Written by
Dylan Thomas |
In the mustardseed sun,
By full tilt river and switchback sea
Where the cormorants scud,
In his house on stilts high among beaks
And palavers of birds
This sandgrain day in the bent bay's grave
He celebrates and spurns
His driftwood thirty-fifth wind turned age;
Herons spire and spear.
Under and round him go
Flounders, gulls, on their cold, dying trails,
Doing what they are told,
Curlews aloud in the congered waves
Work at their ways to death,
And the rhymer in the long tongued room,
Who tolls his birthday bell,
Toils towards the ambush of his wounds;
Herons, steeple stemmed, bless.
In the thistledown fall,
He sings towards anguish; finches fly
In the claw tracks of hawks
On a seizing sky; small fishes glide
Through wynds and shells of drowned
Ship towns to pastures of otters.
He
In his slant, racking house
And the hewn coils of his trade perceives
Herons walk in their shroud,
The livelong river's robe
Of minnows wreathing around their prayer;
And far at sea he knows,
Who slaves to his crouched, eternal end
Under a serpent cloud,
Dolphins dive in their turnturtle dust,
The rippled seals streak down
To kill and their own tide daubing blood
Slides good in the sleek mouth.
In a cavernous, swung
Wave's silence, wept white angelus knells.
Thirty-five bells sing struck
On skull and scar where his loves lie wrecked,
Steered by the falling stars.
And to-morrow weeps in a blind cage
Terror will rage apart
Before chains break to a hammer flame
And love unbolts the dark
And freely he goes lost
In the unknown, famous light of great
And fabulous, dear God.
Dark is a way and light is a place,
Heaven that never was
Nor will be ever is always true,
And, in that brambled void,
Plenty as blackberries in the woods
The dead grow for His joy.
There he might wander bare
With the spirits of the horseshoe bay
Or the stars' seashore dead,
Marrow of eagles, the roots of whales
And wishbones of wild geese,
With blessed, unborn God and His Ghost,
And every soul His priest,
Gulled and chanter in young Heaven's fold
Be at cloud quaking peace,
But dark is a long way.
He, on the earth of the night, alone
With all the living, prays,
Who knows the rocketing wind will blow
The bones out of the hills,
And the scythed boulders bleed, and the last
Rage shattered waters kick
Masts and fishes to the still quick starts,
Faithlessly unto Him
Who is the light of old
And air shaped Heaven where souls grow wild
As horses in the foam:
Oh, let me midlife mourn by the shrined
And druid herons' vows
The voyage to ruin I must run,
Dawn ships clouted aground,
Yet, though I cry with tumbledown tongue,
Count my blessings aloud:
Four elements and five
Senses, and man a spirit in love
Tangling through this spun slime
To his nimbus bell cool kingdom come
And the lost, moonshine domes,
And the sea that hides his secret selves
Deep in its black, base bones,
Lulling of spheres in the seashell flesh,
And this last blessing most,
That the closer I move
To death, one man through his sundered hulks,
The louder the sun blooms
And the tusked, ramshackling sea exults;
And every wave of the way
And gale I tackle, the whole world then,
With more triumphant faith
That ever was since the world was said,
Spins its morning of praise,
I hear the bouncing hills
Grow larked and greener at berry brown
Fall and the dew larks sing
Taller this thunderclap spring, and how
More spanned with angles ride
The mansouled fiery islands! Oh,
Holier then their eyes,
And my shining men no more alone
As I sail out to die.
|
Written by
Walt Whitman |
1
SAUNTERING the pavement, or riding the country by-road—lo! such faces!
Faces of friendship, precision, caution, suavity, ideality;
The spiritual, prescient face—the always welcome, common, benevolent face,
The face of the singing of music—the grand faces of natural lawyers and judges, broad
at
the
back-top;
The faces of hunters and fishers, bulged at the brows—the shaved blanch’d faces
of
orthodox citizens;
The pure, extravagant, yearning, questioning artist’s face;
The ugly face of some beautiful Soul, the handsome detested or despised face;
The sacred faces of infants, the illuminated face of the mother of many children;
The face of an amour, the face of veneration;
The face as of a dream, the face of an immobile rock;
The face withdrawn of its good and bad, a castrated face;
A wild hawk, his wings clipp’d by the clipper;
A stallion that yielded at last to the thongs and knife of the gelder.
