Written by
Sophie Hannah |
Although you have given me a stomach upset,
Weak knees, a lurching heart, a fuzzy brain,
A high-pitched laugh, a monumental phone bill,
A feeling of unworthiness, sharp pain
When you are somewhere else, a guilty conscience,
A longing, and a dread of what’s in store,
A pulse rate for the Guinness Book of Records -
Life now is better than it was before.
Although you have given me a raging temper,
Insomnia, a rising sense of panic,
A hopeless challenge, bouts of introspection,
Raw, bitten nails, a voice that’s strangely manic,
A selfish streak, a fear of isolation,
A silly smile, lips that are chapped and sore,
A running joke, a risk, an inspiration –
Life now is better than it was before.
Although you have given me a premonition,
Chattering teeth, a goal, a lot to lose,
A granted wish, mixed motives, superstitions,
Hang-ups and headaches, fear of awful news,
A bubble in my throat, a dare to swallow,
A crack of light under a closing door,
The crude, fantastic prospect of forever –
Life now is better that it was before.
|
Written by
Mark Doty |
Because the road to our house
is a back road, meadowlands punctuated
by gravel quarry and lumberyard,
there are unexpected travelers
some nights on our way home from work.
Once, on the lawn of the Tool
and Die Company, a swan;
the word doesn't convey the shock
of the thing, white architecture
rippling like a pond's rain-pocked skin,
beak lifting to hiss at my approach.
Magisterial, set down in elegant authority,
he let us know exactly how close we might come.
After a week of long rains
that filled the marsh until it poured
across the road to make in low woods
a new heaven for toads,
a snapping turtle lumbered down the center
of the asphalt like an ambulatory helmet.
His long tail dragged, blunt head jutting out
of the lapidary prehistoric sleep of shell.
We'd have lifted him from the road
but thought he might bend his long neck back
to snap.
I tried herding him; he rushed,
though we didn't think those blocky legs
could hurry-- then ambled back
to the center of the road, a target
for kids who'd delight in the crush
of something slow with the look
of primeval invulnerability.
He turned
the blunt spear point of his jaws,
puffing his undermouth like a bullfrog,
and snapped at your shoe,
vising a beakful of-- thank God--
leather.
You had to shake him loose.
We left him
to his own devices, talked on the way home
of what must lead him to new marsh
or old home ground.
The next day you saw,
one town over, remains of shell
in front of the little liquor store.
I argued
it was too far from where we'd seen him,
too small to be his.
.
.
though who could tell
what the day's heat might have taken
from his body.
For days he became a stain,
a blotch that could have been merely
oil.
I did not want to believe that
was what we saw alive in the firm center
of his authority and right
to walk the center of the road,
head up like a missionary moving certainly
into the country of his hopes.
In the movies in this small town
I stopped for popcorn while you went ahead
to claim seats.
When I entered the cool dark
I saw straight couples everywhere,
no single silhouette who might be you.
I walked those two aisles too small
to lose anyone and thought of a book
I read in seventh grade, "Stranger Than Science,"
in which a man simply walked away,
at a picnic, and was,
in the act of striding forward
to examine a flower, gone.
By the time the previews ended
I was nearly in tears-- then realized
the head of one-half the couple in the first row
was only your leather jacket propped in the seat
that would be mine.
I don't think I remember
anything of the first half of the movie.
I don't know what happened to the swan.
I read
every week of some man's lover showing
the first symptoms, the night sweat
or casual flu, and then the wasting begins
and the disappearance a day at a time.
I don't know what happened to the swan;
I don't know if the stain on the street
was our turtle or some other.
I don't know
where these things we meet and know briefly,
as well as we can or they will let us,
go.
I only know that I do not want you
--you with your white and muscular wings
that rise and ripple beneath or above me,
your magnificent neck, eyes the deep mottled autumnal colors
of polished tortoise-- I do not want you ever to die.
|
Written by
Robert Graves |
Love is universal migraine,
A bright stain on the vision
Blotting out reason.
Symptoms of true love
Are leanness, jealousy,
Laggard dawns;
Are omens and nightmares -
Listening for a knock,
Waiting for a sign:
For a touch of her fingers
In a darkened room,
For a searching look.
Take courage, lover!
