Written by
Billy Collins |
It could be the name of a prehistoric beast
that roamed the Paleozoic earth, rising up
on its hind legs to show off its large vocabulary,
or some lover in a myth who is metamorphosed into a book.
It means treasury, but it is just a place
where words congregate with their relatives,
a big park where hundreds of family reunions
are always being held,
house, home, abode, dwelling, lodgings, and digs,
all sharing the same picnic basket and thermos;
hairy, hirsute, woolly, furry, fleecy, and shaggy
all running a sack race or throwing horseshoes,
inert, static, motionless, fixed and immobile
standing and kneeling in rows for a group photograph.
Here father is next to sire and brother close
to sibling, separated only by fine shades of meaning.
And every group has its odd cousin, the one
who traveled the farthest to be here:
astereognosis, polydipsia, or some eleven
syllable, unpronounceable substitute for the word tool.
Even their own relatives have to squint at their name tags.
I can see my own copy up on a high shelf.
I rarely open it, because I know there is no
such thing as a synonym and because I get nervous
around people who always assemble with their own kind,
forming clubs and nailing signs to closed front doors
while others huddle alone in the dark streets.
I would rather see words out on their own, away
from their families and the warehouse of Roget,
wandering the world where they sometimes fall
in love with a completely different word.
Surely, you have seen pairs of them standing forever
next to each other on the same line inside a poem,
a small chapel where weddings like these,
between perfect strangers, can take place.
|
Written by
Kenn Nesbitt |
Poor Cinderella, whose stepmom was mean,
could never see films rated PG-13.
She hadn’t a cell phone and no DVD,
no notebook computer or pocket TV.
She wasn’t allowed to play video games.
The tags on her clothes had unfashionable names.
Her shoes were not trendy enough to be cool.
No limousine chauffeur would drive her to school.
Her house had no drawing room; only a den.
Her bedtime, poor darling, was quarter past ten!
Well one day Prince Charming declared that a ball
would be held in his honor and maidens from all
over the kingdom were welcome to come
and party to techno and jungle house drum.
But Poor Cinderella, with nothing to wear,
collapsed in her stepmother’s La-Z-Boy chair.
She let out a sigh, with a lump in her throat,
then sniffled and picked up the TV remote.
She surfed channel zero to channel one-ten
then went back to zero and started again.
She watched music videos, sitcoms and sports,
commercials and talkshows and weather reports.
But no fairy godmother came to her side
to offer a dress or a carriage to ride.
So Poor Cinderella’s been sitting there since,
while one of her stepsisters married the Prince.
She sits there and sadly complains to the screen,
if only her stepmother wasn’t so mean.
--Kenn Nesbitt
Copyright © Kenn Nesbitt 2009. All Rights Reserved.
|
Written by
Robert Frost |
Mary sat musing on the lamp-flame at the table
Waiting for Warren.
When she heard his step,
She ran on tip-toe down the darkened passage
To meet him in the doorway with the news
And put him on his guard.
'Silas is back.
'
She pushed him outward with her through the door
And shut it after her.
"Be kind,' she said.
She took the market things from Warren's arms
And set them on the porch, then drew him down
To sit beside her on the wooden steps.
'When was I ever anything but kind to him?
But I'll not have the fellow back,' he said.
'I told him so last haying, didn't I?
"If he left then," I said, "that ended it.
"
What good is he? Who else will harbour him
At his age for the little he can do?
What help he is there's no depending on.
Off he goes always when I need him most.
'He thinks he ought to earn a little pay,
Enough at least to buy tobacco with,
won't have to beg and be beholden.
"
"All right," I say "I can't afford to pay
Any fixed wages, though I wish I could.
"
"Someone else can.
"
"Then someone else will have to.
I shouldn't mind his bettering himself
If that was what it was.
You can be certain,
When he begins like that, there's someone at him
Trying to coax him off with pocket-money, --
In haying time, when any help is scarce.
In winter he comes back to us.
I'm done.
'
'Shh I not so loud: he'll hear you,' Mary said.
'I want him to: he'll have to soon or late.
'
'He's worn out.
He's asleep beside the stove.
When I came up from Rowe's I found him here,
Huddled against the barn-door fast asleep,
A miserable sight, and frightening, too-
You needn't smile -- I didn't recognize him-
I wasn't looking for him- and he's changed.
Wait till you see.
'
'Where did you say he'd been?
'He didn't say.
I dragged him to the house,
And gave him tea and tried to make him smoke.