Sauntering the pavement, thus, or crossing the ceaseless ferry, faces, and faces, and
faces:
I see them, and complain not, and am content with all.
2
Do you suppose I could be content with all, if I thought them their own finale?
This now is too lamentable a face for a man;
Some abject louse, asking leave to be—cringing for it;
Some milk-nosed maggot, blessing what lets it wrig to its hole.
This face is a dog’s snout, sniffing for garbage;
Snakes nest in that mouth—I hear the sibilant threat.
This face is a haze more chill than the arctic sea;
Its sleepy and wobbling icebergs crunch as they go.
This is a face of bitter herbs—this an emetic—they need no label;
And more of the drug-shelf, laudanum, caoutchouc, or hog’s-lard.
This face is an epilepsy, its wordless tongue gives out the unearthly cry,
Its veins down the neck distended, its eyes roll till they show nothing but their whites,
Its teeth grit, the palms of the hands are cut by the turn’d-in nails,
The man falls struggling and foaming to the ground while he speculates well.
This face is bitten by vermin and worms,
And this is some murderer’s knife, with a half-pull’d scabbard.
This face owes to the sexton his dismalest fee;
An unceasing death-bell tolls there.
3
Those then are really men—the bosses and tufts of the great round globe!
Features of my equals, would you trick me with your creas’d and cadaverous march?
Well, you cannot trick me.
I see your rounded, never-erased flow;
I see neath the rims of your haggard and mean disguises.
Splay and twist as you like—poke with the tangling fores of fishes or rats;
You’ll be unmuzzled, you certainly will.
I saw the face of the most smear’d and slobbering idiot they had at the asylum;
And I knew for my consolation what they knew not;
I knew of the agents that emptied and broke my brother,
The same wait to clear the rubbish from the fallen tenement;
And I shall look again in a score or two of ages,
And I shall meet the real landlord, perfect and unharm’d, every inch as good as
myself.
4
The Lord advances, and yet advances;
Always the shadow in front—always the reach’d hand bringing up the laggards.
Out of this face emerge banners and horses—O superb! I see what is coming;
I see the high pioneer-caps—I see the staves of runners clearing the way,
I hear victorious drums.
This face is a life-boat;
This is the face commanding and bearded, it asks no odds of the rest;
This face is flavor’d fruit, ready for eating;
This face of a healthy honest boy is the programme of all good.
These faces bear testimony, slumbering or awake;
They show their descent from the Master himself.
Off the word I have spoken, I except not one—red, white, black, are all deific;
In each house is the ovum—it comes forth after a thousand years.
Spots or cracks at the windows do not disturb me;
Tall and sufficient stand behind, and make signs to me;
I read the promise, and patiently wait.
This is a full-grown lily’s face,
She speaks to the limber-hipp’d man near the garden pickets,
Come here, she blushingly cries—Come nigh to me, limber-hipp’d
man,
Stand at my side till I lean as high as I can upon you,
Fill me with albescent honey, bend down to me,
Rub to me with your chafing beard, rub to my breast and shoulders.
5
The old face of the mother of many children!
Whist! I am fully content.
Lull’d and late is the smoke of the First-day morning,
It hangs low over the rows of trees by the fences,
It hangs thin by the sassafras, the wild-cherry, and the cat-brier under them.
I saw the rich ladies in full dress at the soiree,
I heard what the singers were singing so long,
Heard who sprang in crimson youth from the white froth and the water-blue,
Behold a woman!
She looks out from her quaker cap—her face is clearer and more beautiful than the
sky.
She sits in an arm-chair, under the shaded porch of the farmhouse,
The sun just shines on her old white head.
