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Best Famous Sympathetic Poems

Here is a collection of the all-time best famous Sympathetic poems. This is a select list of the best famous Sympathetic poetry. Reading, writing, and enjoying famous Sympathetic poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of sympathetic poems.

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Written by Mary Darby Robinson | Create an image from this poem

Ode to the Muse

 O, let me seize thy pen sublime
That paints, in melting dulcet rhyme, 
The glowing pow'r, the magic art, 
Th' extatic raptures of the Heart; 
Soft Beauty's timid smile serene,
The dimples of Love's sportive mien; 
The sweet descriptive tale to trace; 
To picture Nature's winning grace;
To steal the tear from Pity's eye; 
To catch the sympathetic sigh; 
O teach me, with swift light'nings force
To watch wild passion's varying course; 
To mark th' enthusiast's vivid fire,
Or calmly touch thy golden lyre,
While gentle Reason mildly sings
Responsive to the trembling strings.
SWEET Nymph, enchanting Poetry! I dedicate my mind to Thee.
Oh! from thy bright Parnassian bow'rs Descend, to bless my sombre hours; Bend to the earth thy eagle wing, And on its glowing plumage bring Blithe FANCY, from whose burning eye The young ideas sparkling fly; O, come, and let us fondly stray, Where rosy Health shall lead the way, And soft FAVONIUS lightly spread A perfum'd carpet as we tread; Ah! let us from the world remove, The calm forgetfulness to prove, Which at the still of evening's close, Lulls the tir'd peasant to repose; Repose, whose balmy joys o'er-pay The sultry labours of the day.
And when the blue-ey'd dawn appears, Just peeping thro' her veil of tears; Or blushing opes her silver gate, And on its threshold, stands elate, And flings her rosy mantle far O'er every loit'ring dewy star; And calls the wanton breezes forth, And sprinkles diamonds o'er the earth; While in the green-wood's shade profound, The insect race, with buzzing sound Flit o'er the rill,­a glitt'ring train, Or swarm along the sultry plain.
Then in sweet converse let us rove, Where in the thyme-embroider'd grove, The musky air its fragrance pours Upon the silv'ry scatter'd show'rs; To hail soft Zephyr, as she goes To fan the dew-drop from the rose; To shelter from the scorching beam, And muse beside the rippling stream.
Or when, at twilight's placid hour, We stroll to some sequester'd bow'r; And watch the haughty Sun retire Beneath his canopy of fire; While slow the dusky clouds enfold Day's crimson curtains fring'd with gold; And o'er the meadows faintly fly Pale shadows of the purpling sky: While softly o'er the pearl-deck'd plain, Cold Dian leads the sylvan train; In mazy dance and sportive glee, SWEET MUSE, I'll fondly turn to thee; And thou shalt deck my couch with flow'rs, And wing with joy my silent hours.
When Sleep, with downy hand, shall spread A wreath of poppies round my head; Then, FANCY, on her wing sublime, Shall waft me to the sacred clime Where my enlighten'd sense shall view, Thro' ether realms of azure hue, That flame, where SHAKESPEARE us'd to fill, With matchless fire, his "golden quill.
" While, from its point bright Genius caught The wit supreme, the glowing thought, The magic tone, that sweetly hung About the music of his tongue.
Then will I skim the floating air, On a light couch of gossamer, While with my wonder-aching eye, I contemplate the spangled sky, And hear the vaulted roof repeat The song of Inspiration sweet; While round the winged cherub train, Shall iterate the aëry strain: Swift, thro' my quiv'ring nerves shall float The tremours of each thrilling note; And every eager sense confess Extatic transport's wild excess: 'Till, waking from the glorious dream, I hail the morn's refulgent beam.
DEAR Maid! of ever-varying mien, Exulting, pensive, gay, serene, Now, in transcendent pathos drest, Now, gentle as the turtle's breast; Where'er thy feath'ry steps shall lead, To side-long hill, or flow'ry mead; To sorrow's coldest, darkest cell, Or where, by Cynthia's glimm'ring ray, The dapper fairies frisk and play About some cowslip's golden bell; And, in their wanton frolic mirth, Pluck the young daisies from the earth, To canopy their tiny heads, And decorate their verdant beds; While to the grass-hopper's shrill tune, They quaff libations to the moon, From acorn goblets, amply fill'd With dew, from op'ning flow'rs distill'd.
Or when the lurid tempest pours, From its dark urn, impetuous show'rs, Or from its brow's terrific frown, Hurls the pale murd'rous lightnings down; To thy enchanting breast I'll spring, And shield me with thy golden wing.
Or when amidst ethereal fire, Thou strik'st thy DELLA CRUSCAN lyre, While round, to catch the heavenly song, Myriads of wond'ring seraphs throng: Whether thy harp's empassioned strain Pours forth an OVID's tender pain; Or in PINDARIC flights sublime, Re-echoes thro' the starry clime; Thee I'll adore; transcendent guest, And woe thee to my burning breast.
But, if thy magic pow'rs impart One soft sensation to the heart, If thy warm precepts can dispense One thrilling transport o'er my sense; Oh! keep thy gifts, and let me fly, In APATHY's cold arms to die.