I tried to make him talk about his travels.
Nothing would do: he just kept nodding off.
'
'What did he say? Did he say anything?'
'But little.
'
'Anything? Mary, confess
He said he'd come to ditch the meadow for me.
'
'Warren!'
'But did he? I just want to know.
'
'Of course he did.
What would you have him say?
Surely you wouldn't grudge the poor old man
Some humble way to save his self-respect.
He added, if you really care to know,
He meant to dear the upper pasture, too.
That sounds like something you have heard before?
Warren, I wish you could have heard the way
He jumbled everything.
I stopped to look
Two or three times -- he made me feel so *****--
To see if he was talking in his sleep.
He ran on Harold Wilson -- you remember -
The boy you had in haying four years since.
He's finished school, and teaching in his college.
Silas declares you'll have to get him back.
He says they two will make a team for work:
Between them they will lay this farm as smooth!
The way he mixed that in with other things.
He thinks young Wilson a likely lad, though daft
On education -- you know how they fought
All through July under the blazing sun,
Silas up on the cart to build the load,
Harold along beside to pitch it on.
'
'Yes, I took care to keep well out of earshot.
'
'Well, those days trouble Silas like a dream.
You wouldn't think they would.
How some things linger!
Harold's young college boy's assurance piqued him.
After so many years he still keeps finding
Good arguments he sees he might have used.
I sympathize.
I know just how it feels
To think of the right thing to say too late.
Harold's associated in his mind with Latin.
He asked me what I thought of Harold's saying
He studied Latin like the violin
Because he liked it -- that an argument!
He said he couldn't make the boy believe
He could find water with a hazel prong--
Which showed how much good school had ever done
him.
He wanted to go over that.
'But most of all
He thinks if he could have another chance
To teach him how to build a load of hay --'
'I know, that's Silas' one accomplishment.
He bundles every forkful in its place,
And tags and numbers it for future reference,
So he can find and easily dislodge it
In the unloading.
Silas does that well.
He takes it out in bunches like big birds' nests.
You never see him standing on the hay
He's trying to lift, straining to lift himself.
'
'He thinks if he could teach him that, he'd be
Some good perhaps to someone in the world.
He hates to see a boy the fool of books.
Poor Silas, so concerned for other folk,
And nothing to look backward to with pride,
And nothing to look forward to with hope,
So now and never any different.
'
Part of a moon was filling down the west,
Dragging the whole sky with it to the hills.
Its light poured softly in her lap.
She saw
And spread her apron to it.
She put out her hand
Among the harp-like morning-glory strings,
Taut with the dew from garden bed to eaves,
As if she played unheard the tenderness
That wrought on him beside her in the night.
'Warren,' she said, 'he has come home to die:
You needn't be afraid he'll leave you this time.
'
'Home,' he mocked gently.
'Yes, what else but home?
It all depends on what you mean by home.
Of course he's nothing to us, any more
then was the hound that came a stranger to us
Out of the woods, worn out upon the trail.
'
'Home is the place where, when you have to go there,
They have to take you in.
'
'I should have called it
Something you somehow haven't to deserve.
'
Warren leaned out and took a step or two,
Picked up a little stick, and brought it back
And broke it in his hand and tossed it by.
'Silas has better claim on' us, you think,
Than on his brother? Thirteen little miles
As the road winds would bring him to his door.
Silas has walked that far no doubt to-day.
Why didn't he go there? His brother's rich,
A somebody- director in the bank.
'
'He never told us that.
'
'We know it though.
'
'I think his brother ought to help, of course.
I'll see to that if there is need.
He ought of right
To take him in, and might be willing to-
He may be better than appearances.
But have some pity on Silas.
Do you think
If he'd had any pride in claiming kin
Or anything he looked for from his brother,
He'd keep so still about him all this time?'
'I wonder what's between them.
'
'I can tell you.
Silas is what he is -- we wouldn't mind him--
But just the kind that kinsfolk can't abide.
He never did a thing so very bad.
He don't know why he isn't quite as good
As anyone.
He won't be made ashamed
To please his brother, worthless though he is.
'
'I can't think Si ever hurt anyone.
'
'No, but he hurt my heart the way he lay
And rolled his old head on that sharp-edged chair-back.
He wouldn't let me put him on the lounge.
You must go in and see what you can do.
I made the bed up for him there to-night.
You'll be surprised at him -- how much he's broken.
His working days are done; I'm sure of it.
'
'I'd not be in a hurry to say that.
'
'I haven't been.