Her ample gown is of cream-hued linen,
Her grandsons raised the flax, and her granddaughters spun it with the distaff and the
wheel.
The melodious character of the earth,
The finish beyond which philosophy cannot go, and does not wish to go,
The justified mother of men.
|
Written by
Pablo Neruda |
Thinking, tangling shadows in the deep solitude.
You are far away too, oh farther than anyone.
Thinking, freeing birds, dissolving images,
burying lamps.
Belfry of fogs, how far away, up there!
Stifling laments, milling shadowy hopes,
taciturn miller,
night falls on you face downward, far from the city.
Your presence is foreign, as strange to me as a thing.
I think, I explore great tracts of my life before you.
My life before anyone, my harsh life.
The shout facing the sea, among the rocks,
running free, mad, in the sea-spray.
The sad rage, the shout, the solitude of the sea.
Headlong, violent, stretched towards the sky.
You, woman, what were you there, what ray, what vane
of that immense fan? You were as far as you are now.
Fire in the forest! Burn in blue crosses.
Burn, burn, flame up, sparkle in trees of light.
It collapses, crackling.
Fire.
Fire.
And my soul dances, seared with curls of fire.
Who calls? What silence peopled with echoes?
Hour of nostalgia, hour of happiness, hour of solitude.
Hour that is mine from among them all!
Megaphone in which the wind passes singing.
Such a passion of weeping tied to my body.
Shaking of all the roots,
attack of all the waves!
My soul wandered, happy, sad, unending.
Thinking, burying lamps in the deep solitude.
Who are you, who are you?
|
Written by
Marge Piercy |
Under a sky the color of pea soup
she is looking at her work growing away there
actively, thickly like grapevines or pole beans
as things grow in the real world, slowly enough.
If you tend them properly, if you mulch, if you water,
if you provide birds that eat insects a home and winter food,
if the sun shines and you pick off caterpillars,
if the praying mantis comes and the ladybugs and the bees,
then the plants flourish, but at their own internal clock.
Connections are made slowly, sometimes they grow underground.
You cannot tell always by looking what is happening.
More than half the tree is spread out in the soil under your feet.
Penetrate quietly as the earthworm that blows no trumpet.
Fight persistently as the creeper that brings down the tree.
Spread like the squash plant that overruns the garden.
Gnaw in the dark and use the sun to make sugar.
Weave real connections, create real nodes, build real houses.
Live a life you can endure: Make love that is loving.
Keep tangling and interweaving and taking more in,
a thicket and bramble wilderness to the outside but to us
interconnected with rabbit runs and burrows and lairs.
Live as if you liked yourself, and it may happen:
reach out, keep reaching out, keep bringing in.
This is how we are going to live for a long time: not always,
for every gardener knows that after the digging, after
the planting,
after the long season of tending and growth, the harvest comes.
|
Written by
Robert Burns |
OPPRESS’D with grief, oppress’d with care,
A burden more than I can bear,
I set me down and sigh;
O life! thou art a galling load,
Along a rough, a weary road,
To wretches such as I!
Dim backward as I cast my view,
What sick’ning scenes appear!
What sorrows yet may pierce me through,
Too justly I may fear!
Still caring, despairing,
Must be my bitter doom;
My woes here shall close ne’er
But with the closing tomb!
Happy! ye sons of busy life,
Who, equal to the bustling strife,
No other view regard!
Ev’n when the wished end’s denied,
Yet while the busy means are plied,
They bring their own reward:
Whilst I, a hope-abandon’d wight,
Unfitted with an aim,
Meet ev’ry sad returning night,
And joyless morn the same!
You, bustling, and justling,
Forget each grief and pain;
I, listless, yet restless,
Find ev’ry prospect vain.
How blest the solitary’s lot,
Who, all-forgetting, all forgot,
Within his humble cell,
The cavern, wild with tangling roots,
Sits o’er his newly gather’d fruits,
Beside his crystal well!
