Written by
William Butler Yeats |
An old man cocked his car upon a bridge;
He and his friend, their faces to the South,
Had trod the uneven road. Their hoots were soiled,
Their Connemara cloth worn out of shape;
They had kept a steady pace as though their beds,
Despite a dwindling and late-risen moon,
Were distant still. An old man cocked his ear.
Aherne. What made that Sound?
Robartes. A rat or water-hen
Splashed, or an otter slid into the stream.
We are on the bridge; that shadow is the tower,
And the light proves that he is reading still.
He has found, after the manner of his kind,
Mere images; chosen this place to live in
Because, it may be, of the candle-light
From the far tower where Milton's Platonist
Sat late, or Shelley's visionary prince:
The lonely light that Samuel Palmer engraved,
An image of mysterious wisdom won by toil;
And now he seeks in book or manuscript
What he shall never find.
Ahernc. Why should not you
Who know it all ring at his door, and speak
Just truth enough to show that his whole life
Will scarcely find for him a broken crust
Of all those truths that are your daily bread;
And when you have spoken take the roads again?
Robartes. He wrote of me in that extravagant style
He had learnt from pater, and to round his tale
Said I was dead; and dead I choose to be.
Aherne. Sing me the changes of the moon once more;
True song, though speech: "mine author sung it me.'
Robartes. Twenty-and-eight the phases of the moon,
The full and the moon's dark and all the crescents,
Twenty-and-eight, and yet but six-and-twenty
The cradles that a man must needs be rocked in:
For there's no human life at the full or the dark.
From the first crescent to the half, the dream
But summons to adventure and the man
Is always happy like a bird or a beast;
But while the moon is rounding towards the full
He follows whatever whim's most difficult
Among whims not impossible, and though scarred.
As with the cat-o'-nine-tails of the mind,
His body moulded from within his body
Grows comelier. Eleven pass, and then
Athene takes Achilles by the hair,
Hector is in the dust, Nietzsche is born,
Because the hero's crescent is the twelfth.
And yet, twice born, twice buried, grow he must,
Before the full moon, helpless as a worm.
The thirteenth moon but sets the soul at war
In its own being, and when that war's begun
There is no muscle in the arm; and after,
Under the frenzy of the fourteenth moon,
The soul begins to tremble into stillness,
To die into the labyrinth of itself!
Aherne. Sing out the song; sing to the end, and sing
The strange reward of all that discipline.
Robartes. All thought becomes an image and the soul
Becomes a body: that body and that soul
Too perfect at the full to lie in a cradle,
Too lonely for the traffic of the world:
Body and soul cast out and cast away
Beyond the visible world.
Aherne. All dreams of the soul
End in a beautiful man's or woman's body.
Robartes, Have you not always known it?
Aherne. The song will have it
That those that we have loved got their long fingers
From death, and wounds, or on Sinai's top,
Or from some bloody whip in their own hands.
They ran from cradle to cradle till at last
Their beauty dropped out of the loneliness
Of body and soul.
Robartes. The lover's heart knows that.
Aherne. It must be that the terror in their eyes
Is memory or foreknowledge of the hour
When all is fed with light and heaven is bare.
Robartes. When the moon's full those creatures of the
full
Are met on the waste hills by countrymen
Who shudder and hurry by: body and soul
Estranged amid the strangeness of themselves,
Caught up in contemplation, the mind's eye
Fixed upon images that once were thought;
For separate, perfect, and immovable
Images can break the solitude
Of lovely, satisfied, indifferent eyes.
And thereupon with aged, high-pitched voice
Aherne laughed, thinking of the man within,
His sleepless candle and lahorious pen.
Robartes. And after that the crumbling of the moon.
The soul remembering its loneliness
Shudders in many cradles; all is changed,
It would be the world's servant, and as it serves,
Choosing whatever task's most difficult
Among tasks not impossible, it takes
Upon the body and upon the soul
The coarseness of the drudge.
Aherne. Before the full
It sought itself and afterwards the world.
Robartes. Because you are forgotten, half out of life,
And never wrote a book, your thought is clear.
Reformer, merchant, statesman, learned man,
Dutiful husband, honest wife by turn,
Cradle upon cradle, and all in flight and all
Deformed because there is no deformity
But saves us from a dream.
Aherne. And what of those
That the last servile crescent has set free?
Robartes. Because all dark, like those that are all light,
They are cast beyond the verge, and in a cloud,
Crying to one another like the bats;
And having no desire they cannot tell
What's good or bad, or what it is to triumph
At the perfection of one's own obedience;
And yet they speak what's blown into the mind;
Deformed beyond deformity, unformed,
Insipid as the dough before it is baked,
They change their bodies at a word.
Aherne. And then?
Rohartes. When all the dough has been so kneaded up
That it can take what form cook Nature fancies,
The first thin crescent is wheeled round once more.
Aherne. But the escape; the song's not finished yet.
Robartes. Hunchback and Saint and Fool are the last
crescents.
