Written by
Kathleen Raine |
Earth no longer
hymns the Creator,
the seven days of wonder,
the Garden is over —
all the stories are told,
the seven seals broken
all that begins
must have its ending,
our striving, desiring,
our living and dying,
for Time, the bringer
of abundant days
is Time the destroyer —
In the Iron Age
the Kali Yuga
To whom can we pray
at the end of an era
but the Lord Shiva,
the Liberator, the purifier?
Our forests are felled,
our mountains eroded,
the wild places
where the beautiful animals
found food and sanctuary
we have desolated,
a third of our seas,
a third of our rivers
we have polluted
and the sea-creatures dying.
Our civilization’s
blind progress
in wrong courses
through wrong choices
has brought us to nightmare
where what seems,
is, to the dreamer,
the collective mind
of the twentieth century —
this world of wonders
not divine creation
but a big bang
of blind chance,
purposeless accident,
mother earth’s children,
their living and loving,
their delight in being
not joy but chemistry,
stimulus, reflex,
valueless, meaningless,
while to our machines
we impute intelligence,
in computers and robots
we store information
and call it knowledge,
we seek guidance
by dialling numbers,
pressing buttons,
throwing switches,
in place of family
our companions are shadows,
cast on a screen,
bodiless voices, fleshless faces,
where was the Garden
a Disney-land
of virtual reality,
in place of angels
the human imagination
is peopled with foot-ballers
film-stars, media-men,
experts, know-all
television personalities,
animated puppets
with cartoon faces —
To whom can we pray
for release from illusion,
from the world-cave,
but Time the destroyer,
the liberator, the purifier?
The curse of Midas
has changed at a touch,
a golden handshake
earthly paradise
to lifeless matter,
where once was seed-time,
summer and winter,
food-chain, factory farming,
monocrops for supermarkets,
pesticides, weed-killers
birdless springs,
endangered species,
battery-hens, hormone injections,
artificial insemination,
implants, transplants, sterilization,
surrogate births, contraception,
cloning, genetic engineering, abortion,
and our days shall be short
in the land we have sown
with the Dragon’s teeth
where our armies arise
fully armed on our killing-fields
with land-mines and missiles,
tanks and artillery,
gas-masks and body-bags,
our air-craft rain down
fire and destruction,
our space-craft broadcast
lies and corruption,
our elected parliaments
parrot their rhetoric
of peace and democracy
while the truth we deny
returns in our dreams
of Armageddon,
the death-wish, the arms-trade,
hatred and slaughter
profitable employment
of our thriving cities,
the arms-race
to the end of the world
of our postmodern,
post-Christian,
post-human nations,
progress to the nihil
of our spent civilization.
But cause and effect,
just and inexorable
law of the universe
no fix of science,
nor amenable god
can save from ourselves
the selves we have become —
At the end of history
to whom can we pray
but to the destroyer,
the liberator, the purifier?
In the beginning
the stars sang together
the cosmic harmony,
but Time, imperceptible
taker-away
of all that has been,
all that will be,
our heart-beat your drum,
our dance of life
your dance of death
in the crematorium,
our high-rise dreams,
Valhalla, Utopia,
Xanadu, Shangri-la, world revolution
Time has taken, and soon will be gone
Cambridge, Princeton and M.
I.
T.
,
Nalanda, Athens and Alexandria
all for the holocaust
of civilization —
To whom shall we pray
when our vision has faded
but the world-destroyer,
the liberator, the purifier?
But great is the realm
of the world-creator,
the world-sustainer
from whom we come,
in whom we move
and have our being,
about us, within us
the wonders of wisdom,
the trees and the fountains,
the stars and the mountains,
all the children of joy,
the loved and the known,
the unknowable mystery
to whom we return
through the world-destroyer, —
Holy, holy
at the end of the world
the purging fire
of the purifier, the liberator!
|
Written by
Jack Prelutsky |
As soon as Fred gets out of bed,
his underwear goes on his head.
His mother laughs, "Don't put it there,
a head's no place for underwear!"
But near his ears, above his brains,
is where Fred's underwear remains.
At night when Fred goes back to bed,
he deftly plucks it off his head.
His mother switches off the light
and softly croons, "Good night! Good night!"
And then, for reasons no one knows,
Fred's underwear goes on his toes.
|
Written by
Alden Nowlan |
Down from the purple mist of trees on the mountain,
lurching through forests of white spruce and cedar,
stumbling through tamarack swamps,
came the bull moose
to be stopped at last by a pole-fenced pasture.
Too tired to turn or, perhaps, aware
there was no place left to go, he stood with the cattle.
