Written by
Federico García Lorca |
Playing her parchment moon
Precosia comes
along a watery path of laurels and crystal lights.
The starless silence, fleeing
from her rhythmic tambourine,
falls where the sea whips and sings,
his night filled with silvery swarms.
High atop the mountain peaks
the sentinels are weeping;
they guard the tall white towers
of the English consulate.
And gypsies of the water
for their pleasure erect
little castles of conch shells
and arbors of greening pine.
Playing her parchment moon
Precosia comes.
The wind sees her and rises,
the wind that never slumbers.
Naked Saint Christopher swells,
watching the girl as he plays
with tongues of celestial bells
on an invisible bagpipe.
Gypsy, let me lift your skirt
and have a look at you.
Open in my ancient fingers
the blue rose of your womb.
Precosia throws the tambourine
and runs away in terror.
But the virile wind pursues her
with his breathing and burning sword.
The sea darkens and roars,
while the olive trees turn pale.
The flutes of darkness sound,
and a muted gong of the snow.
Precosia, run, Precosia!
Or the green wind will catch you!
Precosia, run, Precosia!
And look how fast he comes!
A satyr of low-born stars
with their long and glistening tongues.
Precosia, filled with fear,
now makes her way to that house
beyond the tall green pines
where the English consul lives.
Alarmed by the anguished cries,
three riflemen come running,
their black capes tightly drawn,
and berets down over their brow.
The Englishman gives the gypsy
a glass of tepid milk
and a shot of Holland gin
which Precosia does not drink.
And while she tells them, weeping,
of her strange adventure,
the wind furiously gnashes
against the slate roof tiles.
|
Written by
John Lindley |
“I’d rather make $700 a week playing a maid than earn $7 a day being a maid”. Hattie McDaniel.
I’m the savage in the jungle
and the busboy in the town.
I’m the one who jumps the highest
when the Boss man comes around.
I’m the maid who wields the wooden broom.
I’m the black boot polish cheeks.
I’m the big fat Lawdy Mama
who always laughs before she speaks.
I’m the plaintive sound of spirituals
on the mighty Mississip’.
I’m the porter in the club car
touching forelock for a tip.
I’m the bent, white-whiskered ol’ Black Joe
with the stick and staggered walk.
I’m the barefoot boy in dungarees
with a stammer in my talk.
I’m the storytelling Mr. Bones
with a jangling tambourine.
I’m the North’s excuse for novelty
and the South’s deleted scene.
I’m the one who takes his lunch break
with the extras and the grips.
I’m the funny liquorice coils of hair
and the funny looking lips.
I’m the white wide eyes and pearly teeth.
I’m the jet black skin that shines.
I’m the soft-shoe shuffling Uncle Tom
for your nickels and your dimes.
I’m the Alabami Mammy
for a state I’ve never seen.
I’m the bona fide Minstrel Man
whose blackface won’t wash clean.
I’m the banjo playing Sambo
with a fixed and manic grin.
I’m the South’s defiant answer
that the Yankees didn’t win.
I’m the inconvenient nigrah
that no one can let go.
I’m the cutesy picaninny
with my hair tied up in bows.
I’m the funny little shoeshine boy.
I’m the convict on the run;
the ****** in the woodpile
when the cotton pickin’s done.
I’m a blacklist in Kentucky.
I’m the night when hound dogs bay.
I’m the cut-price, easy light relief
growing darker by the day.
I’m the “yessir, Massa, right away”
that the audience so enjoys.
I’m the full-grown man of twenty-five
but still they call me ‘boy’.
For I’m the myth in Griffith’s movie.
I’m the steamboat whistle’s cry.
I’m the dust of dead plantations
and the proof of Lincoln’s lie.
I’m the skin upon the leg iron.
I’m the blood upon the club.
I’m the deep black stain you can’t erase
no matter how you scrub.
John Lindley
|
Written by
Sir Walter Raleigh |
Attend my words, my gentle knave,
And you shall learn from me
How boys at dinner may behave
With due propriety.
Guard well your hands: two things have been
Unfitly used by some;
The trencher for a tambourine,
The table for a drum.
We could not lead a pleasant life,
And 'twould be finished soon,
If peas were eaten with the knife,
And gravy with the spoon.
Eat slowly: only men in rags
And gluttons old in sin
Mistake themselves for carpet bags
And tumble victuals in.
The privy pinch, the whispered tease,
The wild, unseemly yell --
When children do such things as these,
We say, "It is not well."
Endure your mother's timely stare,
Your father's righteous ire,
And do not wriggle on your chair
Like flannel in the fire.