Could you endure such pain
At any hand but hers?
|
Written by
Emanuel Xavier |
“Ye shall hear of wars and rumors of wars;
see that ye not be troubles;
all these things must come to pass, but the end is not yet”
-Matthew 24:6
1.
I escape the horrors of war
with a towel and a room
Offering myself
to Palestinian and Jewish boys
as a ‘piece’ to the Middle East
when I should be concerned with the untimely deaths
of dark-skinned babies
and the brutal murders
of light-skinned fathers
2.
I’ve been more consumed with how to make
the cover of local *** rags
than how to open the minds
of angry little boys
trotting loaded guns
Helpless in finding words
that will stop the blood
from spilling like secrets into soil
where great prophets are buried
3.
I return to the same spaces
where I once dealt drugs
a celebrated author gliding past velvet ropes
while my club kid friends are mostly dead
from an overdose or HIV-related symptoms
Marilyn wears the crown of thorns
while 4 out of the 5 weapons used to kill Columbine students
had been sold by the same police force
that came to their rescue
Not all terrorists have features too foreign
to be recognized in the mirror
Our mistakes are our responsibility
4.
The skyline outside my window
is the only thing that has changed
Men still rape women
and blame them for their weaknesses
Children are still molested
by the perversion of Catholic guilt
My ex-boyfriend still takes comfort
in the other white powder-
the one used solely to destroy himself
and those around him
Not the one used to ignite and create carnage
or mailbox fear
5.
It is said when skin is cut,
and then pressed together, it seals
but what about acid-burned skulls
engraved with the word ‘******’,
a foot bone with flesh
and other crushed body parts
6.
It was a gay priest that read last rites
to firefighters as towers collapsed
It was a gay pilot that crashed a plane
into Pennsylvania fields
It was a gay couple that was responsible
for the tribute of light
in memory of the fallen
Taliban leaders would bury them
to their necks
and tumble walls to crush their heads
Catholic leaders simply condemn them
as perverts
having offered nothing but sin
***** blood is just rosaries scattered on tile
7.
Heroes do not always get heaven
8.
We all have wings …
some of us just don’t know why
|
Written by
Anne Kingsmill Finch |
A Quack, to no true Skill in Physick bred,
With frequent Visits cursed his Patient's Bed;
Enquiring, how he did his Broths digest,
How chim'd his Pulse, and how he took his Rest:
If shudd'ring Cold by Burnings was pursu'd,
And at what time the Aguish Fit renew'd.
The waining Wretch, each day become more faint,
In like proportion doubles his Complaint;
Now swooning Sweats he begs him to allay,
Now give his Lungs more liberty to play,
And take from empty'd Veins these scorching Heats away:
Or if he saw the Danger did increase,
To warn him fair, and let him part in Peace.
My Life for yours, no Hazard in your Case
The Quack replies; your Voice, your Pulse, your Face,
Good Signs afford, and what you seem to feel
Proceeds from Vapours, which we'll help with Steel.
With kindled Rage, more than Distemper, burns
The suff'ring Man, who thus in haste returns:
No more of Vapours, your belov'd Disease,
Your Ignorance's Skreen, your What-you-please,
With which you cheat poor Females of their Lives,
Whilst Men dispute not, so it rid their Wives.
For me, I'll speak free as I've paid my Fees;
My Flesh consumes, I perish by degrees:
And as thro' weary Nights I count my Pains,
No Rest is left me, and no Strength remains.
All for the Better, Sir, the Quack rejoins:
Exceeding promising are all these Signs.
Falling-away, your Nurses can confirm,
Was ne'er in Sickness thought a Mark of Harm.
The want of Strength is for the Better still;
Since Men of Vigour Fevers soonest kill.
Ev'n with this Gust of Passion I am pleas'd;
For they're most Patient who the most are seiz'd.
But let me see! here's that which all repels:
Then shakes, as he some formal Story tells,
The Treacle-water, mixt with powder'd Shells.
My Stomach's gone (what d'you infer from thence?)
Nor will with the least Sustenance dispense.
The Better; for, where appetite endures,
Meats intermingle, and no Med'cine cures.
The Stomach, you must know, Sir, is a Part–
But, sure, I feel Death's Pangs about my Heart.
Nay then Farewel! I need no more attend
The Quack replies.