They, scenting the musk of death, seeing his great head
like the ritual mask of a blood god, moved to the other end
of the field, and waited.
The neighbours heard of it, and by afternoon
cars lined the road.
The children teased him
with alder switches and he gazed at them
like an old, tolerant collie.
The woman asked
if he could have escaped from a Fair.
The oldest man in the parish remembered seeing
a gelded moose yoked with an ox for plowing.
The young men snickered and tried to pour beer
down his throat, while their girl friends took their pictures.
And the bull moose let them stroke his tick-ravaged flanks,
let them pry open his jaws with bottles, let a giggling girl
plant a little purple cap
of thistles on his head.
When the wardens came, everyone agreed it was a shame
to shoot anything so shaggy and cuddlesome.
He looked like the kind of pet
women put to bed with their sons.
So they held their fire.
But just as the sun dropped in the river
the bull moose gathered his strength
like a scaffolded king, straightened and lifted his horns
so that even the wardens backed away as they raised their rifles.
When he roared, people ran to their cars.
All the young men
leaned on their automobile horns as he toppled.
|
Written by
Randall Jarrell |
Looking back in my mind I can see
The white sun like a tin plate
Over the wooden turning of the weeds;
The street jerking --a wet swing--
To end by the wall the children sang.
The thin grass by the girls' door,
Trodden on, straggling, yellow and rotten,
And the gaunt field with its one tied cow--
The dead land waking sadly to my life--
Stir, and curl deeper in the eyes of time.
The rotting pumpkin under the stairs
Bundled with switches and the cold ashes
Still holds for me, in its unwavering eyes,
The stinking shapes of cranes and witches,
Their path slanting down the pumpkin's sky.
Its stars beckon through the frost like cottages
(Homes of the Bear, the Hunter--of that absent star,
The dark where the flushed child struggles into sleep)
Till, leaning a lifetime to the comforter,
I float above the small limbs like their dream:
I, I, the future that mends everything.
|
Written by
John Burnside |
As cats bring their smiling
mouse-kills and hypnotised birds,
slinking home under the light
of a summer's morning
to offer the gift of a corpse,
you carry home the snake you thought
was sunning itself on a rock
at the river's edge:
sun-fretted, gracile,
it shimmies and sways in your hands
like a muscle of light,
and you gather it up like a braid
for my admiration.
I can't shake the old wife's tale
that snakes never die,
they hang in a seamless dream
of frogskin and water,
preserving a ribbon of heat
in a bone or a vein,
a cold-blooded creature's
promise of resurrection,
and I'm amazed to see you shuffle off
the woman I've know for years,
tracing the lithe, hard body, the hinge of the jaw,
the tension where sex might be, that I always assume
is neuter, when I walk our muffled house
at nightfall, throwing switches, locking doors.
|
Written by
Rudyard Kipling |
The Sons of Mary seldom bother, for they have inherited that good part;
But the Sons of Martha favour their Mother of the careful soul and the troubled heart.
And because she lost her temper once, and because she was rude to the Lord her Guest,
Her Sons must wait upon Mary's Sons, world without end, reprieve, or rest.
It is their care in all the ages to take the buffet and cushion the shock.
It is their care that the gear engages; it is their care that the switches lock.
It is their care that the wheels run truly; it is their care to embark and entrain,
Tally, transport, and deliver duly the Sons of Mary by land and main.
They say to mountains, "Be ye removed.
" They say to the lesser floods, "Be dry.
"
Under their rods are the rocks reproved -- they are not afraid of that which is high.
Then do the hill-tops shake to the summit -- then is the bed of the deep laid bare,
That the Sons of Mary may overcome it, pleasantly sleeping and unaware.
They finger death at their gloves' end where they piece and repiece the living wires.
He rears against the gates they tend: they feed him hungry behind their fires.
Early at dawn, ere men see clear, they stumble into his terrible stall,
And hale him forth like a haltered steer, and goad and turn him till evenfall.
To these from birth is Belief forbidden; from these till death is Relief afar.
They are concerned with matters hidden -- under the earthline their altars are --
The secret fountains to follow up, waters withdrawn to restore to the mouth,
And gather the floods as in a cup, and pour them again at a city's drouth.
They do not preach that their God will rouse them a little before the nuts work loose.
They do not teach that His Pity allows them to drop their job when they dam'-well choose.
As in the thronged and the lighted ways, so in the dark and the desert they stand,
Wary and watchful all their days that their brethren's days may be long in the land.
Raise ye the stone or cleave the wood to make a path more fair or flat --
Lo, it is black already with blood some Son of Martha spilled for that!
Not as a ladder from earth to Heaven, not as a witness to any creed,
But simple service simply given to his own kind in their common need.
