Written by
Robert William Service |
Now Fireman Flynn met Hank the Finn where lights of Lust-land glow;
"Let's leave," says he, "the lousy sea, and give the land a show.
I'm fed up to the molar mark with wallopin' the brine;
I feel the bloody barnacles a-carkin' on me spine.
Let's hit the hard-boiled North a crack, where creeks are paved with gold."
"You count me in," says Hank the Finn. "Ay do as Ay ban told."
And so they sought the Lonely Land and drifted down its stream,
Where sunny silence round them spanned, as dopey as a dream.
But to the spell of flood and fell their gold-grimed eyes were blind;
By pine and peak they paused to seek, but nothing did they find;
No yellow glint of dust to mint, just mud and mocking sand,
And a hateful hush that seemed to crush them down on every hand.
Till Fireman Flynn grew mean as sin, and cursed his comrade cold,
But Hank the Finn would only grin, and . . . do as he was told.
Now Fireman Flynn had pieces ten of yellow Yankee gold,
Which every night he would invite his partner to behold.
"Look hard," says he; "It's all you'll see in this god-blasted land;
But you fret, I'm gonna let you hold them i your hand.
Yeah! Watch 'em gleam, then go and dream they're yours to have and hold."
Then Hank the Finn would scratch his chin and . . . do as he was told.
But every night by camp-fire light, he'd incubate his woes,
And fan the hate of mate for mate, the evil Artic knows.
In dreams the Lapland withes gloomed like gargoyles overhead,
While the devils three of Helsinkee came cowering by his bed.
"Go take," said they, "the yellow loot he's clinking in his belt,
And leave the sneaking wolverines to snout around his pelt.
Last night he called you Swedish scum, from out the glory-hole;
To-day he said you were a bum, and damned your mother's soul.
Go, plug with lead his scurvy head, and grab his greasy gold . . ."
Then Hank the Finn saw red within, and . . . did as he was told.
So in due course the famous Force of Men Who Get Their Man,
Swooped down on sleeping Hank the Finn, and popped him in the can.
And in due time his grievous crime was judged without a plea,
And he was dated up to swing upon the gallows tree.
Then Sheriff gave a party in the Law's almighty name,
He gave a neck-tie party, and he asked me to the same.
There was no hooch a-flowin' and his party wasn't gay,
For O our hearts were heavy at the dawning of the day.
There was no band a-playin' and the only dancin' there
Was Hank the Fin interpretin' his solo in the air.
We climbed the scaffold steps and stood beside the knotted rope.
We watched the hooded hangman and his eyes were dazed with dope.
The Sheriff was in evening dress; a bell began to toll,
A beastly bell that struck a knell of horror to the soul.
As if the doomed one was myself, I shuddered, waiting there.
I spoke no word, then . . . then I heard his step upon the stair;
His halting foot, moccasin clad . . . and then I saw him stand
Between a weeping warder and a priest with Cross in hand.
And at the sight a murmur rose of terror and of awe,
And all them hardened gallows fans were sick at what they saw:
For as he towered above the mob, his limbs with leather triced,
By all that's wonderful, I swear, his face was that of Christ.
Now I ain't no blaspheming cuss, so don't you start to shout.
You see, his beard had grown so long it framed his face about.
His rippling hair was long and fair, his cheeks were spirit-pale,
His face was bright with holy light that made us wince and quail.
He looked at us with eyes a-shine, and sore were we confused,
As if he were the Judge divine, and we were the accused.
Aye, as serene he stood between the hangman and the cord,
You would have sworn, with anguish torn, he was the Blessed Lord.
The priest was wet with icy sweat, the Sheriff's lips were dry,
And we were staring starkly at the man who had to die.
"Lo! I am raised above you all," his pale lips seemed to say,
"For in a moment I shall leap to God's Eternal Day.
Am I not happy! I forgive you each for what you do;
Redeemed and penitent I go, with heart of love for you."
So there he stood in mystic mood, with scorn sublime of death.
I saw him gently kiss the Cross, and then I held by breath.
That blessed smile was blotted out; they dropped the hood of black;
They fixed the noose around his neck, the rope was hanging slack.
