Written by
Bliss Carman |
TO the assembled folk
At great St.
Kavin’s spoke
Young Brother Amiel on Christmas Eve;
I give you joy, my friends,
That as the round year ends,
We meet once more for gladness by God’s leave.
On other festal days
For penitence or praise
Or prayer we meet, or fullness of thanksgiving;
To-night we calendar
The rising of that star
Which lit the old world with new joy of living.
Ah, we disparage still
The Tidings of Good Will,
Discrediting Love’s gospel now as then!
And with the verbal creed
That God is love indeed,
Who dares make Love his god before all men?
Shall we not, therefore, friends,
Resolve to make amends
To that glad inspiration of the heart;
To grudge not, to cast out
Selfishness, malice, doubt,
Anger and fear; and for the better part,
To love so much, so well,
The spirit cannot tell
The range and sweep of her own boundary!
There is no period
Between the soul and God;
Love is the tide, God the eternal sea.
…
To-day we walk by love;
To strive is not enough,
Save against greed and ignorance and might.
We apprehend peace comes
Not with the roll of drums,
But in the still processions of the night.
And we perceive, not awe
But love is the great law
That binds the world together safe and whole.
The splendid planets run
Their courses in the sun;
Love is the gravitation of the soul.
In the profound unknown,
Illumined, fair, and lone,
Each star is set to shimmer in its place.
In the profound divine
Each soul is set to shine,
And its unique appointed orbit trace.
There is no near nor far,
Where glorious Algebar
Swings round his mighty circuit through the night,
Yet where without a sound
The winged seed comes to ground,
And the red leaf seems hardly to alight.
One force, one lore, one need
For satellite and seed,
In the serene benignity for all.
Letting her time-glass run
With star-dust, sun by sun,
In Nature’s thought there is no great nor small.
There is no far nor near
Within the spirit’s sphere.
The summer sunset’s scarlet-yellow wings
Are tinged with the same dye
That paints the tulip’s ply.
And what is colour but the soul of things?
(The earth was without form;
God moulded it with storm,
Ice, flood, and tempest, gleaming tint and hue;
Lest it should come to ill
For lack of spirit still,
He gave it colour,—let the love shine through.
)…
Of old, men said, ‘Sin not;
By every line and jot
Ye shall abide; man’s heart is false and vile.
’
Christ said, ‘By love alone
In man’s heart is God known;
Obey the word no falsehood can defile.
’…
And since that day we prove
Only how great is love,
Nor to this hour its greatness half believe.
For to what other power
Will life give equal dower,
Or chaos grant one moment of reprieve!
Look down the ages’ line,
Where slowly the divine
Evinces energy, puts forth control;
See mighty love alone
Transmuting stock and stone,
Infusing being, helping sense and soul.
And what is energy,
In-working, which bids be
The starry pageant and the life of earth?
What is the genesis
Of every joy and bliss,
Each action dared, each beauty brought to birth?
What hangs the sun on high?
What swells the growing rye?
What bids the loons cry on the Northern lake?
What stirs in swamp and swale,
When April winds prevail,
And all the dwellers of the ground awake?…
What lurks in the deep gaze
Of the old wolf? Amaze,
Hope, recognition, gladness, anger, fear.
But deeper than all these
Love muses, yearns, and sees,
And is the self that does not change nor veer.
Not love of self alone,
Struggle for lair and bone,
But self-denying love of mate and young,
Love that is kind and wise,
Knows trust and sacrifice,
And croons the old dark universal tongue.
…
And who has understood
Our brothers of the wood,
Save he who puts off guile and every guise
Of violence,—made truce
With panther, bear, and moose,
As beings like ourselves whom love makes wise?
For they, too, do love’s will,
Our lesser clansmen still;
The House of Many Mansions holds us all;
Courageous, glad and hale,
They go forth on the trail,
Hearing the message, hearkening to the call.
…
Open the door to-night
Within your heart, and light
The lantern of love there to shine afar.
On a tumultuous sea
Some straining craft, maybe,
With bearings lost, shall sight love’s silver star.
|
Written by
Bliss Carman |
I like the old house tolerably well,
Where I must dwell
Like a familiar gnome;
And yet I never shall feel quite at home.
I love to roam.
Day after day I loiter and explore
From door to door;
So many treasures lure
The curious mind.
What histories obscure
They must immure!
I hardly know which room I care for best;
This fronting west,
With the strange hills in view,
Where the great sun goes,—where I may go too,
When my lease is through,—
Or this one for the morning and the east,
Where a man may feast
His eyes on looming sails,
And be the first to catch their foreign hails
Or spy their bales
Then the pale summer twilights towards the pole!