Written by James Tate | Create an image from this poem

Days of Pie and Coffee

 A motorist once said to me, 
and this was in the country, 
on a county lane, a motorist 
slowed his vehicle as I was 
walking my dear old collie,
Sithney, by the side of the road, 
and the motorist came to a halt 
mildly alarming both Sithney and myself, 
not yet accustomed to automobiles, 
and this particular motorist 
sent a little spasm of fright up our spines, 
which in turn panicked the driver a bit 
and it seemed as if we were off to a bad start, 
and that's when Sithney began to bark 
and the man could not be heard, that is, 
if he was speaking or trying to speak 
because I was commanding Sithnewy to be silent, 
though, indeed I was sympathetic 
to his emotional excitement.
It was, as I recall, a day of prodigious beauty.
April 21, 1932--clouds like the inside of your head explained.
Bluebirds, too numerous to mention.
The clover calling you by name.
And fields oozing green.
And this motorist from nowhere moving his lips like the wings of a butterfly and nothing coming out, and Sithney silent now.
He was no longer looking at us, but straight ahead where his election was in doubt.
"That's a fine dog," he said.
"Collies are made in heaven.
" Well, if I were a voting man I'd vote for you, I said.
"A bedoozling day to be lost in the country, I say.
Leastways, I am a misplaced individual.
" We introduced ourselves and swapped a few stories.
He was a veteran and a salesmen who didn't believe in his product-- I've forgotten what it was--hair restorer, parrot feed--and he enjoyed nothing more then a a day spent meandering the back roads in his jalopy.
I gave him directions to the Denton farm, but I doubt that he followed them, he didn't seem to be listening, and it was getting late and Sithney had an idea of his own and I don't know why I am remembering this now, just that he summed himself up by saying "I've missed too many boats" and all these years later I keep thinking that was a man who loved to miss boats, but he didn't miss them that much.
Written by John Berryman | Create an image from this poem

Dream Song 128: A hemorrhage of his left ear of Good Friday

 A hemorrhage of his left ear of Good Friday—
so help me Jesus—then made funny too
the other, further one.
There must have been a bit.
Sheets scrubbed away soon all but three nails.
Doctors in this city O will not (his wife cried) come.
Perhaps he's for it.
IF that Filipino doc had diagnosed ah here in Washington that ear-infection ha he'd have been grounded, so in a hall for the ill in Southern California, they opined.
The cabins at eight thou' are pressurized, they swore, my love, bad for— ten days ago—a dim & bloody ear, or ears.
They say are sympathetic, ears, & hears more than they should or did.
Written by John Betjeman | Create an image from this poem

Devonshire Street W.1

 The heavy mahogany door with its wrought-iron screen
 Shuts.
And the sound is rich, sympathetic, discreet.
The sun still shines on this eighteenth-century scene With Edwardian faience adornment -- Devonshire Street.
No hope.
And the X-ray photographs under his arm Confirm the message.
His wife stands timidly by.
The opposite brick-built house looks lofty and calm Its chimneys steady against the mackerel sky.
No hope.
And the iron knob of this palisade So cold to the touch, is luckier now than he "Oh merciless, hurrying Londoners! Why was I made For the long and painful deathbed coming to me?" She puts her fingers in his, as, loving and silly At long-past Kensington dances she used to do "It's cheaper to take the tube to Piccadilly And then we can catch a nineteen or twenty-two".
Written by Robert William Service | Create an image from this poem

Humility

 My virtues in Carara stone
Cut carefully you all my scan;
Beneath I lie, a fetid bone,
The marble worth more than the man.
If on my pure tomb they should grave My vices,--how the folks would grin! And say with sympathetic wave: "Like us he was a man of sin.
" And somehow he consoled thereby, Knowing they may, though Hades bent, When finally they come to die, Enjoy a snow-white monument.
And maybe it is just as well When we from life and lust are riven, That though our souls should sink to hell Our tombs point: Destination Heaven!


