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Best Famous Taillights Poems

Here is a collection of the all-time best famous Taillights poems. This is a select list of the best famous Taillights poetry. Reading, writing, and enjoying famous Taillights poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of taillights poems.

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Written by Paul Muldoon | Create an image from this poem

Cows

 Even as we speak, there's a smoker's cough
from behind the whitethorn hedge: we stop dead in our tracks;
a distant tingle of water into a trough.

In the past half-hour—since a cattle truck
all but sent us shuffling off this mortal coil—
we've consoled ourselves with the dregs

of a bottle of Redbreast. Had Hawthorne been a Gael,
I insist, the scarlet A on Hester Prynne
would have stood for "Alcohol."

This must be the same truck whose taillights burn
so dimly, as if caked with dirt,
three or four hundred yards along the boreen

(a diminutive form of the Gaelic bóthar, "a road,"
from bó, "a cow," and thar
meaning, in this case, something like "athwart,"

"boreen" has entered English "through the air"
despite the protestations of the O.E.D.):
why, though, should one taillight flash and flare

then flicker-fade
to an afterimage of tourmaline
set in a dark part-jet, part-jasper or -jade?

That smoker's cough again: it triggers off from drumlin
to drumlin an emphysemantiphon
of cows. They hoist themselves onto their trampoline

and steady themselves and straight away divine
water in some far-flung spot
to which they then gravely incline. This is no Devon

cow-coterie, by the way, whey-faced, with Spode
hooves and horns: nor are they the metaphysicattle of Japan
that have merely to anticipate

scoring a bull's-eye and, lo, it happens;
these are earth-flesh, earth-blood, salt of the earth,
whose talismans are their own jawbones

buried under threshold and hearth.
For though they trace themselves to the kith and kine
that presided over the birth

of Christ (so carry their calves a full nine
months and boast liquorice
cachous on their tongues), they belong more to the line

that's tramped these cwms and corries
since Cuchulainn tramped Aoife.
Again the flash. Again the fade. However I might allegorize

some oscaraboscarabinary bevy
of cattle there's no getting round this cattle truck,
one light on the blink, laden with what? Microwaves? Hi-fis?

Oscaraboscarabinary: a twin, entwined, a tree, a Tuareg;
a double dung-beetle; a plain
and simple hi-firing party; an off-the-back-of-a-lorry drogue?

Enough of Colette and Céline, Céline and Paul Celan:
enough of whether Nabokov
taught at Wellesley or Wesleyan.

Now let us talk of slaughter and the slain,
the helicopter gunship, the mighty Kalashnikov:
let's rest for a while in a place where a cow has lain.


Written by William Carlos (WCW) Williams | Create an image from this poem

Overture To A Dance Of Locomotives

 Men with picked voices chant the names 
of cities in a huge gallery: promises 
that pull through descending stairways 
to a deep rumbling. 

 The rubbing feet 
of those coming to be carried quicken a 
grey pavement into soft light that rocks 
to and fro, under the domed ceiling, 
across and across from pale 
earthcolored walls of bare limestone. 

Covertly the hands of a great clock 
go round and round! Were they to 
move quickly and at once the whole 
secret would be out and the shuffling 
of all ants be done forever. 

A leaning pyramid of sunlight, narrowing 
out at a high window, moves by the clock: 
disaccordant hands straining out from 
a center: inevitable postures infinitely 
repeated— 
 two—twofour—twoeight! 
Porters in red hats run on narrow platforms. 
This way ma'am! 
 —important not to take 
the wrong train! 
 Lights from the concrete 
ceiling hang crooked but— 
 Poised horizontal 
on glittering parallels the dingy cylinders 
packed with a warm glow—inviting entry— 
pull against the hour. But brakes can 
hold a fixed posture till— 
 The whistle! 

Not twoeight. Not twofour. Two! 

Gliding windows. Colored cooks sweating 
in a small kitchen. Taillights— 

In time: twofour! 
In time: twoeight! 

—rivers are tunneled: trestles 
cross oozy swampland: wheels repeating 
the same gesture remain relatively 
stationary: rails forever parallel 
return on themselves infinitely. 

Book: Radiant Verses: A Journey Through Inspiring Poetry