The burning bow that once could shoot an arrow
Out of the up and down, the wagon-wheel
Of beauty's cruelty and wisdom's chatter -
Out of that raving tide - is drawn betwixt
Deformity of body and of mind.
Aherne. Were not our beds far off I'd ring the bell,
Stand under the rough roof-timbers of the hall
Beside the castle door, where all is stark
Austerity, a place set out for wisdom
That he will never find; I'd play a part;
He would never know me after all these years
But take me for some drunken countryman:
I'd stand and mutter there until he caught
"Hunchback and Sant and Fool,' and that they came
Under the three last crescents of the moon.
And then I'd stagger out. He'd crack his wits
Day after day, yet never find the meaning.
And then he laughed to think that what seemed hard
Should be so simple - a bat rose from the hazels
And circled round him with its squeaky cry,
The light in the tower window was put out.
|
Written by
Maya Angelou |
When I was young, I used to
Watch behind the curtains
As men walked up and down the street. Wino men, old men.
Young men sharp as mustard.
See them. Men are always
Going somewhere.
They knew I was there. Fifteen
Years old and starving for them.
Under my window, they would pauses,
Their shoulders high like the
Breasts of a young girl,
Jacket tails slapping over
Those behinds,
Men.
One day they hold you in the
Palms of their hands, gentle, as if you
Were the last raw egg in the world. Then
They tighten up. Just a little. The
First squeeze is nice. A quick hug.
Soft into your defenselessness. A little
More. The hurt begins. Wrench out a
Smile that slides around the fear. When the
Air disappears,
Your mind pops, exploding fiercely, briefly,
Like the head of a kitchen match. Shattered.
It is your juice
That runs down their legs. Staining their shoes.
When the earth rights itself again,
And taste tries to return to the tongue,
Your body has slammed shut. Forever.
No keys exist.
Then the window draws full upon
Your mind. There, just beyond
The sway of curtains, men walk.
Knowing something.
Going someplace.
But this time, I will simply
Stand and watch.
Maybe.
|
Written by
Robert Graves |
In my childhood rumors ran
Of a world beyond our door—
Terrors to the life of man
That the highroad held in store.
Of mermaids' doleful game
In deep water I heard tell,
Of lofty dragons belching flame,
Of the hornèd fiend of Hell.
Tales like these were too absurd
For my laughter-loving ear:
Soon I mocked at all I heard,
Though with cause indeed for fear.
Now I know the mermaid kin
I find them bound by natural laws:
They have neither tail nor fin,
But are deadlier for that cause.
Dragons have no darting tongues,
Teeth saw-edged, nor rattling scales;
No fire issues from their lungs,
No black poison from their tails:
For they are creatures of dark air,
Unsubstantial tossing forms,
Thunderclaps of man's despair
In mid-whirl of mental storms.
And there's a true and only fiend
Worse than prophets prophesy,
Whose full powers to hurt are screened
Lest the race of man should die.
Ever in vain will courage plot
The dragon's death, in coat of proof;
Or love abjure the mermaid grot;
Or faith denounce the cloven hoof.
Mermaids will not be denied
The last bubbles of our shame,
The Dragon flaunts an unpierced hide,
The true fiend governs in God's name.
|
Written by
Oliver Wendell Holmes |
YES, write, if you want to, there's nothing like trying;
Who knows what a treasure your casket may hold?
I'll show you that rhyming's as easy as lying,
If you'll listen to me while the art I unfold.
Here's a book full of words; one can choose as he fancies,
As a painter his tint, as a workman his tool;
Just think! all the poems and plays and romances
Were drawn out of this, like the fish from a pool!
You can wander at will through its syllabled mazes,
And take all you want, not a copper they cost,--
What is there to hinder your picking out phrases
For an epic as clever as "Paradise Lost"?
Don't mind if the index of sense is at zero,
Use words that run smoothly, whatever they mean;
Leander and Lilian and Lillibullero
Are much the same thing in the rhyming machine.
There are words so delicious their sweetness will smother
That boarding-school flavor of which we're afraid,
There is "lush"is a good one, and "swirl" is another,--
Put both in one stanza, its fortune is made.
With musical murmurs and rhythmical closes
You can cheat us of smiles when you've nothing to tell
You hand us a nosegay of milliner's roses,
And we cry with delight, "Oh, how sweet they do smell!"
Perhaps you will answer all needful conditions
For winning the laurels to which you aspire,
By docking the tails of the two prepositions
I' the style o' the bards you so greatly admire.
As for subjects of verse, they are only too plenty
For ringing the changes on metrical chimes;
A maiden, a moonbeam, a lover of twenty
Have filled that great basket with bushels of rhymes.
Let me show you a picture--'t is far from irrelevant--
By a famous old hand in the arts of design;
'T is only a photographed sketch of an elephant,--
The name of the draughtsman was Rembrandt of Rhine.