I heard him pray, I saw him sway, then . . . then he was not there;
A rope, a ghastly yellow rope was jerking in the air;
A jigging rope that soon was still; a hush as of the tomb,
And Hank the Finn, that man of sin, had met his rightful doom.
His rightful doom! Now that's the point. I'm wondering, because
I hold a man is what he is, and never what he was.
You see, the priest had filled that guy so full of holy dope,
That at the last he came to die as pious as the Pope.
A gentle ray of sunshine made a halo round his head.
I thought to see a sinner - lo! I saw a Saint instead.
Aye, as he stood as martyrs stand, clean-cleansed of mortal dross,
I think he might have gloried had . . . WE NAILED HIM TO A CROSS.
|
Written by
John Betjeman |
Golden haired and golden hearted
I would ever have you be,
As you were when last we parted
Smiling slow and sad at me.
Oh! the fighting down of passion!
Oh! the century-seeming pain-
Parting in this off-hand fashion
In Dungarvan in the rain.
Slanting eyes of blue, unweeping
Stands my Swedish beauty where
Gusts of Irish rain are sweeping
Round the statue in the square;
Corner boys against the walling
Watch us furtively in vain,
And the Angelus is calling
Through Dungarvan in the rain.
Gales along the Commeragh Mountains,
Beating sleet on creaking signs,
Iron gutters turned to fountains,
And the windscreen laced with lines,
And the evening getting later,
And the ache - increased again,
As the distance grows the greater
From Dungarvan in the rain.
There is no one now to wonder
What eccentric sits in state
While the beech trees rock and thunder
Round his gate-lodge and his gate.
Gone - the ornamental plaster,
Gone - the overgrown demesne
And the car goes fast, and faster,
From Dungarvan in the rain.
Had I kissed and drawn you to me
Had you yielded warm for cold,
What a power had pounded through me
As I stroked your streaming gold!
You were right to keep us parted:
Bound and parted we remain,
Aching, if unbroken hearted -
Oh! Dungarvan in the rain!
|
Written by
Carl Sandburg |
CAST a bronze of my head and legs and put them on the king’s street.
Set the cast of me here alongside Carl XII, making two Carls for the Swedish people and the utlanders to look at between the palace and the Grand Hotel.
The summer sun will shine on both the Carls, and November drizzles wrap the two, one in tall leather boots, one in wool leggins.
Also I place it in the record: the Swedish people may name boats after me or change the name of a long street and give it one of my nicknames.
The old men who beset the soil of Sweden and own the titles to the land—the old men who enjoy a silken shimmer to their chin whiskers when they promenade the streets named after old kings—if they forget me—the old men whose varicose veins stand more and more blue on the calves of their legs when they take their morning baths attended by old women born to the bath service of old men and young—if these old men say another King Carl should have a bronze on the king’s street rather than a Fool Carl—
Then I would hurl them only another fool’s laugh—
I would remember last Sunday when I stood on a jutland of fire-born red granite watching the drop of the sun in the middle of the afternoon and the full moon shining over Stockholm four o’clock in the afternoon.
If the young men will read five lines of one of my poems I will let the kings have all the bronze—I ask only that one page of my writings be a knapsack keepsake of the young men who are the bloodkin of those who laughed nine hundred years ago: We are afraid of nothing—only—the sky may fall on us.
|
Written by
Carl Sandburg |
STRONG rocks hold up the riksdag bridge … always strong river waters shoving their shoulders against them …
In the riksdag to-night three hundred men are talking to each other about more potatoes and bread for the Swedish people to eat this winter.
In a boat among calm waters next to the running waters a fisherman sits in the dark and I, leaning at a parapet, see him lift a net and let it down … he waits … the waters run … the riksdag talks … he lifts the net and lets it down …
Stars lost in the sky ten days of drizzle spread over the sky saying yes-yes.
Every afternoon at four o’clock fifteen apple women who have sold their apples in Christiania meet at a coffee house and gab.
Every morning at nine o’clock a girl wipes the windows of a hotel across the street from the post-office in Stockholm.
I have pledged them when I go to California next summer and see the orange groves splattered with yellow balls
I shall remember other people half way round the world.
|
Written by
James Henry Leigh Hunt |
Reader! what soul that laoves a verse can see
The spring return, nor glow like you and me?