Written by Edward Taylor | Create an image from this poem

Days of Pie and Coffee

 A motorist once said to me, 
and this was in the country, 
on a county lane, a motorist 
slowed his vehicle as I was 
walking my dear old collie,
Sithney, by the side of the road, 
and the motorist came to a halt 
mildly alarming both Sithney and myself, 
not yet accustomed to automobiles, 
and this particular motorist 
sent a little spasm of fright up our spines, 
which in turn panicked the driver a bit 
and it seemed as if we were off to a bad start, 
and that's when Sithney began to bark 
and the man could not be heard, that is, 
if he was speaking or trying to speak 
because I was commanding Sithnewy to be silent, 
though, indeed I was sympathetic 
to his emotional excitement.
It was, as I recall, a day of prodigious beauty.
April 21, 1932--clouds like the inside of your head explained.
Bluebirds, too numerous to mention.
The clover calling you by name.
And fields oozing green.
And this motorist from nowhere moving his lips like the wings of a butterfly and nothing coming out, and Sithney silent now.
He was no longer looking at us, but straight ahead where his election was in doubt.
"That's a fine dog," he said.
"Collies are made in heaven.
" Well, if I were a voting man I'd vote for you, I said.
"A bedoozling day to be lost in the country, I say.
Leastways, I am a misplaced individual.
" We introduced ourselves and swapped a few stories.
He was a veteran and a salesmen who didn't believe in his product-- I've forgotten what it was--hair restorer, parrot feed--and he enjoyed nothing more then a a day spent meandering the back roads in his jalopy.
I gave him directions to the Denton farm, but I doubt that he followed them, he didn't seem to be listening, and it was getting late and Sithney had an idea of his own and I don't know why I am remembering this now, just that he summed himself up by saying "I've missed too many boats" and all these years later I keep thinking that was a man who loved to miss boats, but he didn't miss them that much.
Written by Siegfried Sassoon | Create an image from this poem

The Tombstone-Maker

 He primmed his loose red mouth and leaned his head 
Against a sorrowing angel’s breast, and said: 
‘You’d think so much bereavement would have made 
‘Unusual big demands upon my trade.
‘The War comes cruel hard on some poor folk; ‘Unless the fighting stops I’ll soon be broke.
’ He eyed the Cemetery across the road.
‘There’s scores of bodies out abroad, this while, ‘That should be here by rights.
They little know’d ‘How they’d get buried in such wretched style.
’ I told him with a sympathetic grin, That Germans boil dead soldiers down for fat; And he was horrified.
‘What shameful sin! ‘O sir, that Christian souls should come to that!’
Written by George (Lord) Byron | Create an image from this poem

To Romance

 Parent of golden dreams, Romance!
Auspicious Queen of childish joys,
Who lead'st along, in airy dance,
Thy votive train of girls and boys;
At length, in spells no longer bound,
I break the fetters of my youth;
No more I tread thy mystic round,
But leave thy realms for those of Truth.
And yet 'tis hard to quit the dreams Which haunt the unsuspicious soul, Where every nymph a goddess seems, Whose eyes through rays immortal roll; While Fancy holds her boundless reign, And all assume a varied hue; When Virgins seem no longer vain, And even Woman's smiles are true.
And must we own thee, but a name, And from thy hall of clouds descend? Nor find a Sylph in every dame, A Pylades in every friend? But leave, at once, thy realms of air i To mingling bands of fairy elves; Confess that woman's false as fair, And friends have feeling for---themselves? With shame, I own, I've felt thy sway; Repentant, now thy reign is o'er; No more thy precepts I obey, No more on fancied pinions soar; Fond fool! to love a sparkling eye, And think that eye to truth was dear; To trust a passing wanton's sigh, And melt beneath a wanton's tear! Romance! disgusted with deceit, Far from thy motley court I fly, Where Affectation holds her seat, And sickly Sensibility; Whose silly tears can never flow For any pangs excepting thine; Who turns aside from real woe, To steep in dew thy gaudy shrine.
Now join with sable Sympathy, With cypress crown'd, array'd in weeds, Who heaves with thee her simple sigh, Whose breast for every bosom bleeds; And call thy sylvan female choir, To mourn a Swain for ever gone, Who once could glow with equal fire, But bends not now before thy throne.
Ye genial Nymphs, whose ready tears On all occasions swiftly flow; Whose bosoms heave with fancied fears, With fancied flames and phrenzy glow Say, will you mourn my absent name, Apostate from your gentle train An infant Bard, at least, may claim From you a sympathetic strain.
Adieu, fond race! a long adieu! The hour of fate is hovering nigh; E'en now the gulf appears in view, Where unlamented you must lie: Oblivion's blackening lake is seen, Convuls'd by gales you cannot weather, Where you, and eke your gentle queen, Alas! must perish altogether.
Written by Mary Darby Robinson | Create an image from this poem