How easy! no troublesome colors to lay on,
It can't have fatigued him,-- no, not in the least,--
A dash here and there with a haphazard crayon,
And there stands the wrinkled-skinned, baggy-limbed beast.
Just so with your verse,-- 't is as easy as sketching,--
You can reel off a song without knitting your brow,
As lightly as Rembrandt a drawing or etching;
It is nothing at all, if you only know how.
Well; imagine you've printed your volume of verses:
Your forehead is wreathed with the garland of fame,
Your poems the eloquent school-boy rehearses,
Her album the school-girl presents for your name;
Each morning the post brings you autograph letters;
You'll answer them promptly,-- an hour isn't much
For the honor of sharing a page with your betters,
With magistrates, members of Congress, and such.
Of course you're delighted to serve the committees
That come with requests from the country all round,
You would grace the occasion with poems and ditties
When they've got a new schoolhouse, or poorhouse, or pound.
With a hymn for the saints and a song for the sinners,
You go and are welcome wherever you please;
You're a privileged guest at all manner of dinners,
You've a seat on the platform among the grandees.
At length your mere presence becomes a sensation,
Your cup of enjoyment is filled to its brim
With the pleasure Horatian of digitmonstration,
As the whisper runs round of "That's he!" or "That's him!"
But remember, O dealer in phrases sonorous,
So daintily chosen, so tunefully matched,
Though you soar with the wings of the cherubim o'er us,
The ovum was human from which you were hatched.
No will of your own with its puny compulsion
Can summon the spirit that quickens the lyre;
It comes, if at all, like the Sibyl's convulsion
And touches the brain with a finger of fire.
So perhaps, after all, it's as well to he quiet
If you've nothing you think is worth saying in prose,
As to furnish a meal of their cannibal diet
To the critics, by publishing, as you propose.
But it's all of no use, and I'm sorry I've written,--
I shall see your thin volume some day on my shelf;
For the rhyming tarantula surely has bitten,
And music must cure you, so pipe it yourself.
|
Written by
Ellis Parker Butler |
Listen, ladies, while I sing
The ballad of John Henry King.
John Henry was a bachelor,
His age was thirty-three or four.
Two maids for his affection vied,
And each desired to be his bride,
And bravely did they strive to bring
Unto their feet John Henry King.
John Henry liked them both so well,
To save his life he could not tell
Which he most wished to be his bride,
Nor was he able to decide.
Fair Kate was jolly, bright, and gay,
And sunny as a summer day;
Marie was kind, sedate, and sweet,
With gentle ways and manners neat.
Each was so dear that John confessed
He could not tell which he liked best.
He studied them for quite a year,
And still found no solution near,
And might have studied two years more
Had he not, walking on the shore,
Conceived a very simple way
Of ending his prolonged delay--
A way in which he might decide
Which of the maids should be his bride.
He said, "I'll toss into the air
A dollar, and I'll toss it fair;
If heads come up, I'll wed Marie;
If tails, fair Kate my bride shall be."
Then from his leather pocket-book
A dollar bright and new he took;
He kissed one side for fair Marie,
The other side for Kate kissed he.
Then in a manner free and fair
He tossed the dollar in the air.
"Ye fates," he cried, "pray let this be
A lucky throw indeed for me!"
The dollar rose, the dollar fell;
He watched its whirling transit well,
And off some twenty yards or more
The dollar fell upon the shore.
John Henry ran to where it struck
To see which maiden was in luck.
But, oh, the irony of fate!
Upon its edge the coin stood straight!
And there, embedded in the sand,
John Henry let the dollar stand!
And he will tempt his fate no more,
But live and die a bachelor.
Thus, ladies, you have heard me sing
The ballad of John Henry King.
|
Written by
Anne Sexton |
Father, this year's jinx rides us apart
where you followed our mother to her cold slumber;
a second shock boiling its stone to your heart,
leaving me here to shuffle and disencumber
you from the residence you could not afford:
a gold key, your half of a woolen mill,
twenty suits from Dunne's, an English Ford,
the love and legal verbiage of another will,
boxes of pictures of people I do not know.
I touch their cardboard faces. They must go.
But the eyes, as thick as wood in this album,
hold me. I stop here, where a small boy
waits in a ruffled dress for someone to come...
for this soldier who holds his bugle like a toy
or for this velvet lady who cannot smile.
Is this your father's father, this Commodore
in a mailman suit? My father, time meanwhile
has made it unimportant who you are looking for.
I'll never know what these faces are all about.
I lock them into their book and throw them out.
Tlis is the yellow scrapbook that you began
the year I was born; as crackling now and wrinkly
as tobacco leaves: clippings where Hoover outran
the Democrats, wiggling his dry finger at me
and Prohibition; news where the Hindenburg went
down and recent years where you went flush
on war. This year, solvent but sick, you meant
to marry that pretty widow in a one-month rush.
But before you had that second chance, I cried
on your fat shoulder. Three days later you died.
These are the snapshots of marriage, stopped in places.