Be silent: you may chatter loud
When you are fully grown,
Surrounded by a silent crowd
Of children of your own.
If you should suddenly feel bored
And much inclined to yawning,
Your little hand will best afford
A modest useful awning.
Think highly of the Cat: and yet
You need not therefore think
That portly strangers like your pet
To share their meat and drink.
The end of dinner comes ere long
When, once more full and free,
You cheerfully may bide the gong
That calls you to your tea.
|
Written by
Andrew Barton Paterson |
By the winding Wollondilly where the weeping willows weep,
And the shepherd, with his billy, half awake and half asleep,
Folds his fleecy flocks that linger homewards in the setting sun
Lived my hero, Jim the Ringer, "cocky" on Mylora Run.
Jimmy loved the super's daughter, Miss Amelia Jane McGrath.
Long and earnestly he sought her, but he feared her stern papa;
And Amelia loved him truly -- but the course of love, if true,
Never yet ran smooth or duly, as I think it ought to do.
Pondering o'er his predilection, Jimmy watched McGrath, the boss,
Riding past his lone selection, looking for a station 'oss
That was running in the ranges with a mob of outlaws wild.
Mac the time of day exchanges -- off goes Jim to see his child;
Says, "The old man's after Stager, which he'll find is no light job,
And tomorrow I will wager he will try and yard the mob.
Will you come with me tomorrow? I will let the parson know,
And for ever, joy or sorrow, he will join us here below.
"I will bring the nags so speedy, Crazy Jane and Tambourine,
One more kiss -- don't think I'm greedy -- good-bye, lass, before I'm seen --
Just one more -- God bless you, dearie! Don't forget to meet me here,
Life without you is but weary; now, once more, good-bye, my dear."
* * * * *
The daylight shines on figures twain
That ride across Mylora Plain,
Laughing and talking -- Jim and Jane.
"Steady, darling. There's lots of time,
Didn't we slip the old man prime!
I knew he'd tackle that Bowneck mob,
I reckon he'll find it too big a job.
They've beaten us all. I had a try,
But the warrigal devils seem to fly.
That Sambo's a real good but of stuff
No doubt, but not quite good enough.
He'll have to gallop the livelong day,
To cut and come, to race and stay.
I hope he yards 'em, 'twill do him good;
To see us going I don't think would."
A turn in the road and, fair and square,
They meet the old man standing there.
"What's up?" "Why, running away, of course,"
Says Jim, emboldened. The old man turned,
His eye with wild excitement burned.
"I've raced all day through the scorching heat
After old Bowneck: and now I'm beat.
But over that range I think you'll find
The Bowneck mob all run stone-blind.
Will you go, and leave the mob behind?
Which will you do? Take the girl away,
Or ride like a white man should today,
And yard old Bowneck? Go or stay?"
Says Jim, "I can't throw this away,
We can bolt some other day, of course --
Amelia Jane, get off that horse!
Up you get, Old Man. Whoop, halloo!
Here goes to put old Bowneck through!"
Two distant specks om the mountain side,
Two stockwhips echoing far and wide. . . .
Amelia Jane sat down and cried.
* * * * *
"Sakes, Amelia, what's up now?
Leading old Sambo, too, I vow,
And him deadbeat. Where have you been?
'Bolted with Jim!' What do you mean>
'Met the old man with Sambo, licked
From running old Bowneck.' Well, I'm kicked --
'Ran 'em till Sambo nearly dropped?'
What did Jim do when you were stopped?
Did you bolt from father across the plain?
'Jim made you get off Crazy Jane!
And father got on, and away again
The two of 'em went to the ranges grim.'
Good boy, Jimmy! Oh, well done, Jim!
They're sure to get them now, of course,
That Tambourine is a spanking horse.
And Crazy Jane is good as gold.
And Jim, they say, rides pretty bold --
Not like your father, but very fair.
Jim will have to follow the mare."
"It never was yet in father's hide
To best my Jim on the mountain side.
Jim can rally, and Jim can ride."
But here again Amelia cried.
* * * * *
The sound of whip comes faint and far,
A rattle of hoofs, and here they are,
In all their tameless pride.
The fleet wild horses snort and fear,
And wheel and break as the yard draws near.
Now, Jim the Ringer, ride!
Wheel 'em! wheel 'em! Whoa back there, whoa!
And the foam flakes fly like the driven snow,
As under the whip the horses go
Adown the mountain side.
And Jim, hands down, and teeth firm set,
On a horse that never has failed him yet,
Is after them down the range.
Well ridden! well ridden! they wheel -- whoa back!