A sad approaching Friend
Questions the Sick, why he retires so fast;
Who says, because of Fees I've paid the Last,
And, whilst all Symptoms tow'rd my Cure agree,
Am, for the Better, Dying as you see.
|
Written by
Robert Burns |
THIS 1 wot ye all whom it concerns,
I, Rhymer Robin, alias Burns,
October twenty-third,
A ne’er-to-be-forgotten day,
Sae far I sprackl’d up the brae,
I dinner’d wi’ a Lord.
I’ve been at drucken writers’ feasts,
Nay, been *****-fou ’mang godly priests—
Wi’ rev’rence be it spoken!—
I’ve even join’d the honour’d jorum,
When mighty Squireships of the quorum,
Their hydra drouth did sloken.
But wi’ a Lord!—stand out my shin,
A Lord—a Peer—an Earl’s son!
Up higher yet, my bonnet
An’ sic a Lord!—lang Scoth ells twa,
Our Peerage he o’erlooks them a’,
As I look o’er my sonnet.
But O for Hogarth’s magic pow’r!
To show Sir Bardie’s willyart glow’r,
An’ how he star’d and stammer’d,
When, goavin, as if led wi’ branks,
An’ stumpin on his ploughman shanks,
He in the parlour hammer’d.
I sidying shelter’d in a nook,
An’ at his Lordship steal’t a look,
Like some portentous omen;
Except good sense and social glee,
An’ (what surpris’d me) modesty,
I markèd nought uncommon.
I watch’d the symptoms o’ the Great,
The gentle pride, the lordly state,
The arrogant assuming;
The fient a pride, nae pride had he,
Nor sauce, nor state, that I could see,
Mair than an honest ploughman.
Then from his Lordship I shall learn,
Henceforth to meet with unconcern
One rank as weel’s another;
Nae honest, worthy man need care
To meet with noble youthful Daer,
For he but meets a brother.
Note 1.
At the house of Professor Dugald Stewart.
[back]
|
Written by
Ellis Parker Butler |
She does not mind a good cigar
(The kind, that is, I smoke);
She thinks all men quite stupid are,
(But laughs whene’er I joke).
She says she does not care for verse
(But praises all I write);
She says that punning is a curse,
(But then mine are so bright!)
She does not like a big moustache
(You see that mine is small);
She hates a man with too much “dash,”
(I scarcely dash at all!)
She simply dotes on hazel eyes
(And mine, you note, are that);
She likes a man of portly size;
(Gad! I am getting fat!)
She says champagne is made to drink;
(In this we quite agree!)
And all these symptoms make me think
Sweet Kate’s in love with me.
|
Written by
Andrew Barton Paterson |
Oh, some folk think vice-royalty is festive and hilarious,
The duties of an A.
D.
C.
are manifold and various,
So listen, whilst I tell in song
The duties of an aide-de-cong.
Whatsoever betide
To the Governor's side
We must stick -- or the public would eat him --
For each bounder we see
Says, "Just introduce me
To His Lordship -- I'm anxious to meet him.
"
Then they grab at his paw
And they chatter and jaw
Till they'd talk him to death -- if we'd let 'em --
And the folk he has met,
They are all in a fret,
Just for fear he might chance to forget 'em.
When some local King Billy
Is talking him silly,
Or the pound-keeper's wife has waylaid him,
From folks of that stamp
When he has to decamp --
We're his aides to decamp -- so we aid him.
Then some feminine beauty
Will come and salute ye,
She may be a Miss or a Madam,
Or a man comes in view,
Bails you up, "How de do!"
And you don't know the fellow from Adam!
But you've got to keep sweet
With each man that you meet,
And a trifle like this mustn't bar you,
So you clutch at his fin,
And you say, with a grin,
"Oh, delighted to see you -- how are you?"
Then we do country shows
Where some prize-taker blows
Of his pig -- a great, vast forty-stoner --
"See, my Lord! ain't he fine!
How is that for a swine!"
When it isn't a patch on its owner!
We fix up the dinners
For parsons and sinners
And lawyers and bishops and showmen,
And a judge of the court
We put next to a "sport",
And an Orangeman next to a Roman.
We send invitations
To all celebrations,
Some Nobody's presence entreating,
And the old folks of all
We invite to a ball,
And the young -- to a grandmothers' meeting.
