Written by
Elizabeth Bishop |
From narrow provinces
of fish and bread and tea,
home of the long tides
where the bay leaves the sea
twice a day and takes
the herrings long rides,
where if the river
enters or retreats
in a wall of brown foam
depends on if it meets
the bay coming in,
the bay not at home;
where, silted red,
sometimes the sun sets
facing a red sea,
and others, veins the flats'
lavender, rich mud
in burning rivulets;
on red, gravelly roads,
down rows of sugar maples,
past clapboard farmhouses
and neat, clapboard churches,
bleached, ridged as clamshells,
past twin silver birches,
through late afternoon
a bus journeys west,
the windshield flashing pink,
pink glancing off of metal,
brushing the dented flank
of blue, beat-up enamel;
down hollows, up rises,
and waits, patient, while
a lone traveller gives
kisses and embraces
to seven relatives
and a collie supervises.
Goodbye to the elms,
to the farm, to the dog.
The bus starts.
The light
grows richer; the fog,
shifting, salty, thin,
comes closing in.
Its cold, round crystals
form and slide and settle
in the white hens' feathers,
in gray glazed cabbages,
on the cabbage roses
and lupins like apostles;
the sweet peas cling
to their wet white string
on the whitewashed fences;
bumblebees creep
inside the foxgloves,
and evening commences.
One stop at Bass River.
Then the Economies
Lower, Middle, Upper;
Five Islands, Five Houses,
where a woman shakes a tablecloth
out after supper.
A pale flickering.
Gone.
The Tantramar marshes
and the smell of salt hay.
An iron bridge trembles
and a loose plank rattles
but doesn't give way.
On the left, a red light
swims through the dark:
a ship's port lantern.
Two rubber boots show,
illuminated, solemn.
A dog gives one bark.
A woman climbs in
with two market bags,
brisk, freckled, elderly.
"A grand night.
Yes, sir,
all the way to Boston.
"
She regards us amicably.
Moonlight as we enter
the New Brunswick woods,
hairy, scratchy, splintery;
moonlight and mist
caught in them like lamb's wool
on bushes in a pasture.
The passengers lie back.
Snores.
Some long sighs.
A dreamy divagation
begins in the night,
a gentle, auditory,
slow hallucination.
.
.
.
In the creakings and noises,
an old conversation
--not concerning us,
but recognizable, somewhere,
back in the bus:
Grandparents' voices
uninterruptedly
talking, in Eternity:
names being mentioned,
things cleared up finally;
what he said, what she said,
who got pensioned;
deaths, deaths and sicknesses;
the year he remarried;
the year (something) happened.
She died in childbirth.
That was the son lost
when the schooner foundered.
He took to drink.
Yes.
She went to the bad.
When Amos began to pray
even in the store and
finally the family had
to put him away.
"Yes .
.
.
" that peculiar
affirmative.
"Yes .
.
.
"
A sharp, indrawn breath,
half groan, half acceptance,
that means "Life's like that.
We know it (also death).
"
Talking the way they talked
in the old featherbed,
peacefully, on and on,
dim lamplight in the hall,
down in the kitchen, the dog
tucked in her shawl.
Now, it's all right now
even to fall asleep
just as on all those nights.
--Suddenly the bus driver
stops with a jolt,
turns off his lights.
A moose has come out of
the impenetrable wood
and stands there, looms, rather,
in the middle of the road.
It approaches; it sniffs at
the bus's hot hood.
Towering, antlerless,
high as a church,
homely as a house
(or, safe as houses).
A man's voice assures us
"Perfectly harmless.
.
.
.
"
Some of the passengers
exclaim in whispers,
childishly, softly,
"Sure are big creatures.
"
"It's awful plain.
"
"Look! It's a she!"
Taking her time,
she looks the bus over,
grand, otherworldly.
Why, why do we feel
(we all feel) this sweet
sensation of joy?
"Curious creatures,"
says our quiet driver,
rolling his r's.