And long and loud the stockwhips crack,
Their flying course they change;
"Steadily does it -- let Sambo go!
Open those sliprails down below.
Smart! or you'll be too late.
* * * * *
"They'll follow old Sambo up -- look out!
Whee! that black horse -- give Sam a clout.
They're in! Make fast the gate."
* * * * *
The mob is safely in the yard!
The old man mounts delighted guard.
No thought has he but for his prize.
* * * * *
Jim catches poor Amelia's eyes.
"Will you come after all? The job is done,
And Crazy Jane is fit to run
For a prince's life -- now don't say no;
Slip on while the old man's down below
At the inner yard, and away we'll go.
Will you come, my girl?" "I will, you bet;
We'll manage this here elopement yet."
* * * * *
By the winding Wollondilly stands the hut of Ringer Jim.
And his loving little Meely makes a perfect god of him.
He has stalwart sons and daughters, and, I think, before he's done,
There'll be numerous "Six-fortys" taken on Mylora Run.
|
Written by
William Butler Yeats |
I
Remember all those renowned generations,
They left their bodies to fatten the wolves,
They left their homesteads to fatten the foxes,
Fled to far countries, or sheltered themselves
In cavern, crevice, or hole,
Defending Ireland's soul.
Be still, be still, what can be said?
My father sang that song,
But time amends old wrong,
All that is finished, let it fade.
Remember all those renowned generations,
Remember all that have sunk in their blood,
Remember all that have died on the scaffold,
Remember all that have fled, that have stood,
Stood, took death like a tune
On an old,tambourine.
Be still, be still, what can be said?
My father sang that song,
But time amends old wrong,
And all that's finished, let it fade.
Fail, and that history turns into rubbish,
All that great past to a trouble of fools;
Those that come after shall mock at O'Donnell,
Mock at the memory of both O'Neills,
Mock Emmet, mock Parnell,
All the renown that fell.
Be still, be still, what can be said?
My father sang that song,
but time amends old wrong,
And all that's finished, let it fade.
II
The soldier takes pride in saluting his Captain,
The devotee proffers a knee to his Lord,
Some back a mare thrown from a thoroughbred,,
Troy backed its Helen; Troy died and adored;
Great nations blossom above;
A slave bows down to a slave.
What marches through the mountain pass?
No, no, my son, not yet;
That is an airy spot,
And no man knows what treads the grass.
We know what rascal might has defiled,
The lofty innocence that it has slain,
Were we not born in the peasant's cot
Where men forgive if the belly gain?
More dread the life that we live,
How can the mind forgive?
What marches down the mountain pass?
No, no, my son, not yet;
That is an airy spot,
And no man knows what treads the grass.
What if there's nothing up there at the top?
Where are the captains that govern mankind?
What tears down a tree that has nothing within it?
A blast of the wind, O a marching wind,
March wind, and any old tune.
March, march, and how does it run?
What marches down the mountain pass?
No, no, my son, not yet;
That is an airy spot,
And no man knows what treads the grass.
III
Grandfather sang it under the gallows:
"Hear, gentlemen, ladies, and all mankind:
Money is good and a girl might be better,
But good strong blows are delights to the mind.'
There, standing on the cart,
He sang it from his heart.
Robbers had taken his old tambourine,
But he took down the moon
And rattled out a tunc;
Robbers had taken his old tambourinc.
"A girl I had, but she followed another,
Money I had, and it went in the night,
Strong drink I had, and it brought me to sorrow,
But a good strong cause and blows are delight.'
All there caught up the tune:
"Oh, on, my darling man.'
Robbers had taken his old tambourine,
But he took down the moon
And rattled out a tune;
Robbers had taken his old tambourine.
"Money is good and a girl might be better,
No matter what happens and who takes the fall,
But a good strong cause' - the rope gave a jerk there,
No more sang he, for his throat was too small;
But he kicked before he died,
He did it out of pride.
Robbers had taken his old tambourine,
But he took down the moon
And rattled out a tune;
Robbers had taken his old tambourine.
|
Written by
Thomas Hardy |
"OLD Norbert with the flat blue cap--
A German said to be--
Why let your pipe die on your lap,
Your eyes blink absently?"--
--"Ah!... Well, I had thought till my cheek was wet
Of my mother--her voice and mien
When she used to sing and pirouette,
And touse the tambourine
"To the march that yon street-fiddler plies;
She told me 'twas the same
She'd heard from the trumpets, when the Allies
Her city overcame.
"My father was one of the German Hussars,
My mother of Leipzig; but he,
Long quartered here, fetched her at close of the wars,
And a Wessex lad reared me.