Side by side at the rail toward Nassau now;
here, with the winner's cup at the speedboat races,
here, in tails at the Cotillion, you take a bow,
here, by our kennel of dogs with their pink eyes,
running like show-bred pigs in their chain-link pen;
here, at the horseshow where my sister wins a prize;
Now I fold you down, my drunkard, my navigator,
my first lost keeper, to love or look at later.
I hold a five-year diary that my mother kept
for three years, telling all she does not say
of your alcoholic tendency. You overslept,
she writes. My God, father, each Christmas Day
with your blood, will I drink down your glass
of wine? The diary of your hurly-burly years
goes to my shelf to wait for my age to pass.
Only in this hoarded span will love persevere.
Whether you are pretty or not, I outlive you,
bend down my strange face to yours and forgive you.
|
Written by
Louisa May Alcott |
Long ago in a poultry yard
One dull November morn,
Beneath a motherly soft wing
A little goose was born.
Who straightway peeped out of the shell
To view the world beyond,
Longing at once to sally forth
And paddle in the pond.
"Oh! be not rash," her father said,
A mild Socratic bird;
Her mother begged her not to stray
With many a warning word.
But little goosey was perverse,
And eagerly did cry,
"I've got a lovely pair of wings,
Of course I ought to fly."
In vain parental cacklings,
In vain the cold sky's frown,
Ambitious goosey tried to soar,
But always tumbled down.
The farmyard jeered at her attempts,
The peacocks screamed, "Oh fie!
You're only a domestic goose,
So don't pretend to fly."
Great cock-a-doodle from his perch
Crowed daily loud and clear,
"Stay in the puddle, foolish bird,
That is your proper sphere,"
The ducks and hens said, one and all,
In gossip by the pool,
"Our children never play such pranks;
My dear, that fowl's a fool."
The owls came out and flew about,
Hooting above the rest,
"No useful egg was ever hatched
From transcendental nest."
Good little goslings at their play
And well-conducted chicks
Were taught to think poor goosey's flights
Were naughty, ill-bred tricks.
They were content to swim and scratch,
And not at all inclined
For any wild goose chase in search
Of something undefined.
Hard times she had as one may guess,
That young aspiring bird,
Who still from every fall arose
Saddened but undeterred.
She knew she was no nightingale
Yet spite of much abuse,
She longed to help and cheer the world,
Although a plain gray goose
She could not sing, she could not fly,
Nor even walk, with grace,
And all the farmyard had declared
A puddle was her place.
But something stronger than herself
Would cry, "Go on, go on!
Remember, though an humble fowl,
You're cousin to a swan."
So up and down poor goosey went,
A busy, hopeful bird.
Searched many wide unfruitful fields,
And many waters stirred.
At length she came unto a stream
Most fertile of all Niles,
Where tuneful birds might soar and sing
Among the leafy isles.
Here did she build a little nest
Beside the waters still,
Where the parental goose could rest
Unvexed by any bill.
And here she paused to smooth her plumes,
Ruffled by many plagues;
When suddenly arose the cry,
"This goose lays golden eggs."
At once the farmyard was agog;
The ducks began to quack;
Prim Guinea fowls relenting called,
"Come back, come back, come back."
Great chanticleer was pleased to give
A patronizing crow,
And the contemptuous biddies clucked,
"I wish my chicks did so."
The peacocks spread their shining tails,
And cried in accents soft,
"We want to know you, gifted one,
Come up and sit aloft."
Wise owls awoke and gravely said,
With proudly swelling breasts,
"Rare birds have always been evoked
From transcendental nests!"
News-hunting turkeys from afar
Now ran with all thin legs
To gobble facts and fictions of
The goose with golden eggs.
But best of all the little fowls
Still playing on the shore,
Soft downy chicks and goslings gay,
Chirped out, "Dear Goose, lay more."
But goosey all these weary years
Had toiled like any ant,
And wearied out she now replied
"My little dears, I can't.
"When I was starving, half this corn
Had been of vital use,
Now I am surfeited with food
Like any Strasbourg goose."
So to escape too many friends,
Without uncivil strife,
She ran to the Atlantic pond
And paddled for her life.
Soon up among the grand old Alps
She found two blessed things,
The health she had so nearly lost,
And rest for weary limbs.
But still across the briny deep
Couched in most friendly words,
Came prayers for letters, tales, or verse
From literary birds.
Whereat the renovated fowl
With grateful thanks profuse,
Took from her wing a quill and wrote
This lay of a Golden Goose.
|
Written by
William Butler Yeats |
I. Ribh at the Tomb of Baile and Aillinn
Because you have found me in the pitch-dark night
With open book you ask me what I do.
Mark and digest my tale, carry it afar
To those that never saw this tonsured head
Nor heard this voice that ninety years have cracked.
Of Baile and Aillinn you need not speak,
All know their tale, all know what leaf and twig,
What juncture of the apple and the yew,
Surmount their bones; but speak what none have heard.