Go, look, see for yourself.
But, Warren, please remember how it is:
He' come to help you ditch the meadow.
He has a plan, You mustn't laugh at him.
He may not speak of it, and then he may.
I'll sit and see if that small sailing cloud
Will hit or miss the moon.
'
It hit the moon.
Then there were three there, making a dim row,
The moon, the little silver cloud, and she.
Warren returned-- too soon, it seemed to her,
Slipped to her side, caught up her hand and waited.
'Warren?' she questioned.
'Dead,' was all he answered.
|
Written by
Siegfried Sassoon |
There seemed a smell of autumn in the air
At the bleak end of night; he shivered there
In a dank, musty dug-out where he lay,
Legs wrapped in sand-bags,—lumps of chalk and clay
Spattering his face.
Dry-mouthed, he thought, ‘To-day
We start the damned attack; and, Lord knows why,
Zero’s at nine; how bloody if I’m done in
Under the freedom of that morning sky!’
And then he coughed and dozed, cursing the din.
Was it the ghost of autumn in that smell
Of underground, or God’s blank heart grown kind,
That sent a happy dream to him in hell?—
Where men are crushed like clods, and crawl to find
Some crater for their wretchedness; who lie
In outcast immolation, doomed to die
Far from clean things or any hope of cheer,
Cowed anger in their eyes, till darkness brims
And roars into their heads, and they can hear
Old childish talk, and tags of foolish hymns.
He sniffs the chilly air; (his dreaming starts),
He’s riding in a dusty Sussex lane
In quiet September; slowly night departs;
And he’s a living soul, absolved from pain.
Beyond the brambled fences where he goes
Are glimmering fields with harvest piled in sheaves,
And tree-tops dark against the stars grown pale;
Then, clear and shrill, a distant farm-cock crows;
And there’s a wall of mist along the vale
Where willows shake their watery-sounding leaves,
He gazes on it all, and scarce believes
That earth is telling its old peaceful tale;
He thanks the blessed world that he was born.
.
.
Then, far away, a lonely note of the horn.
They’re drawing the Big Wood! Unlatch the gate,
And set Golumpus going on the grass;
He knows the corner where it’s best to wait
And hear the crashing woodland chorus pass;
The corner where old foxes make their track
To the Long Spinney; that’s the place to be.
The bracken shakes below an ivied tree,
And then a cub looks out; and ‘Tally-o-back!’
He bawls, and swings his thong with volleying crack,—
All the clean thrill of autumn in his blood,
And hunting surging through him like a flood
In joyous welcome from the untroubled past;
While the war drifts away, forgotten at last.
Now a red, sleepy sun above the rim
Of twilight stares along the quiet weald,
And the kind, simple country shines revealed
In solitudes of peace, no longer dim.
The old horse lifts his face and thanks the light,
Then stretches down his head to crop the green.
All things that he has loved are in his sight;
The places where his happiness has been
Are in his eyes, his heart, and they are good.
.
.
.
.
Hark! there’s the horn: they’re drawing the Big Wood.
|
Written by
Charles Webb |
Its silver clasp looks like a man grasping
his hands above his head in victory;
the latches, like twin hatchbacks headed away.
There are no wheels, just four steel nipples for sliding.
A hexagonal seal announces the defunct
"U.
S.
Trunk Company.
" The frame is wood—
big, heavy, cheap—covered with imitation leather,
its blue just slightly darker than Mom's eyes.
"It's beautiful.
Much too expensive," she told Dad,
and kissed him.
The lining is pink, quilted
acetate.
Three sides have pouches with elastic tops—
stretched out now, like old underwear.
I watched Mom pack them with panties and brassieres
when I was so little she didn't blush.
The right front corner has been punctured and crushed.
(I could have choked the baggage handler.
)
The handle—blue plastic doorknocker—
is fringed with wrinkled tags from United, Delta,
U.
S.
Air (which crunched the hole, flying
the suitcase back from Houston).
I'd gone there
to see Mom in the "home," and save some boyhood
relics before my sister gave them to Good Will.
"Take mine," Mom said, hearing my suitcase was full.
"I won't need luggage, the next place I go.
"
|
Written by
Barry Tebb |
THE WALK TO THE PARADISE GARDENS
1
Bonfire Night beckoned us to the bridge
By Saint Hilda’s where we started down
Knostrop to chump but I trailed behind
With Margaret when it was late September
The song of summer ceased and fires in
Blackleaded grates began and we were
Hidden from the others by the bridge’s span.