And the Sons of Mary smile and are blessed -- they know the Angels are on their side.
They know in them is the Grace confessed, and for them are the Mercies multiplied.
They sit at the Feet -- they hear the World -- they see how truly the Promise runs.
They have cast their burden upon the Lord, and -- the Lord He lays it on Martha's Sons!
|
Written by
Eugene Field |
A tortuous double iron track; a station here, a station there;
A locomotive, tender, tanks; a coach with stiff reclining chair;
Some postal cars, and baggage, too; a vestibule of patent make;
With buffers, duffers, switches, and the soughing automatic brake--
This is the Orient's novel pride, and Syria's gaudiest modern gem:
The railway scheme that is to ply 'twixt Jaffa and Jerusalem.
Beware, O sacred Mooley cow, the engine when you hear its bell;
Beware, O camel, when resounds the whistle's shrill, unholy swell;
And, native of that guileless land, unused to modern travel's snare,
Beware the fiend that peddles books--the awful peanut-boy beware.
Else, trusting in their specious arts, you may have reason to condemn
The traffic which the knavish ply 'twixt Jaffa and Jerusalem.
And when, ah, when the bonds fall due, how passing wroth will wax the
state
From Nebo's mount to Nazareth will spread the cry "Repudiate"!
From Hebron to Tiberius, from Jordan's banks unto the sea,
Will rise profuse anathemas against "that ---- monopoly!"
And F.
M.
B.
A.
shepherd-folk, with Sockless Jerry leading them,
Will swamp that corporation line 'twixt Jaffa and Jerusalem.
|
Written by
Ambrose Bierce |
O Liberty, God-gifted--
Young and immortal maid--
In your high hand uplifted,
The torch declares your trade.
Its crimson menace, flaming
Upon the sea and shore,
Is, trumpet-like, proclaiming
That Law shall be no more.
Austere incendiary,
We're blinking in the light;
Where is your customary
Grenade of dynamite?
Where are your staves and switches
For men of gentle birth?
Your mask and dirk for riches?
Your chains for wit and worth?
Perhaps, you've brought the halters
You used in the old days,
When round religion's altars
You stabled Cromwell's bays?
Behind you, unsuspected,
Have you the axe, fair wench,
Wherewith you once collected
A poll-tax for the French?
America salutes you--
Preparing to 'disgorge.
'
Take everything that suits you,
And marry Henry George.
|
Written by
Paul Laurence Dunbar |
Tek a cool night, good an' cleah,
Skiff o' snow upon de groun';
Jes' 'bout fall-time o' de yeah
W'en de leaves is dry an brown;
Tek a dog an' tek a axe,
Tek a lantu'n in yo' han',
Step light whah de switches cracks,
Fu' dey 's huntin' in de lan'.
Down thoo de valleys an' ovah de hills,
Into de woods whah de 'simmon-tree grows,
Wakin' an' skeerin' de po' whippo'wills,
Huntin' fu' coon an' fu' 'possum we goes.
Blow dat ho'n dah loud an' strong,
Call de dogs an' da'kies neah;
Mek its music cleah an' long,
[Pg 151]So de folks at home kin hyeah.
Blow it twell de hills an' trees
Sen's de echoes tumblin' back;
Blow it twell de back'ard breeze
Tells de folks we 's on de track.
Coons is a-ramblin' an' 'possums is out;
Look at dat dog; you could set on his tail!
Watch him now—steady,—min'—what you 's about,
Bless me, dat animal's got on de trail!
Listen to him ba'kin now!
Dat means bus'ness, sho 's you bo'n;
Ef he's struck de scent I 'low
Dat ere 'possum's sholy gone.
Knowed dat dog fu' fo'teen yeahs,
An' I nevah seed him fail
Wen he sot dem flappin' eahs
An' went off upon a trail.
Run, Mistah 'Possum, an' run, Mistah Coon,
No place is safe fu' yo' ramblin' to-night;
Mas' gin' de lantu'n an' God gin de moon,
An' a long hunt gins a good appetite.
Look hyeah, folks, you hyeah dat change?
Dat ba'k is sha'per dan de res'.
Dat ere soun' ain't nothin' strange,—
Dat dog's talked his level bes'.
Somep'n' 's treed, I know de soun'.
Dah now,—wha 'd I tell you? see!
Dat ere dog done run him down;
Come hyeah, he'p cut down dis tree.
Ah, Mistah 'Possum, we got you at las'—
Need n't play daid, laying dah on de groun';
Fros' an' de 'simmons has made you grow fas',—
Won't he be fine when he's roasted up brown!
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