The miracle that gave them such a death
Transfigured to pure substance what had once
Been bone and sinew; when such bodies join
There is no touching here, nor touching there,
Nor straining joy, but whole is joined to whole;
For the intercourse of angels is a light
Where for its moment both seem lost, consumed.
Here in the pitch-dark atmosphere above
The trembling of the apple and the yew,
Here on the anniversary of their death,
The anniversary of their first embrace,
Those lovers, purified by tragedy,
Hurry into each other's arms; these eyes,
By water, herb and solitary prayer
Made aquiline, are open to that light.
Though somewhat broken by the leaves, that light
Lies in a circle on the grass; therein
I turn the pages of my holy book.
II. Ribh denounces Patrick
An abstract Greek absurdity has crazed the man -
Recall that masculine Trinity. Man, woman, child
(daughter or son),
That's how all natural or supernatural stories run.
Natural and supernatural with the self-same ring are wed.
As man, as beast, as an ephemeral fly begets, Godhead begets
Godhead,
For things below are copies, the Great Smaragdine Tablet said.
Yet all must copy copies, all increase their kind;
When the conflagration of their passion sinks, damped by the
body or the mind,
That juggling nature mounts, her coil in their embraces
twined.
The mirror-scaled serpent is multiplicity,
But all that run in couples, on earth, in flood or air, share God that is but three,
And could beget or bear themselves could they but love as He.
III. Ribh in Ecstasy
What matter that you understood no word!
Doubtless I spoke or sang what I had heard
In broken sentences. My soul had found
All happiness in its own cause or ground.
Godhead on Godhead in sexual spasm begot
Godhead. Some shadow fell. My soul forgot
Those amorous cries that out of quiet come
And must the common round of day resume.
IV. There
There all the barrel-hoops are knit,
There all the serpent-tails are bit,
There all the gyres converge in one,
There all the planets drop in the Sun.
V. Ribh considers Christian Love insufficient
Why should I seek for love or study it?
It is of God and passes human wit.
I study hatred with great diligence,
For that's a passion in my own control,
A sort of besom that can clear the soul
Of everything that is not mind or sense.
Why do I hate man, woman or event?
That is a light my jealous soul has sent.
From terror and deception freed it can
Discover impurities, can show at last
How soul may walk when all such things are past,
How soul could walk before such things began.
Then my delivered soul herself shall learn
A darker knowledge and in hatred turn
From every thought of God mankind has had.
Thought is a garment and the soul's a bride
That cannot in that trash and tinsel hide:
Hatred of God may bring the soul to God.
At stroke of midnight soul cannot endure
A bodily or mental furniture.
What can she take until her Master give!
Where can she look until He make the show!
What can she know until He bid her know!
How can she live till in her blood He live!
VI. He and She
As the moon sidles up
Must she sidle up,
As trips the scared moon
Away must she trip:
'His light had struck me blind
Dared I stop".
She sings as the moon sings:
'I am I, am I;
The greater grows my light
The further that I fly.'
All creation shivers
With that sweet cry.
VII. What Magic Drum?
He holds him from desire, all but stops his breathing lest
primordial Motherhood forsake his limbs, the child no longer
rest,
Drinking joy as it were milk upon his breast.
Through light-obliterating garden foliage what magic drum?
Down limb and breast or down that glimmering belly move
his mouth and sinewy tongue.
What from the forest came? What beast has licked its young?
VIII. Whence had they come?
Eternity is passion, girl or boy
Cry at the onset of their sexual joy
'For ever and for ever'; then awake
Ignorant what Dramatis personae spake;
A passion-driven exultant man sings out
Sentences that he has never thought;
The Flagellant lashes those submissive loins
Ignorant what that dramatist enjoins,
What master made the lash. Whence had they come,
The hand and lash that beat down frigid Rome?
What sacred drama through her body heaved
When world-transforming Charlemagne was conceived?
IX. The Four Ages of Man
He with body waged a fight,
But body won; it walks upright.
Then he struggled with the heart;
Innocence and peace depart.
Then he struggled with the mind;
His proud heart he left behind.
Now his wars on God begin;
At stroke of midnight God shall win.
X. Conjunctions
If Jupiter and Saturn meet,
What a cop of mummy wheat!
The sword's a cross; thereon He died:
On breast of Mars the goddess sighed.
XI. A Needle's Eye
All the stream that's roaring by
Came out of a needle's eye;
Things unborn, things that are gone,
From needle's eye still goad it on.
XII. Meru
Civilisation is hooped together, brought
Under a mle, under the semblance of peace
By manifold illusion; but man's life is thought,
And he, despite his terror, cannot cease
Ravening through century after century,
Ravening, raging, and uprooting that he may come
Into the desolation of reality:
Egypt and Greece, good-bye, and good-bye, Rome!