2
When you bent I saw the buds of your breasts
As you meant and I laughed at your craft when
You blushed and denied and finally cried
But there was a smile in your eyes.
3
It was the season of yo-yo’s in yellow or
Pink or pillar-box red and you spooled out
The thread as only you could and it dipped
And rose like a dancer.
4
The paddock by the tusky sheds was cropped
And polished by the horses’ hooves, their
Nostrils flared and they bared their teeth
As we passed and tossed their manes as we
Shied from the rusty fence where peg-legged
We jumped the cracks and pulled away each
Dandelion head, “Pee-the-bed! Pee-the bed!”
Rubbing the yellow dust into each other’s
Cheeks and chins as we kissed.
5
The bluebells had died and on the other side
The nettle beds were filled with broken branches
White as bone, clouds were tags of wool, the
Night sky magenta sands with bands of gold
And bright stars beckoned and burned like
Ragged robins in a ditch and rich magnolias
In East End Park.
6
I am alone in the dark
Remembering Bonfire Night
Of nineteen-fifty four
When it was early dusk
Your hair was gold
As angels’ wings.
7
From the binyard in the backstreet we brought
The dry stored branches, broken staves under
The taunting stars and we have never left
That night or that place on the Hollows
The fire we built has never gone out and
The light in your eyes is bright:
We took the road by the river with a star
Map and dream sacks on our backs.
8
The Hollows stretched into darkness
The fire burned in the frost, sparks
Crackled and jumped and floated
Stars into the invisible night and
The log glowed red and the fire we
Fed has never died.
9
The catherine-wheel pinned to the palings
Hissed and spun as we ran passed the railings
Rattling our sticks until the stars had beat retreat.
10
From the night comes a figure
Into the firelight: Margaret Gardiner
My first, my only love, the violet pools
Of your eyes, your voice still calling,
“I am here, I am waiting.
”
11
Where the road turns
Past St Hilda’s
Down Knostrop
By the Black Road
By the Red Road
Interminable blue
And I remember you,
Margaret, in your
Mauve blazer standing
By the river, your
Worn-out flower patterned
Frock and black
Laceless runners
12
Into the brewer’s yard
Stumbled the drayhorses
Armoured in leather
And clashing brass
Strident as Belshazzar’s
Feast, rich as yeast
On Auntie Nellie’s
Baking board, barrels
Banked on barrels
From the cooper’s yard.
13
Margaret, are you listening?
Are your eyes still distant
And dreaming? Can you hear
My voice in Eden?
My poems are all for you
The one who never knew
Silent and most generous
Muse, eternal primavera
Under the streetlamps
Of Leeds Nine.
14
Margaret, hold my hand
As we set out into the
Land of summers lost
A day-time ghost surrenders
At the top of the steps
To the Aire where we
Looked over the Hollows
Misted with memory and
Images of summer.
We are standing on the corner of Falmouth Place
We are standing by the steps to the Aire
We are standing outside the Maypole
Falling into Eden.
15
Falling into Eden is just a beginning
Hoardings on the gable ends for household
Soap, washing is out on the lines
Falmouth Street full of children playing,
Patrick Keown, Keith Ibbotson, the Flaherty
Twins spilling over the pavements, holding
A skipping rope, whirling and twirling;
Margaret you never missed a turn
While I could never make one, out before I began.
|
Written by
Philip Levine |
1
Dawn.
First light tearing
at the rough tongues of the zinnias,
at the leaves of the just born.
Today it will rain.
On the road
black cars are abandoned, but the clouds
ride above, their wisdom intact.
They are predictions.
They never matter.
The jet fighters lift above the flat roofs,
black arrowheads trailing their future.
2
When the night comes small fires go out.
Blood runs to the heart and finds it locked.
Morning is exhaustion, tranquilizers, gasoline,
the screaming of frozen bearings,
the failures ofwill, the TV talking to itself
The clouds go on eating oil, cigars,
housewives, sighing letters,
the breath of lies.
In their great silent pockets
they carry off all our dead.
3
The clouds collect until there's no sky.
A boat slips its moorings and drifts
toward the open sea, turning and turning.
The moon bends to the canal and bathes
her torn lips, and the earth goes on
giving off her angers and sighs
and who knows or cares except these
breathing the first rains,
the last rivers running over iron.
4
You cut an apple in two pieces
and ate them both.
In the rain
the door knocked and you dreamed it.
On bad roads the poor walked under cardboard boxes.
The houses are angry because they're watched.