"Look at that, would you.
"
Then he shifts gears.
For a moment longer,
by craning backward,
the moose can be seen
on the moonlit macadam;
then there's a dim
smell of moose, an acrid
smell of gasoline.
|
Written by
Galway Kinnell |
At intermission I find her backstage
still practicing the piece coming up next.
She calls it the "solo in high dreary.
"
Her bow niggles at the string like a hand
stroking skin it never wanted to touch.
Probably under her scorn she is sick
that she can't do better by it.
As I am,
at the dreary in me, such as the disparity
between all the tenderness I've received
and the amount I've given, and the way
I used to shrug off the imbalance
simply as how things are, as if the male
were constituted like those coffeemakers
that produce less black bitter than the quantity
of sweet clear you poured in--forgetting about
how much I spilled through unsteady walking,
and that lot I threw on the ground
in suspicion, and for fear I wasn't worthy,
and all I poured out for reasons I don't understand yet.
"Break a leg!" somebody tells her.
Back in my seat, I can see she is nervous
when she comes out; her hand shakes as she
re-dog-ears the top corners of the big pages
that look about to flop over on their own.
Now she raises the bow--its flat bundle of hair
harvested from the rear ends of horses--like a whetted
scimitar she is about to draw across a throat,
and attacks.
In a back alley a cat opens
her pink-ceilinged mouth, gets netted
in full yowl, clubbed, bagged, bicycled off, haggled open,
gutted, the gut squeezed down to its highest pitch,
washed, sliced into cello strings, which bring
an ancient screaming into this duet of hair and gut.
Now she is flying--tossing back the goblets
of Saint-Amour standing empty,
half-empty, or full on the tablecloth-
like sheet music.
Her knees tighten
and loosen around the big-hipped creature
wailing and groaning between them
as if in elemental amplexus.
The music seems to rise from the crater left
when heaven was torn up and taken off the earth;
more likely it comes up through her priest's dress,
up from that clump of hair which by now
may be so wet with its waters, like the waters
the fishes multiplied in at Galilee, that
each wick draws a portion all the way out
to its tip and fattens a droplet on the bush
of half notes now glittering in that dark.
At last she lifts off the bow and sits back.
Her face shines with the unselfconsciousness of a cat
screaming at night and the teary radiance of one
who gives everything no matter what has been given.
|
Written by
Robert William Service |
Of course you've heard of the Nancy Lee, and how she sailed away
On her famous quest of the Arctic flea, to the wilds of Hudson's Bay?
For it was a foreign Prince's whim to collect this tiny cuss,
And a golden quid was no more to him than a copper to coves like us.
So we sailed away and our hearts were gay as we gazed on the gorgeous scene;
And we laughed with glee as we caught the flea of the wolf and the wolverine;
Yea, our hearts were light as the parasite of the ermine rat we slew,
And the great musk ox, and the silver fox, and the moose and the caribou.
And we laughed with zest as the insect pest of the marmot crowned our zeal,
And the wary mink and the wily "link", and the walrus and the seal.
And with eyes aglow on the scornful snow we danced a rigadoon,
Round the lonesome lair of the Arctic hare, by the light of the silver moon.
But the time was nigh to homeward hie, when, imagine our despair!
For the best of the lot we hadn't got -- the flea of the polar bear.
Oh, his face was long and his breath was strong, as the Skipper he says to me:
"I wants you to linger 'ere, my lad, by the shores of the Hartic Sea;
I wants you to 'unt the polar bear the perishin' winter through,
And if flea ye find of its breed and kind, there's a 'undred quid for you.
"
But I shook my head: "No, Cap," I said; "it's yourself I'd like to please,
But I tells ye flat I wouldn't do that if ye went on yer bended knees.
"
Then the Captain spat in the seething brine, and he says: "Good luck to you,
If it can't be did for a 'undred quid, supposin' we call it two?"
So that was why they said good-by, and they sailed and left me there --
Alone, alone in the Arctic Zone to hunt for the polar bear.
