Written by
Alan Seeger |
To see the clouds his spirit yearned toward so
Over new mountains piled and unploughed waves,
Back of old-storied spires and architraves
To watch Arcturus rise or Fomalhaut,
And roused by street-cries in strange tongues when day
Flooded with gold some domed metropolis,
Between new towers to waken and new bliss
Spread on his pillow in a wondrous way:
These were his joys.
Oft under bulging crates,
Coming to market with his morning load,
The peasant found him early on his road
To greet the sunrise at the city-gates,---
There where the meadows waken in its rays,
Golden with mist, and the great roads commence,
And backward, where the chimney-tops are dense,
Cathedral-arches glimmer through the haze.
White dunes that breaking show a strip of sea,
A plowman and his team against the blue
Swiss pastures musical with cowbells, too,
And poplar-lined canals in Picardie,
And coast-towns where the vultures back and forth
Sail in the clear depths of the tropic sky,
And swallows in the sunset where they fly
Over gray Gothic cities in the north,
And the wine-cellar and the chorus there,
The dance-hall and a face among the crowd,---
Were all delights that made him sing aloud
For joy to sojourn in a world so fair.
Back of his footsteps as he journeyed fell
Range after range; ahead blue hills emerged.
Before him tireless to applaud it surged
The sweet interminable spectacle.
And like the west behind a sundown sea
Shone the past joys his memory retraced,
And bright as the blue east he always faced
Beckoned the loves and joys that were to be.
From every branch a blossom for his brow
He gathered, singing down Life's flower-lined road,
And youth impelled his spirit as he strode
Like winged Victory on the galley's prow.
That Loveliness whose being sun and star,
Green Earth and dawn and amber evening robe,
That lamp whereof the opalescent globe
The season's emulative splendors are,
That veiled divinity whose beams transpire
From every pore of universal space,
As the fair soul illumes the lovely face---
That was his guest, his passion, his desire.
His heart the love of Beauty held as hides
One gem most pure a casket of pure gold.
It was too rich a lesser thing to bold;
It was not large enough for aught besides.
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Written by
Sylvia Plath |
The smile of iceboxes annihilates me.
Such blue currents in the veins of my loved one!
I hear her great heart purr.
From her lips ampersands and percent signs
Exit like kisses.
It is Monday in her mind: morals
Launder and present themselves.
What am I to make of these contradictions?
I wear white cuffs, I bow.
Is this love then, this red material
Issuing from the steele needle that flies so blindingly?
It will make little dresses and coats,
It will cover a dynasty.
How her body opens and shuts --
A Swiss watch, jeweled in the hinges!
O heart, such disorganization!
The stars are flashing like terrible numerals.
ABC, her eyelids say.
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Written by
Richard Wilbur |
For Alexander there was no Far East,
Because he thought the Asian continent
India ended.
Free Cathay at least
Did not contribute to his discontent.
But Newton, who had grasped all space, was more
Serene.
To him it seemed that he'd but played
With several shells and pebbles on the shore
Of that profundity he had not made.
Swiss Einstein with his relativity -
Most secure of all.
God does not play dice
With the cosmos and its activity.
Religionless equations won't suffice.
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Written by
Dylan Thomas |
A Letter To My Aunt Discussing The Correct Approach To Modern Poetry
To you, my aunt, who would explore
The literary Chankley Bore,
The paths are hard, for you are not
A literary Hottentot
But just a kind and cultured dame
Who knows not Eliot (to her shame).
Fie on you, aunt, that you should see
No genius in David G.
,
No elemental form and sound
In T.
S.
E.
and Ezra Pound.
Fie on you, aunt! I'll show you how
To elevate your middle brow,
And how to scale and see the sights
From modernist Parnassian heights.
First buy a hat, no Paris model
But one the Swiss wear when they yodel,
A bowler thing with one or two
Feathers to conceal the view;
And then in sandals walk the street
(All modern painters use their feet
For painting, on their canvas strips,
Their wives or mothers, minus hips).
Perhaps it would be best if you
Created something very new,
A dirty novel done in Erse
Or written backwards in Welsh verse,
Or paintings on the backs of vests,
Or Sanskrit psalms on lepers' chests.
But if this proved imposs-i-ble
Perhaps it would be just as well,
For you could then write what you please,
And modern verse is done with ease.
Do not forget that 'limpet' rhymes
With 'strumpet' in these troubled times,
And commas are the worst of crimes;
Few understand the works of Cummings,
And few James Joyce's mental slummings,
And few young Auden's coded chatter;
But then it is the few that matter.
Never be lucid, never state,
If you would be regarded great,
The simplest thought or sentiment,
(For thought, we know, is decadent);
Never omit such vital words
As belly, genitals and -----,
For these are things that play a part
(And what a part) in all good art.
Remember this: each rose is wormy,
And every lovely woman's germy;
Remember this: that love depends
On how the Gallic letter bends;
Remember, too, that life is hell
And even heaven has a smell
Of putrefying angels who
Make deadly whoopee in the blue.
These things remembered, what can stop
A poet going to the top?
A final word: before you start
The convulsions of your art,
Remove your brains, take out your heart;
Minus these curses, you can be
A genius like David G.
Take courage, aunt, and send your stuff
To Geoffrey Grigson with my luff,
And may I yet live to admire
How well your poems light the fire.