A soldier wants to talk with God
but his mouth fills with lost tags.
The clouds have seen it all, in the dark
they pass over the graves of the forgotten
and they don't cry or whisper.
They should be punished every morning,
they should be bitten and boiled like spoons.
|
Written by
Philip Levine |
A solitary apartment house, the last one
before the boulevard ends and a dusty road
winds its slow way out of town.
On the third floor
through the dusty windows Karen beholds
the elegant couples walking arm in arm
in the public park.
It is Saturday afternoon,
and she is waiting for a particular young man
whose name I cannot now recall, if name
he ever had.
She runs the thumb of her left hand
across her finger tips and feels the little tags
of flesh the needle made that morning at work
and wonders if he will feel them.
She loves her work,
the unspooling of the wide burgundy ribbons
that tumble across her lap, the delicate laces,
the heavy felts for winter, buried now that spring
is rising in the trees.
She recalls a black hat
hidden in a deep drawer in the back of the shop.
She made it in February when the snows piled
as high as her waist, and the river stopped at noon,
and she thought she would die.
She had tried it on,
a small, close-fitting cap, almost nothing,
pinned down at front and back.
Her hair tumbled
out at the sides in dark rags.
When she turned
it around, the black felt cupped her forehead
perfectly, the teal feathers trailing out behind,
twin cool jets of flame.
Suddenly he is here.
As she goes to the door, the dark hat falls back
into the closed drawer of memory to wait
until the trees are bare and the days shut down
abruptly at five.
They touch, cheek to cheek,
and only there, both bodies stiffly arched apart.
As she draws her white gloves on, she can smell
the heat rising from his heavy laundered shirt,
she can almost feel the weight of the iron
hissing across the collar.
It's cool out, he says,
cooler than she thinks.
There are tiny dots
of perspiration below his hairline.
What a day
for strolling in the park! Refusing the chair
by the window, he seems to have no time,
as though this day were passing forever,
although it is barely after two of a late May
afternoon a whole year before the modern era.
Of course she'll take a jacket, she tells him,
of course she was planning to, and she opens her hands,
the fingers spread wide to indicate the enormity
of his folly, for she has on only a blouse,
protection against nothing.
In the bedroom
she considers a hat, something dull and proper
as a rebuke, but shaking out her glowing hair
she decides against it.
The jacket is there,
the arms spread out on the bed, the arms
of a dressed doll or a soldier at attention
or a boy modelling his first suit, my own arms
when at six I stood beside my sister waiting
to be photographed.
She removes her gloves
to feel her balled left hand pass through the silk
of the lining, and then her right, fingers open.
As she buttons herself in, she watches
a slow wind moving through the planted fields
behind the building.
She stops and stares.
What was that dark shape she saw a moment
trembling between the sheaves? The sky lowers,
the small fat cypresses by the fields' edge
part, and something is going.
Is that the way
she too must take? The world blurs before her eyes
or her sight is failing.
I cannot take her hand,
then or now, and lead her to a resting place
where our love matters.
She stands frozen
before the twenty-third summer of her life,
someone I know, someone I will always know.
|
Written by
Robert William Service |
The porter in the Pullman car
Was charming, as they sometimes are.
He scanned my baggage tags: "Are you
The man who wrote of Lady Lou?"
When I said "yes" he made a fuss -
Oh, he was most assiduous;
And I was pleased to think that he
Enjoyed my brand of poetry.
He was forever at my call,
So when we got to Montreal
And he had brushed me off, I said:
"I'm glad my poems you have read.
I feel quite flattered, I confess,
And if you give me your address
I'll send you (autographed, of course)
One of my little books of verse.
"
He smiled - his teeth were white as milk;
He spoke - his voice was soft as silk.
I recognized, depite his skin,
The perfect gentleman within.
Then courteously he made reply:
"I thank you kindly, Sir, but I
With many other cherished tome
Have all your books of verse at home.
"When I was quite a little boy
I used to savour them with joy;
And now my daughter, aged three,
Can tell the tale of Sam McGee;
While Tom, my son, that's only two
Has heard the yarn of Dan McGrew.
.
.
.
Don't think your stuff I'm not applaudin' -
My taste is Eliot and Auden.
"
So we gravely bade adieu
I felt quite snubbed - and so would you,
And yet I shook him by the hand,
Impressed that he could understand
The works of those two tops I mention,
So far beyond my comprehension -
A humble bard of boys and barmen,
Disdained, alas! by Pullman carmen.
|