Written by
William Cullen Bryant |
The groves were God's first temples. Ere man learned
To hew the shaft, and lay the architrave,
And spread the roof above them,---ere he framed
The lofty vault, to gather and roll back
The sound of anthems; in the darkling wood,
Amidst the cool and silence, he knelt down,
And offered to the Mightiest solemn thanks
And supplication. For his simple heart
Might not resist the sacred influences,
Which, from the stilly twilight of the place,
And from the gray old trunks that high in heaven
Mingled their mossy boughs, and from the sound
Of the invisible breath that swayed at once
All their green tops, stole over him, and bowed
His spirit with the thought of boundless power
And inaccessible majesty. Ah, why
Should we, in the world's riper years, neglect
God's ancient sanctuaries, and adore
Only among the crowd, and under roofs,
That our frail hands have raised? Let me, at least,
Here, in the shadow of this aged wood,
Offer one hymn---thrice happy, if it find
Acceptance in His ear.
Father, thy hand
Hath reared these venerable columns, thou
Didst weave this verdant roof. Thou didst look down
Upon the naked earth, and, forthwith, rose
All these fair ranks of trees. They, in thy sun,
Budded, and shook their green leaves in the breeze,
And shot towards heaven. The century-living crow,
Whose birth was in their tops, grew old and died
Among their branches, till, at last, they stood,
As now they stand, massy, and tall, and dark,
Fit shrine for humble worshipper to hold
Communion with his Maker. These dim vaults,
These winding aisles, of human pomp and pride
Report not. No fantastic carvings show
The boast of our vain race to change the form
Of thy fair works. But thou art here---thou fill'st
The solitude. Thou art in the soft winds
That run along the summit of these trees
In music; thou art in the cooler breath
That from the inmost darkness of the place
Comes, scarcely felt; the barky trunks, the ground,
The fresh moist ground, are all instinct with thee.
Here is continual worship;---Nature, here,
In the tranquility that thou dost love,
Enjoys thy presence. Noiselessly, around,
From perch to perch, the solitary bird
Passes; and yon clear spring, that, midst its herbs,
Wells softly forth and wandering steeps the roots
Of half the mighty forest, tells no tale
Of all the good it does. Thou hast not left
Thyself without a witness, in these shades,
Of thy perfections. Grandeur, strength, and grace
Are here to speak of thee. This mighty oak---
By whose immovable stem I stand and seem
Almost annihilated---not a prince,
In all that proud old world beyond the deep,
E'er wore his crown as lofty as he
Wears the green coronal of leaves with which
Thy hand has graced him. Nestled at his root
Is beauty, such as blooms not in the glare
Of the broad sun. That delicate forest flower
With scented breath, and look so like a smile,
Seems, as it issues from the shapeless mould,
An emanation of the indwelling Life,
A visible token of the upholding Love,
That are the soul of this wide universe.
My heart is awed within me when I think
Of the great miracle that still goes on,
In silence, round me---the perpetual work
Of thy creation, finished, yet renewed
Forever. Written on thy works I read
The lesson of thy own eternity.
Lo! all grow old and die---but see again,
How on the faltering footsteps of decay
Youth presses----ever gay and beautiful youth
In all its beautiful forms. These lofty trees
Wave not less proudly that their ancestors
Moulder beneath them. Oh, there is not lost
One of earth's charms: upon her bosom yet,
After the flight of untold centuries,
The freshness of her far beginning lies
And yet shall lie. Life mocks the idle hate
Of his arch enemy Death---yea, seats himself
Upon the tyrant's throne---the sepulchre,
And of the triumphs of his ghastly foe
Makes his own nourishment. For he came forth
From thine own bosom, and shall have no end.
There have been holy men who hid themselves
Deep in the woody wilderness, and gave
Their lives to thought and prayer, till they outlived
The generation born with them, nor seemed
Less aged than the hoary trees and rocks
Around them;---and there have been holy men
Who deemed it were not well to pass life thus.
But let me often to these solitudes
Retire, and in thy presence reassure
My feeble virtue. Here its enemies,
The passions, at thy plainer footsteps shrink
And tremble and are still. Oh, God! when thou
Dost scare the world with falling thunderbolts, or fill,
With all the waters of the firmament,
The swift dark whirlwind that uproots the woods
And drowns the village; when, at thy call,
Uprises the great deep and throws himself
Upon the continent, and overwhelms
Its cities---who forgets not, at the sight
Of these tremendous tokens of thy power,
His pride, and lays his strifes and follies by?