Hermits upon Mount Meru or Everest,
Caverned in night under the drifted snow,
Or where that snow and winter's dreadful blast
Beat down upon their naked bodies, know
That day brings round the night, that before dawn
His glory and his monuments are gone.
|
Written by
William Shakespeare |
Lo, here the gentle lark, weary of rest,
From his moist cabinet mounts up on high,
And wakes the morning, from whose silver breast
The sun ariseth in his majesty;
Who doth the world so gloriously behold
That cedar-tops and hills seem burnish'd gold.
Venus salutes him with this fair good-morrow;
"O thou clear god, and patron of all light,
From whom each lamp and shining star doth borrow
The beauteous influence that makes him bright,
There lives a son that suck'd an earthly mother,
May lend thee light, as thou dost lend to other."
This said, she hasteth to a myrtle grove,
Musing the morning is so much o'erworn,
And yet she hears no tidings of her love:
She hearkens for his hounds and for his horn:
Anon she hears them chant it lustily,
And all in haste she coasteth to the cry.
And as she runs, the bushes in the way
Some catch her by the neck, some kiss her face,
Some twine about her thigh to make her stay:
She wildly breaketh from their strict embrace,
Like a milch doe, whose swelling dugs do ache,
Hasting to feed her fawn, hid in some brake.
By this she hears the hounds are at a bay;
Whereat she starts, like one that spies an adder
Wreath'd up in fatal folds just in his way,
The fear whereof doth make him shake and shudder;
Even so the timorous yelping of the hounds
Appals her senses and her spirit confounds.
For now she knows it is no gentle chase,
But the blunt boar, rough bear, or lion proud,
Because the cry remaineth in one place,
Where fearfully the dogs exclaim aloud:
Finding their enemy to be so curst,
They all strain court'sy who shall cope him first.
This dismal cry rings sadly in her ear,
Through which it enters to surprise her heart;
Who, overcome by doubt and bloodless fear,
With cold-pale weakness numbs each feeling part:
Like soldiers, when their captain once doth yield,
They basely fly and dare not stay the field.
Thus stands she in a trembling ecstasy;
Till, cheering up her senses all dismay'd,
She tells them 'tis a causeless fantasy,
And childish error, that they are afraid;
Bids them leave quaking, bids them fear no more:--
And with that word she spied the hunted boar;
Whose frothy mouth, bepainted all with red,
Like milk and blood being mingled both together,
A second fear through all her sinews spread,
Which madly hurries her she knows not whither:
This way she runs, and now she will no further,
But back retires to rate the boar for murther.
A thousand spleens bear her a thousand ways;
She treads the path that she untreads again;
Her more than haste is mated with delays,
Like the proceedings of a drunken brain,
Full of respects, yet nought at all respecting;
In hand with all things, nought at all effecting.
Here kennell'd in a brake she finds a hound,
And asks the weary caitiff for his master,
And there another licking of his wound,
'Gainst venom'd sores the only sovereign plaster;
And here she meets another sadly scowling,
To whom she speaks, and he replies with howling.
When he hath ceas'd his ill-resounding noise,
Another flap-mouth'd mourner, black and grim,
Against the welkin volleys out his voice;
Another, and another, answer him,
Clapping their proud tails to the ground below,
Shaking their scratch'd ears, bleeding as they go.
Look, how the world's poor people are amazed
At apparitions, signs, and prodigies,
Whereon with fearful eyes they long have gazed,
Infusing them with dreadful prophecies;
So she at these sad signs draws up her breath
And sighing it again, exclaims on Death.
"Hard-favour'd tyrant, ugly, meagre, lean,
Hateful divorce of love,"--thus chides she Death,--
"Grim-grinning ghost, earth's worm, what dost thou mean
To stifle beauty and to steal his breath,
Who when he liv'd, his breath and beauty set
Gloss on the rose, smell to the violet?
"If he be dead,--O no, it cannot be,
Seeing his beauty, thou shouldst strike at it:--
O yes, it may; thou hast no eyes to see,
But hatefully at random dost thou hit.
Thy mark is feeble age, but thy false dart
Mistakes that aim and cleaves an infant's heart.
"Hadst thou but bid beware, then he had spoke,
And, hearing him, thy power had lost his power.
The Destinies will curse thee for this stroke;
They bid thee crop a weed, thou pluck'st a flower:
Love's golden arrow at him should have fled,
And not Death's ebon dart, to strike him dead.
"Dost thou drink tears, that thou provok'st such weeping?
What may a heavy groan advantage thee?
Why hast thou cast into eternal sleeping
Those eyes that taught all other eyes to see?
Now nature cares not for thy mortal vigour,
Since her best work is ruin'd with thy rigour."
Here overcome, as one full of despair,
She vail'd her eyelids, who, like sluices, stopt
The crystal tide that from her two cheeks fair
In the sweet channel of her bosom dropt;
But through the flood-gates breaks the silver rain,
And with his strong course opens them again.
O, how her eyes and tears did lend and borrow!