It thrills my soul
With wonder and delight,
When gold-green shadows walk the world at night,
So still, so bright.
There at the window many a time of year,
Strange faces peer,
Solemn though not unkind,
Their wits in search of something left behind
Time out of mind;
As if they once had lived here, and stole back
To the window crack
For a peep which seems to say,
"Good fortune, brother, in your house of clay!"
And then, "Good day!"
I hear their footsteps on the gravel walk,
Their scraps of talk,
And hurrying after, reach
Only the crazy sea-drone of the beach
In endless speech.
And often when the autumn noons are still,
By swale and hill
I see their gipsy signs,
Trespassing somewhere on my border lines;
With what designs?
I forth afoot; but when I reach the place,
Hardly a trace,
Save the soft purple haze
Of smouldering camp-fires, any hint betrays
Who went these ways.
Or tatters of pale aster blue, descried
By the roadside,
Reveal whither they fled;
Or the swamp maples, here and there a shred
Of Indian red.
But most of all, the marvellous tapestry
Engrosses me,
Where such strange things are rife,
Fancies of beasts and flowers, and love and strife,
Woven to the life;
Degraded shapes and splendid seraph forms,
And teeming swarms
Of creatures gauzy dim
That cloud the dusk, and painted fish that swim,
At the weaver's whim;
And wonderful birds that wheel and hang in the air;
And beings with hair,
And moving eyes in the face,
And white bone teeth and hideous grins, who race
From place to place;
They build great temples to their John-a-nod,
And fume and plod
To deck themselves with gold,
And paint themselves like chattels to be sold,
Then turn to mould.
Sometimes they seem almost as real as I;
I hear them sigh;
I see them bow with grief,
Or dance for joy like any aspen leaf;
But that is brief.
They have mad wars and phantom marriages;
Nor seem to guess
There are dimensions still,
Beyond thought's reach, though not beyond love's will,
For soul to fill.
And some I call my friends, and make believe
Their spirits grieve,
Brood, and rejoice with mine;
I talk to them in phrases quaint and fine
Over the wine;
I tell them all my secrets; touch their hands;
One understands
Perhaps.
How hard he tries
To speak! And yet those glorious mild eyes,
His best replies!
I even have my cronies, one or two,
My cherished few.
But ah, they do not stay!
For the sun fades them and they pass away,
As I grow gray.
Yet while they last how actual they seem!
Their faces beam;
I give them all their names,
Bertram and Gilbert, Louis, Frank and James,
Each with his aims;
One thinks he is a poet, and writes verse
His friends rehearse;
Another is full of law;
A third sees pictures which his hand can draw
Without a flaw.
Strangest of all, they never rest.
Day long
They shift and throng,
Moved by invisible will,
Like a great breath which puffs across my sill,
And then is still;
It shakes my lovely manikins on the wall;
Squall after squall,
Gust upon crowding gust,
It sweeps them willy nilly like blown dust
With glory or lust.
It is the world-ghost, the time-spirit, come
None knows wherefrom,
The viewless draughty tide
And wash of being.
I hear it yaw and glide,
And then subside,
Along these ghostly corridors and halls
Like faint footfalls;
The hangings stir in the air;
And when I start and challenge, "Who goes there?"
It answers, "Where?"
The wail and sob and moan of the sea's dirge,
Its plangor and surge;
The awful biting sough
Of drifted snows along some arctic bluff,
That veer and luff,
And have the vacant boding human cry,
As they go by;—
Is it a banished soul
Dredging the dark like a distracted mole
Under a knoll?
Like some invisible henchman old and gray,
Day after day
I hear it come and go,
With stealthy swift unmeaning to and fro,
Muttering low,
Ceaseless and daft and terrible and blind,
Like a lost mind.
I often chill with fear
When I bethink me, What if it should peer
At my shoulder here!
Perchance he drives the merry-go-round whose track
Is the zodiac;
His name is No-man's-friend;
And his gabbling parrot-talk has neither trend,
Beginning, nor end.
A prince of madness too, I'd cry, "A rat!"
And lunge thereat,—
Let out at one swift thrust
The cunning arch-delusion of the dust
I so mistrust,
But that I fear I should disclose a face
Wearing the trace
Of my own human guise,
Piteous, unharmful, loving, sad, and wise
With the speaking eyes.