Oh, the days were slow and packed with woe, till I thought they would never end;
And I used to sit when the fire was lit, with my pipe for my only friend.
And I tried to sing some rollicky thing, but my song broke off in a prayer,
And I'd drowse and dream by the driftwood gleam; I'd dream of a polar bear;
I'd dream of a cloudlike polar bear that blotted the stars on high,
With ravenous jaws and flenzing claws, and the flames of hell in his eye.
And I'd trap around on the frozen ground, as a proper hunter ought,
And beasts I'd find of every kind, but never the one I sought.
Never a track in the white ice-pack that humped and heaved and flawed,
Till I came to think: "Why, strike me pink! if the creature ain't a fraud.
"
And then one night in the waning light, as I hurried home to sup,
I hears a roar by the cabin door, and a great white hulk heaves up.
So my rifle flashed, and a bullet crashed; dead, dead as a stone fell he,
And I gave a cheer, for there in his ear -- Gosh ding me! -- a tiny flea.
At last, at last! Oh, I clutched it fast, and I gazed on it with pride;
And I thrust it into a biscuit-tin, and I shut it safe inside;
With a lid of glass for the light to pass, and space to leap and play;
Oh, it kept alive; yea, seemed to thrive, as I watched it night and day.
And I used to sit and sing to it, and I shielded it from harm,
And many a hearty feed it had on the heft of my hairy arm.
For you'll never know in that land of snow how lonesome a man can feel;
So I made a fuss of the little cuss, and I christened it "Lucille".
But the longest winter has its end, and the ice went out to sea,
And I saw one day a ship in the bay, and there was the Nancy Lee.
So a boat was lowered and I went aboard, and they opened wide their eyes --
Yes, they gave a cheer when the truth was clear, and they saw my precious prize.
And then it was all like a giddy dream; but to cut my story short,
We sailed away on the fifth of May to the foreign Prince's court;
To a palmy land and a palace grand, and the little Prince was there,
And a fat Princess in a satin dress with a crown of gold on her hair.
And they showed me into a shiny room, just him and her and me,
And the Prince he was pleased and friendly-like, and he calls for drinks for three.
And I shows them my battered biscuit-tin, and I makes my modest spiel,
And they laughed, they did, when I opened the lid, and out there popped Lucille.
Oh, the Prince was glad, I could soon see that, and the Princess she was too;
And Lucille waltzed round on the tablecloth as she often used to do.
And the Prince pulled out a purse of gold, and he put it in my hand;
And he says: "It was worth all that, I'm told, to stay in that nasty land.
"
And then he turned with a sudden cry, and he clutched at his royal beard;
And the Princess screamed, and well she might -- for Lucille had disappeared.
"She must be here," said his Noble Nibbs, so we hunted all around;
Oh, we searched that place, but never a trace of the little beast we found.
So I shook my head, and I glumly said: "Gol darn the saucy cuss!
It's mighty *****, but she isn't here; so .
.
.
she must be on one of us.
You'll pardon me if I make so free, but -- there's just one thing to do:
If you'll kindly go for a half a mo' I'll search me garments through.
"
Then all alone on the shiny throne I stripped from head to heel;
In vain, in vain; it was very plain that I hadn't got Lucille.
So I garbed again, and I told the Prince, and he scratched his august head;
"I suppose if she hasn't selected you, it must be me," he said.
So he retired; but he soon came back, and his features showed distress:
"Oh, it isn't you and it isn't me.
" .
.
.
Then we looked at the Princess.
So she retired; and we heard a scream, and she opened wide the door;
And her fingers twain were pinched to pain, but a radiant smile she wore:
"It's here," she cries, "our precious prize.
Oh, I found it right away.
.
.
.
"
Then I ran to her with a shout of joy, but I choked with a wild dismay.
I clutched the back of the golden throne, and the room began to reel .
.
.
What she held to me was, ah yes! a flea, but .
.
.
it wasn't my Lucille.
|