent now.
Achilles ponders in his tent, The kings of modern thought are dumb, Silent they are though not content, And wait to see the future come.
They have the grief men had of yore, But they contend and cry no more.
Our fathers water'd with their tears This sea of time whereon we sail, Their voices were in all men's ears We pass'd within their puissant hail.
Still the same ocean round us raves, But we stand mute, and watch the waves.
For what avail'd it, all the noise And outcry of the former men?-- Say, have their sons achieved more joys, Say, is life lighter now than then? The sufferers died, they left their pain-- The pangs which tortured them remain.
What helps it now, that Byron bore, With haughty scorn which mock'd the smart, Through Europe to the ?tolian shore The pageant of his bleeding heart? That thousands counted every groan, And Europe made his woe her own? What boots it, Shelley! that the breeze Carried thy lovely wail away, Musical through Italian trees Which fringe thy soft blue Spezzian bay? Inheritors of thy distress Have restless hearts one throb the less? Or are we easier, to have read, O Obermann! the sad, stern page, Which tells us how thou hidd'st thy head From the fierce tempest of thine age In the lone brakes of Fontainebleau, Or chalets near the Alpine snow? Ye slumber in your silent grave!-- The world, which for an idle day Grace to your mood of sadness gave, Long since hath flung her weeds away.
The eternal trifler breaks your spell; But we--we learned your lore too well! Years hence, perhaps, may dawn an age, More fortunate, alas! than we, Which without hardness will be sage, And gay without frivolity.
Sons of the world, oh, speed those years; But, while we wait, allow our tears! Allow them! We admire with awe The exulting thunder of your race; You give the universe your law, You triumph over time and space! Your pride of life, your tireless powers, We laud them, but they are not ours.
We are like children rear'd in shade Beneath some old-world abbey wall, Forgotten in a forest-glade, And secret from the eyes of all.
Deep, deep the greenwood round them waves, Their abbey, and its close of graves! But, where the road runs near the stream, Oft through the trees they catch a glance Of passing troops in the sun's beam-- Pennon, and plume, and flashing lance! Forth to the world those soldiers fare, To life, to cities, and to war! And through the wood, another way, Faint bugle-notes from far are borne, Where hunters gather, staghounds bay, Round some fair forest-lodge at morn.
Gay dames are there, in sylvan green; Laughter and cries--those notes between! The banners flashing through the trees Make their blood dance and chain their eyes; That bugle-music on the breeze Arrests them with a charm'd surprise.
Banner by turns and bugle woo: Ye shy recluses, follow too! O children, what do ye reply?-- 'Action and pleasure, will ye roam Through these secluded dells to cry And call us?--but too late ye come! Too late for us your call ye blow, Whose bent was taken long ago.
'Long since we pace this shadow'd nave; We watch those yellow tapers shine, Emblems of hope over the grave, In the high altar's depth divine; The organ carries to our ear Its accents of another sphere.
'Fenced early in this cloistral round Of reverie, of shade, of prayer, How should we grow in other ground? How can we flower in foreign air? --Pass, banners, pass, and bugles, cease; And leave our desert to its peace!'
Written by Lewis Carroll | Create an image from this poem

Fames Penny-Trumpet

 Blow, blow your trumpets till they crack,
Ye little men of little souls!
And bid them huddle at your back -
Gold-sucking leeches, shoals on shoals! 

Fill all the air with hungry wails -
"Reward us, ere we think or write!
Without your Gold mere Knowledge fails
To sate the swinish appetite!" 

And, where great Plato paced serene,
Or Newton paused with wistful eye,
Rush to the chace with hoofs unclean
And Babel-clamour of the sty 

Be yours the pay: be theirs the praise:
We will not rob them of their due,
Nor vex the ghosts of other days
By naming them along with you.
They sought and found undying fame: They toiled not for reward nor thanks: Their cheeks are hot with honest shame For you, the modern mountebanks! Who preach of Justice - plead with tears That Love and Mercy should abound - While marking with complacent ears The moaning of some tortured hound: Who prate of Wisdom - nay, forbear, Lest Wisdom turn on you in wrath, Trampling, with heel that will not spare, The vermin that beset her path! Go, throng each other's drawing-rooms, Ye idols of a petty clique: Strut your brief hour in borrowed plumes, And make your penny-trumpets squeak.
Deck your dull talk with pilfered shreds Of learning from a nobler time, And oil each other's little heads With mutual Flattery's golden slime: And when the topmost height ye gain, And stand in Glory's ether clear, And grasp the prize of all your pain - So many hundred pounds a year - Then let Fame's banner be unfurled! Sing Paeans for a victory won! Ye tapers, that would light the world, And cast a shadow on the Sun - Who still shall pour His rays sublime, One crystal flood, from East to West, When YE have burned your little time And feebly flickered into rest!
Written by Walter de la Mare | Create an image from this poem

The Song Of Shadows

 "Sweep thy faint strings, Musician,
With thy long lean hand;
Downward the starry tapers burn,
Sinks soft the waning sand;
The old hound whimpers couched in sleep,
The embers smoulder low;
Across the walls the shadows
Come, and go.
Sweep softly thy strings, Musician, The minutes mount to hours; Frost on the windless casement weaves A labyrinth of flowers; Ghosts linger in the darkening air, Hearken at the open door; Music hath called them, dreaming, Home once more.
"

Book: Reflection on the Important Things