I would the house were rid of his grim pranks,
Moaning from banks
Of pine trees in the moon,
Startling the silence like a demoniac loon
At dead of noon.
Or whispering his fool-talk to the leaves
About my eaves.
And yet how can I know
'T is not a happy Ariel masking so
In mocking woe?
Then with a little broken laugh I say,
Snatching away
The curtain where he grinned
(My feverish sight thought) like a sin unsinned,
"Only the wind!"
Yet often too he steals so softly by.
With half a sigh,
I deem he must be mild,
Fair as a woman, gentle as a child,
And forest wild.
Passing the door where an old wind-harp swings,
With its five strings,
Contrived long years ago
By my first predecessor bent to show
His handcraft so,
He lay his fingers on the aeolian wire,
As a core of fire
Is laid upon the blast
To kindle and glow and fill the purple vast
Of dark at last.
Weird wise, and low, piercing and keen and glad,
Or dim and sad
As a forgotten strain
Born when the broken legions of the rain
Swept through the plain—
He plays, like some dread veiled mysteriarch,
Lighting the dark,
Bidding the spring grow warm,
The gendering merge and loosing of spirit in form,
Peace out of storm.
For music is the sacrament of love;
He broods above
The virgin silence, till
She yields for rapture shuddering, yearning still
To his sweet will.
I hear him sing, "Your harp is like a mesh,
Woven of flesh
And spread within the shoal
Of life, where runs the tide-race of the soul
In my control.
"Though my wild way may ruin what it bends,
It makes amends
To the frail downy clocks,
Telling their seed a secret that unlocks
The granite rocks.
"The womb of silence to the crave of sound
Is heaven unfound,
Till I, to soothe and slake
Being's most utter and imperious ache,
Bid rhythm awake.
"If with such agonies of bliss, my kin,
I enter in
Your prison house of sense,
With what a joyous freed intelligence
I shall go hence.
"
I need no more to guess the weaver's name,
Nor ask his aim,
Who hung each hall and room
With swarthy-tinged vermilion upon gloom;
I know that loom.
Give me a little space and time enough,
From ravelings rough
I could revive, reweave,
A fabric of beauty art might well believe
Were past retrieve.
O men and women in that rich design,
Sleep-soft, sun-fine,
Dew-tenuous and free,
A tone of the infinite wind-themes of the sea,
Borne in to me,
Reveals how you were woven to the might
Of shadow and light.
You are the dream of One
Who loves to haunt and yet appears to shun
My door in the sun;
As the white roving sea tern fleck and skim
The morning's rim;
Or the dark thrushes clear
Their flutes of music leisurely and sheer,
Then hush to hear.
I know him when the last red brands of day
Smoulder away,
And when the vernal showers
Bring back the heart to all my valley flowers
In the soft hours.
O hand of mine and brain of mine, be yours,
While time endures,
To acquiesce and learn!
For what we best may dare and drudge and yearn,
Let soul discern.
So, fellows, we shall reach the gusty gate,
Early or late,
And part without remorse,
A cadence dying down unto its source
In music's course;
You to the perfect rhythms of flowers and birds,
Colors and words,
The heart-beats of the earth,
To be remoulded always of one worth
From birth to birth;
I to the broken rhythm of thought and man,
The sweep and span
Of memory and hope
About the orbit where they still must grope
For wider scope,
To be through thousand springs restored, renewed,
With love imbrued,
With increments of will
Made strong, perceiving unattainment still
From each new skill.
Always the flawless beauty, always the chord
Of the Overword,
Dominant, pleading, sure,
No truth too small to save and make endure.
No good too poor!
And since no mortal can at last disdain
That sweet refrain,
But lets go strife and care,
Borne like a strain of bird notes on the air,
The wind knows where;
Some quiet April evening soft and strange,
When comes the change
No spirit can deplore,
I shall be one with all I was before,
In death once more.
|
Written by
Amy Lowell |
I
Over the yawning chimney hangs the fog.
Drip
-- hiss -- drip -- hiss --
fall the raindrops on the oaken log which burns, and steams,
and smokes the ceiling beams.
Drip -- hiss -- the rain
never stops.
The wide, state bed shivers beneath its velvet coverlet.
Above,
dim,
in the smoke, a tarnished coronet gleams dully.
Overhead
hammers and chinks
the rain.
Fearfully wails the wind down distant corridors,
and there comes
the swish and sigh of rushes lifted off the floors.
The
arras blows sidewise
out from the wall, and then falls back again.
It is my lady's key, confided with much nice cunning, whisperingly.