And when we go dancing,
Like cart-horses prancing,
We plunge where the people are thickenkn';
And each gay local swell
Thinks it's "off" to dance well,
So he copies our style -- ain't it sickenin'!
Then at banquets we dine
And swig cheap, nasty wine,
But the poor aide-de-camp mustn't funk it --
And they call it champagne,
But we're free to maintain
That he feels real pain when he's drunk it.
Then our horses bestriding
We go out a-riding
Lest our health by confinement we'd injure;
You can notice the glare
Of the Governor's hair
When the little boys say, "Go it, Ginger!"
Then some wandering lords --
They so often are frauds --
This out-of-way country invading,
If a man dresses well
And behaves like a swell,
Then he's somebody's cook masquerading.
But an out-an-out ass
With a thirst for the glass
And the symptoms of drink on his "boko",
Who is perpetually
Pursuing the ballet,
He is always the "true Orinoco".
We must slave with our quills --
Keep the cash -- pay the bills --
Keep account of the liquor and victuals --
So I think you'll agree
That the gay A.
D.
C.
Has a life that's not all beer and skittles!
|
Written by
Ella Wheeler Wilcox |
Every morning, as I walk down
From my dreary lodgings, toward the town,
I see at a window, near the street,
The face of a woman, fair and sweet,
With soft brown eyes and chestnut hair,
And red lips, warm with the kisses left there.
And she stands there as long as she can see
The man who walks just ahead of me.
At night, when I come from my office down town,
There stands a woman with eyes of brown,
Smiling out through the window blind
At the man who is walking just behind.
This fellow and I resemble each other -
At least so I'm told by one and another,
(Though I think I'm the handsomer by far, of the two,)
I don't know him at all, save to 'how d'ye do, '
Or nod when I meet him.
I think he's at work
In a dry-goods store as a salaried clerk.
And I am a lawyer of high renown,
Having a snug bank account and an office down town, -
Yet I feel for that fellow an envious spite,
(it had no other name, so I speak it outright.
)
There were symptoms before; but it's grown I believe,
Alarmingly fast, since one cloudy eve,
When passing the little house close by the street,
I heard the patter of two little feet,
And a figure in pink fluttered down to the gate,
And a sweet voice exclaimed, 'Oh, Will, you are late!
And, darling, I've watched at the window until -
Sir, I beg pardon! I thought it was Will! '
I passed on my way, with such a strange feeling
Down in my heart.
My brain seemed to be reeling;
For, as it happens, my name, too, is Will,
And that voice crying 'darling, ' sent such an odd thrill
Throughout my whole being! 'How nice it would be, '
Thought I, 'If it were in reality me
That she's watched and longed for, instead of that lout! '
(It was envy that made me use that word, no doubt,)
For he's a fine fellow, and handsome! -(ahem!)
But then it's absurd that this rare little gem
Of a woman should stand there and look out for him
Till she brings on a headache, and makes her eyes dim,
While I go to lodgings, dull, dreary and bare,
With no one to welcome me, no one to care
If I'm early of late.
No soft eyes of brown
To watch when I go to, or come from the town.
This bleak, wretched, bachelor life is about
(If I may be allowed the expression) played out.
Somewhere there must be, in the wide world, I think,
Another fair woman who dresses in pink,
And I know of a cottage, for sale, just below,
And it has a French window in front and - heigho!
I wonder how long, at the longest, 'twill be
Before, coming home from the office, I'll see
A nice little woman there, watching for me.
|
Written by
Robert Burns |
MY godlike friend—nay, do not stare,
You think the phrase is odd-like;
But “God is love,” the saints declare,
Then surely thou art god-like.
And is thy ardour still the same?
And kindled still at ANNA?
Others may boast a partial flame,
But thou art a volcano!
Ev’n Wedlock asks not love beyond
Death’s tie-dissolving portal;
But thou, omnipotently fond,
May’st promise love immortal!
Thy wounds such healing powers defy,
Such symptoms dire attend them,
That last great antihectic try—
MARRIAGE perhaps may mend them.
Sweet Anna has an air-a grace,
Divine, magnetic, touching:
She talks, she charms-but who can trace
The process of bewitching? · · · · · ·
|