Her eyes seen in the tears, tears in her eye;
Both crystals, where they view'd each other's sorrow,
Sorrow that friendly sighs sought still to dry;
But like a stormy day, now wind, now rain,
Sighs dry her cheeks, tears make them wet again.
Variable passions throng her constant woe,
As striving who should best become her grief;
All entertain'd, each passion labours so,
That every present sorrow seemeth chief,
But none is best: then join they all together,
Like many clouds consulting for foul weather.
By this, far off she hears some huntsman hollo;
A nurse's song ne'er pleased her babe so well:
The dire imagination she did follow
This sound of hope doth labour to expel;
For now reviving joy bids her rejoice,
And flatters her it is Adonis' voice.
Whereat her tears began to turn their tide,
Being prison'd in her eye like pearls in glass;
Yet sometimes falls an orient drop beside,
Which her cheek melts, as scorning it should pass,
To wash the foul face of the sluttish ground,
Who is but drunken when she seemeth drown'd.
O hard-believing love, how strange it seems
Not to believe, and yet too credulous!
Thy weal and woe are both of them extremes;
Despair and hope make thee ridiculous:
The one doth flatter thee in thoughts unlikely,
In likely thoughts the other kills thee quickly.
Now she unweaves the web that she hath wrought;
Adonis lives, and Death is not to blame;
It was not she that call'd him all to naught:
Now she adds honours to his hateful name;
She clepes him king of graves and grave for kings,
Imperious supreme of all mortal things.
"No, no," quoth she, "sweet Death, I did but jest;
Yet pardon me I felt a kind of fear
When as I met the boar, that bloody beast,
Which knows no pity, but is still severe;
Then, gentle shadow,--truth I must confess,--
I rail'd on thee, fearing my love's decease.
"'Tis not my fault: the boar provok'd my tongue;
Be wreak'd on him, invisible commander;
'Tis he, foul creature, that hath done thee wrong;
I did but act, he's author of thy slander:
Grief hath two tongues, and never woman yet
Could rule them both without ten women's wit."
Thus hoping that Adonis is alive,
Her rash suspect she doth extenuate;
And that his beauty may the better thrive,
With Death she humbly doth insinuate;
Tells him of trophies, statues, tombs, and stories
His victories, his triumphs and his glories.
"O Jove," quoth she, "how much a fool was I
To be of such a weak and silly mind
To wail his death who lives and must not die
Till mutual overthrow of mortal kind;
For he being dead, with him is beauty slain,
And, beauty dead, black chaos comes again.
"Fie, fie, fond love, thou art so full of fear
As one with treasure laden, hemm'd with thieves;
Trifles, unwitnessed with eye or ear,
Thy coward heart with false bethinking grieves."
Even at this word she hears a merry horn,
Whereat she leaps that was but late forlorn.
As falcon to the lure, away she flies;
The grass stoops not, she treads on it so light;
And in her haste unfortunately spies
The foul boar's conquest on her fair delight;
Which seen, her eyes, as murder'd with the view,
Like stars asham'd of day, themselves withdrew;
Or, as the snail, whose tender horns being hit,
Shrinks backward in his shelly cave with pain,
And there, all smother'd up, in shade doth sit,
Long after fearing to creep forth again;
So, at his bloody view, her eyes are fled
Into the deep dark cabins of her head:
Where they resign their office and their light
To the disposing of her troubled brain;
Who bids them still consort with ugly night,
And never wound the heart with looks again;
Who, like a king perplexed in his throne,
By their suggestion gives a deadly groan,
Whereat each tributary subject quakes;
As when the wind, imprison'd in the ground,
Struggling for passage, earth's foundation shakes,
Which with cold terror doth men's minds confound.
This mutiny each part doth so surprise
That from their dark beds once more leap her eyes;
And, being open'd, threw unwilling light
Upon the wide wound that the boar had trench'd
In his soft flank; whose wonted lily white
With purple tears, that his wound wept, was drench'd:
No flower was nigh, no grass, herb, leaf, or weed,
But stole his blood and seem'd with him to bleed.
This solemn sympathy poor Venus noteth;
Over one shoulder doth she hang her head;
Dumbly she passions, franticly she doteth;
She thinks he could not die, he is not dead:
Her voice is stopt, her joints forget to bow;
Her eyes are mad that they have wept till now.
|
Written by
John Wilmot |
Much wine had passed, with grave discourse
Of who fucks who, and who does worse
(Such as you usually do hear
From those that diet at the Bear),
When I, who still take care to see
Drunkenness relieved by lechery,
Went out into St. James's Park
To cool my head and fire my heart.
But though St. James has th' honor on 't,
'Tis consecrate to prick and ****.
There, by a most incestuous birth,
Strange woods spring from the teeming earth;
For they relate how heretofore,
When ancient Pict began to whore,
Deluded of his assignation
(Jilting, it seems, was then in fashion),
Poor pensive lover, in this place
Would frig upon his mother's face;
Whence rows of mandrakes tall did rise
Whose lewd tops fucked the very skies.