Oh, from these sterner aspects of thy face
Spare me and mine, nor let us need the wrath
Of the mad unchained elements to teach
Who rules them. Be it ours to meditate,
In these calm shades, thy milder majesty,
And to the beautiful order of the works
Learn to conform the order of our lives.
|
Written by
William Cullen Bryant |
THE GROVES were God's first temples. Ere man learned
To hew the shaft and lay the architrave
And spread the roof above them¡ªere he framed
The lofty vault to gather and roll back
The sound of anthems; in the darkling wood 5
Amidst the cool and silence he knelt down
And offered to the Mightiest solemn thanks
And supplication. For his simple heart
Might not resist the sacred influences
Which from the stilly twilight of the place 10
And from the gray old trunks that high in heaven
Mingled their mossy boughs and from the sound
Of the invisible breath that swayed at once
All their green tops stole over him and bowed
His spirit with the thought of boundless power 15
And inaccessible majesty. Ah why
Should we in the world's riper years neglect
God's ancient sanctuaries and adore
Only among the crowd and under roofs
That our frail hands have raised? Let me at least 20
Here in the shadow of this aged wood
Offer one hymn¡ªthrice happy if it find
Acceptance in His ear.
Father thy hand
Hath reared these venerable columns thou 25
Didst weave this verdant roof. Thou didst look down
Upon the naked earth and forthwith rose
All these fair ranks of trees. They in thy sun
Budded and shook their green leaves in thy breeze
And shot towards heaven. The century-living crow 30
Whose birth was in their tops grew old and died
Among their branches till at last they stood
As now they stand massy and tall and dark
Fit shrine for humble worshipper to hold
Communion with his Maker. These dim vaults 35
These winding aisles of human pomp or pride
Report not. No fantastic carvings show
The boast of our vain race to change the form
Of thy fair works. But thou art here¡ªthou fill'st
The solitude. Thou art in the soft winds 40
That run along the summit of these trees
In music; thou art in the cooler breath
That from the inmost darkness of the place
Comes scarcely felt; the barky trunks the ground
The fresh moist ground are all instinct with thee. 45
Here is continual worship;¡ªNature here
In the tranquillity that thou dost love
Enjoys thy presence. Noiselessly around
From perch to perch the solitary bird
Passes; and yon clear spring that midst its herbs 50
Wells softly forth and wandering steeps the roots
Of half the mighty forest tells no tale
Of all the good it does. Thou hast not left
Thyself without a witness in these shades
Of thy perfections. Grandeur strength and grace 55
Are here to speak of thee. This mighty oak ¡ª
By whose immovable stem I stand and seem
Almost annihilated¡ªnot a prince
In all that proud old world beyond the deep
E'er wore his crown as loftily as he 60
Wears the green coronal of leaves with which
Thy hand has graced him. Nestled at his root
Is beauty such as blooms not in the glare
Of the broad sun. That delicate forest flower
With scented breath and look so like a smile 65
Seems as it issues from the shapeless mould
An emanation of the indwelling Life
A visible token of the upholding Love
That are the soul of this great universe.
My heart is awed within me when I think 70
Of the great miracle that still goes on
In silence round me¡ªthe perpetual work
Of thy creation finished yet renewed
Forever. Written on thy works I read
The lesson of thy own eternity. 75
Lo! all grow old and die¡ªbut see again
How on the faltering footsteps of decay
Youth presses ¡ªever-gay and beautiful youth
In all its beautiful forms. These lofty trees
Wave not less proudly that their ancestors 80
Moulder beneath them. O there is not lost
One of earth's charms: upon her bosom yet
After the flight of untold centuries
The freshness of her far beginning lies
And yet shall lie. Life mocks the idle hate 85
Of his arch-enemy Death¡ªyea seats himself
Upon the tyrant's throne¡ªthe sepulchre
And of the triumphs of his ghastly foe
Makes his own nourishment. For he came forth
From thine own bosom and shall have no end. 90
There have been holy men who hid themselves
Deep in the woody wilderness and gave
Their lives to thought and prayer till they outlived
The generation born with them nor seemed
Less aged than the hoary trees and rocks 95
Around them;¡ªand there have been holy men
Who deemed it were not well to pass life thus.