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Written by
Robinson Jeffers |
The world has many seas, Mediterranean, Atlantic, but
here is the shore of the one ocean.
And here the heavy future hangs like a cloud; the
enormous scene; the enormous games preparing
Weigh on the water and strain the rock; the stage is
here, the play is conceived; the players are
not found.
I saw on the Sierras, up the Kaweah valley above the
Moro rock, the mountain redwoods
Like red towers on the slopes of snow; about their
bases grew a bushery of Christmas green,
Firs and pines to be monuments for pilgrimage
In Europe; I remembered the Swiss forests, the dark
robes of Pilatus, no trunk like these there;
But these are underwood; they are only a shrubbery
about the boles of the trees.
Our people are clever and masterful;
They have powers in the mass, they accomplish marvels.
It is possible Time will make them before it
annuls them, but at present
There is not one memorable person, there is not one
mind to stand with the trees, one life with
the mountains.
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Written by
Maxine Kumin |
Gassing the woodchucks didn't turn out right.
The knockout bomb from the Feed and Grain Exchange
was featured as merciful, quick at the bone
and the case we had against them was airtight,
both exits shoehorned shut with puddingstone,
but they had a sub-sub-basement out of range.
Next morning they turned up again, no worse
for the cyanide than we for our cigarettes
and state-store Scotch, all of us up to scratch.
They brought down the marigolds as a matter of course
and then took over the vegetable patch
nipping the broccoli shoots, beheading the carrots.
The food from our mouths, I said, righteously thrilling
to the feel of the .
22, the bullets' neat noses.
I, a lapsed pacifist fallen from grace
puffed with Darwinian pieties for killing,
now drew a bead on the little woodchuck's face.
He died down in the everbearing roses.
Ten minutes later I dropped the mother.
She
flipflopped in the air and fell, her needle teeth
still hooked in a leaf of early Swiss chard.
Another baby next.
O one-two-three
the murderer inside me rose up hard,
the hawkeye killer came on stage forthwith.
There's one chuck left.
Old wily fellow, he keeps
me cocked and ready day after day after day.
All night I hunt his humped-up form.
I dream
I sight along the barrel in my sleep.
If only they'd all consented to die unseen
gassed underground the quiet Nazi way.
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Written by
Carl Sandburg |
We look on the shoulders filling the stage of the Chicago Auditorium.
A fat mayor has spoken much English and the mud of his speech is crossed with quicksilver hisses elusive and rapid from floor and gallery.
A neat governor speaks English and the listeners ring chimes to his clear thoughts.
Joffre speaks a few words in French; this is a voice of the long firing line that runs from the salt sea dunes of Flanders to the white spear crags of the Swiss mountains.
This is the man on whose yes and no has hung the death of battalions and brigades; this man speaks of the tricolor of his country now melted in a great resolve with the starred bunting of Lincoln and Washington.
This is the hero of the Marne, massive, irreckonable; he lets tears roll down his cheek; they trickle a wet salt off his chin onto the blue coat.
There is a play of American hands and voices equal to sea-breakers and a lift of white sun on a stony beach.
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Written by
Emily Dickinson |
Our lives are Swiss --
So still -- so Cool --
Till some odd afternoon
The Alps neglect their Curtains
And we look farther on!
Italy stands the other side!
While like a guard between --
The solemn Alps --
The siren Alps
Forever intervene!
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Written by
Sharon Olds |
The first ones were attached to my dress
at the waist, one on either side,
right at the point where hands could clasp you and
pick you up, as if you were a hot
squeeze bottle of tree syrup, and the
sashes that emerged like axil buds from the
angles of the waist were used to play horses, that
racing across the cement while someone
held your reins and you could feel your flesh
itself in your body wildly streaming.
You would come home, a torn-off sash
dangling from either hand, a snake-charmer—
each time, she sewed them back on with
thicker thread, until the seams of
sash and dress bulged like little
knots of gristle at your waist as you walked, you could
feel them like thumbs pressing into your body.
The next sash was the one Thee, Hannah!
borrowed from her be-ribboned friend
and hid in a drawer and got salve on it,
salve on a sash, like bacon grease on a snake,
God's lard on the ribbon a Quaker girl
should not want, Satan's jism on
silk delicate as the skin of a young girl's genital.
When Hannah gave up satin her father
told her she was beautiful
just as God made her.
But all sashes
lead to the sash, very sash of
very sash, begotten, not made, that my
aunt sent from Switzerland—
cobalt ripple of Swiss cotton with
clean boys and girls dancing on it.
I don't know why my mother chose it to
tie me to the chair with, her eye just
fell on it, but the whole day I
felt those blue children dance
around my wrists.
Later someone
told me they had found out
the universe is a kind of strip that
twists around and joins itself, and I believe it,
sometimes I can feel it, the way we are
pouring slowly toward a curve and around it
through something dark and soft, and we are bound to
each other.
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Written by
Johann Wolfgang von Goethe |
YESTERDAY brown was still thy head, as the locks
of my loved one,
Whose sweet image so dear silently beckons afar.
Silver-grey is the early snow to-day on thy summit,
Through the tempestuous night streaming fast over
thy brow.
Youth, alas, throughout life as closely to age is united
As, in some changeable dream, yesterday blends
with to-day.
Uri,
October 7th, 1797.
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