Each imitative branch does twine
In some loved fold of Aretine,
And nightly now beneath their shade
Are buggeries, rapes, and incests made.
Unto this all-sin-sheltering grove
Whores of the bulk and the alcove,
Great ladies, chambermaids, and drudges,
The ragpicker, and heiress trudges.
Carmen, divines, great lords, and tailors,
Prentices, poets, pimps, and jailers,
Footmen, fine fops do here arrive,
And here promiscuously they swive.
Along these hallowed walks it was
That I beheld Corinna pass.
Whoever had been by to see
The proud disdain she cast on me
Through charming eyes, he would have swore
She dropped from heaven that very hour,
Forsaking the divine abode
In scorn of some despairing god.
But mark what creatures women are:
How infinitely vile, when fair!
Three knights o' the' elbow and the slur
With wriggling tails made up to her.
The first was of your Whitehall baldes,
Near kin t' th' Mother of the Maids;
Graced by whose favor he was able
To bring a friend t' th' Waiters' table,
Where he had heard Sir Edward Sutton
Say how the King loved Banstead mutton;
Since when he'd ne'er be brought to eat
By 's good will any other meat.
In this, as well as all the rest,
He ventures to do like the best,
But wanting common sense, th' ingredient
In choosing well not least expedient,
Converts abortive imitation
To universal affectation.
Thus he not only eats and talks
But feels and smells, sits down and walks,
Nay looks, and lives, and loves by rote,
In an old tawdry birthday coat.
The second was a Grays Inn wit,
A great inhabiter of the pit,
Where critic-like he sits and squints,
Steals pocket handkerchiefs, and hints
From 's neighbor, and the comedy,
To court, and pay, his landlady.
The third, a lady's eldest son
Within few years of twenty-one
Who hopes from his propitious fate,
Against he comes to his estate,
By these two worthies to be made
A most accomplished tearing blade.
One, in a strain 'twixt tune and nonsense,
Cries, "Madam, I have loved you long since.
Permit me your fair hand to kiss";
When at her mouth her **** cries, "Yes!"
In short, without much more ado,
Joyful and pleased, away she flew,
And with these three confounded asses
From park to hackney coach she passes.
So a proud ***** does lead about
Of humble curs the amorous rout,
Who most obsequiously do hunt
The savory scent of salt-swoln ****.
Some power more patient now relate
The sense of this surprising fate.
Gods! that a thing admired by me
Should fall to so much infamy.
Had she picked out, to rub her **** on,
Some stiff-pricked clown or well-hung parson,
Each job of whose spermatic sluice
Had filled her **** with wholesome juice,
I the proceeding should have praised
In hope sh' had quenched a fire I raised.
Such natural freedoms are but just:
There's something generous in mere lust.
But to turn a damned abandoned jade
When neither head nor tail persuade;
To be a whore in understanding,
A passive pot for fools to spend in!
The devil played booty, sure, with thee
To bring a blot on infamy.
But why am I, of all mankind,
To so severe a fate designed?
Ungrateful! Why this treachery
To humble fond, believing me,
Who gave you privilege above
The nice allowances of love?
Did ever I refuse to bear
The meanest part your lust could spare?
When your lewd **** came spewing home
Drenched with the seed of half the town,
My dram of sperm was supped up after
For the digestive surfeit water.
Full gorged at another time
With a vast meal of slime
Which your devouring **** had drawn
From porters' backs and footmen's brawn,
I was content to serve you up
My ballock-full for your grace cup,
Nor ever thought it an abuse
While you had pleasure for excuse -
You that could make my heart away
For noise and color, and betray
The secrets of my tender hours
To such knight-errant paramours,
When, leaning on your faithless breast,
Wrapped in security and rest,
Soft kindness all my powers did move,
And reason lay dissolved in love!
May stinking vapors choke your womb
Such as the men you dote upon
May your depraved appetite,
That could in whiffling fools delight,
Beget such frenzies in your mind
You may go mad for the north wind,
And fixing all your hopes upon't
To have him bluster in your ****,
Turn up your longing **** t' th' air
And perish in a wild despair!
But cowards shall forget to rant,
Schoolboys to frig, old whores to paint;
The Jesuits' fraternity
Shall leave the use of buggery;
Crab-louse, inspired with grace divine,
From earthly cod to heaven shall climb;
Physicians shall believe in Jesus,
And disobedience cease to please us,
Ere I desist with all my power
To plague this woman and undo her.
But my revenge will best be timed
When she is married that is limed.
In that most lamentable state
I'll make her feel my scorn and hate:
Pelt her with scandals, truth or lies,
And her poor cur with jealousied,
Till I have torn him from her breech,
While she whines like a dog-drawn *****;
Loathed and despised, kicked out o' th' Town
Into some dirty hole alone,
To chew the cud of misery
And know she owes it all to me.
And may no woman better thrive
That dares prophane the **** I swive!
|