Or haply, to his ev’ning thought,
By unfrequented stream,
The ways of men are distant brought,
A faint, collected dream;
While praising, and raising
His thoughts to heav’n on high,
As wand’ring, meand’ring,
He views the solemn sky.
Than I, no lonely hermit plac’d
Where never human footstep trac’d,
Less fit to play the part,
The lucky moment to improve,
And just to stop, and just to move,
With self-respecting art:
But ah! those pleasures, loves, and joys,
Which I too keenly taste,
The solitary can despise,
Can want, and yet be blest!
He needs not, he heeds not,
Or human love or hate;
Whilst I here must cry here
At perfidy ingrate!
O, enviable, early days,
When dancing thoughtless pleasure’s maze,
To care, to guilt unknown!
How ill exchang’d for riper times,
To feel the follies, or the crimes,
Of others, or my own!
Ye tiny elves that guiltless sport,
Like linnets in the bush,
Ye little know the ills ye court,
When manhood is your wish!
The losses, the crosses,
That active man engage;
The fears all, the tears all,
Of dim declining age!
|
Written by
John Gould Fletcher |
I
Like a gaunt, scraggly pine
Which lifts its head above the mournful sandhills;
And patiently, through dull years of bitter silence,
Untended and uncared for, starts to grow.
Ungainly, labouring, huge,
The wind of the north has twisted and gnarled its branches;
Yet in the heat of midsummer days, when thunderclouds ring the horizon,
A nation of men shall rest beneath its shade.
And it shall protect them all,
Hold everyone safe there, watching aloof in silence;
Until at last one mad stray bolt from the zenith
Shall strike it in an instant down to earth.
II
There was a darkness in this man; an immense and hollow darkness,
Of which we may not speak, nor share with him, nor enter;
A darkness through which strong roots stretched downwards into the earth
Towards old things:
Towards the herdman-kings who walked the earth and spoke with God,
Towards the wanderers who sought for they knew not what, and found their goal
at last;
Towards the men who waited, only waited patiently when all seemed lost,
Many bitter winters of defeat;
Down to the granite of patience
These roots swept, knotted fibrous roots, prying, piercing, seeking,
And drew from the living rock and the living waters about it
The red sap to carry upwards to the sun.
Not proud, but humble,
Only to serve and pass on, to endure to the end through service;
For the ax is laid at the roots of the trees, and all that bring not forth
good fruit
Shall be cut down on the day to come and cast into the fire.
III
There is a silence abroad in the land to-day,
And in the hearts of men, a deep and anxious silence;
And, because we are still at last, those bronze lips slowly open,
Those hollow and weary eyes take on a gleam of light.
Slowly a patient, firm-syllabled voice cuts through the endless silence
Like labouring oxen that drag a plow through the chaos of rude clay-fields:
"I went forward as the light goes forward in early spring,
But there were also many things which I left behind.
"Tombs that were quiet;
One, of a mother, whose brief light went out in the darkness,
One, of a loved one, the snow on whose grave is long falling,
One, only of a child, but it was mine.
"Have you forgot your graves? Go, question them in anguish,
Listen long to their unstirred lips.
From your hostages to silence,
Learn there is no life without death, no dawn without sun-setting,
No victory but to him who has given all.
"
IV
The clamour of cannon dies down, the furnace-mouth of the battle is silent.
The midwinter sun dips and descends, the earth takes on afresh
its bright colours.
But he whom we mocked and obeyed not, he whom we scorned and mistrusted,
He has descended, like a god, to his rest.
Over the uproar of cities,
Over the million intricate threads of life wavering and crossing,
In the midst of problems we know not, tangling, perplexing, ensnaring,
Rises one white tomb alone.
Beam over it, stars,
Wrap it round, stripes -- stripes red for the pain that he bore for you --
Enfold it forever, O flag, rent, soiled, but repaired through your anguish;
Long as you keep him there safe, the nations shall bow to your law.