But let me often to these solitudes
Retire and in thy presence reassure
My feeble virtue. Here its enemies 100
The passions at thy plainer footsteps shrink
And tremble and are still. O God! when thou
Dost scare the world with tempests set on fire
The heavens with falling thunderbolts or fill
With all the waters of the firmament 105
The swift dark whirlwind that uproots the woods
And drowns the villages; when at thy call
Uprises the great deep and throws himself
Upon the continent and overwhelms
Its cities¡ªwho forgets not at the sight 110
Of these tremendous tokens of thy power
His pride and lays his strifes and follies by?
O from these sterner aspects of thy face
Spare me and mine nor let us need the wrath
Of the mad unchain¨¨d elements to teach 115
Who rules them. Be it ours to meditate
In these calm shades thy milder majesty
And to the beautiful order of thy works
Learn to conform the order of our lives.
|
Written by
Andrew Hudgins |
Our Father who art in heaven, I am drunk.
Again. Red wine. For which I offer thanks.
I ought to start with praise, but praise
comes hard to me. I stutter. Did I tell you
about the woman, whom I taught, in bed,
this prayer? It starts with praise; the simple form
keeps things in order. I hear from her sometimes.
Do you? And after love, when I was hungry,
I said, Make me something to eat. She yelled,
Poof! You're a casserole! - and laughed so hard
she fell out of bed. Take care of her.
Next, confession - the dreary part. At night
deer drift from the dark woods and eat my garden.
They're like enormous rats on stilts except,
of course, they're beautiful. But why? What makes
them beautiful? I haven't shot one yet.
I might. When I was twelve I'd ride my bike
out to the dump and shoot the rats. It's hard
to kill your rats, our Father. You have to use
a hollow point and hit them solidly.
A leg is not enough. The rat won't pause.
Yeep! Yeep! it screams, and scrabbles, three-legged, back
into the trash, and I would feel a little bad
to kill something that wants to live
more savagely than I do, even if
it's just a rat. My garden's vanishing.
Perhaps I'll plant more beans, though that
might mean more beautiful and hungry deer.
Who knows?
I'm sorry for the times I've driven
home past a black, enormous, twilight ridge.
Crested with mist it looked like a giant wave
about to break and sweep across the valley,
and in my loneliness and fear I've thought,
O let it come and wash the whole world clean.
Forgive me. This is my favorite sin: despair-
whose love I celebrate with wine and prayer.
Our Father, thank you for all the birds and trees,
that nature stuff. I'm grateful for good health,
food, air, some laughs, and all the other things I've never had to do
without. I have confused myself. I'm glad
there's not a rattrap large enough for deer.
While at the zoo last week, I sat and wept
when I saw one elephant insert his trunk
into another's ass, pull out a lump,
and whip it back and forth impatiently
to free the goodies hidden in the lump.
I could have let it mean most anything,
but I was stunned again at just how little
we ask for in our lives. Don't look! Don't look!
Two young nuns tried to herd their giggling
schoolkids away. Line up, they called, Let's go
and watch the monkeys in the monkey house.
I laughed and got a dirty look. Dear Lord,
we lurch from metaphor to metaphor,
which is -let it be so- a form of praying.
I'm usually asleep by now -the time
for supplication. Requests. As if I'd stayed
up late and called the radio and asked
they play a sentimental song. Embarrassed.
I want a lot of money and a woman.
And, also, I want vanishing cream. You know-
a character like Popeye rubs it on
and disappears. Although you see right through him,
he's there. He chuckles, stumbles into things,
and smoke that's clearly visible escapes
from his invisible pipe. It make me think,
sometimes, of you. What makes me think of me
is the poor jerk who wanders out on air
and then looks down. Below his feet, he sees
eternity, and suddenly his shoes
no longer work on nothingness, and down
he goes. As I fall past, remember me.
|
Written by
T S (Thomas Stearns) Eliot |
Mistah Kurtz -- he dead.
A penny for the Old Guy
I
We are the hollow men
We are the stuffed men
Leaning together
Headpiece filled with straw. Alas!