Hear the quick birds, and see the landscape fill,
Nor long to utter his melodious will?
This more than ever leaps into the veins,
When spring has been delay'd by winds and rains,
And coming with a burst, comes like a show,
Blue all above, and basking green below,
And all the people culling the sweet prime:
Then issues forth the bee to clutch the thyme,
And the bee poet rushes into rhyme.
For lo! no sooner has the cold withdrawn,
Than the bright elm is tufted on the lawn;
The merry sap has run up in the bowers,
And bursts the windows of the buds in flowers;
With song the bosoms of the birds run o'er,
The cuckoo calls, the swallow's at the door,
And apple-tree at noon with bees alive
Burn with the golden chorus of the hive.
Now all these sweets, these sounds, this vernal blaze,
Is but one joy, express'd a thousand ways:
And honey from the flowers and song from birds
Are from the poet's pen his oeverflowing words.
Ah friends! methinks it were a pleasant sphere,
If, like the trees, we blossom'd every year;
If locks grew thick again, and rosy dyes
Return'd in cheeks, and raciness in eyes,
And all around us, vital to the tips,
The human orchard laugh'd with cherry lips!
Lord! what a burst of merriment and play,
Fair dames, were that! and what a first of May!
So natural is the wish, that bards gone by
Have left it, all, in some immortal sigh!
And yet the winter months were not so well:
Who would like changing, as the seasons fell?
Fade every year, and stare, midst ghastly friends,
With falling hairs, and stuck-out fingers' ends?
Besides, this tale of youth that comes again
Is no more true of apple-trees than men.
The Swedish sage, the Newton of the flow'rs,
Who first found out those worlds of paramours,
Tells us, that every blossom that we see
Boasts in its walls a separate family;
So that a tree is but a sort of stand
That holds those afilial fairies in its hand;
Just as Swift's giant might have held a bevy
Of Lilliputian ladies, or a levee.
It is not her that blooms: it is his race,
Who honour his old arms, and hide his rugged face.
Ye wits and bards, then, pray discern your duty,
And learn the lastingness of human beauty.
Your finest fruit to some two months may reach:
I've known a cheek at forth like a peach.
But see! the weather calls me. Here's a bee
Comes bounding in my room imperiously,
And talking to himself, hastily burns
About mine ear, and so in heat returns.
O little brethren of the fervid soul,
Kissers of flowers, lords of the golden bowl,
I follow to your fields and tusted brooks:
Winter's the time to which the poet looks
For hiving his sweet thoughts, and making honied books.
|
Written by
Sidney Lanier |
A rose of perfect red, embossed
With silver sheens of crystal frost,
Yet warm, nor life nor fragrance lost.
High passion throbbing in a sphere
That Art hath wrought of diamond clear,
-- A great heart beating in a tear.
The listening soul is full of dreams
That shape the wondrous-varying themes
As cries of men or plash of streams.
Or noise of summer rain-drops round
That patter daintily a-ground
With hints of heaven in the sound.
Or noble wind-tones chanting free
Through morning-skies across the sea
Wild hymns to some strange majesty.
O, if one trope, clear-cut and keen,
May type the art of Song's best queen,
White-hot of soul, white-chaste of mien,
On Music's heart doth Nilsson dwell
As if a Swedish snow-flake fell
Into a glowing flower-bell.
|
Written by
Anne Kingsmill Finch |
Observe this Piece, which to our Sight does bring
The fittest Posture for the Swedish King;
(Encompass'd, as we think, with Armies round,
Tho' not express'd within this narrow Bound)
Who, whilst his warlike and extended Hand
Directs the foremost Ranks to Charge or Stand,
Reverts his Face, lest That, so Fair and Young,
Should call in doubt the Orders of his Tongue:
Whilst the excited, and embolden'd Rear
Such Youth beholding, and such Features there,
Devote their plainer Forms, and are asham'd to Fear.
Thus! ev'ry Action, ev'ry Grace of thine,
O latest Son of Fame, Son of Gustavus Line!
Affects thy Troops, with all that can inspire
A blooming Sweetness, and a martial Fire,
Fatal to none, but thy invading Foe.
So Lightnings, which to all their Brightness shew,
Strike but the Man alone, who has provok'd the Blow
|