"And as I grew up, again and again
She'd tell, after trilling that air,
Of her youth, and the battles on Leipzig plain
And of all that was suffered there!...
"--'Twas a time of alarms. Three Chiefs-at-arms
Combined them to crush One,
And by numbers' might, for in equal fight
He stood the matched of none.
"Carl Schwartzenburg was of the plot,
And Bl?cher, prompt and prow,
And Jean the Crown-Prince Bernadotte:
Buonaparte was the foe.
"City and plain had felt his reign
From the North to the Middle Sea,
And he'd now sat down in the noble town
Of the King of Saxony.
"October's deep dew its wet gossamer threw
Upon Leipzig's lawns, leaf-strewn,
Where lately each fair avenue
Wrought shade for summer noon.
"To westward two dull rivers crept
Through miles of marsh and slough,
Whereover a streak of whiteness swept--
The Bridge of Lindenau.
"Hard by, in the City, the One, care-crossed,
Gloomed over his shrunken power;
And without the walls the hemming host
Waxed denser every hour.
"He had speech that night on the morrow's designs
With his chiefs by the bivouac fire,
While the belt of flames from the enemy's lines
Flared nigher him yet and nigher.
"Three sky-lights then from the girdling trine
Told, 'Ready!' As they rose
Their flashes seemed his Judgment-Sign
For bleeding Europe's woes.
"'Twas seen how the French watch-fires that night
Glowed still and steadily;
And the Three rejoiced, for they read in the sight
That the One disdained to flee....
"--Five hundred guns began the affray
On next day morn at nine;
Such mad and mangling cannon-play
Had never torn human line.
"Around the town three battle beat,
Contracting like a gin;
As nearer marched the million feet
Of columns closing in.
"The first battle nighed on the low Southern side;
The second by the Western way;
The nearing of the third on the North was heard;
--The French held all at bay.
"Against the first band did the Emperor stand;
Against the second stood Ney;
Marmont against the third gave the order-word:
--Thus raged it throughout the day.
"Fifty thousand sturdy souls on those trampled plains and knolls,
Who met the dawn hopefully,
And were lotted their shares in a quarrel not theirs,
Dropt then in their agony.
"'O,' the old folks said, 'ye Preachers stern!
O so-called Christian time!
When will men's swords to ploughshares turn?
When come the promised prime?'...
"--The clash of horse and man which that day began,
Closed not as evening wore;
And the morrow's armies, rear and van,
Still mustered more and more.
"From the City towers the Confederate Powers
Were eyed in glittering lines,
And up from the vast a murmuring passed
As from a wood of pines.
"''Tis well to cover a feeble skill
By numbers!' scoff?d He;
'But give me a third of their strength, I'd fill
Half Hell with their soldiery!'
"All that day raged the war they waged,
And again dumb night held reign,
Save that ever upspread from the dark death-bed
A miles-wide pant of pain.
"Hard had striven brave Ney, the true Bertrand,
Victor, and Augereau,
Bold Poniatowski, and Lauriston,
To stay their overthrow;
"But, as in the dream of one sick to death
There comes a narrowing room
That pens him, body and limbs and breath,
To wait a hideous doom,
"So to Napoleon, in the hush
That held the town and towers
Through these dire nights, a creeping crush
Seemed inborne with the hours.
"One road to the rearward, and but one,
Did fitful Chance allow;
'Twas where the Pleiss' and Elster run--
The Bridge of Lindenau.
"The nineteenth dawned. Down street and Platz
The wasted French sank back,
Stretching long lines across the Flats
And on the bridge-way track;
"When there surged on the sky on earthen wave,
And stones, and men, as though
Some rebel churchyard crew updrave
Their sepulchres from below.
"To Heaven is blown Bridge Lindenau;
Wrecked regiments reel therefrom;
And rank and file in masses plough
The sullen Elster-Strom.
"A gulf was Lindenau; and dead
Were fifties, hundreds, tens;
And every current rippled red
With Marshal's blood and men's.
"The smart Macdonald swam therein,
And barely won the verge;
Bold Poniatowski plunged him in
Never to re-emerge.
"Then stayed the strife. The remnants wound
Their Rhineward way pell-mell;
And thus did Leipzig City sound
An Empire's passing bell;
"While in cavalcade, with band and blade,
Came Marshals, Princes, Kings;
And the town was theirs.... Ay, as simple maid,
My mother saw these things!
"And whenever those notes in the street begin,
I recall her, and that far scene,
And her acting of how the Allies marched in,
And her touse of the tambourine!"
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