Our dried voices, when
We whisper together
Are quiet and meaningless
As wind in dry grass
Or rats' feet over broken glass
In our dry cellar
Shape without form, shade without colour,
Paralysed force, gesture without motion;
Those who have crossed
With direct eyes, to death's other Kingdom
Remember us -- if at all -- not as lost
Violent souls, but only
As the hollow men
The stuffed men.
II
Eyes I dare not meet in dreams
In death's dream kingdom
These do not appear:
There, the eyes are
Sunlight on a broken column
There, is a tree swinging
And voices are
In the wind's singing
More distant and more solemn
Than a fading star.
Let me be no nearer
In death's dream kingdom
Let me also wear
Such deliberate disguises
Rat's coat, crowskin, crossed staves
In a field
Behaving as the wind behaves
No nearer --
Not that final meeting
In the twilight kingdom
III
This is the dead land
This is cactus land
Here the stone images
Are raised, here they receive
The supplication of a dead man's hand
Under the twinkle of a fading star.
Is it like this
In death's other kingdom
Waking alone
At the hour when we are
Trembling with tenderness
Lips that would kiss
Form prayers to broken stone.
IV
The eyes are not here
There are no eyes here
In this valley of dying stars
In this hollow valley
This broken jaw of our lost kingdoms
In this last of meeting places
We grope together
And avoid speech
Gathered on this beach of the tumid river
Sightless, unless
The eyes reappear
As the perpetual star
Multifoliate rose
Of death's twilight kingdom
The hope only
Of empty men.
V
Here we go round the prickly pear
Prickly pear prickly pear
Here we go round the prickly pear
At five o'clock in the morning.
Between the idea
And the reality
Between the motion
And the act
Falls the Shadow
For Thine is the Kingdom
Between the conception
And the creation
Between the emotion
And the response
Falls the Shadow
Life is very long
Between the desire
And the spasm
Between the potency
And the existence
Between the essence
And the descent
Falls the Shadow
For Thine is the Kingdom
For Thine is
Life is
For Thine is the
This is the way the world ends
This is the way the world ends
This is the way the world ends
Not with a bang but a whimper.
|
Written by
Vernon Scannell |
The unrelated paragraphs of morning
Are forgotten now; the severed heads of kings
Rot by the misty Thames; the roses of York
And Lancaster are pressed between the leaves
Of history; ******* sleep in Africa.
The complexities of simple interest lurk
In inkwells and the brittle sticks of chalk:
Afternoon is come and English Grammar.
Rain falls as though the sky has been bereaved,
Stutters its inarticulate grief on glass
Of every lachrymose pane. The children read
Their books or make pretence of concentration,
Each bowed head seems bent in supplication
Or resignation to the fate that waits
In the unmapped forests of the future.
Is it their doomed innocence noon weeps for?
In each diminutive breast a human heart
Pumps out the necessary blood: desires,
Pains and ecstasies surf-ride each singing wave
Which breaks in darkness on the mental shores.
Each child is disciplined; absorbed and still
At his small desk. Yet lift the lid and see,
Amidst frayed books and pencils, other shapes:
Vicious rope, glaring blade, the gun cocked to kill.
|
Written by
John Milton |
Aug. 13. 1653.
Lord in thine anger do not reprehend me
Nor in thy hot displeasure me correct;
Pity me Lord for I am much deject
Am very weak and faint; heal and amend me,
For all my bones, that even with anguish ake,
Are troubled, yea my soul is troubled sore
And thou O Lord how long? turn Lord, restore
My soul, O save me for thy goodness sake
For in death no remembrance is of thee;
Who in the grave can celebrate thy praise?
Wearied I am with sighing out my dayes.
Nightly my Couch I make a kind of Sea;
My Bed I water with my tears; mine Eie
Through grief consumes, is waxen old and dark
Ith' mid'st of all mine enemies that mark.
Depart all ye that work iniquitie.
Depart from me, for the voice of my weeping
The Lord hath heard, the Lord hath heard my prai'r
My supplication with acceptance fair
The Lord will own, and have me in his keeping.
Mine enemies shall all be blank and dash't
With much confusion; then grow red with shame,
They shall return in hast the way they came
And in a moment shall be quite abash't.
|
Written by
Abraham Cowley |
Awake, awake, my Lyre!