Strew over him flowers:
Blue forget-me-nots from the north, and the bright pink arbutus
From the east, and from the west rich orange blossom,
And from the heart of the land take the passion-flower;
Rayed, violet, dim,
With the nails that pierced, the cross that he bore and the circlet,
And beside it there lay also one lonely snow-white magnolia,
Bitter for remembrance of the healing which has passed.
|
Written by
William Morris |
So swift the hours are moving
Unto the time unproved:
Farewell my love unloving,
Farewell my love beloved!
What! are we not glad-hearted?
Is there no deed to do?
Is not all fear departed
And Spring-tide blossomed new?
The sails swell out above us,
The sea-ridge lifts the keel;
For They have called who love us,
Who bear the gifts that heal:
A crown for him that winneth,
A bed for him that fails,
A glory that beginneth
In never-dying tales.
Yet now the pain is ended
And the glad hand grips the sword,
Look on thy life amended
And deal out due award.
Think of the thankless morning,
The gifts of noon unused;
Think of the eve of scorning,
The night of prayer refused.
And yet.
The life before it,
Dost thou remember aught,
What terrors shivered o'er it
Born from the hell of thought?
And this that cometh after:
How dost thou live, and dare
To meet its empty laughter,
To face its friendless care?
In fear didst thou desire,
At peace dost thou regret,
The wasting of the fire,
The tangling of the net.
Love came and gat fair greeting;
Love went; and left no shame.
Shall both the twilights meeting
The summer sunlight blame?
What! cometh love and goeth
Like the dark night's empty wind,
Because thy folly soweth
The harvest of the blind?
Hast thou slain love with sorrow?
Have thy tears quenched the sun?
Nay even yet tomorrow
Shall many a deed be done.
This twilight sea thou sailest,
Has it grown dim and black
For that wherein thou failest,
And the story of thy lack?
Peace then! for thine old grieving
Was born of Earth the kind,
And the sad tale thou art leaving
Earth shall not leave behind.
Peace! for that joy abiding
Whereon thou layest hold
Earth keepeth for a tiding
For the day when this is old.
Thy soul and life shall perish,
And thy name as last night's wind;
But Earth the deed shall cherish
That thou today shalt find.
And all thy joy and sorrow
So great but yesterday,
So light a thing tomorrow,
Shall never pass away.
Lo! lo! the dawn-blink yonder,
The sunrise draweth nigh,
And men forget to wonder
That they were born to die.
Then praise the deed that wendeth
Through the daylight and the mirth!
The tale that never endeth
Whoso may dwell on earth.
|
Written by
Eugene Field |
They told me once that Pan was dead,
And so, in sooth, I thought him;
For vainly where the streamlets led
Through flowery meads I sought him--
Nor in his dewy pasture bed
Nor in the grove I caught him.
"Tell me," 'twas so my clamor ran--
"Tell me, oh, where is Pan?"
But, once, as on my pipe I played
A requiem sad and tender,
Lo, thither came a shepherd-maid--
Full comely she and slender!
I were indeed a churlish blade
With wailings to offend 'er--
For, surely, wooing's sweeter than
A mourning over Pan!
So, presently, whiles I did scan
That shepherd-maiden pretty,
And heard her accents, I began
To pipe a cheerful ditty;
And so, betimes, forgot old Pan
Whose death had waked my pity;
So--so did Love undo the man
Who sought and pined for Pan!
He was not dead! I found him there--
The Pan that I was after!
Caught in that maiden's tangling hair,
Drunk with her song and laughter!
I doubt if there be otherwhere
A merrier god or dafter--
Nay, nor a mortal kindlier than
Is this same dear old Pan!
Beside me, as my pipe I play,
My shepherdess is lying,
While here and there her lambkins stray
As sunny hours go flying;
They look like me--those lambs--they say,
And that I'm not denying!
And for that sturdy, romping clan,
All glory be to Pan!
Pan is not dead, O sweetheart mine!
It is to hear his voices
In every note and every line
Wherein the heart rejoices!
He liveth in that sacred shrine
That Love's first, holiest choice is!
So pipe, my pipe, while still you can,
Sweet songs in praise of Pan!
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