He enters on a sob of wind, which gutters the candles almost to
swaling.
The fire flutters and drops.
Drip -- hiss -- the rain
never stops.
He shuts the door.
The rushes fall again to stillness
along the floor.
Outside, the wind goes wailing.
The velvet coverlet of the wide bed is smooth and cold.
Above,
in the firelight, winks the coronet of tarnished gold.
The
knight shivers
in his coat of fur, and holds out his hands to the withering flame.
She is always the same, a sweet coquette.
He will wait
for her.
How the log hisses and drips! How warm
and satisfying will be her lips!
It is wide and cold, the state bed; but when her head lies under
the coronet,
and her eyes are full and wet with love, and when she holds out
her arms,
and the velvet counterpane half slips from her, and alarms
her trembling modesty, how eagerly he will leap to cover her, and
blot himself
beneath the quilt, making her laugh and tremble.
Is it guilt to free a lady from her palsied lord,
absent and fighting,
terribly abhorred?
He stirs a booted heel and kicks a rolling coal.
His
spur clinks
on the hearth.
Overhead, the rain hammers and chinks.
She
is so pure
and whole.
Only because he has her soul will she resign
herself to him,
for where the soul has gone, the body must be given as a sign.
He
takes her
by the divine right of the only lover.
He has sworn to
fight her lord,
and wed her after.
Should he be overborne, she will die
adoring him, forlorn,
shriven by her great love.
Above, the coronet winks in the darkness.
Drip
-- hiss -- fall the raindrops.
The arras blows out from the wall, and a door bangs in a far-off
hall.
The candles swale.
In the gale the moat below plunges
and spatters.
Will the lady lose courage and not come?
The rain claps on a loosened rafter.
Is that laughter?
The room is filled with lisps and whispers.
Something
mutters.
One candle drowns and the other gutters.
Is that the
rain
which pads and patters, is it the wind through the winding entries
which chatters?
The state bed is very cold and he is alone.
How
far from the wall
the arras is blown!
Christ's Death! It is no storm which makes these little
chuckling sounds.
By the Great Wounds of Holy Jesus, it is his dear lady, kissing
and
clasping someone! Through the sobbing storm he hears
her love take form
and flutter out in words.
They prick into his ears and
stun his desire,
which lies within him, hard and dead, like frozen fire.
And
the little noise
never stops.
Drip -- hiss -- the rain drops.
He tears down the arras from before an inner chamber's bolted door.
II
The state bed shivers in the watery dawn.
Drip
-- hiss -- fall the raindrops.
For the storm never stops.
On the velvet coverlet lie two bodies, stripped
and fair in the cold,
grey air.
Drip -- hiss -- fall the blood-drops, for the
bleeding never stops.
The bodies lie quietly.
At each side of the bed, on the
floor, is a head.
A man's on this side, a woman's on that, and the red blood oozes
along
the rush mat.
A wisp of paper is twisted carefully into the strands
of the dead man's hair.
It says, "My Lord: Your wife's paramour has paid with
his life
for the high favour.
"
Through the lady's silver fillet is wound another
paper.
It reads,
"Most noble Lord: Your wife's misdeeds are as a double-stranded
necklace of beads.
But I have engaged that, on your return,
she shall welcome you here.
She will not spurn your love
as before,
you have still the best part of her.
Her blood was red,
her body white,
they will both be here for your delight.
The soul inside
was a lump of dirt,
I have rid you of that with a spurt of my sword point.
Good
luck
to your pleasure.
She will be quite complaisant, my friend,
I wager.
"
The end was a splashed flourish of ink.
Hark! In the passage is heard the clink
of armour, the tread of a heavy man.
The door bursts open and standing there, his thin hair wavering
in the glare of steely daylight, is my Lord of Clair.
Over the yawning chimney hangs the fog.
Drip -- hiss
-- drip -- hiss --
fall the raindrops.
Overhead hammers and chinks the rain
which never stops.
The velvet coverlet is sodden and wet, yet the
roof beams are tight.
Overhead, the coronet gleams with its blackened gold, winking and
blinking.
Among the rushes three corpses are growing cold.
III
In the castle church you may see them stand,
Two sumptuous tombs on either hand
Of the choir, my Lord's and my Lady's, grand
In sculptured filigrees.
And where the transepts of the
church expand,
A crusader, come from the Holy Land,
Lies with crossed legs and embroidered band.
The page's name became a brand
For shame.
He was buried in crawling sand,
After having been burnt by royal command.
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