And tell thy silent master's humble tale
In sounds that may prevail;
Sounds that gentle thoughts inspire:
Though so exalted she
And I so lowly be
Tell her, such different notes make all thy harmony.
Hark, how the strings awake!
And, though the moving hand approach not near,
Themselves with awful fear
A kind of numerous trembling make.
Now all thy forces try;
Now all thy charms apply;
Revenge upon her ear the conquests of her eye.
Weak Lyre! thy virtue sure
Is useless here, since thou art only found
To cure, but not to wound,
And she to wound, but not to cure,
Too weak too wilt thou prove
My passion to remove;
Physic to other ills, thou'rt nourishment to love.
Sleep, sleep again, my Lyre!
For thou canst never tell my humble tale
In sounds that will prevail,
Nor gentle thoughts in her inspire;
All thy vain mirth lay by,
Bid thy strings silent lie,
Sleep, sleep again, my Lyre, and let thy master die.
|
Written by
William Cowper |
What various hindrances we meet
In coming to a mercy seat!
Yet who that knows the worth of prayer,
But wishes to be often there?
Prayer makes the darken'd cloud withdraw,
Prayer climbs the ladder Jacob saw,
Gives exercise to faith and love,
Brings every blessing from above.
Restraining prayer, we cease to fight;
Prayer makes the Christian's armour bright;
And Satan trembles when he sees
The weakest saint upon his knees.
While Moses stood with arms spread wide,
Success was found on Israel's side;
But when through weariness they fail'd,
That moment Amalek prevail'd.
Have you no words? Ah, think again,
Words flow apace when you complain,
And fill your fellow-creature's ear
With the sad tale of all your care.
Were half the breath thus vainly spent
To heaven in supplication sent,
Your cheerful song would oftener be,
"Hear what the Lord has done for me."
|
Written by
Mary Darby Robinson |
Oft have I seen yon Solitary Man
Pacing the upland meadow. On his brow
Sits melancholy, mark'd with decent pride,
As it would fly the busy, taunting world,
And feed upon reflection. Sometimes, near
The foot of an old Tree, he takes his seat
And with the page of legendary lore
Cheats the dull hour, while Evening's sober eye
Looks tearful as it closes. In the dell
By the swift brook he loiters, sad and mute,
Save when a struggling sigh, half murmur'd, steals
From his wrung bosom. To the rising moon,
His eye rais'd wistfully, expression fraught,
He pours the cherish'd anguish of his Soul,
Silent yet eloquent: For not a sound
That might alarm the night's lone centinel,
The dull-eyed Owl, escapes his trembling lip,
Unapt in supplication. He is young,
And yet the stamp of thought so tempers youth,
That all its fires are faded. What is He?
And why, when morning sails upon the breeze,
Fanning the blue hill's summit, does he stay
Loit'ring and sullen, like a Truant boy,
Beside the woodland glen; or stretch'd along
On the green slope, watch his slow wasting form
Reflected, trembling, on the river's breast?
His garb is coarse and threadbare, and his cheek
Is prematurely faded. The check'd tear,
Dimming his dark eye's lustre, seems to say,
"This world is now, to me, a barren waste,
"A desart, full of weeds and wounding thorns,
"And I am weary: for my journey here
"Has been, though short, but chearless." Is it so?
Poor Traveller! Oh tell me, tell me all--
For I, like thee, am but a Fugitive
An alien from delight, in this dark scene!
And, now I mark thy features, I behold
The cause of thy complaining. Thou art here
A persecuted Exile ! one, whose soul
Unbow'd by guilt, demands no patronage
From blunted feeling, or the frozen hand
Of gilded Ostentation. Thou, poor PRIEST!
Art here, a Stranger, from thy kindred torn--
Thy kindred massacred ! thy quiet home,
The rural palace of some village scant,
Shelter'd by vineyards, skirted by fair meads,
And by the music of a shallow rill
Made ever chearful, now thou hast exchang'd
For stranger woods and vallies.
What of that!
Here, or on torrid desarts; o'er the world
Of trackless waves, or on the frozen cliffs
Of black Siberia, thou art not alone!
For there, on each, on all, The DEITY
Is thy companion still! Then, exiled MAN!