Second Ode to the Nightingale

 BLEST be thy song, sweet NIGHTINGALE, 
Lorn minstrel of the lonely vale ! 
Where oft I've heard thy dulcet strain 
In mournful melody complain; 
When in the POPLAR'S trembling shade, 
At Evening's purple hour I've stray'd, 
While many a silken folded flow'r 
Wept on its couch of Gossamer, 
And many a time in pensive mood 
Upon the upland mead I've stood, 
To mark grey twilight's shadows glide 
Along the green hill's velvet side; 
To watch the perfum'd hand of morn 
Hang pearls upon the silver thorn, 
Till rosy day with lustrous eye 
In saffron mantle deck'd the sky, 
And bound the mountain's brow with fire, 
And ting'd with gold the village spire: 
While o'er the frosted vale below 
The amber tints began to glow: 
And oft I seek the daisied plain 
To greet the rustic nymph and swain, 
When cowslips gay their bells unfold, 
And flaunt their leaves of glitt'ring gold, 
While from the blushes of the rose 
A tide of musky essence flows, 
And o'er the odour-breathing flow'rs 
The woodlands shed their diamond show'rs, 
When from the scented hawthorn bud 
The BLACKBIRD sips the lucid flood, 
While oft the twitt'ring THRUSH essays 
To emulate the LINNET'S lays; 
While the poiz'd LARK her carol sings 
And BUTTERFLIES expand their wings, 
And BEES begin their sultry toils 
And load their limbs with luscious spoils, 
I stroll along the pathless vale, 
And smile, and bless thy soothing tale.
But ah ! when hoary winter chills The plumy race­and wraps the hills In snowy vest, I tell my pains Beside the brook in icy chains Bound its weedy banks between, While sad I watch night's pensive queen, Just emblem of MY weary woes: For ah ! where'er the virgin goes, Each flow'ret greets her with a tear To sympathetic sorrow dear; And when in black obtrusive clouds The chilly MOON her pale cheek shrouds, I mark the twinkling starry train Exulting glitter in her wane, And proudly gleam their borrow'd light To gem the sombre dome of night.
Then o'er the meadows cold and bleak, The glow-worm's glimm'ring lamp I seek.
Or climb the craggy cliff to gaze On some bright planet's azure blaze, And o'er the dizzy height inclin'd I listen to the passing wind, That loves my mournful song to seize, And bears it to the mountain breeze.
Or where the sparry caves among Dull ECHO sits with aëry tongue, Or gliding on the ZEPHYR'S wings From hill to hill her cadence flings, O, then my melancholy tale Dies on the bosom of the gale, While awful stillness reigning round Blanches my cheek with chilling fear; Till from the bushy dell profound, The woodman's song salutes mine ear.
When dark NOVEMBER'S boist'rous breath Sweeps the blue hill and desart heath, When naked trees their white tops wave O'er many a famish'd REDBREAST'S grave, When many a clay-built cot lays low Beneath the growing hills of snow, Soon as the SHEPHERD's silv'ry head Peeps from his tottering straw-roof'd shed, To hail the glimm'ring glimpse of day, With feeble steps he ventures forth Chill'd by the bleak breath of the North, And to the forest bends his way, To gather from the frozen ground Each branch the night-blast scatter'd round.
­ If in some bush o'erspread with snow He hears thy moaning wail of woe, A flush of warmth his cheek o'erspreads, With anxious timid care he treads, And when his cautious hands infold Thy little breast benumb'd with cold, "Come, plaintive fugitive," he cries, While PITY dims his aged eyes, "Come to my glowing heart, and share "My narrow cell, my humble fare, "Tune thy sweet carol­plume thy wing, "And quaff with me the limpid spring, "And peck the crumbs my meals supply, "And round my rushy pillow fly.
" O, MINSTREL SWEET, whose jocund lay Can make e'en POVERTY look gay, Who can the poorest swain inspire And while he fans his scanty fire, When o'er the plain rough Winter pours Nocturnal blasts, and whelming show'rs, Canst thro' his little mansion fling The rapt'rous melodies of spring.
To THEE with eager gaze I turn, Blest solace of the aching breast; Each gaudy, glitt'ring scene I spurn, And sigh for solitude and rest, For art thou not, blest warbler, say, My mind's best balm, my bosom's friend ? Didst thou not trill thy softest lay, And with thy woes my sorrows blend ? YES, darling Songstress ! when of late I sought thy leafy-fringed bow'r, The victim of relentless fate, Fading in life's dark ling'ring hour, Thou heard'st my plaint, and pour'd thy strain Thro' the sad mansion of my breast, And softly, sweetly lull'd to rest The throbbing anguish of my brain.
AH ! while I tread this vale of woe, Still may thy downy measures flow, To wing my solitary hours With kind, obliterating pow'rs; And tho' my pensive, patient heart No wild, extatic bliss shall prove, Tho' life no raptures shall impart, No boundless joy, or, madd'ning love, Sweet NIGHTINGALE, thy lenient strain Shall mock Despair, AND BLUNT THE SHAFT OF PAIN.
Written by Marriott Edgar | Create an image from this poem

