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Best Famous Symmetrical Poems

Here is a collection of the all-time best famous Symmetrical poems. This is a select list of the best famous Symmetrical poetry. Reading, writing, and enjoying famous Symmetrical poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of symmetrical poems.

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Written by Lewis Carroll | Create an image from this poem

Fit the Fifth ( Hunting of the Snark )

 The Beaver's Lesson 

They sought it with thimbles, they sought it with care; 
They pursued it with forks and hope; 
They threatened its life with a railway-share; 
They charmed it with smiles and soap. 

Then the Butcher contrived an ingenious plan 
For making a separate sally; 
And fixed on a spot unfrequented by man, 
A dismal and desolate valley. 


But the very same plan to the Beaver occurred: 
It had chosen the very same place: 
Yet neither betrayed, by a sign or a word, 
The disgust that appeared in his face. 

Each thought he was thinking of nothing but "Snark" 
And the glorious work of the day; 
And each tried to pretend that he did not remark 
That the other was going that way. 

But the valley grew narrow and narrower still, 
And the evening got darker and colder, 
Till (merely from nervousness, not from goodwill) 
They marched along shoulder to shoulder. 

Then a scream, shrill and high, rent the shuddering sky, 
And they knew that some danger was near: 
The Beaver turned pale to the tip of its tail, 
And even the Butcher felt *****. 

He thought of his childhood, left far far behind-- 
That blissful and innocent state-- 
The sound so exactly recalled to his mind 
A pencil that squeaks on a slate! 


"'Tis the voice of the Jubjub!" he suddenly cried. 
(This man, that they used to call "Dunce.") 
"As the Bellman would tell you," he added with pride, 
"I have uttered that sentiment once. 

"'Tis the note of the Jubjub! Keep count, I entreat; 
You will find I have told it you twice. 
'Tis the song of the Jubjub! The proof is complete, 
If only I've stated it thrice." 

The Beaver had counted with scrupulous care, 
Attending to every word: 
But it fairly lost heart, and outgrabe in despair, 
When the third repetition occurred. 

It felt that, in spite of all possible pains, 
It had somehow contrived to lose count, 
And the only thing now was to rack its poor brains 
By reckoning up the amount. 

"Two added to one--if that could but be done," 
It said, "with one's fingers and thumbs!" 
Recollecting with tears how, in earlier years, 
It had taken no pains with its sums. 

"The thing can be done," said the Butcher, "I think. 
The thing must be done, I am sure. 
The thing shall be done! Bring me paper and ink, 
The best there is time to procure." 

The Beaver brought paper,portfolio, pens, 
And ink in unfailing supplies: 
While strange creepy creatures came out of their dens, 
And watched them with wondering eyes. 

So engrossed was the Butcher, he heeded them not, 
As he wrote with a pen in each hand, 
And explained all the while in a popular style 
Which the Beaver could well understand. 

"Taking Three as the subject to reason about-- 
A convenient number to state-- 
We add Seven, and Ten, and then multiply out 
By One Thousand diminished by Eight. 


"The result we proceed to divide, as you see, 
By Nine Hundred and Ninety Two: 
Then subtract Seventeen, and the answer must be 
Exactly and perfectly true. 

"The method employed I would gladly explain, 
While I have it so clear in my head, 
If I had but the time and you had but the brain-- 
But much yet remains to be said. 

"In one moment I've seen what has hitherto been 
Enveloped in absolute mystery, 
And without extra charge I will give you at large 
A Lesson in Natural History." 

In his genial way he proceeded to say 
(Forgetting all laws of propriety, 
And that giving instruction, without introduction, 
Would have caused quite a thrill in Society), 

"As to temper the Jubjub's a desperate bird, 
Since it lives in perpetual passion: 
Its taste in costume is entirely absurd-- 
It is ages ahead of the fashion: 

"But it knows any friend it has met once before: 
It never will look at a bride: 
And in charity-meetings it stands at the door, 
And collects--though it does not subscribe. 

" Its flavor when cooked is more exquisite far 
Than mutton, or oysters, or eggs: 
(Some think it keeps best in an ivory jar, 
And some, in mahogany kegs) 

"You boil it in sawdust: you salt it in glue: 
You condense it with locusts and tape: 
Still keeping one principal object in view-- 
To preserve its symmetrical shape." 

The Butcher would gladly have talked till next day, 
But he felt that the lesson must end, 
And he wept with delight in attempting to say 
He considered the Beaver his friend. 

While the Beaver confessed, with affectionate looks 
More eloquent even than tears, 
It had learned in ten minutes far more than all books 
Would have taught it in seventy years. 

They returned hand-in-hand, and the Bellman, unmanned 
(For a moment) with noble emotion, 
Said "This amply repays all the wearisome days 
We have spent on the billowy ocean!" 

Such friends, as the Beaver and Butcher became, 
Have seldom if ever been known; 
In winter or summer, 'twas always the same-- 
You could never meet either alone. 

And when quarrels arose--as one frequently finds 
Quarrels will, spite of every endeavor-- 
The song of the Jubjub recurred to their minds, 
And cemented their friendship for ever!


Written by Marge Piercy | Create an image from this poem

Belly Good

 A heap of wheat, says the Song of Songs 
but I've never seen wheat in a pile. 
Apples, potatoes, cabbages, carrots 
make lumpy stacks, but you are sleek 
as a seal hauled out in the winter sun. 
I can see you as a great goose egg 
or a single juicy and fully ripe peach. 
You swell like a natural grassy hill. 
You are symmetrical as a Hopewell mound, 
with the eye of the navel wide open, 
the eye of my apple, the pear's port 
window. You're not supposed to exist 
at all this decade. You're to be flat 
as a kitchen table, so children with 
roller skates can speed over you 
like those sidewalks of my childhood 
that each gave a different roar under 
my wheels. You're required to show 
muscle striations like the ocean 
sand at ebb tide, but brick hard. 
Clothing is not designed for women 
of whose warm and flagrant bodies 
you are a swelling part. Yet I confess 
I meditate with my hands folded on you, 
a maternal cushion radiating comfort. 
Even when I have been at my thinnest, 
you have never abandoned me but curled 
round as a sleeping cat under my skirt. 
When I spread out, so do you. You like 
to eat, drink and bang on another belly. 
In anxiety I clutch you with nervous fingers 
as if you were a purse full of calm. 
In my grandmother standing in the fierce sun 
I see your cauldron that held eleven children 
shaped under the tent of her summer dress. 
I see you in my mother at thirty 
in her flapper gear, skinny legs 
and then you knocking on the tight dress. 
We hand you down like a prize feather quilt. 
You are our female shame and sunburst strength.
Written by Wendell Berry | Create an image from this poem

The Lilies

 Amid the gray trunks of ancient trees we found
the gay woodland lilies nodding on their stems,
frail and fair, so delicately balanced the air
held or moved them as it stood or moved. 
The ground that slept beneath us woke in them
and made a music of the light, as it had waked
and sung in fragile things unnumbered years,
and left their kind no less symmetrical and fair
for all that time. Does my land have the health
of this, where nothing falls but into life?

Book: Radiant Verses: A Journey Through Inspiring Poetry