Be chearful as the Lark that o'er yon hill
In Nature's language, wild, yet musical,
Hails the Creator ! nor thus, sullenly
Repine, that, through the day, the sunny beam
Of lust'rous fortune gilds the palace roof,
While thy short path, in this wild labyrinth,
Is lost in transient shadow.
Who, that lives,
Hath not his portion of calamity?
Who, that feels, can boast a tranquil bosom?
The fever, throbbing in the Tyrant's veins
In quick, strong language, tells the daring wretch
That He is mortal, like the poorest slave
Who wears his chain, yet healthfully suspires.
The sweetest Rose will wither, while the storm
Passes the mountain thistle. The bold Bird,
Whose strong eye braves the ever burning Orb,
Falls like the Summer Fly, and has at most,
But his allotted sojourn. EXILED MAN!
Be chearful ! Thou art not a fugitive!
All are thy kindred--all thy brothers, here--
The hoping--trembling Creatures--of one GOD!
|
Written by
Rudyard Kipling |
Yearly, with tent and rifle, our careless white men go
By the Pass called Muttianee, to shoot in the vale below.
Yearly by Muttianee he follows our white men in --
Matun, the old blind beggar, bandaged from brow to chin.
Eyeless, noseless, and lipless -- toothless, broken of speech,
Seeking a dole at the doorway he mumbles his tale to each;
Over and over the story, ending as he began:
"Make ye no truce with Adam-zad -- the Bear that walks like a Man!
"There was a flint in my musket -- pricked and primed was the pan,
When I went hunting Adam-zad -- the Bear that stands like a Man.
I looked my last on the timber, I looked my last on the snow,
When I went hunting Adam-zad fifty summers ago!
"I knew his times and his seasons, as he knew mine, that fed
By night in the ripened maizefield and robbed my house of bread.
I knew his strength and cunning, as he knew mine, that crept
At dawn to the crowded goat-pens and plundered while I slept.
"Up from his stony playground -- down from his well-digged lair --
Out on the naked ridges ran Adam-zad the Bear --
Groaning, grunting, and roaring, heavy with stolen meals,
Two long marches to northward, and I was at his heels!
"Two long marches to northward, at the fall of the second night,
I came on mine enemy Adam-zad all panting from his flight.
There was a charge in the musket -- pricked and primed was the pan --
My finger crooked on the trigger -- when he reared up like a man.
"Horrible, hairy, human, with paws like hands in prayer,
Making his supplication rose Adam-zad the Bear!
I looked at the swaying shoulders, at the paunch's swag and swing,
And my heart was touched with pity for the monstrous, pleading thing.
"Touched witth pity and wonder, I did not fire then . . .
I have looked no more on women -- I have walked no more with men.
Nearer he tottered and nearer, with paws like hands that pray --
From brow to jaw that steel-shod paw, it ripped my face away!
"Sudden, silent, and savage, searing as flame the blow --
Faceless I fell before his feet, fifty summers ago.
I heard him grunt and chuckle -- I heard him pass to his den.
He left me blind to the darkened years and the little mercy of men.
"Now ye go down in the morning with guns of the newer style,
That load (I have felt) in the middle and range (I have heard) a mile?
Luck to the white man's rifle, that shoots so fast and true,
But -- pay, and I lift my bandage and show what the Bear can do!"
(Flesh like slag in the furnace, knobbed and withered and grey --
Matun, the old blind beggar, he gives good worth for his pay.)
"Rouse him at noon in the bushes, follow and press him hard --
Not for his ragings and roarings flinch ye from Adam-zad.
"But (pay, and I put back the bandage) this is the time to fear,
When he stands up like a tired man, tottering near and near;
When he stands up as pleading, in wavering, man-brute guise,
When he veils the hate and cunning of his little, swinish eyes;
"When he shows as seeking quarter, with paws like hands in prayer
That is the time of peril -- the time of the Truce of the Bear!"
Eyeless, noseless, and lipless, asking a dole at the door,
Matun, the old blind beggar, he tells it o'er and o'er;
Fumbling and feeling the rifles, warming his hands at the flame,
Hearing our careless white men talk of the morrow's game;
Over and over the story, ending as he began: --
"There is no trnce with Adam-zad, the Bear that looks like a Man!"
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