Sam Goes To It

 Sam Small had retired from the Army,
In the old Duke of Wellington's time,
So when present unpleasantness started,
He were what you might call.
.
.
past his prime.
He'd lived for some years in retirement, And knew nowt of war, if you please, Till they blasted and bombed his allotment, And shelled the best part of his peas.
'T were as if bugles called Sam to duty, For his musket he started to search, He found it at last in the Hen house, Buff Orpingtons had it for perch.
Straight off to the Fusilliers' depot, He went to rejoin his old troop.
.
.
Where he found as they couldn't recruit Him, Until his age group was called up.
Now Sam wasn't getting no younger, Past the three score and ten years was he, And he reckoned by time they reached his age group, He'd be very near ten score and three.
So he took up the matter with Churchill, Who said, "I don't know what to do, Never was there a time when so many, Came asking so much from so few.
" "I don't want no favours" Sam answered, "Don't think as I'm one of that mob, All I'm asking is give me the tools, lad, And let me help finish the job.
" "I'll fit you in somewhere," said Winnie, "Old soldiers we must not discard.
" Then seeing he'd got his own musket, He sent him to join the Home Guard.
They gave Sam a coat with no stripes on, In spite of the service he'd seen, Which considering he'd been a King's sergeant, Kind of rankled.
.
.
you know what I mean.
He said "I come back to the Army, Expecting my country's thanks, And the first thing I find when I get here, Is that I've been reduced to the ranks.
He found all the lads sympathetic, They agreed that 'twere a disgrace, Except one old chap in the corner, With a nutcracker kind of a face.
Said the old fella, "Who do you think you are? The last to appear on the scene, And you start off by wanting promotion, Last come, last served.
.
.
see what I mean?" Said Sam, "Wasn't I at Corunna, And when company commander got shot, Didn't I lead battalion to victory?" Said the old fella, "No.
.
.
you did not.
" "I didn't?" said Sam quite indignent, "Why, in every fight Wellington fought, Wasn't I at his right hand to guard him?" Said old chap, "You were nowt of the sort.
" "What do you know of Duke and his battles?" Said Sam, with a whithering look, Said the old man, "I ought to know something, Between you and me.
.
.
I'm the Duke.
" And if you should look in any evening, You'll find them both in the canteen, Ex Commander-in-Chief and ex Sergeant, Both just Home Guards.
.
.
you know what I mean?

Book: Shattered Sighs